Showing posts with label western movie. Show all posts
Showing posts with label western movie. Show all posts

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965) Review

John Wayne DVD Gift Set (The Shootist/ The Sons of Katie Elder/ True Grit/ El Dorado/ The Man Who Shot Liberty Valance) (1965)
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While a Western 'purist' would certainly prefer seeing a 'dream' boxed set of John Ford/John Wayne's 'Cavalry' trilogy, "Stagecoach", and "The Searchers" released together, the "John Wayne DVD Gift Set" is an excellent collection of some of the Duke's finest westerns from his last two decades.
The classic of the collection is "The Man Who Shot Liberty Valance", John Ford's 1962 'deconstruction' of the genre he'd helped to create. A visually simple, yet deeply layered tale of how a western legend was born, the film echoes Ford's "The Last Hurrah", as well as taking a tongue-in-cheek 'jab' at critics of his more idealized earlier westerns. While Jimmy Stewart, at 55, is far too old to play an idealistic young lawyer, his confrontations with desperado Lee Marvin, and pragmatic (yet ultimately doomed romantic) Wayne are terrific. And don't miss Edmund O'Brien's 'takeoff' on actor Thomas Mitchell, in support...Ford's directorial 'style' was never better than in this remarkable film.
"The Sons of Katie Elder" is an important film in Wayne's career, as it marked his 'comeback' after losing a lung to cancer. While much of his dialogue had to be 'looped', and oxygen was kept nearby throughout the filming, Wayne proved that he could still play an action hero believably. Certainly, he looked all of his 58 years, and the idea of Dean Martin being one of his brothers is farfetched, but when Wayne first appeared on the screen, 1965 film audiences stood and cheered...and his dominating presence still makes the film 'work', today.
"El Dorado" is, if you are unfamiliar with the film, simply a reworking of 1959's Hawks/Wayne classic, "Rio Bravo", but it stands very well on it's own merits, beginning with the terrific chemistry between Wayne and co-star Robert Mitchum. A very young James Caan offers a funny counterpoint to the two veteran stars, and wonderful character actor, Arthur Hunnicutt (who, for trivia fans, played Davy Crockett in 1955's "The Last Command"...thus making this a unique opportunity to see TWO Davy Crocketts in one film!) plays a rustic variation of Walter Brennan from the earlier film. With plenty of Howard Hawks' signature comraderie, the film is very entertaining.
"True Grit" is, of course, John Wayne's Oscar-winning role, as pot-bellied, one-eyed Rooster Cogburn. While many believe Wayne won for his career longevity rather than his performance, the film is, in fact, very entertaining and lyrical, and Wayne's portrayal is the glue that holds it together. Certainly, Glen Campbell offers a less-than-stellar performance, but it is more than compensated for by Kim Darby and Robert Duvall, and Wayne, guns blazing, reins clenched in his teeth, provides an image that has become classic.
Finally, there is "The Shootist", Wayne's final film. Shot as the Duke's health was declining, dramatically, the production was a difficult one, with director Don Siegel struggling to work with the ailing actor (Co-star Ron Howard would say he learned more about directing from this film, than any other). Because of the Duke's fragile condition, many friends took roles at far below their usual salaries to work with him a last time (including James Stewart, Richard Boone, and Lauren Bacall). The finished film is a labor of love, from the "Classic Wayne" film clips that open the story, to the final gunbattle, with Wayne's character, the cancer-ridden John Bernard Books, going out in a blaze of glory. It may not have been among Wayne's 'best' films, but it was certainly a most fitting end to his career.
It's easy to see why this is a worthy Wayne collection to own...But don't take my word for it; buy it, and see for yourself!


