High Society (1956) Review

High Society (1956)
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I've just finished watching "High Society" after having first seen "The Philadelphia Story" only a month ago. Both films are phenomenal, on their own and shouldn't be compared. They succeed wonderfully in very different ways. The cinematography of "High Society" is excellent and is one of the major factors of it's success. In many ways, it makes it a very, dare I say, 'modern' musical, not seeming at all fluffy or schmaltzy. The musical numbers are intimately filmed, and with Cole Porter's music and lyrics, it works amazingly well. Case in point..."Well Did You Evah". I believe this to be one of Sinatra's best roles, quite cool, charming, and thoroughly convincing. And then he sings...and all is well with the world. Bing is at his cool best and Grace Kelly is stunningly beautiful, even with her role's snobbery fully intact. It is a shame that Sinatra and Bing only had one other movie together "robin and the Seven Hoods" because their chemistry is unsurpassed. Add the jazz and personality of Satchmo, and what you have is one of the most enjoyable 107 minutes that you could spend in front of the tube. Highly recommended. Let's hope the DVD version is in the works!

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Heiress Tracy Lord (Grace Kelly) is engaged to one man (John Lund), attracted to another (Frank Sinatra) and, just maybe, in love again with her ex-husband (Bing Crosby) in this efferevescent musical reinvention of Philip Barry's play The Philadelphia Story featuring an endlessly delightful Cole Porter score. Among High Society's high points: Sinatra and Celeste Holm ask Who Wants to Be a Millionaire?, Crosby and Kelly share True Love, Der Bingle and Ol' Blue Eyes swing-swing-swingle Well, Did You Evah? and Crosby and Louis "Satchmo" Armstrong jive with Now You Has Jazz. Yes, indeedy, we has!

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