Before the Rain - (The Criterion Collection) (1994) Review

Before the Rain - (The Criterion Collection) (1994)
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I never grow tired of watching BEFORE THE RAIN. It is, first, a stunningly beautiful piece of cinematography. The camera pans natural vistas, churches, London streets, and the faces of the interlocking characters with sensitivity, wisdom, and love. The three parts of the film mesh with perfect paradox, underscoring the recurring theme that time is not a circle. We see the young, the old, the weak, the strong, the living, and the dead all intermingling with an incoherent rap song which blasts from speakers the world over. The pacing is ideal; the plot is ingenious; the message is eternal. BEFORE THE RAIN should be reissued on videocassette and offered on DVD. It moves me as much as any film I've ever seen. Even American high-school students are captivated by it, and that in itself in a small miracle!

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The first film made in the newly independent Republic of Macedonia, Milcho Manchevski’s Before the Rain crosscuts the stories of an orthodox Christian monk (Grégoire Colin), a British photo agent (Katrin Cartlidge), and a native Macedonian war photographer (Rade Šerbedžija) to paint a portrait of simmering, entrenched ethnic and religious hatred about to reach its boiling point. Made during the strife of the war-torn Balkan states in the nineties, this gripping triptych of love and violence is also a timeless evocation of the loss of pastoral innocence, and remains one of recent cinema’s most poetic evocations of the futility of war. DIRECTOR-APPROVED SPECIAL EDITION FEATURES: • New, restored high-definition digital transfer, supervised and approved by director Milcho Manchevski • Audio commentary featuring Manchevski and film scholar Annette Insdorf • New video interview with actor Rade Šerbedžija • Manchevski's award-winning music video for Arrested Development's "Tennessee" • Stills galleries of Manchevski's photographs and on-set shots • Theatrical trailer • New and improved English subtitle translation • PLUS: A new essay by film scholar Ian Christie • More!

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