Style Wars (1983) Review
Posted by
Paul H Walton
on 9/11/2011
/
Labels:
art,
b-boy,
breakin,
documentary,
dvd,
graffiti,
hip hop,
hip hop culture,
overrated,
street art
Average Reviews:
(More customer reviews)I, like many, first saw Style Wars back in the early 80's on PBS as an impressionable youth who was just discovering Hip Hop in all it's forms. It has remained to this day, one of the best (certainly the most honest) accounts of Hip Hop in it's relative infancy. While the focus is squarely on the "writers" (graffiti artists for all you new jacks), we do get to see other aspects of Hip Hop culture in play (most notably b-boying with the Rock Steady Crew). Watching the film on dvd after so many years was literally like going back in time. It not only holds up, it has aged like fine wine. Every shot in the film reeks of NY & Hip Hop in the early 80's. A true, 100% bonafide classic in every sense of the word. The filmakers have succeeded beautifully in capturing the spirit of the time, the place, the people and the culture. This is a true time capsule if there ever was one.
Ok, enough with accolades. Now on to the disc. Dang. Talk about getting the deluxe treatment. Whereas the Wild Style DVD is incomplete (see my review), Style Wars is not only complete, uncut and un-altered, it is absolutely full to brim with fantastic extras...close to 4 HOURS worth. Highlights include art and interviews with many of the films participants. Most notable for me was MIN ONE. He's the tough little curly-haired, white kid who tries to get the rest of the writers to retaliate against Cap for "going over their burners". ("That's never forgive action"). All I can say is he looks like he's been through one hell of a lot in the last 20 years. Very sobering to say the least.
Other extras include outtakes, audio commentary by the filmakers, and (this is very cool) a 30 minute loop of "whole cars".
If you consider yourself a serious Hip Hop head, you have no excuse not to own this dvd.
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When director Tony Silver and co-producer Henry Chalfant delivered the broadcast version of their prize-winning film to PBS in 1983, the world received its first full immersion in the phenomenon that had taken over New York City. The urban landscape was physically transformed by graffiti artists who invented a new visual language to express both their individuality, and the voice of their community. In STYLE WARS, New York's ramshackle subway system is their public playground, battleground, and spectacular artistic canvas. Opposing them by every means possible are Mayor Ed Koch, the police, and the New York Transit Authority. Meanwhile, as MC's, DJ's and B-boys rock the city with new sounds and new moves, we see street corner breakdance battles turn into performance art.STYLE WARS has become an emblem of the original, embracing spirit of hip hop as it exploded into the world from underground tunnels, uptown streets, clubs and playgrounds. New York's legendary kings of graffiti own a special place in the hip hop pantheon. This film is regarded by many as the definitive document of the emerging hip hop culture, and the continuing struggle to keep its authentic spirit alive.
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