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(More customer reviews)In the lifetime of every individual, there are defining moments which, when added together, equal the sum total of all the good times and bad that person has ever known. And from that whole list, there is probably one that stands out-- that one "special” moment, or the most significant-- one that was so good you’d like to relive it over and over again, or so bad that you’d like to erase it from your memory forever. In "Angel Eyes,” starring Jennifer Lopez and James Caviezel, director Luis Mandoki takes a look at the effects of such a moment in the life of Chicago Police Officer Sharon Pogue (Lopez), and again with a man who calls himself "Catch” (Caviezel); unrelated moments from their past, that are destined to play an even more significant role in their future, when circumstances bring them together on the streets of Chicago. ...
The mystery surrounding Catch is what drives this film, and Mandoki does an excellent job of presenting it. He creates an atmosphere that cloaks Catch in shadows, yet keeps him elusive, rather than sinister. Catch seems to float through life, calm and strangely prepossessing, yet detached and ambiguous. ...
As Sharon, Jennifer Lopez gives arguably her best performance since 1998’s "Out Of Sight,” in which she also played a cop. After her turn in "The Cell,” which wasn’t bad, and the forgettable fluff of "The Wedding Planner,” it’s good to see her in a challenging role, something she can really sink her teeth into. Which she does, and beautifully. It’s tough for an actress to make a character like this believable (Tyne Daly came close in "The Enforcer,” Jamie Lee Curtis was a disaster in "Blue Steel”), but Lopez pulls it off and proves that there’s more to her than just a pretty face. She makes Sharon a very real person, entirely three dimensional, emotionally complex and a woman who seems very capable of doing what she does for a living. She’s beautiful and tough, but sensitive as well, and most importantly, Lopez makes it convincing.
As Catch, Caviezel gives a memorable performance that really captures the essence of who this guy is. And his success with this character lies in the fact that he plays him straight, making him exactly who he is supposed to be rather than trying to shade him with some kind of "dark side” to enhance the mystery ensconcing him. He makes Catch a person you can readily embrace, who though perceived by others as enigmatic, is really only a man coping with a terrible secret and living his life as best he can. Catch is a unique character, in that he is cryptic and accessible at the same time; and Caviezel captures his spirit with astounding acuity and nuance. It’s an honest portrayal, devoid of any pretentiousness or falseness-- quite simply an excellent piece of acting.
The supporting cast includes Sonia Braga, Terrence Dashon Howard, Daniel Magder, Jeremy Sisto, J.J. Evans, Alfonso Arau, Victor Argo, Monet Mazur and Shirley Knight. Extremely well developed and delivered, "Angel Eyes” is a story of loss and love, and redemption; but more than that, it’s about "Time”-- how much we’re given and how we use what we have. Call it a reflection on mortality; it’s a film that will make you stop, think and consider-- about the way things are, and perhaps how they could be-- if you’d only take the time to make one of those "special” moments that last forever.
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After meeting under extraordinary life-and-death circumstances, a Chicago police officer (Lopez) and a lost soul named Catch (Caviezel) fall in love. While uncovering the truth about Catch, she is forced to deal with the secrets of her own past.
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