Showing posts with label 2004. Show all posts
Showing posts with label 2004. Show all posts

Million Dollar Baby (Two-Disc Widescreen Edition) (2005) Review

Million Dollar Baby (Two-Disc Widescreen Edition) (2005)
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Hillary Swank (Margaret Fitzgerald), who proved her athleticism in her first major role, The Next Karate Kid, demonstrated it again, pummeling a heavy bag with a power left on which I wouldn't want to be on the receiving end. She's very convincing in this movie - both as a young woman from humble beginnings who wants to make a better life for herself, and as a boxer. In Million Dollar Baby, she returns to the visceral emotional range that left us so deeply moved in Boy's Don't Cry.
Clint Eastwood (Frankie Dunn), who has proved himself repeatedly, has perhaps turned in the best performance of his career. At times irascible, intellectual, mournful, instructive, reflective, passionate - in every manifestation, he reaches you. He was brilliant.
And Morgan Freeman is, well, Morgan Freeman. As the narrator of the story, and an actor within it, he lends a soft-spoken touch that ameliorates some of the film's darker elements. He also lent the film a certain amount of boxing sagacity, as he spoke in non-technical and sometimes quasi-technical terms of the basics of boxing.
This film ain't no Rocky. It has an intelligence and compassion that Rocky (and virtually every boxing film ever made, save perhaps Raging Bull) couldn't think to have. Beyond that, it actually has better fight sequences. More often than in most boxing films - certainly the very poor choreography of the Rocky fight sequences - the punches looked and felt real, or as real as "fake" can make them.
Margaret introduces herself to Frankie after a fight and asks him to train her. He turns her down flat, saying that he doesn't train girls. Given her pluckiness, she appears at his gym the next day, punching a heavy bag with all of the skill, style and fluidity of Pinocchio. Finally he agrees to train her ("finally" takes a while, and watching it come to fruition, the subtle changes in Eastwood's character, is a real treat to watch), and soon she is ready for her first fight.
Here's the only similarity to Rocky: she turns out to be a natural, with a wicked left hook and overhand right (at least that I could see) and is knocking out all of her opponents in the first round. Some might think that this is, perhaps, a bit much. However, in the sport of women's boxing, such a thing isn't uncommon. PLEASE don't think that I'm saying women are not good boxers or don't have the same abilities that men do. It's simply that the increasing popularity of the sport hasn't quite yet led to the kind of talent that exists in men's boxing (although, frankly, talent on that side isn't exactly at it's apex). Her superiority over lesser opponents isn't unheard of.
There's so much more I want to say about this film, because from this point forward it moved from being one of the best films of the year - purely on the strength of the writing, and the performances of Swank and Eastwood in particular - to one of the best films I've seen in several years. I'm so grateful that reviewers didn't give away the ending. I'll just say that the ending is layered with surprises, and that it's been a very, very long time that I haven't seen a single cell phone being used (how annoying is that, even with all of the polite requests and warnings?), and also seen so many in the theater remain in their seats long after the movie ended.
It's a brilliant, brilliant film, the kind that makes me want to go back and change the number of stars I've given most movies that I've reviewed, simply so that this 5 star review means more. I recently gave Sideways, Closer, and Finding Neverland 5 stars, and while they are all very, very worthy films - I'd like to give this one six.


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"I DON'T TRAIN GIRLS", trainer Frankie Dunn growls. But something's different about the spirited boxing hopeful who shows up daily at Dunn's gym. All she wants is a fighting chance. Clint Eastwood plays Dunn and directs, produces and composes music for this acclaimed, multi-award-winning tale of heart, hope and family. Hilary Swank plays resilient Maggie, determined not to abandon her one dream. And Morgan Freeman is Scrap, gym caretaker and counterpoint to Dunn's crustiness. Grab your dreams and come out swinging.DVD Features:DocumentariesFeaturetteInterviews


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The Notebook (Limited Edition Gift Set) (2008) Review

The Notebook (Limited Edition Gift Set) (2008)
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THE NOTEBOOK has long been my favorite of Nicholas Sparks' many books, so it is a happy surprise to me that the wonderful story transferred to the big screen with all the sweetness, warmth, and tenderness that made the book a runaway best seller.
The best part of this movie was the incredible chemistry between Rachel McAdams and Ryan Gosling as the young lovers Allie and Noah. Their story was told by an elderly couple in a nursing home. James Garner and Gena Rowlands were outstanding as the devoted "Duke" and the woman with irreversible dementia. As Duke recounted the story of Allie and Noah from the notebook he carried with him, the lady's memory began to come back and she could remember.
The movie always changes the book but the one major change (the ending) which had the audience letting out a collective gasp and reaching for the nearest tissue was, in my opinion, really good even if it was pure Hollywood melodrama.
Why does a movie like THE NOTEBOOK appeal to so many? Is it that every woman longs for a man who loves as deeply as Noah? Is it that every one wants a love that transcends all problems---those of class, education, family objection----and lasts forever? Or just maybe in a world of high-tech gizmos and high security alerts, it's nice to get back to basics with a really good love story....and this is definitely that.

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Behind every great love is a great story. As teenagers, Allie (Rachel McAdams) and Noah (Ryan Gosling) begin a whirlwind courtship that soon blossoms into tender intimacy. The young couple is quickly separated by Allies upper-class parents who insist that Noah isn't right for her. Several years pass, and when they meet again, their passion is rekindled, forcing Allie to choose between her soulmate and class order. This beautiful tale has a particularly special meaning to an older gentleman (James Garner) who regularly reads the timeless love story to his aging companion (Gena Rowlands). Based on the best-selling novel by Nicholas Sparks, The Notebook is at once heartwarming and heartbreaking and will capture you in its sweeping and emotional force. Special Collectibles Included in this Giftset: Exquisite 46-Page Photo and Scrapbook Album That Highlights the Movies' Storyline and Provides Bonus Pages for Creating Your Own Personalized Memories Decorative Stickers and Photo Corners to Add Your Own Photos 2 Themed Bookmarks Set of 16 Notecards and Envelopes

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