Akira Kurosawa - 4 Samurai Classics (Seven Samurai / The Hidden Fortress / Yojimbo / Sanjuro) - Criterion Collection (1956) Review

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(More customer reviews)That's right, these ARE some of the greatest Japanese films ever made and are especially wonderful samurai movies!
By now you know abouth the movies that are included so let me make some technical reference to the DVDs.
In terms of picture quality, Seven Samurai has been restored to present the best presentation of the film to date. Yojimbo features a fine 2.35:1 non-anamorphic transfer of the film. Don't get me wrong, it is quite good, especially for a film of its age, but you won't be writing home about it. Sanjuro (my favorite of the bunch) is presented in a non-anamorphic 2.35:1 aspect ratio and starts off poor. The film looks worn for the first few minutes and shapes up after that. Overall, a very good transfer. Hidden Fortress has the best picture of the bunch, having been mastered from a pristine interpositive to a high definition transfer!
Sound on the disc is as follows: Seven Samurai features a restored mono track and is a improvement over the old video tape I used to watch! Yojimbo's sound isn't quite as good. There's a hiss throughout the Japanese 2.0 Mono track. To sum it up, it is fair. Sanjuro, happily, doesn't have the hiss present in the Yojimbo track. It is a pleasant Japanese 1.0 mono track. Hidden Fortress gives the viewer the choice of a 1.0 mono track or a 3.0 Dolby Digital track.
Extras? Seven Samurai features audio commentary by Japanese film historian Michael Jeck which offers insights into Kurosawa's work, the film and Japanese culture which combine to make a highly engaging commentary. Also included is a theatrical trailer. Yojimbo is pretty much a bare bones disc, including only the trailer and liner notes. Sanjuro has the same features as Yojimbo. Theatrical trailer and liner notes. Hidden Fortress includes a theatrical trailer and an eight minute interview with George Lucas who discusses Kurosawa's influence on him as a filmmaker.
In conclusion, these are excellent films with presentations that I'm sure are the best we will ever see for them. Don't hesitate to add these to your film library!

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Black Rain (1989) Review

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(More customer reviews)BLACK RAIN is the only movie of director Shohei Imamura that can be found in the DVD standard. It's a pity since this director is still one of the most interesting japanese directors even if he's now 72 years old. Winner of two Cannes Palmes d'Or ith THE EEL and THE BALLAD OF NARAYAMA, he isn't properly speaking a newcomer but his work deserves to be known by a wider audience.
The black rain is the name Japanese people have given to the rain that fell on Hiroshima right after the nuclear bombing of this island. Black and deadly. The movie, shot in black and white, tells the story of a couple of survivors and their struggle to stay alive and be part of the new japanese society born after the emperor's surrender.
One could say that BLACK RAIN's rythm is slow but I think it's a courageous choice of Shohei Imamura in order that we feel the fear of these people waiting their whole life for the first signs of the inevitable diseases provoked by radioactivity. In between, they try to survive like Yasuko, the heroin, whose search for a husband is pathetic.
Two scenes will stay in your memory. Firstly, the description of Hiroshima in comparison of which those horror movies Hollywood produces by the dozen seem, for the least, ridiculous. And this scene when Yasuko, filled with hope, waits for a shining rainbow, symbolizing life. You wait with her, with all your heart, until you remember that this film is shot in black and white. Simply magistral.
A scene access as sole extra-feature.
A DVD for your library.

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A Cannes Film Festival award winner, "Black Rain" is an unforgettable movie about humanity and survival after the 1945 atomic catastrophe that changed the world forever. Stunning photography vividly details the horror of ravaged Hiroshima, while its shocked survivors struggle with radiation sickness as they rebuild their shattered lives.

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The Hidden Fortress - Criterion Collection (1960) Review

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(More customer reviews)I have to confess my bias at the start: Akira Kurosawa is easily one of my two or three favorite directors. If forced to sit down and do a list of my 25 favorite films, SEVEN SAMURAI would be in a tie for first, and two or three others would join it on the list.
This was the first movie that Kurosawa made that was widescreen, and therefore the first that will derive maximum benefit from DVD. (Read through the early reviews of the DVD of SEVEN SAMURAI to see some of the confusion over this.) His use of the wider angle is magnificent, presenting the view with extraordinary vistas again and again. Kurosawa never seemed to struggle with the technical aspects of filmmaking, and would later make a similarly effortless transition to color.
This is one of Kurosawa's finest films. It is difficult to say that it is his best, since his very best films are among the greatest ever made. Suffice it to say, that the film bears in every way the mark of greatness. The camera work is flawless. Though black and white, the film is gorgeous to look at every moment. The acting is impeccable, with Mifune giving a somewhat difference performance in this one. If we are more accustomed to think of him as a more fiery character, as in RASHOMON or SEVEN SAMURAI or THRONE OF BLOOD, in this one he is magisterial and aristocratic.
I think the parallels to STAR WARS are rather overblown, and anyone coming to this film looking for tones of George Lucas rather than Akira Kurosawa just may find themselves disappointed. Yes, there is a princess, and yes, there are some very small plot parallels, and yes, there are two comic characters included to provide light entertainment and to move the plot along. But none of these are crucial elements of THE HIDDEN FORTRESS.
But I do think the STAR WARS references bring up a very interesting point about Kurosawa: more than anyother foreign filmmaker in history, Kurosawa is the one with the easist relationship with American culture. People who normally dislike foregin film can respond powerfully to his films. I once showed SEVEN SAMURAI to a group of high school boys. These kids were almost in a state of mutiny, because 1) the film was black and white and 2) it was subtitled. But by the end of the evening they were all entranced and had become fans of the film.
I think the reason they responded so easily was partly because Kurosawa was a cinematic genius, but also because he had absorbed so much of American culture and film technique in his films. Just as many American films have borrowed directly from his work, so he borrowed from American sources. Many of his films bear evidence of extensive exposure to film noir and American Westerns, and several of his plots are borrowed from American and Western sources. One example: much has been made of the fact that A FISTFUL OF DOLLARS was based on Kurosawa's YOJIMBO, but it is not as often noted that YOJIMBO was based on Dashiell Hammett's RED HARVEST, in which the Continental Op goes to the town of Personville (or, as a Brooklyn-accented character in the book pronounces it, Poisonville) and turns two warring criminal factions against each other.
But if you haven't seen this film, do so. Without any question one of Kurosawa's very finest films.

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A general and a princess must dodge enemy clans while smuggling the royal treasure out of hostile territory with two bumbling, conniving peasants at their sides; it's a spirited adventure that only Akira Kurosawa could create. Acknowledged as a primary influence on George Lucas' Star Wars, The Hidden Fortress delivers Kurosawa's inimitably deft blend of wry humor, breathtaking action and humanist compassion on an epic scale. The Criterion Collection is proud to present this landmark motion picture in a stunning, newly-restored Tohoscope edition.

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