Showing posts with label beyond the 100th meridian. Show all posts
Showing posts with label beyond the 100th meridian. Show all posts

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965) Review

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965)
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While a Western 'purist' would certainly prefer seeing a 'dream' boxed set of John Ford/John Wayne's 'Cavalry' trilogy, "Stagecoach", and "The Searchers" released together, the "John Wayne DVD Gift Set" is an excellent collection of some of the Duke's finest westerns from his last two decades.
The classic of the collection is "The Man Who Shot Liberty Valance", John Ford's 1962 'deconstruction' of the genre he'd helped to create. A visually simple, yet deeply layered tale of how a western legend was born, the film echoes Ford's "The Last Hurrah", as well as taking a tongue-in-cheek 'jab' at critics of his more idealized earlier westerns. While Jimmy Stewart, at 55, is far too old to play an idealistic young lawyer, his confrontations with desperado Lee Marvin, and pragmatic (yet ultimately doomed romantic) Wayne are terrific. And don't miss Edmund O'Brien's 'takeoff' on actor Thomas Mitchell, in support...Ford's directorial 'style' was never better than in this remarkable film.
"The Sons of Katie Elder" is an important film in Wayne's career, as it marked his 'comeback' after losing a lung to cancer. While much of his dialogue had to be 'looped', and oxygen was kept nearby throughout the filming, Wayne proved that he could still play an action hero believably. Certainly, he looked all of his 58 years, and the idea of Dean Martin being one of his brothers is farfetched, but when Wayne first appeared on the screen, 1965 film audiences stood and cheered...and his dominating presence still makes the film 'work', today.
"El Dorado" is, if you are unfamiliar with the film, simply a reworking of 1959's Hawks/Wayne classic, "Rio Bravo", but it stands very well on it's own merits, beginning with the terrific chemistry between Wayne and co-star Robert Mitchum. A very young James Caan offers a funny counterpoint to the two veteran stars, and wonderful character actor, Arthur Hunnicutt (who, for trivia fans, played Davy Crockett in 1955's "The Last Command"...thus making this a unique opportunity to see TWO Davy Crocketts in one film!) plays a rustic variation of Walter Brennan from the earlier film. With plenty of Howard Hawks' signature comraderie, the film is very entertaining.
"True Grit" is, of course, John Wayne's Oscar-winning role, as pot-bellied, one-eyed Rooster Cogburn. While many believe Wayne won for his career longevity rather than his performance, the film is, in fact, very entertaining and lyrical, and Wayne's portrayal is the glue that holds it together. Certainly, Glen Campbell offers a less-than-stellar performance, but it is more than compensated for by Kim Darby and Robert Duvall, and Wayne, guns blazing, reins clenched in his teeth, provides an image that has become classic.
Finally, there is "The Shootist", Wayne's final film. Shot as the Duke's health was declining, dramatically, the production was a difficult one, with director Don Siegel struggling to work with the ailing actor (Co-star Ron Howard would say he learned more about directing from this film, than any other). Because of the Duke's fragile condition, many friends took roles at far below their usual salaries to work with him a last time (including James Stewart, Richard Boone, and Lauren Bacall). The finished film is a labor of love, from the "Classic Wayne" film clips that open the story, to the final gunbattle, with Wayne's character, the cancer-ridden John Bernard Books, going out in a blaze of glory. It may not have been among Wayne's 'best' films, but it was certainly a most fitting end to his career.
It's easy to see why this is a worthy Wayne collection to own...But don't take my word for it; buy it, and see for yourself!


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Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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McLintock (1963) Review

McLintock (1963)
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I've been a McLintock fan since 1963...when it came out to the movies. My dad took me to see it on my 11th birthday. I held off buying the VHS version once I discovered the Wayne Foundation had not released an "authorized" copy. Once it did, I purchased three...just in case one got damaged! Yes...I love the movie. For DVD customers....it IS worth the wait. If, as you can see from other reviews, the transfer quality to DVD is poor, then why waste your money now, when you can (HOPEFULLY!!) purchase the legitimate product when the Wayne Foundation releases it! This is a GREAT movie for all ages. Kids love the shenanigans, teens like the romance, and us old-timers just like an easy-on-the-eyes and -ears movie with a happy ending. This is the only movie review I've ever written, but the movie was worth it.

