Showing posts with label 1970s. Show all posts
Showing posts with label 1970s. Show all posts

Laserblast (1978) Review

Laserblast (1978)
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The funny thing about B-Movies is that they become campy classics only when they were made with somewhat serious intentions. We crack up over "Plan 9 From Outer Space," but when they crank out contrived spoofs like "Attack of the Killer Tomatoes," we grow bored.
Laserblast is one of those classics in the spirit of Ed Wood Jr. Released in 1978, it stars the late Kim Milford (best known for popularizing the role of Rocky Horror in the Roxy version of "The Rocky Horror Show") as Billy, a handsome but shy and dysfunctional young man who comes across this groovy space gun that blows people & things to smithereens. There is a catch to this magical zapping-machine: with each blast, poor Billy gradually turns from the sweet & shy guy to a physically grotesque and murderous creature who begins taking out his enemies (not to mention a few innocent bystanders). Being that the film takes place the year after "Star Wars" was released, Billy even takes his aggression out on a small billboard advertising the film!
All this time these Claymation Space Creatures are cruising about in a spaceship, monitoring the earthly activity of their potent zapping machine, speaking in a way-out tongue that is never revealed.
As one who enjoys spotting familiar celeb faces in B-Movies, I had a field day with this film as the cast includes Roddy Mc Dowell (it always interested me how he appeared in as many campy films as he did quality films), Keenan Wynn, Gianni Russo (best known as Carlo in "The Godfather"), Eddie Deezen (character actor known for his ultra-nerd roles in movies like "Wargames," and most recently in "Polar Express"), and the late Cheryl "Rainbeaux" Smith, who appeared in scores of B-Movies throughout the 1970s. The movie was directed by Michael Rae, who went on to direct.....uh, nothing else ever again.
On a "bad movie scale" of 1 through 10 (1 being SO bad that it doesn't even pass as a fun B-Movie experience, 10 being a wonderful viewing experience because it's so bad!) I give Laserblast a 10+!!! You can pick up this DVD for a very reasonable price, so check out these Clay Creatures and their Monster-Making Laser Gun!


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LASERBLAST - DVD Movie

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The Outlaw Josey Wales (1976) Review

The Outlaw Josey Wales (1976)
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Although Clint Eastwood gained his greatest critical acclaim as a director for 1992's "Unforgiven" and 2003's "Mystic River" -- both of which are incredible pieces of American cinema -- his best film remains this perennially popular Western from 1976. Here's Eastwood's own take on it: "I do believe that if I'd made that picture in 1992, in place of `Unforgiven,' it might have received the same amount of attention, because I think it's equally as good a film. I think the subject matter of `Josey Wales' is timeless." Orson Welles himself named it one of his favorite movies!
