Showing posts with label shirley maclaine. Show all posts
Showing posts with label shirley maclaine. Show all posts

Being There (1979) Review

Being There (1979)
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This is my favorite movie of all time. And I don't particularly like Peter Sellers!
It's a slow starter. First time I saw it, I remember being somewhat puzzled by the opening, where Chance is revealed as a very retarded middle-aged man, trained as a gardener, who apparantly has reached his full--and extremely limited--potential. He loses his livelihood and his sheltered place to live when "the old man"--his mysterious benefactor--dies, and the lawyers in charge of the estate evict him.
My first chuckle came soon after, when he tried using his TV remote on a mugger, trying to change the experience into something more pleasant; it wasn't until this point in the film that things began to make sense to me.
Throughout the rest of the movie, scene after scene shows 'Chauncy Gardener' as a complete misfit--and highlights how we human beings, in all our frailty, create ourselves and our world through what we decide to believe. When Chancy speaks, his words are mysterious because they are short and puzzling--when those around him try to make sense of them, they take what he says as metaphors, and read wildly profound meanings in his words.
(This leads to Jerzy Kosinski's purpose for writing the novel, to highlight the foolish way people blindly swallow whatever tripe the media--and our politicians--serve up. IMO director Hal Ashby caught Jerzy's intention with this movie even better than the book did.)
At the same time that people read wisdom into his simple words, Chauncy is fully present and honest in the moment, and the other characters--to whom this is foreign--treasure that, even while they completely miss that Chance is totally clueless as to what's really going on (with one notable exception).
The irony is that those people closest to Chauncy are led by the meanings they insert to personal growth and transformation--even, in a performance that won Melvyn Douglas a well-deserved Oscar, acceptance of approaching death, as just another season in the eternal cycle of life.
Other reviews I've read on Amazon villify the walking-on-water scene, at the end of the movie; I believe they completely miss the point.
Chance has, by chance, walked out on a stone quay in the lake, and doesn't even know that he should be drowning. He slowly bends over, inserting his umbrella into the water, and looks at it with some puzzlement; he is once again demonstrating that his total innocence is protected--and he gives the audience the experience that the characters in the movie have, namely, to read into this enigma of a film whatever meaning they choose to see.

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Based on Jerzy Kosinski's satirical novel about an illiterate gardener who has lived his entire life behind the walls of a Washington, D.C., house, his only knowledge of the world coming from the TV programs he watches.When his employer and protector dies, he is catapulted into the fast lane of political power.

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Rumor Has It... (Widescreen Edition) (2005) Review

Rumor Has It... (Widescreen Edition) (2005)
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The Graduate is a classic cult film, and since this movie was based on it, I was hoping for the best, but not expecting much. I was never more wrong! Jennifer Aniston was refreshing, but I had dry heaves when she slept with a man her mother and grandmother did especially when she thought at first he could be her father. That is just not entertaining in any situation. Kevin Costner was good in his role, but the ewwww factor was too much. Mark Ruffalo gave probably his best performance to date. The most surprising performance was from Shirley MacLaine, and she was absolutely fabulous. She held her own in every scene. It didn't matter who she shared screen time with, she stole the limelight.


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Jennifer Aniston portrays Sarah Huttinger, whose return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn't for her, and that maybe the Huttinger family isn't even hers. Join Sarah as she uncovers secrets that suggest the Huttingers are neither sedate nor proper - and as Kevin Costner, Shirley MacLaine and Mark Ruffalo join the fun. The story is rumor. The laughs are real!

