Showing posts with label frank sinatra. Show all posts
Showing posts with label frank sinatra. Show all posts

The Manchurian Candidate (1962) Review

The Manchurian Candidate (1962)
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This is a great DVD with many excellent bonus features, including the Director's commentary that adds so much to the understanding of how the film was made. The film was shot primarily with wide angle lenses which heightens the effect of some very frightening screens. For example is there anything more incredible than the scene where the captured, brainwashed prisoners believe they are attending a ladies' garden party, while actually on stage as human guinea pigs in a meeting of communist cadres. Just an amazing juxtaposition of images! The storyline is well developed and never loses the taut feeling of suspense from start to finish. Laurence Harvey, Frank Sinatra, and Angela Lansbury are particularly fine in their roles. If there is only one criticism, it is that Harvey lapses at times into his original British accent, which is disconcerting. But given the power of his performance in this role, this is a minor detail that can easily be overlooked. The film is shot in black and white, which is far better suited to its cold war images. Just puzzled why MGM issued the cover for this DVD in color? Anyway, highly recommend this DVD!

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Frank Sinatra MGM Movie Legends Collection (The Manchurian Candidate / Guys and Dolls / The Pride and the Passion / A Hole in the Head / Kings Go Forth) (1962) Review

Frank Sinatra MGM Movie Legends Collection (The Manchurian Candidate / Guys and Dolls / The Pride and the Passion / A Hole in the Head / Kings Go Forth) (1962)
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Sinatra has a vast body of filmed works. It is curious how these major stars boxsets are put together.
Manchurian Candidate and Guys & Dolls are great but had been available
in DVD for a long time.
Pride and Passion is not a good film, especially for Sinatra in an embarassing role as a Spaniard.
A Hole in the Head is a gem and joy to watch, by the great Frank Capra.
Kings Go Forth is a soapy war film.

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Disc 1: Guys and Dolls WS Disc 2: Hole In The Head WS Disc 3: Kings Go Forth P&S Disc 4: The Manchurian Candidate WS Disc 5: The Pride and Passion WS

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Sergeants 3 (1962) Review

Sergeants 3 (1962)
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FINALLY the long awaited release of the 'lost' rat pack movie!! Yeah! As a life long Dean Martin fans who has about 20 bad dubs of this, i'm psyched to see it finally commercially released!!
Not only is Dean totally CUTE in both dress and casual uniform, he has a great part in this one. I suppose it took so long because of the racial overtones, but racism WAS a part of our history, whether we like it or not and Dean is kinda the good guy here.
And it's pretty well known that the Rat Pack was instrumental (pun - get it!) in helping blacks start gaining equality in Las Vegas...
It's not a serious piece, or a western drama. It's silly, full of in jokes, a total guy movie. The history of the Ghost Dancer Indians is completely wrong and not even close to real history, but the Indians were often the bad guys back then (another racial problem with the movie - but hey - it's the 1960's and it's the Rat Pack...deal with it)...
In short, the guys are great and seem to be having a blast, despite the fact that Lawford is still amongst them (tho not for long)...

And, like i said, Dean is TOTALLY cute in it. So relax, have a beer, and enjoy it for what it is...
kimmmmy
and dover, the wonder dog


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Studio: Tcfhe/mgmRelease Date: 05/13/2008Run time: 112 minutesRating: Nr

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Around the World in 80 Days (Two-Disc Special Edition) (1956) Review