Yet critics at the time completely dismissed it as just another Clint Eastwood Western-Revenge flick. On the surface, the plot might give you that illusion: Missouri farmer Josey Wales loses his family to marauding Union cutthroats during the civil war. In retaliation, he joins Qunatrill's raiders in the guerrilla warfare that flames across Missouri. When the war ends, Wales refuses to surrender. He flies west across the country, chased by his former leader Fletcher (John Vernon in a great, sympathetic performance) and Terrill, the Union captain who murdered his family (Eastwood regular Bill McKinney). It seems Wales has no future except to stay alive long enough to get his revenge.
But...that's not at all what movie ends up being about. Gradually, Wales finds himself at the center of a growing community of outcasts from many different backgrounds: an old Cherokee named Lone Watie (Chief Dan George, in the film's most unforgettable performance), a band of Northern settlers (including Sondra Locke in her first role with Clint), a girl from another Native American tribe, the residents of a dying Texas town, and a red bone hound. Gradually, "The Outlaw Josey Wales" turns into a story about forgetting revenge and a fixation on death, and instead about embracing life and rebuilding a community. "Dying is easy for men like you and me," Wales says to a Comanche chief (Will Sampson) in one scene. "It's living that's hard." It's one of the most unexpectedly uplifting and moving films ever made. And, let's make no mistake about it, it's also an action-packed, tough, and exciting film.
Strangely, the film came out of extremely difficult circumstances and rough beginnings. Eastwood purchased the rights to Forrest Carter's novel "Gone to Texas," only to discover that the author was actually Asa (Ace) Carter, who had worked as a speech writer for George Wallace supporting racial segregation and had once created a subgroup of the Ku Klux Klan. Upon meeting Carter, Eastwood and his producer Robert Daley found the man to be a borderline sociopath (he drew a knife on one of Daley's secretaries at a restaurant). Regardless, Eastwood loved the beautiful story too much and pushed on with making the film. He hired Philip Kaufman to both write and direct the movie, now re-named "The Outlaw Josey Wales." Kaufman (along with Sonia Chernus) wrote a stunning script, but after only a few days on the set, it became obvious he wasn't working out as a director; his style clashed with Eastwood's. Eastwood quietly removed him as director and took over the job himself. As Eastwood's biographer notes, "Kaufman was to a degree the victim of Clint's growing confidence in his own abilities."
Despite this confused beginning, "The Outlaw Josey Wales" turned into a magical piece of Western cinema and a huge hit with audiences. It gets better and better with each viewing: a thrilling adventure when you first see it, its many layers of beautiful subtlety emerge each time you go back to it. Bruce Surtees's photography is astonishing, Jerry Fielding's music exciting and unusual for a Western, and every performance top-notch. Few films are as all-around well done as this American classic.
The DVD offers the film in a glorious widescreen transfer with a new 5.1 sound mix, but there are no extras. Considering the history behind the making of the film, this disc really ought to sport some fascinating commentaries and documentaries, but alas, nothing. Still, I can recommend few films higher than "The Outlaw Josey Wales."