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McLINTOCK! He Tamed the West--But Could He Tame Her? Cattle baron, banker, and model citizen George McLintock (John Wayne) has the world in his hands.The only thing missing is his wife, Katherine (Maureen O’Hara, who co-starred with the Duke in Rio Grande and The Quiet Man), who left him two years earlier, suspecting him of adultery.In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook, welcoming both her and her two children into his home.Sparks begin to fly and McLintock’s simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter and...the return of Mrs. McLintock!This Westernized Taming of the Shrew was produced by John Wayne’s son, Michael. McLINTOCK! Starring JOHN WAYNE MAUREEN O’HARA With PATRICK WAYNE STEFANIE POWERS * JACK KRUSCHEN * CHILL WIILLS Original Screen Play by JAMES EDWARD GRANT Produced by MICHAEL WAYNE Directed by ANDREW V. McLAGLEN Music Under License from EMI This program is not authorized by the John Wayne estate or any other entity. Approximately 128 minutesColor

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Broken Arrow (1950) Review

Broken Arrow (1950)
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This is really intended for Amazon--please convey to whomever that a market exists--we're all waiting for the remastered DVD!!!
If you agree, please cast your vote here!!!

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In 1870, when white men and Indians are fighting bitterly, Tom Jeffords (Stewart) strongly believes the Apaches are treated unfairly.After befriending their leader Cochise (Jeff Chandler) and arranging a truce, he is called upon by a U.S. Army general to negotiate a government peace treaty.Though he fulfills his mission, Jeffords soon experiences great tragedy when he, his Indian wife (Debra Paget) and good friend Cochise become targets of a renegade ambush.

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Gary Cooper MGM Movie Legends Collection (The Cowboy and the Lady / The Real Glory / Vera Cruz / The Winning of Barbara Worth) (1926) Review

Gary Cooper MGM Movie Legends Collection (The Cowboy and the Lady / The Real Glory / Vera Cruz / The Winning of Barbara Worth) (1926)
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It's a shame that Gary Cooper, today, is largely remembered for only "High Noon", his Hawks and Capra films ("Sergeant York" and "Mr. Deeds Goes to Town"), and as Lou Gehrig in "The Pride of the Yankees"; in his day, he was as sexy and popular as Clark Gable, and more esteemed as a cowboy star than John Wayne!
"Gary Cooper MGM Movie Legends Collection" offers a selection of titles that will, hopefully, spark renewed interest in this most charismatic American 'Original'. While, sadly, the collection offers little in bonus features, and, with the exception of "Barbara Worth", appears to be unremastered (which is why I only give it 4 stars), each film is very entertaining!
"The Winning of Barbara Worth" (1926), was, of course, Coop's breakthrough role, after three years of stunt work and bit parts, and is a bona fide classic. As 'Abe Lee', the young cowboy/surveyor suitor of Vilma Banky, his sexy, natural style would steal the film from star Ronald Colman (in Colman's defense, his role was more restrained, and less interesting). The film, based on a best-selling novel about harnessing the Colorado River to irrigate the desert, garnered great reviews and box office, and gave Coop a spectacular 'start'... (5 stars out of 5)
"The Cowboy and the Lady" (1938), a 'modern-day' Western comedy/romance, presented Coop the way 1930s' audiences loved him best, as a slow-talking, incorruptible cowboy irresistible to women, but a 'gentleman', in the best sense of the word! Falling for the daughter of a Presidential hopeful, posing as a maid (Merle Oberon), he marries her, discovers the charade, then storms into a posh political dinner and speaks so much 'common sense' that her family moves to his ranch! With life-long friend Walter Brennan as his sidekick, this is a real charmer! (5 stars out of 5)
"The Real Glory" (1939), released shortly after his classic version of "Beau Geste", another 'action-oriented' adventure, though lacking the "Geste" polish and style. Coop is a military doctor in the 1906 Philippines, who, with friends David Niven and Broderick Crawford, attempts to help the Filipinos fight off an army of insurgents. Action was never producer Sam Goldwyn's forte, and the film lacks the warmth of a "Gunga Din", although it does offer a rousing climax... (2 1/2 stars out of 5)
"Vera Cruz" (1954), produced by Burt Lancaster and Harold Hecht, is a spectacular, large-scale western, filmed in Mexico. Ex-Confederate Cooper and bandit Lancaster are uneasy partners guarding Denise Darcel and millions in gold, during the Mexican Revolution. While the aging Coop wasn't well during production, he still gives a solid performance, although overshadowed by Burt's flashy portrayal; the film offers a
fabulous supporting cast, including Ernest Borgnine, Charles Bronson, Cesar Romero, and Jack Elam. "Vera Cruz" was a major influence on Sergio Leone, and has achieved legendary status, among fans of the genre! (5 stars out of 5)
There is a LOT to enjoy, in this Gary Cooper collection!

