Showing posts with label pre-code. Show all posts
Showing posts with label pre-code. Show all posts

TCM Archives - Forbidden Hollywood Collection, Vol. 1 (Waterloo Bridge / Baby Face / Red-Headed Woman) (1933) Review

TCM Archives - Forbidden Hollywood Collection, Vol. 1 (Waterloo Bridge  / Baby Face / Red-Headed Woman) (1933)
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There seems to be a great deal of pre-release confusion concerning what will actually be included on this upcoming set, and why. In the interest of sorting things out, I should first point out that although this is the first "Forbidden Hollywood" collection to be released by Warner Home Video on DVD, the franchise itself is not new. There were previously two "Forbidden Hollywood" boxed sets and a number of double features released on LaserDisc back in the 1990's. Additionally, quite a few "Forbidden Hollywood" titles were also offered on VHS cassette. From the git-go, "Forbidden Hollywood" titles were only culled from that cache of movies that premiered during the few short years after the introduction of "talkies" and the imposition of the Hays Production Code in 1934.
During this time frame, roughly 1929 to mid-1934, Hollywood studio product became increasingly concerned with subject matter that would later be condemned as taboo after the Code came into effect; these so-called "pre-Code talkies" were filled with characters who indulged in premarital sex, extramarital affairs, and even gay and lesbian liaisons. Films touched on hot-button topics such as rape, abortion, feminism, having children out-of-wedlock, drug abuse, and other social ills. And mind you, these things weren't just delicately hinted at in screenplays ... they frequently were shown on-screen and discussed quite frankly. After the Hays Code was adopted by the motion picture industry as a self-censorship tool, this group of films was deemed unacceptable for future distribution and exhibition without judicious editing to trim out now-objectionable material, and so they became, literally, "Forbidden Hollywood" product.
This new two-disc DVD set will feature three titles, but four films, two of them extremely rare. The first disc will include James Whale's 1931 "Waterloo Bridge", a film once thought "lost" and for the last 20 years only screened at film retrospectives (and apparently once or twice on TCM several years ago). The 1940 remake starring Vivien Leigh, though a wonderful and deservedly beloved film, will not be included here since it is not from the pre-Code era, and was never suppressed as part of the "Forbidden Hollywood" catalogue. Instead, the second film on this first disc will be the racy 1932 Jean Harlow vehicle, "Red-Headed Woman", which pushed the envelope back in the day for its bold depiction of a sexually free secretary who sets her sights on her married boss.
The second disc will include two versions of a single film, the 1933 scorcher "Baby Face", starring Barbara Stanwyck as a blonde bombshell who - after being pimped out by her father in her own hometown - moves to New York and sleeps her way up the corporate ladder to the very top. Many film historians point to "Baby Face" as the single film most responsible for the introduction of the Hays Code, the one that ushered in an era of censorship that was to last for more than 30 years. Intriguingly, the version that so shocked the public was actually an edited version of the original cut, which then disappeared for over 70 years ... until a complete print was found, restored, and finally premiered on the revival circuit in early 2006. That long-awaited, long-sought original version will be included on this set, as will be the edited version that managed to cause such an uproar when it played theatres in 1933.
And there you have it, the official contents of the "Forbidden Hollywood Collection, Volume One", enough to have a large number of pre-Code devotees jumping for joy at the chance to finally see (and own!) some seldom-displayed jewels. Let's just all hope that Volumes Two, Three, and so on are quick to follow!

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Includes: Waterloo Bridge (1931), Baby Face (1933), and Red-Headed Woman (1932).

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Forbidden Hollywood Collection, Volume Three (Other Men's Women / The Purchase Price / Frisco Jenny / Midnight Mary / Heroes for Sale / Wild Boys of the Road) (2009) Review

Forbidden Hollywood Collection, Volume Three (Other Men's Women / The Purchase Price / Frisco Jenny / Midnight Mary / Heroes for Sale / Wild Boys of the Road) (2009)
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All six of the entries in this set were directed by William Wellman. Since the announcement I've heard some people complain about what's in this set, but I take my hat off to Warner Home Video for going into their archives and pulling out some lesser known titles. Besides, who says WHV is through with the franchise? They have enough films of this type to fill up several more volumes. This set looks at some of the working conditions of depression era America in "Other Men's Women", and some of the worst social issues of the depression itself in "Wild Boys of the Road" and "Heroes for Sale", in addition to the films with sexual themes for which pre-code films are primarily remembered.
1930's "Other Men's Women" stars Grant Withers as railroad worker Bill White who becomes enamored of the wife (Mary Astor) of his close friend Jack (Regis Toomey). Both men are railroad workers, and prior to coming home to live with Jack and his wife Bill has been romancing a tough waitress (Joan Blondell) among others, getting drunk every night to the point of almost losing his job, and finally gets ejected from his rooming house. At Jack's house he finds the kind of home he's never had, and he and Jack's wife, Lily, fall in love, but due to their mutual loyalty to Jack, do nothing about it. However, Jack does find out and he and Bill have it out one night on the train in what turns out to be a bad place for a fist fight. Grant Withers never made it as a leading man, and it is interesting to see him in this film, and also in his previous leading role "Sinner's Holiday", getting upstaged by the dynamic James Cagney, who has a very small role in both movies.
1933's "Wild Boys of the Road" shows that the folks in "Other Men's Women" were lucky to at least have a steady paycheck. Here the depression invades the lives of a group of boys whose families are down to their last nickels. The movie starts out with the boys going to a high school dance, and ends up with them living in a shanty town full of youth in similar situations - looking for work and figuring that they are doing their families a favor by not being one more mouth to feed. A kindly judge gives the film a rather pat ending, but overall this is a very good movie.
BONUS FEATURES:
Commentary by William Wellman Jr. and Frank Thompson