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Josey Wales is a farmer turned fugitive in the post-civil war south who is chased by the law after he avenges the murder of his family and friends.DVD Features:Introduction:Introduction by Clint Eastwood Other:"Hell Hath No Fury" - 30:25 "Eastwood in Action" - 7:45


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The Essential Steve McQueen Collection (Bullitt Two-Disc Special Edition / The Getaway Deluxe Edition / The Cincinnati Kid / Papillon / Tom Horn / Never So Few) (1965) Review

The Essential Steve McQueen Collection (Bullitt Two-Disc Special Edition / The Getaway Deluxe Edition / The Cincinnati Kid / Papillon / Tom Horn / Never So Few) (1965)
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You could call him the quiet one. McQueen had a talent for portraying quite a lot with minimal dialog and that's the way he liked it. He has maybe 75 lines off dialog in "The Magnificent Seven" yet his presence is equal to that of star Yul Brynner. You'd be forgiven for being confused about which Steve McQueen boxed set to purchase. MGM has recently released "The Steve McQueen Collection" which features four McQueen classics that have previously been available on DVD; "The Thomas Crown Affair", "The Magnificent Seven", "Junior Bonner" and "The Great Escape".
"The Essential Steve McQueen Collection" is a different beast entirely; it does feature 1 title that is no different than the previously issued version -"Papillon". All the rest have either never been issued or, in the case of "Bullitt", are now in two disc deluxe editions that make this set a worthwhile addition to any collection.
The crown jewel of this set is the new deluxe edition of "Bullitt". McQueen plays San Francisco detective Frank Bullitt. He's been assigned to protect a witness for a major trial. The witness, though, is murdered. Before the post-mortem has begun, Bullitt hunts for the killers and plans on nailing them. Featuring an amazing high speed chase through the streets of San Francisco and shot entirely on location, "Bullitt" was Peter Yates' first major US film and it crackles with energy.
"Papillon" tells the story of a thief nick-named Papillon for the large butterfly tattooed on his chest. (McQueen) framed for murder in France and sent to Devil's Island for life. From the moment he steps on the boat headed to the prison he's planning his escape. He agrees to protect a financial thief Louis Dega (Dustin Hoffman). Schaffner's film portrays Papillon's attempt to survive on Devil's Island until he can figure out an escape plan. Although this isn't Schaffner's best film, it has a number of powerful moments that equal his classic films "Patton", "Planet of the Apes" and "The War Lord". McQueen more than holds his own with method actor Hoffman.
"The Cincinnati Kid" features McQueen as Eric Stoner a poke playing ace who challenges the best gambler around "the Man" Lancey Howard (Edward G. Robinson). A terrific performance by Edward G. Robinson allows Robinson to almost steal the picture under McQueen's nose. With a terrific supporting cast, "The Cincinnati Kid" would be one of the most memorable films about gambling until "Rounders" three decades later.
"Never So Few" features McQueen in the third billed role of Bill Ringa a member of the O.S.S. fighting the Japanese during World War II in Burma. Ringa and his Captain Tom Reynolds (Frank Sinatra) are in Burma to train the Kachin natives in how to fight the Japanese. Reynolds fights dirty when Chinese rebels cross over to Burma to kill and loot the American soldiers stationed there. Although it's not one of director John Sturges ("The Magnificent Seven". "Ice Station Zebra") best films, "Never So Few" provides McQueen with a role that continued his breakthrough as a actor. It also inspired Sturges to cast McQueen in "The Magnificent Seven".
"The Getaway" almost got away without being made. Originally Peter Bogdanovich was to direct with his girlfriend actress Cybil Shepherd in the lead. When she dropped out so did Bogdanovich. Luckily director Sam Peckinpah stepped in and the rewritten script by Walter Hill was tooled for McQueen. Scandal broke out on the set when McQueen became involved with his co-star Ali McGraw (who was then married to Paramount head Robert Evans). McQueen plays thief Doc McCoy who has been paroled. The only problem is that Sheriff Beynon (Ben Johnson) expects him to do a big robbery for him. He plans on killing McCoy afterward but things don't quite work out the way that Beynon intended.
