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(More customer reviews)If you really want to get the most out of viewing this picture, don't make the mistake many of these Amazon reviewers do, by either assuming the politics of Cimino et al or using your own pro- or anti-America agenda as a critical yardstick. Because really this film isn't proselytizing a particular viewpoint, unlike Cimino's disastrous followup HEAVEN'S GATE. And don't think of it solely as a war movie. Actually, it's a lot like GONE WITH THE WIND: an epic-scale look at life and society in a specific place and time in the past (in this case, 1968, ten years before the film was made), and how folks send off their high-spirited young men to a war that no one pays a great deal of mind to - and how that war shatters not only the young men but the world they left behind, forever. The wedding scene IS long and in lesser hands on either side of the camera would be a dead weight but Cimino and lensman (sorry) Vilmos Zsigmond frame it in reverent widescreen grandeur, and a once-in-a-lifetime cast nails every character nuance and conversational tic, so that the scene flows on and on, vibrant with life and perfectly evoking not only a rust-belt town but the fast-fading rust-belt values of the nation. Besides, with a cast like this movie's, working at the height of their powers with inspired material, you really don't want scenes to end. When the movie segues to Vietnam, the tone shifts to horror and finally surrealism. Many consider this portion of the movie horribly racist, but that's a safe, kneejerk-liberal reaction. These aren't Harvard freshmen, they're barely-educated steeltown kids being sent to a faroff jungle to kill VC, who get captured & tortured by the men they are trying to kill. For enlightened liberal pieties to inform the dialogue or the tone of these scenes would be criminally false. That's probably what makes this a great flick, however, that right-wingers can despise it for its obvious liberalism and the bleeding hearts can hate it for its reactionary jingoism. Ain't consensus wonderful? Check your own politics at the door before watching this (widescreen version only!) and savor four transcendent performances by DeNiro, Savage, Walken & Streep, plus the late John Cazale doing his patented sweaty-weasel turn as an added bonus.
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