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Legendary producer-director Howard Hawks teams with two equally legendary stars, John Wayne and Robert Mitchum, in this classic Western drama. Mitchum plays to perfection an alcoholic but gutsy sheriff who relentlessly battles the dark side of the wild West, ruthless cattle barons and crooked "businessmen." The Duke gives an equally adept performance as the sheriff's old friend who knows his way around a gunfight. Filled with brawling action and humor, El Dorado delivers the goods. James Caan and Ed Asner co-star.Ranking with Stagecoach as one of the greatest of its genre, The Man Who Shot Liberty Valance is the modern-day Western to beat all Westerns. John Ford, whose very name is synonymous with "Westerns," directed the ideal cast. Jimmy Stewart plays the bungling but charming big-city lawyer determined to rid the fair village of Shinbone of its number one nuisance and Bad Man: Liberty Valance (Lee Marvin). And as if all that weren't enough, the biggest star that ever aimed a six-shooter plays the Man of the title: John Wayne. Super-sincere Stewart and rugged rancher Wayne also share the same love interest (Vera Miles). One gets the gunman but the other gets the gal.Afflicted with a terminal illness, John Bernard Brooks (John Wayne), the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler (James Stewart). Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow (Lauren Bacall) and her son (Ron Howard). However, it is not Brook's fate to die in peace, as he becomes embroiled in one last valiant battle.Katie Elder bore four sons. The day she is buried they all return home to Clearwater, Texas, to pay their last respects. John Wayne is the eldest and toughest son, the gunslinger. Tom (Dean Martin) is good with a deck of cards and good with a gun when he has to be. Matt (Earl Holliman) is the quiet one - nobody ever called him yellow...twice. Bud (Michael Anderson, Jr.) is the youngest. Any hope for respectability lies with him. Directed by Henry Hathaway (True Grit), an acknowledged master of the Western, the story has a dual theme: not only is this a he-man's story, but it is also a drama of the maternal influence of Katie Elder, movingly portrayed from beginning to conclusion.In 1970, John Wayne won an Academy Award. for his larger-than-life performance as the drunken, uncouth and totally fearless one-eyed U.S. Marshall, Rooster Cogburn. The cantankerous Rooster is hired by a headstrong young girl (Kim Darby) to find the man who murdered her father and fled with the family savings. When Cogburn's employer insists on accompanying the old gunfighter, sparks fly. And the situation goes from troubled to disastrous when an inexperienced but enthusiastic Texas Ranger (Glen Campbell) joins the party. Laughter and tears punctuate the wild action in this extraordinary Western which features performances by Robert Duvall and Strother Martin.

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How the West Was Won (1963) Review

How the West Was Won (1963)
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This is the first (and only) CINERAMA film I ever saw, without doubt the most thrilling aspect of the movie is the grand scale of the Cinerama process and the multi- channel soundtrack. The transfer to DVD is an insult. In this era of digital technology it is easily possible to correct the color balance errors evident in the "seams" of this otherwise remarkable motion picture. I agree with other reviewers, lose the Turner promo. The color balance, saturation, and picture
resolution are very average, and fall well below of what the DVD process is capable. One redeeming feature is the soundtrack. Finally, after viewing the VHS tape, and Laserdisc of this movie, the DVD release incorporates the correct rear channel information of the original release. Finally, and most regrettably, this DVD release has been cropped. Don't we buy widescreen movies to see how they were originally shot? HELLO HOLLYWOOD!

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The first feature film to be photographed and projected in the panoramic three-camera Cinerama process, this epic Western is almost as expansive as the West itself, chronicling a pioneering family's triumphs and tragedies in numerous episodes spanning three generations and a half century of westward movement. Divided into five segments directed by veteran Hollywood filmmakers Henry Hathaway, George Marshall, and the legendary John Ford (and including uncredited sequences directed by Richard Thorpe), the film was one of the most ambitious ever made by the venerable MGM studio. Its stellar cast reads like a virtual who's who of Hollywood's biggest stars. Debbie Reynolds plays a sturdy survivor of many pioneering dangers, and the eventual widow of a gambler (Gregory Peck), who is later reunited with her nephew (George Peppard), a Civil War veteran and cavalryman who heads for San Francisco as the transcontinental railroad is being built. Many more characters and stories are woven throughout this epic film, which is dramatically uneven but totally engrossing with its stunning vistas and countless outdoor locations in Illinois, Kentucky, South Dakota, Monument Valley in Arizona, California, Colorado, and elsewhere."--Jeff Shannon"

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Tom Selleck Western Collection Review

Tom Selleck Western Collection
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Tom Selleck & Sam Elliott are perhaps my favorite cowboys ever; their dedication to keeping the Western alive has produced some of the finest of modern entries in this disappearing genre. Though it's nice to see more coming into theaters, like "The Proposition," "Seraphim Falls," "3:10 to Yuma" and "The Assassination of Jesse james by the Coward Robert Ford," none of these films (though all very good in their own right) don't capture the quality or flavor of the classic Western. Selleck & Elliot's films do capture this spirit, and they do it flawlessly.
It's nice to see these three great Selleck Westerns, "Last Stand at Saber River," "Crossfire Trail" and "Monte Walsh," together in one package. My only complaint is that there isn't a similar set being released to house Elliot's "Conagher," "The Desperate Trail," and "You Know My Name"! I think these are all owned by the same studios, so why not synchronize releases? Anyway, here's to hoping that it's not too far ahead.
With this set, those three films I mentioned, "The Sacketts," "The Shadow Riders," "The Quick & the Dead" and "Quigley Down Under," you'll have the ultimate Tom Selleck & Sam Elliot Western collection.

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A collection of Tom Selleck's greatest westerns including: Monte Walsh, Last Stand at Saber River and Crossfire Trail.