"Tom Horn" (McQueen) a tracker and "enforcer" who dispensed justice in the old west takes a job to stop cattle thieves. When things get messy and Horn has to kill some of the rustlers, the ranchers who hired him want Horn stopped. He's put on trial for the murder of a 15 year old boy. The next to last film McQueen made before he died in 1980, is a surprisingly powerful and great western. The screenplay by novelist/screenwriter Thomas McGuane ("The Missouri Breaks", "92 in the Shade", "Rancho Deluxe") and Bub Shrake ("Nightwing", "J.W. Coop", "Songwriter") portrays a character out of time; Horn's style of dispensing justice faces the gray world of corruption and politics. McQueen gives one of his best nuanced performances in a film that didn't do all that well at the box office. It's a pity as it's a great movie that deserves a wider audience. Luckily, for those who buy the boxed set they'll finally get a chance to see this classic western.
The previous DVD edition of "Bullitt" looked quite good but can't compare to the newly digitally remastered transfer here. Image clarity, color and detail for "Bullitt" is superb. The sound is surprisingly spry with a nice 5.1 remix that doesn't quite use the format to its best advantage but that's not a surprise given that the film is nearly 40 years old. "Papillon" comes with the same transfer as it received in 2000. Image quality is good but the negative could use restoration and/or digital filtering to clean up the print/improve it. It does feature a recent 5.1 remix (which wasn't advertised on the box of the previous release and I don't recall if it had it or not on the 1999 release but I suspect not).The colors aren't bright and vibrant but they fit the general atmosphere of the film and are fairly true to the original theatrical exhibition if a bit faded. "The Getaway" looks terrific again considering the age of the movie. The blacks are rock solid and the colors as vivid and bright as they've ever been. There's the occasionally soft image but, on the whole, "The Getaway" looks marvelous. "Never So Few" also looks quite good particularly when you consider the age of the negative. It receives a solid transfer with bright colors and nice image clarity. "The Cincinnati Kid" also looks exceptionally good with nice color reproduction and image quality. It's clear that some digital restoration was done to the most recent releases here and "Kid" does benefit from it. "Tom Horn" looks extremely good with sharp images, bright and vivid colors. Although a tad grainy (like most of the films here) that has more to do with the stock used to shoot the films and the condition of the negative than the transfer. In most cases, the graininess adds to the character of the films. All six films feature 2.0 Dolby Digital Surround soundtracks (in addition to the 5.1 remasters for "Papillon"). All sound crisp with nice clarity to the dialog and music.
"Bullitt" gets the most attention here. Featuring two fine documentaries on the film and McQueen, we also get the original vintage featurette on the film. "The Cutting Edge" examines the the art of movie editing with a glimpse into other films during the editing process as well. "Steve McQueen: The Essence of Cool" is a terrific biography on McQueen that provides a lot of information previously unknown about the actor. There's also the original theatrical trailer included as well. "The Getaway" features the original theatrical trailer only. "Papillon" has the original promotional featurette produced for the film as part of the extras as well as the trailer. "The Cincinnati Kid", "Never So Few" and "Tom Horn" all have only the original theatrical trailer for the respective films. It's a pity that Warner chose not to do a documentary or at the very least a featurette on "Tom Horn". Since it's about a real historical figure and making the film was a passion for McQueen, it would have been appropriate and provided much needed information on the historical figure and the production of this fine overlooked film.
"Bullitt" comes with an excellent commentary by director Peter Yates. "The Getaway" features a "virtual" commentary culled from interviews of McQueen, Peckinpah and McGraw as well as a commentary by Peckinpah biographers/documentarians Nick Redman, Paul Seydor, Garner Simmons and David Weddle. "The Cincinnati Kid" has a marvelous trivia filled commentary track by director Norman Jewison.
Between this release and "The Steve McQueen Collection", McQueen fans will have most of his essential films. Although there are a few gems missing from these collections (due to contractual issues no doubt), most of the films here are among the best McQueen made. "The Getaway" and "Bullitt" receive most of the attention here with terrific commentary tracks and extras. "Papillon" probably could have used a face lift with a new digital transfer and a commentary track by a film historian (or Dustin Hoffman) but it looks like we'll have to wait for this minor classic to get its due another time. The other missed opportunity in this superb set is the lack of extras for "Tom Horn" One of McQueen's finest later films and a terrific western that presaged films like "The Unforgiven", "Open Range" and "Wyatt Earp", it's a perfect period piece about the transition of the old west into civilization and those who were lost along the way.

