Showing posts with label shogun. Show all posts
Showing posts with label shogun. Show all posts

Shogun (2 Hour Feature) (1980) Review

Shogun (2 Hour Feature)  (1980)
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I just spent the weekend watching the complete video tape version of this classic mini-series and I thought I would give the one tape version a second viewing. To be fair, this version is, as others have noted, an above average job of reducing "Shogun" to a single cassette. But doing so really takes away a complete dimension from this epic. Ultimately it is comprehensible only to those who have read the book and/or seen the complete mini-series. You will constantly be thinking back to what they have cut out, filling in all of the jettisoned backstories of the supporting characters who gave "Shogun" its breadth and depth (especially Lord Yabu and Omi). You also lose the sense of the political intrigue, focusing more on the love affair between Pilot-Major Blackthorne and Mariko. Consequently, viewing this edited version is only going to make you want to go back to the complete mini-series or Clavell's novel. Therefore, you should just go do that in the first place. "Shogun" is on a level with "Roots" and "I, Claudius." Can you imagine them doing this to either of those classics?
Of course this begs the question: Why did they even bother to make this version? If memory serves, this was released at a time when no one had really tested the market in terms of making an entire mini-series available on tape. Fortunately, our local library has not only "Shogun" but just about every other major mini-series you can mention. Once I month I grab one for a major weekend viewing session. It is truly the only way to go.

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King Rat (1965) Review

King Rat (1965)
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There are many mysteries of the universe that I have yet to unravel. One of the most puzzling is the lack of recognition usually given to King Rat. I consider this film among the top twenty of all time. Alas, few people are even aware of its existence. The Director Bryan Forbes should have least received an Academy Award nomination. George Segal is brilliant as the amoral prisoner of war camp manipulator who is indifferent to the suffering of his fellow comrades. He is charmingly personable, highly intelligent, and utterly selfish. A mere corporal in rank, the King Rat often tells officers what to do. We view the day to day lives of these allied military combatants interned by the Japanese during World War II. Avoiding starvation is a daily challenge. Retaining one's moral decency and sanity is near impossible. The captured soldiers perceive little reason to exhibit physical courage, and are seemingly content to wait out the end of the war. They are many miles behind enemy lines, and escape seems pointless.
King Rat is difficult to watch. This is not a message film. Novelist James Clavel's purpose is not to particularly provide any deep existential insights pertaining to life and death. There are instances of compassion and altruistic warmth, but these men at least subconsciously realize that the death of a buddy increases the chances of their own survival. They will then have more food to eat and clothes to put on their backs.
A number of the fine actors who fill out the cast include Patrick O'Neal, James Fox, John Mills, and Tom Courtenay. I consider King Rat to be a better film than the far more famous "Bridge on the River Kwai." Will you also agree with my assessment? Perhaps not, but I do think that it's a safe bet you will find King Rat to be worthy of your time and interest.

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George Segal is the mastermind of all black market operations in a Japanese prison camp. He is called "King Rat" because of his breeding of rodents to serve as food for his emaciated fellow prisoners. British officer James Fox helps Segal expand his operation to include trading with the Japanese officers. Though on surface level a thoroughly selfish sort, Segal saves the ailing Fox's life by wangling precious antibiotics from the guards. Stars Academy Award nominee, George Segal (TV's Just Shoot Me). Academy Award nominated film for Best Art Direction and Best Cinematography.

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