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Around the World in 80 Days (Two-Disc Special Edition) (1956) Review

Around the World in 80 Days (Two-Disc Special Edition) (1956)
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First of all, "Around the World in 80 Days" is one of the best of the 1950-1960's grand epics. It may not have the character depth of Giant or the scale of The Ten Commandments, but it's still one heck of a fun movie.
Mike Todd set out to make 3 hours of crowd-pleasing entertainment and he reached his goal, ten-fold (literally... the $6,000,000 film earned over 4 times its cost at the box office). The cast is wonderful (it's definately Cantinflas' show, though) and the Oscar winning cinematography is breathtaking. Also, one of the best musical scores (also an Oscar winner) and a witty screenplay (Oscar winner) make it a real joy to see.
Sadly, for the last 18 years, the only version on home video has been a pan & scan one. "80 Days" was shot in the Todd-AO 70mm format, so the crisp, ultra-detailed, and wide image is totally mangled in that format. It doesn't help that the P&S tape also used a mono track rather than the full stereophonic surround sound that Todd-AO (and even many general release 35mm prints) offered.
Warner Home Video's DVD of the film is nothing short of a triumph. The film's original negative has been in awful condition since the 1950's (not Warner's fault, mind you), thus making a watchable print is more or less impossible. Thankfully, Warner has remastered "80 Days" from scratch. The result is a stunning 2.20:1 anamorphic widescreen transfer, with the Todd-AO mix adapted to Dolby Digital 5.1 (448 kbs, too!) While the image occasionally has gooey splices and some specks on the image, the film has a level of crispness and color vibrancy that rivals 1940's Technicolor films. The 5.1 track is wonderful and keeps a lot of the directional sound of 6-track magnetic sound from 70mm presentation.
What is really amazing is that Warner managed to make one of the most perfect digital transfers of a film, ever. Not one hint of edge enhancement pops up, no pixelation, no macroblocking. While the film source isn't perfect, Warner didn't add any sort of imperfections when adapting the 65mm film to NTSC video. The switch to 448 kbs (Warner usually uses a lower bitrate for 5.1 audio) gives the audio a certain warmth that is in line with the ultra-high fidelity of 6-track mag sound.
The extras are great, too. The Robert Osborne intros, outtakes, Brian Sibley commentary, original "Trip to the Moon" short, and roadshow program book (on DVD-ROM) makes this an excellent presentation of a Best Picture Oscar winner.
Whether you're collecting the Best Picture winners, a fan of the classic 1950's epics, or just looking for a fun movie to watch, Around the World in 80 Days is worth a purchase. "80 Days" hasn't lost its luster due to age, it's because of poor presentation. Now that Warner Bros. has released the film in widescreen, people can now discover what is one of the most underrated and neglected films.

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Phileas Fogg bet his fellow club members that he can circle the globe in eighty days.That may not be impressive today, but in 1872, it was nearly impossible.Accompanied by his valet, Passepartout, and the wandering Princess Aouda, Fogg crosses Europe, India, Japan, the Pacific and the United States.

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Clint Eastwood Western Icon Collection (High Plains Drifter/Joe Kidd/Two Mules For Sister Sara) (1972) Review

Clint Eastwood Western Icon Collection (High Plains Drifter/Joe Kidd/Two Mules For Sister Sara) (1972)
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All three movies have been digitally remastered, but unfortunately the sound wasn't. Just the basic Dolby recording which is disappointing. And the only extras offered are the theater trailers; no deleted scenes, interviews, photo stills or any of the other things we've come to expect from these types of collections. Great movies but delivered in a mediocre way.

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With his steely-eyed stare and one of the most commanding screen presences of all time, Clint Eastwood is a true American icon to film fans everywhere. Join him in the Clint Eastwood: Western Icon Collection in three of his most popular films: High Plains Drifter, Joe Kidd and Two Mules for Sister Sara. This powerful, must-have collection showcases Clint Eastwood in some of the toughest and most unforgettable roles of his career. High Plains Drifter When "The Stranger" (Clint Eastwood) rides into the sin-ridden town of Lago, bullets fly as he battles three ruthless gunmen in a pulse-pounding shoot-‘em-up. Joe Kidd Gunslinger Joe Kidd (Clint Eastwood) is hired by a wealthy landowner (Robert Duvall) to quell a range war with Mexican revolutionaries, but he soon finds his loyalties in question when he falls for a beautiful rebel. Two Mules for Sister Sara A hard-hitting drifter (Clint Eastwood) and a unusual nun (Shirley MacLaine) set off on an action-packed adventure when they join a band of freedom fighters in their mission to capture a well-protected enemy garrison.

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