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6 Steve McQueen classic movies are now available in one giftset -- THE ESSENTIAL STEVE McQUEEN COLLECTION! BULLITT TWO DISC-SPECIAL EDITION: Buckle up for gritty police procedure and a wild, trend-setting chase over Frisco's hills with THE GETAWAY DELUXE EDITION A heist gone wrong is dead-right in the hands of McQueen and director Sam Peckinpah. THE CINCINNATI KID McQueen and Edward G. Robinson ante up. Norman Jewison guides the big-time poker flick. NEVER SO FEW Commando action in World War II Burma! McQueen's first big-budget film. Frank Sinatra stars. PAPILLON Can McQueen and Dustin Hoffman escape Devil's Island? From the director of Patton. TOM HORN True to the cowboy way! McQueen rides tall in a star-packed elegy to a changing West. Titles also available separately.

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Saturday Night Live: The Complete Fourth Season, 1978-1979 Review

Saturday Night Live: The Complete Fourth Season, 1978-1979
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I'm very familiar with this season and would like to offer up a few of my favorite moments. This last season for Belushi and Aykroyd, along with the third season, includes the troupe's finest hours.
Season 4 highlights:
1.Rolling Stones - You may be slightly disappointed by this season-opener if you're a big Stones fan. There is no opening monologue from them, which could have been interesting. Those duties are instead helmed by NYC mayor (actually, I think he was just campaigning at the time), Ed "How Am I Doing" Koch. Jagger shows up as the main guest in a very funny Tom Snyder bit, and Ron Wood & Charlie Watts are patrons of the always-classic Olympia Café. As for the music, it comes in one big chunk, as opposed to the usual two segments. Somewhat disappointingly, the boys perform songs exclusively from the then newly-released "Some Girls" album ("Shattered", "Beast of Burden" and "Respectable"). Amazingly, their biggest hit from that album, "Miss You", is ignored. Worst of all, Mick's voice is in unusually bad form; he sounds strained, hoarse and froggy throughout. My biggest - indeed oddest - memory of this episode's original airing was the talk that followed at school on Monday. "Did you see Mick tongue kiss Keith Richards!?" As time passed and my memory got sketchier, I thought this may have been urban legend, but after getting a copy a few years ago, Mick does actually - if not "tongue kiss" - lick Ron Wood's closed mouth, and tries a similar move on Keith, who seems to shy away from it. Incidentally, this episode also includes the great Nerds "refrigerator repairman" sketch, also the subject of some talk at school that week!
2.Other musical highlights - Devo's bizarre rendition of "Satisfaction" looks as wild today as it did then, beret-wearing Ricki Lee Jones' semi-forgotten hit "Chuck E.'s in Love" recalls the beat poets she emulated, and Belushi's Samurai makes a hilarious cameo during Frank Zappa's fusion-jazz-tinged "Rollo." This is one of the strongest musical seasons, in fact. The Doobie Brothers, James Taylor, The Grateful Dead, Kate Bush, The Talking Heads, The Blues Brothers and Van Morrison all put in excellent performances. And then there's the once-trademark variety, which we also get with old-time jazzman Eubie Blake, reggae maestro Peter Tosh and blues man Delbert McClinton.
3.Tape Store - One of my favorites because it doesn't play for straight laughs, but serio-comedy instead, something completely unknown on the current show. Fred Willard is the overly-proud, overly-optimistic owner of a tape store...."no, not the audio kind, the sticky kind!" Some patrons are cruel, others are sympathetic & supportive. Like the "Nick the Lounge Singer" and the often-overlooked "Knights of Columbus", quieter, and drier reality-based skits like these showcased the incredible range of the cast, and didn't rely on the narcissistic one-joke, one-character premise.
4.Carrie Fisher - What Star Wars geek could forget this appearance! Not only was the country still gripped in the original Star Wars Mania, but Fisher showed up for the monologue in her Princess Leia costume, buns and all! She looks as good as she did in the film, if not even more sparkly. The following skit is a very humorous Star Wars themed take-off of the Annette & Frankie "Beach" movies from the `60s. As a kid, I was most shocked by another skit wherein Fisher smokes pot with her date (Belushi). It actually a humorous parody of the Lauds, the notorious subjects of "An American Family". This one, however, just talks "loud".
5.The Pepsi Syndrome - One of the most finely constructed skits I think the show ever did. Everyone does their job here, from Baba Wawa to Franken & Davis' hilarious mime routine. It's spoof without being imitation, political without being obtuse. Again, one of the great things about the Not Ready for Prime Time Players was their ability to load up skits with a variety of different gags, not relying on the repetition of one (I stress this point a second time because it's one of the biggest killers of the show today).
6.The Bad News Bees - Double entendres abound as the Bees (rarely seen by this point) get the Bad News Bears treatment. Teammates tease another boy (Belushi) for "buzzing off". I don't want to spoil it beyond that. The presence of the great Walter Matthau, reprising his Buttermaker role, gives this one some comedic weight and authenticity.
7.Superhero Party - Margot Kidder, fresh off the heels off of "Superman" success, puts in a solid, St. Partick's Day themed show. As someone of Irish descent, I've always remembered this one fondly (maybe all those Chicagoans at SNL had something to do with it!). Highlights include the Celtic stylings of The Chieftains, and the hysterical Superhero Party, hosted by Lois Lane, naturally. Partygoers are offended at the bathroom odor left behind by Belushi's Hulk, who nonchalantly remarks, "hey, it ain't supposed to smell like roses."