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The Quick and the Dead (1987) Review

The Quick and the Dead (1987)
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If you believed great western films died with the passing of John Wayne, I have news for you - this western is every bit as good as those of the Duke.
Based on a story by Louis L'Amour, "The Quick and the Dead" is a fast-paced western about Duncan and Susanna McKaskel and son who are traveling across the continent to settle near the Big Horn Mountains in 1876. Escaping their violent memories of the Civil War, they run into Wyoming Territory where a man (and in this case, a woman) settle their problems with a gun. They are befriended by a nomadic western ranger, Con Vallian, who is reminisient of John Wayne's character Hondo. Mr. Vallian (Sam Elliott), takes a personal interest in the wife of the pilgrims, Susanna McKaskel (Kate Capshaw). Not wanting harm to come to Susanna, Vallian becomes their guardian angel, as they are pursued by eight ruthless theives that are intent on taking everything they own and having their way with Susanna.
Sam Elliott's role as Vallian is an admirable 5-star performance, which establishes him as a premier western star in the post John Wayne era. Sheperd brings his character to life with his deep resonant voice, his glowering smoldering eyes, and his ruggedly handsome good looks. Elliott's Vallian is a pragmatic character who would not mind taking over husbandly duties with Susanna, should anything happen to her husband Duncan. As the story unfolds, Vallian builds a grudging respect for Duncan, seeing the steady grit inside the man.
Kate Capshaw plays Susanna McKaskel, and is the obvious reason for Vallian's interest in the family. Capshaw is truly a strikingly beautiful woman; however, she is also a strikingly good actress and carries off the part of a pioneering woman with ease. Her performance matches Sam Elliot's scene for scene.
The story unfolds quickly and there is a level of tension thoughout the movie that keeps you in your seat. You will not be disappointed in this movie. I intend to move it to my "keeper" movie shelf with my other western classics. It deserves its place there.
Jim Konedog Koenig

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In 1876 Wyoming, the gun is the only law. And for Duncan and Susanna McKaskel (Tom Conti and Kate Capshaw), newly arrived settlers beset by outlaws, rugged frontiersman Con Vallian (Sam Elliott) is the only hope. From the book by famed Western author Louis L'Amour, THE QUICK AND THE DEAD is a rousing adventure. It shares tried-and-true ingredients of those sagebrush sagas: a tale of peaceable folk driven to action under the guidance of a mysterious stranger.

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The Shadow Riders (1982) Review

The Shadow Riders (1982)
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"The Shadow Riders" has all the grit, matter-of-fact speech, incredible landscapes and action of a great Louis L'Amour book. Tom Selleck, Sam Elliot and Jeff Osterhage also starred in "The Sacketts" in 1979, and do just as fine a job in this movie as that one.
The part that will surprise you is how strong the female lead role is. Katharine Ross does an excellent job as the fiesty Kate Connery, the love interest of Dal Travern (Sam Elliot). She had as good a character and as much screen time as many of today's heriones -- a highly unusual circumstance in the early 80s and certainly unusual for the genre.
"The Shadow Riders" has a great mix of romance, action, humor and good old fashioned Western elements. This mix makes the film appealing to a much wider audience than just Western fans or Louis L'Amour fans -- although they will come away thrilled.

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The Civil War is over and the Traven brothers are going home. But what Mac (Tom Selleck, Quigley Down Under) and Dal (Sam Elliott, Tombstone) find upon their arrival is a town ravaged by Confederate rebels who've refused to surrender. Swearing to fight the Yankees to the bitter end, the guerillas have kidnapped the Travens' younger sisters - as well as Dal's sweetheart, Kate (Katharine Ross, Shenandoah) - and plan to sell them to a brothel in Mexico to raise money for guns and bullets. Determined to rescue their loved ones, Mac and Dal bust their Uncle Black Jack (Oscar(r) winner Ben Johnson, Best Actor in a Supporting Role, The Last Picture Show, 1971) out of prison and head south of the border, where they aim to finish a war they thought had already ended.

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Villa Rides (1968) Review

Villa Rides (1968)
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THANK YOU! THANK YOU! THANK YOU! THIS IS A GREAT MOVIE. FINALLY IT WILL BE RELEASED IN DVD. I HAVE A COPY ON VHS BUT IT'S WORN OUT FROM SEEING IT SO MUCH. GREAT, GREAT, GREAT MOVIE. ACTION, COMEDY, IT HAS IT ALL!!!

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Viva la revolución! Oscar winner Yul Brynner stars as Pancho Villa in this thrilling story of the Mexican Revolution. Along for the ride are legends Robert Mitchum with Charles Bronson at his sneering best. A gritty screenplay by Sam Peckinpah (The Wild Bunch) brings out the chemistry between the stars and makes this action packed tale of real life desperados a must see!

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