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GARY COOPER GIFTSET - DVD Movie

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Gary Cooper - The Signature Collection (Sergeant York / The Fountainhead / Dallas / Springfield Rifle / The Wreck of the Mary Deare) (1950) Review

Gary Cooper - The Signature Collection (Sergeant York / The Fountainhead / Dallas / Springfield Rifle / The Wreck of the Mary Deare) (1950)
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So you get five film starring this LEGENDARY ACTOR who never gave a anything but great performances... Even in so-so films, Gary Cooper would shine all over with hos leading style... his easy command of the screen... his magnetic persona... his sincere smile and on-screen will that would drive you love him in any character he portrayed.
In THE FOUNTAINHEAD (my favorite here), Gary gives one of his best performances as Howard Roark, an architect (inspired by Frank Lloyd Wright, no less!) who was in a constant battle against mediocre styles. Someone trully creative and visionary who would not compromise. "I don't build in order to have clients. I have clients in order to build!"
But another thing about this film is the eye-popping sets and designs.
INCREDIBLE... I still love that building all made of glass!!!!
In SERGEANT YORK, Gary portrays a pacifist (who is enlisted during WWI) who will discover the true meaning of fighting... and what being a Hero is all about. JOHN HUSTON was one of the screenwriters of this GREAT 1941 film who, I'm sure, did back then much more than just entertain. In fact, this is one of the best Hollywood war films during the 40's...
And, of course, with HOWARD HAWKS, you can never go wrong.
THE WRECK OF THE MARY DEARE is a big CinemaScope film where special effects trully shine. Again, here Gary cooper gives a superlative performance.
SPRINGFIELD RIFLE is a smaller Western by ANDRE DE TOTH with another great performance. Here, Cooper joins (undercover) a group of criminals in order to solve a mystery of stolen guns. This is an above average B-movie with a good script.
DALLAS is a post-Civil War drama of a man returning home to seek revenge. Another B-film with a great performance.
This box is worth buying because of two reasons:
You get five films (three are trully great, two are trully good) for easily the price of just two or three...
...then, why not get them all?


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Chisum (1970) Review

Chisum (1970)
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Based upon historical fact, this film follows the famous range war in which Billy the Kid made his name, but chiefly from the viewpoint of aging cattle baron John Chisum (Wayne in the title role). It's 1878 in New Mexico Territory, and Chisum rides into the local town of Lincoln to meet his niece Sallie (Pamela McMyler) off the stage. His foreman and long-time Good Right Hand, Pepper (Ben Johnson practically stealing the movie--he should have been nominated for Best Supporting Actor), remarks upon the many acquisitions being made by would-be real-estate magnate Lawrence J. Murphy (Tucker in a cheerfully malevolent role), but Chisum isn't looking for trouble. Still, he is inexorably drawn into the escalating situation when lawyer Alex McSween (Andrew Prine), whom Sallie befriended on the journey, finds it impossible to turn a blind eye to Murphy's machinations, and helps stake the idealistic Easterner to a store to run in competition with the one Murphy bought out from under its original owner. Not until his friend and neighbor, Britisher Henry Tunstall (Patric Knowles), is murdered on the road by two deputies of Murphy's hand-picked sheriff (Bruce Cabot), does Chisum's temper finally come unglued, and the story continues through the siege (canonical) of the McSween store by Murphy's forces, the shooting down of McSween in the street, and at last a classic brawl (in an ultimately burning building) between Chisum and Murphy that always reminds me of two old range bulls butting heads. As always, the supporting cast adds immeasureably to the movie: Geoffrey Deuel as Billy Bonney; Christopher George (who also played a villainous role in the Duke's "El Dorado") as his old enemy, gimpy, half-crazy bounty hunter Dan Nodeen; Richard Jaeckel as Jess Evans, with whom Billy once rode; Glenn Corbett as Billy's friend (and future killer) Pat Garrett. The mild liberties that are taken with history (such as Sallie's attraction to Billy) only serve to fill out the characters better. There's plenty of classic Old West action and a good score (Merle Haggard's vocal, "Turn Me Around," should be released on a retrospective of his songs), and Chisum is portrayed as a decent man who loves the land and wants the best for the people who live on it (interestingly, he isn't expected to carry a romantic relationship at all, though it's strongly hinted that he came close to marrying Sallie's mother). A solid entry to the Wayne oeuvre and one well worth your time.