8.The French Chef - SNL clearly drew inspiration from Monty Python, especially in these earlier seasons. Their awestruck admiration was obvious whenever Michael Palin or Eric Idle hosted. Earlier episodes hosted by them include British-themed skits as well as the spilling of one skit into the next, a common Python technique. Here, Dan Aykroyd may be channeling host Idle with his classic Julia Childs imitation. The ridiculous amount of blood-letting that ensues recalls Python's "Sam Peckinpah's Salad Days" sketch.
There's more, but if you've read this far, I'm not sure what you're waiting for. Haven't you pre-ordered yet?


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SNL:SEASON 4 - DVD Movie

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Westworld (1973) Review

Westworld (1973)
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I picked this film up about a week ago. I hadn't seen it since it premiered back in the 1970's. It made no impression on me whatsoever on that first viewing. Boy has time and its simplicity improved it, the second time around! This is a very timely film and I think people of all ages should take a look at it.
This film moves from humour to fantasy to horror almost seamlessly. And the funny thing is- the fact that Crichton didn't get caught up in atmosphere or look; he concentrated on two characters simply going to a future resort, however fantastic the idea seems, to release and experience what in fact become examples of some of the darkest pleasures or most violent impulses inside of all of us. It really presses the right buttons and asks questions about what we find fun or entertaining.
I don't want any review I write to spoil the films for the people yet to see the work so, let's just say- when the tables turn and 'we're on the receiving end ', there's a real numbing truth to what this film drives home. More so today then when it was released. Think of some of the 'reality based darkness' that now litters our airwaves and the unfortunate numbers who seem to be tuning in to watch it.
James Brolin really nails the 'who cares' feel his character needs. Richard Benjamin has to be the one who feels silly at first, then joins in with a sort of reckless abandon. And Yul Brynner is an example to everybody today (in acting, directing, effects and make-up ), of how you can scare the hell out of someone with a look, a smile and two small silver contact lens. (You'll know what I mean when you get to the scene). Benjamin really balances him from that point, having to portray the fear the new reality hits him with.
I won't do the Jurassic comparisons. I thought it when Jurassic came out but Jurassic was a rollercoaster ride. Westworld is the tale with the real bite.
I highly recommend this movie. It's an entertainment that quickly turns to a truth I think we all need to keep thinking about. What do we really find entertaining? Or more to the point... why?

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Westworld is a futuristic theme park where robots are programmed to fulfill guests' lustful and sometimes violent fantasies-- until something goes wrong with their circuitry.Genre: Science FictionRating: PGRelease Date: 3-JUL-2001Media Type: DVD

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Little Big Man (1970) Review

Little Big Man  (1970)
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Advertised as a comedy when originally released, LITTLE BIG MAN is much, much more than that. Director Arthur Penn's sweeping film depicting the clash of the Indian and white cultures will have you chuckling one moment, then shaking your head sadly at man's inhumanity to man the next.
Dustin Hoffman as the ever industrious Jack Crabb takes this movie on his shoulders and carries it superbly. To say that the actor shows some "range" in this role is the epitome of an understatement: from portraying an adolescent teenager to a fragile 121-year-old-man (phenomenal makeup job), from snake-oil salesman to mule skinner, Hoffman brings Jack's fascinating life to splendorous glory. And Hoffman is funny--darn funny--with a wonderful knack for physical comedy.
In addition to Hoffman, LITTLE BIG MAN offers other savory treats. Richard Mulligan is absolutely delightful as a narcissistic General George Armstrong Custer--the stunning Faye Dunaway positively wicked as naughty Mrs. Pendrake. Chief Dan George, who portrays Old Lodge Skins, Jack's adopted Cheyenne grandfather, delivers countless one-liners, yet lends a quiet, heartfelt dignity to his role. In fact, this is a movie one will wish to savor again and again--a beautifully crafted, well-made film that is timeless in its ability to entertain.
--D. Mikels

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That '70s Show - Season One (1998) Review