Around the World in 80 Days (Two-Disc Special Edition) (1956)
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First of all, "Around the World in 80 Days" is one of the best of the 1950-1960's grand epics. It may not have the character depth of Giant or the scale of The Ten Commandments, but it's still one heck of a fun movie.
Mike Todd set out to make 3 hours of crowd-pleasing entertainment and he reached his goal, ten-fold (literally... the $6,000,000 film earned over 4 times its cost at the box office). The cast is wonderful (it's definately Cantinflas' show, though) and the Oscar winning cinematography is breathtaking. Also, one of the best musical scores (also an Oscar winner) and a witty screenplay (Oscar winner) make it a real joy to see.
Sadly, for the last 18 years, the only version on home video has been a pan & scan one. "80 Days" was shot in the Todd-AO 70mm format, so the crisp, ultra-detailed, and wide image is totally mangled in that format. It doesn't help that the P&S tape also used a mono track rather than the full stereophonic surround sound that Todd-AO (and even many general release 35mm prints) offered.
Warner Home Video's DVD of the film is nothing short of a triumph. The film's original negative has been in awful condition since the 1950's (not Warner's fault, mind you), thus making a watchable print is more or less impossible. Thankfully, Warner has remastered "80 Days" from scratch. The result is a stunning 2.20:1 anamorphic widescreen transfer, with the Todd-AO mix adapted to Dolby Digital 5.1 (448 kbs, too!) While the image occasionally has gooey splices and some specks on the image, the film has a level of crispness and color vibrancy that rivals 1940's Technicolor films. The 5.1 track is wonderful and keeps a lot of the directional sound of 6-track magnetic sound from 70mm presentation.
What is really amazing is that Warner managed to make one of the most perfect digital transfers of a film, ever. Not one hint of edge enhancement pops up, no pixelation, no macroblocking. While the film source isn't perfect, Warner didn't add any sort of imperfections when adapting the 65mm film to NTSC video. The switch to 448 kbs (Warner usually uses a lower bitrate for 5.1 audio) gives the audio a certain warmth that is in line with the ultra-high fidelity of 6-track mag sound.
The extras are great, too. The Robert Osborne intros, outtakes, Brian Sibley commentary, original "Trip to the Moon" short, and roadshow program book (on DVD-ROM) makes this an excellent presentation of a Best Picture Oscar winner.
Whether you're collecting the Best Picture winners, a fan of the classic 1950's epics, or just looking for a fun movie to watch, Around the World in 80 Days is worth a purchase. "80 Days" hasn't lost its luster due to age, it's because of poor presentation. Now that Warner Bros. has released the film in widescreen, people can now discover what is one of the most underrated and neglected films.

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Phileas Fogg bet his fellow club members that he can circle the globe in eighty days.That may not be impressive today, but in 1872, it was nearly impossible.Accompanied by his valet, Passepartout, and the wandering Princess Aouda, Fogg crosses Europe, India, Japan, the Pacific and the United States.

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The Manchurian Candidate (Special Edition) (1962) Review

The Manchurian Candidate (Special Edition) (1962)
Average Reviews:

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This is a great DVD with many excellent bonus features, including the Director's commentary that adds so much to the understanding of how the film was made. The film was shot primarily with wide angle lenses which heightens the effect of some very frightening screens. For example is there anything more incredible than the scene where the captured, brainwashed prisoners believe they are attending a ladies' garden party, while actually on stage as human guinea pigs in a meeting of communist cadres. Just an amazing juxtaposition of images! The storyline is well developed and never loses the taut feeling of suspense from start to finish. Laurence Harvey, Frank Sinatra, and Angela Lansbury are particularly fine in their roles. If there is only one criticism, it is that Harvey lapses at times into his original British accent, which is disconcerting. But given the power of his performance in this role, this is a minor detail that can easily be overlooked. The film is shot in black and white, which is far better suited to its cold war images. Just puzzled why MGM issued the cover for this DVD in color? Anyway, highly recommend this DVD!

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Eerie, shocking, daring, thrilling and mesmerizing, The Manchurian Candidatewill leave youbreathless(People)! Featuring an all-star cast, including Angela Lansbury in an OscarÂ(r)-nominated performance, thischilling and controversial(Leonard Maltin) filmmay be the most sophisticated political satire ever made(Pauline Kael).When a platoon of Korean War G.I.s iscaptured, they somehow end up at a ladiesgarden club party. Or do they? Major Bennett Marco (Frank Sinatra) can't remember. As he searches for the answer, he discovers threads of a diabolical plot orchestrated by the utterly ruthless Mrs. Iselin (Lansbury) and involving her war hero son (LaurenceHarvey), her senator husband (James Gregory) and a secret cabal of enemy leaders.