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Chisum showcases John Wayne in the twilight of his remarkable 200+-film career. As John Chisum, a real-life cattle king determined to protect his empire against a land-grabbing developer (Forrest Tucker). Wayne's no-nonsense persona snugly fits this lively reworking of the events of New Mexico's 1878 Lincoln County War. "Directed in fine sagebrush style by Andrew V. McLaglen and beautifully photographed by William H. Clothier" (The Warner Bros. Story), Chisum is the kind of sweeping, brawling Western that made Wayne endure as a star.

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Clint Eastwood Western Icon Collection (High Plains Drifter/Joe Kidd/Two Mules For Sister Sara) (1972) Review

Clint Eastwood Western Icon Collection (High Plains Drifter/Joe Kidd/Two Mules For Sister Sara) (1972)
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All three movies have been digitally remastered, but unfortunately the sound wasn't. Just the basic Dolby recording which is disappointing. And the only extras offered are the theater trailers; no deleted scenes, interviews, photo stills or any of the other things we've come to expect from these types of collections. Great movies but delivered in a mediocre way.

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With his steely-eyed stare and one of the most commanding screen presences of all time, Clint Eastwood is a true American icon to film fans everywhere. Join him in the Clint Eastwood: Western Icon Collection in three of his most popular films: High Plains Drifter, Joe Kidd and Two Mules for Sister Sara. This powerful, must-have collection showcases Clint Eastwood in some of the toughest and most unforgettable roles of his career. High Plains Drifter When "The Stranger" (Clint Eastwood) rides into the sin-ridden town of Lago, bullets fly as he battles three ruthless gunmen in a pulse-pounding shoot-‘em-up. Joe Kidd Gunslinger Joe Kidd (Clint Eastwood) is hired by a wealthy landowner (Robert Duvall) to quell a range war with Mexican revolutionaries, but he soon finds his loyalties in question when he falls for a beautiful rebel. Two Mules for Sister Sara A hard-hitting drifter (Clint Eastwood) and a unusual nun (Shirley MacLaine) set off on an action-packed adventure when they join a band of freedom fighters in their mission to capture a well-protected enemy garrison.

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The War Wagon (1967) Review

The War Wagon (1967)
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Gunfighter Taw Jackson (John Wayne) recruits a motley crew of sidekicks to rob ruthless mine owner, Frank Pierce (Bruce Cabot). Pierce routinely transports a fortune in gold dust in an armored stagecoach called "The War Wagon." Complete with a small army of guards and a Gatling gun, The War Wagon is formidable. Taw figures to settle old scores by devising a complex plan to steal the gold. John Wayne was good at big budget B pictures. This flick is very different from a John Ford masterpiece, but so what? This movie is a typical Batjac action-adventure flick with comic overtones. Wayne trades verbal barbs with Lomax (Kirk Douglas), a too-cool hired gun. Howard Keel is Levi Walking Bear, a comic and politically incorrect Indian. Robert Walker is a drunken explosives expert. Keenan Wynn is a sadistic teamster. They each play a role in the carefully timed execution of the robbery. Unaware of their thieving alliance, Pierce hires Lomax to kill Taw, setting up several tense situations. The supporting cast includes members of Wayne's Batjac production company family. Look for Bruce Dern, Gene Evans, and Sheb Wooley in small roles. Throw in colorful outdoor locations, a saloon brawl, lots of hard-riding action, and it's great fun for Western movie fans. It's well worth the price. ;-)

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WAR WAGON - DVD Movie

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