Classic Cartoons:
Sittin' on a Backyard Fence
One Step Ahead of My Shadow
The Trans-Atlantic Mystery Short
Theatrical Trailers
1933's "Heroes For Sale" stars Richard Barthelmess as Tom Holmes, a man who lives through a series of improbable events more as a symbol of the times than a reasonable expectation of what could happen to one single man. Tom is cheated out of a medal for bravery in WWI, becomes addicted to morphine as a result of a battle wound, loses his job in a bank when his addiction is found out, becomes rich through the invention of a machine that is the creation of his neighbor, becomes an outcast in the "Red scares", and ultimately becomes one of the many men marching from town to town in search of nonexistent jobs. Most remarkably, Tom never seems to get beaten down or chewed up by life. His hopeful spirit remains intact.
BONUS FEATURE:
Commentary by John Gallagher
1932's "The Purchase Price" has Barbara Stanwyck as Joan Gordon, a torch singer who wants to get away from her lifestyle. A maid in the hotel in which she is staying has arranged to become a mail-order bride for Jim Gilson (George Brent) a North Dakota farmer. Joan gets her to agree to let her to take her place as the mail order bride. On their first meeting Joan makes it clear she isn't ready to be a real wife to Jim yet, but roughing it on the prairie together and the reappearance of her slimy boyfriend in her life eventually bring the pair closer together.
BONUS FEATURES:
Classic Cartoons:
You Don't Know What You're Doin'!
Moonlight for Two
The Wall Street Mystery Short
Theatrical Trailers
In 1932's Frisco Jenny Ruth Chatterton stars as someone who lives through the Great Earthquake of 1906 to become the head of a very profitable brothel. Louis Calhern is Jenny's slimy friend who convinces her to give up her son, and this whole thing plays out somewhat like Chatterton's 1929 film "Madame X". This is the weakest of the films in the bunch, but Calhern and Chatterton make it worthwhile viewing.
1933's "Midnight Mary" has Loretta Young in the title role. At the beginning of the film she is awaiting a jury's verdict on her guilt in a murder case. As she waits she looks back on her life from her being wrongfully convicted of a theft and sent to reform school, to getting involved with an older man after her release, and her downward slide that ends when she meets Tom Mannering Jr. (Franchot Tone). However, the players in her old life are not content to just let her go.
BONUS FEATURES:
Commentary by Jeffrey Vance and Tony Maietta
Shorts:
The Studio Murder Mystery
Goofy Movies #1
Classic Cartoon: Bosko's Parlor Pranks
Theatrical Trailers
Bonus disc with two full-length documentaries.
Wild Bill: Hollywood Maverick
The documentary traces Wellman's life from his birth in Brookline, Massachusetts in 1896, through his distinguished World War I career as a flier (which later got him the job of directing the classic silent film Wings), his start as a mail boy at Goldwyn, his rise to director in the 20's, his five marriages and stormy career through the 30's to late 50's, with a total filmography of more than 80 films.
The Men Who Made the Movies
William Wellman, the Oscar-winning screenwriter-director of the original A Star Is Born (1937), was called "Wild Bill" during his World War I service as an aviator, a nickname that persisted in Hollywood due to his "larger-than-life" personality and lifestyle. He excelled as an athlete and particularly enjoyed playing ice hockey, but he also enjoyed less savory pastimes, like joy-riding in stolen cars at night.
I've seen the "Men Who Made the Movies" documentary on TCM, and it is excellent. All in all, this looks like another enjoyable entry in the Forbidden Hollywood Franchise.

Click Here to see more reviews about: Forbidden Hollywood Collection, Volume Three (Other Men's Women / The Purchase Price / Frisco Jenny / Midnight Mary / Heroes for Sale / Wild Boys of the Road) (2009)

Forbidden Hollywood Collection Vol.3

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