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High Society (1956) Review

High Society (1956)
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I've just finished watching "High Society" after having first seen "The Philadelphia Story" only a month ago. Both films are phenomenal, on their own and shouldn't be compared. They succeed wonderfully in very different ways. The cinematography of "High Society" is excellent and is one of the major factors of it's success. In many ways, it makes it a very, dare I say, 'modern' musical, not seeming at all fluffy or schmaltzy. The musical numbers are intimately filmed, and with Cole Porter's music and lyrics, it works amazingly well. Case in point..."Well Did You Evah". I believe this to be one of Sinatra's best roles, quite cool, charming, and thoroughly convincing. And then he sings...and all is well with the world. Bing is at his cool best and Grace Kelly is stunningly beautiful, even with her role's snobbery fully intact. It is a shame that Sinatra and Bing only had one other movie together "robin and the Seven Hoods" because their chemistry is unsurpassed. Add the jazz and personality of Satchmo, and what you have is one of the most enjoyable 107 minutes that you could spend in front of the tube. Highly recommended. Let's hope the DVD version is in the works!

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Heiress Tracy Lord (Grace Kelly) is engaged to one man (John Lund), attracted to another (Frank Sinatra) and, just maybe, in love again with her ex-husband (Bing Crosby) in this efferevescent musical reinvention of Philip Barry's play The Philadelphia Story featuring an endlessly delightful Cole Porter score. Among High Society's high points: Sinatra and Celeste Holm ask Who Wants to Be a Millionaire?, Crosby and Kelly share True Love, Der Bingle and Ol' Blue Eyes swing-swing-swingle Well, Did You Evah? and Crosby and Louis "Satchmo" Armstrong jive with Now You Has Jazz. Yes, indeedy, we has!

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From Here to Eternity (1953) Review

From Here to Eternity (1953)
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Now pay attention, widescreen DVD fans (I am among them)...!
Do not go looking for widescreen format before 1954, because with a couple of exceptions (see "sir-critic" below), they don't exist. One must be a student of history to some extent as a classic movie fan: when collecting a video library, know your format history; the key year is 1954. (Interestingly, it is the same key year for stereo music recordings, at least in the Classical world.) Also remember that a post-1954 movie is not necessarily a widescreen film, either, especially in the first few years. (See my review of "Moonstruck" for more aspect ratio commentary that you'll find very interesting, if this one is interesting to you. I ranted about its full-frame release and found out that I didn't know what I was talking about, more or less.)
"From Here to Eternity" is a great classic film that was shot and originally released in 1.33:1 aspect ratio. Like many, many other pre-1954 movies, this film was probably re-released several times in theaters with a "widescreen" format, but they just lopped off the top and bottom of the picture for the release. This was a grotesque practice, butchering many fine films and ruining the painstaking framing of shots by the cinematographer. You don't want a widescreen version of "From Here to Eternity", because it's butchered, I mean, ALTERED.
The important thing for DVD collectors / film buffs is ORIGINAL Theatrical Release Format, i.e., what the director and cinematographer intended you to see. The video release companies should be heavily encouraged by us to provide this information on the DVD and VHS boxes, so that we know a film's true original aspect ratio, and whether the particular edition is or is not altered, I mean, BUTCHERED.
Why is the television screen a 1.33:1 aspect ratio? Because movies' ratios were 1.33:1. TV programs and movies were filmed with the same cameras and film. By the early '50s, TV was becoming so important that film studios needed a new hook to keep people coming to the theaters, so Cinemascope and others were born to amaze audiences. Try to imagine seeing a 2.55:1 Cinemascope picture in the theater when all you've ever seen up to then was 1.33:1 films and TV. WOW!! THAT would keep you coming back to the cinema! Later cinematic hooks would be in sound, still more or less unachievable at home -- remember Surround Sound's forerunner, "Sensurround" (used for "Midway" and "Earthquake")?
Remember film fans, you might have to do a little research on a given movie before assuming that a video release is not the true format.

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FROM HERE TO ETERNITY - DVD Movie

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