Making Contact (1985) Review
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(More customer reviews)MAKING CONTACT, perhaps more properly called JOEY in Germany, tells a magical fable about a boy named Joey Collins.
As the story begins, Joey is a lonely nine-year-old whose beloved father has just died.
One night, while mourning the loss of his father, Joey is surprised when his many toys and games begin to move around his room.
This is how Joey's adventure begins.
The devastating death of his father has also somehow awakened in Joey a strange power that allows him to communicate with and sometimes even control the forces and energies of an unseen world.
Suddenly, incredible events begin to unfold that defy conventional explanation.
A simple toy robot seems to come to life, and only Joey can understand the machine's chirps and whistles. It tells him that its name is Charlie.
As an old toy telephone begins to ring in Joey's room, phones all across his beach community ring as well. In answering that call, Joey hears a voice that claims to be his deceased father contacting him from beyond the grave.
Joey's world becomes one of magic and wonder, and he is so overwhelmed by it all that he is eager and willing to believe the voice is who he thinks it is without much thought on the matter.
But Joey's surprise and joy over his newfound abilities eventually give way to fear, doubt and even outright terror.
His loving mother first thinks his abilities, especially his telekinesis (the power to move objects without touching them), are only possible as the results of some schoolyard tricks.
Most of the other children at school refuse to believe in his abilties, either, or that he is the intended recipient of the strange phone calls that have plagued the community.
His teacher thinks he's suffering deep psychological traumas and needs professional help. He is only trying to help the troubled Joey, but how can he believe that Joey is talking to his dead father on the telephone?
Only one girl in Joey's class at school even tries to be his friend after seeing the troubles he has, but Joey is shy after losing his father. Still, he seems pleased when she reacts in a positive way about his use of his telekinetic abilities.
Joey's mistreatment at the hands of the neighbor kids is a reaction of fear. They don't understand his claims, nor do they really comprehend his powers. Their fears are understandable, but no less hurtful to Joey.
Joey ends up needing all the allies he can find, though, because these are only the beginning of Joey's troubles.
On a walk with Charlie, Joey decides to use his friend's diminutive size to help him explore a nearby derilect house that once belonged to an aged ventriloquist.
But the house holds many sinister secrets from the past.
The ventriloquist's dummy is as alive as Joey's robot. More importantly, though, the dummy seems threatening, as malevolent toward Joey as Charlie is friendly. Worse for Joey, the dummy claims to know the source of Joey's powers and the origins of the phone calls.
Are the calls really coming from Joey's father, or from some unknown force from the other world trying to trick the boy? What is the true nature of Joey's mysterious gift?
Before the answers are known, Joey will become the center of a conflict over his life and his destiny. Will he bring his wonderful gifts to the world, or will he come under the control of a terrible evil?
Now that I've told you a little about the story, I'd like to comment on the actual movie. If you don't want any of the film's secrets ruined for you, stop reading this review! I go into specific details about some of the plot points of the film from here onward, so you've been warned!
MAKING CONTACT, finally available on DVD, comes courtesy of Anchor Bay Entertainment. This package contains both the German and American releases of the film and you'll want to watch them both. Be sure to check out the differences in the dialogue between the two. Several scenes interpret the story in slightly different ways and can help make sense of some of the film's mysteries on another viewing.
The film has been criticized by some for "stealing" ideas from other films. However, a more careful examination of the film should show that this isn't a fair thing to say without understanding some major points from the story. Joey's powers come from his ability to tap into an imaginary world. When a person comes into contact with that world, they will see images from themselves and also imaginary things that come from things the person has seen or heard, like that person's greatest heroes or darkest fears. It is only natural that a boy of nine, given this power, would use his magical gift to recreate things he has seen in movies and television. Furthermore, the elements from other sources all receive very affectionate credit. Roland Emmerich appears to want to make it clear that these elements come from other movies and shows. Would someone who was trying to "steal" from RETURN OF THE JEDI include bedsheets that show the title of the movie and characters from that movie? Would that person include pictures and toys from that movie? A more accurate statement might be that this film includes playful references that reflect things you might see in a typical child's imaginative play. The references aren't mean-spirited, sarcastic, sardonic or insincere. A child gifted with the power to make his imagination real would most likely include characters from STAR WARS, and he might want a friend like E.T. in his life, especially if he were as lonely as Joey is.
Finally, a word of caution: this film deals with elements of death and loss. Children who have recently lost a relative may find it hard to handle.
But for those who are willing to let their preconceived ideas about what a movie has to be, what special effects have to be, what a story has to be... welcome to Joey's unforgettable world. I hope you enjoy your visit as much as I have over the years.
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