That '70s Show - Season One (1998)
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I really enjoy this series. The entire cast is excellent and complements each other. This is one of the few series I look forward to, both new and reruns.
This first release of That 70s show on DVD contains all of the episodes of its first season. All 25 episodes are contained on 4 disks. It is full frame and list at 575 minutes.
Episodes:
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1) That `70s Pilot - Red gives Eric the keys to the Vista Cruiser and tells him he can go anywhere but out of town but of course they go out of town.
2) Eric's Birthday - The last think Eric wants on his birthday is a party but he gets one anyway.
3) Streaking - President Ford comes to town and the boys decide to streak. Red is selected to ask the President a question.
4) Battle of the Sexists - Eric feels less that a man when he loses a game of basketball to Donna.
5) Eric's Burger Job - Eric gets a job at Fatso burger.
6) The Keg - Eric and Donna skip a day of school and find Hyde and Fes in the back seat of the car. While driving down the road they find a keg of beer.
7) That Disco Episode - Kitty teaches Hyde how to dance.
8) Drive In - Eric and Donna go to the drive-in.
9) Thanksgiving - Laurie comes home for Thanksgiving.
10) Sunday, Bloody Sunday - Red's mother comes for a Sunday visit and drives everyone crazy, except for Fes.
11) Eric's Buddy - Eric has a new friend and Kelso and Hyde can't stand it.
12) The Best Christmas Ever - Red give Eric $40 to get a tree but he keeps the money and cuts down a tree from beside the road.
13) Ski Trip - The gang goes to Jackie's cabin for the weekend. Kelso is uninvited when Jackie finds out he was fooling around with Pam Macy. Kelso show up anyway.
14) Stolen Car - Eric scratches the car and Red takes away the keys. Kelso get a car from his cousin and they get arrested for having a stolen car.
15) That Wrestling Show - Kitty "forces" Eric and Red to become friends. So the gang, Red and Bob go to a wrestling show.
16) First Date - Eric and Donna have their first date. Donna gets drunk and Hyde show up and tells Donna how he feels about her.
17) The Pill - Jackie thinks she may be pregnant.
18) Career Day - The gang spends career day with their parents.
19) Prom Night - Eric gets a motel room for him and Donna but nothing happens. Hyde takes Jackie because Kelso is out with Pam Macy.
20) A New Hope - The boys go to see Star Wars. Kelso is so impressed that he even says no to sex with Jackie just to see it again.
21) Water Tower - The boy's paint a giant pot leaf on the water tower and Kelso falls off. After coming home Eric runs upstairs to get his mother, to look at Kelso arm, and finds his parents having sex.
22) Punk Chick - Hyde meets a girl and tries to convince him to go to New York.
23) Grandma's Dead - Eric is driving his grandmother home and she dies. We also get to meet Red's brother.
24) Hyde Moves In - Hyde moves in with the Foreman's.
25) The Good Son - Now that Hyde has moved in he has become the preferred son and Red's war buddy (Mitch Pileggi from the X-Files) returns and he turns out to be a swinger.
Addition special features include:
----------------------------------------
Hello Wisconsin!
Season Featurette
That `70s Trivia Show
Promo-Palozza!

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Crank up the 8-track and flash back to the "me" decade…That ‘70s Show is now shaking its groove thing on DVD! Set in the era of Led Zeppelin, Tab cola and Farrah Fawcett posters, this hilarious sitcom starring Ashton Kutcher recently celebrated its 100th episode and continues to delight fans with its nostalgic references and funny, slice-of-life storylines about growing up in the ‘70s.

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Chico and the Man (Television Favorites) (1974) Review

Chico and the Man (Television Favorites) (1974)
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How wonderful for Warner Bros. Entertainment to finally release a few episodes of "Chico and the Man" starring Jack Albertson and Freddie Prinze.
I remember seeing the very first episode on September 13, 1974 when I was 11. The show was funny and when Prinze came on as "Chico", I didn't know what to think of him at first, but the man was funny. He had me laughing throughout the program until my stomach hurt. It became my favorite show and I did not like to miss it. (Darn those boy scout meetings).
I also saw the Million Dollar Rip-off (1976-tv) starring Freddie Prize.
When the tragic announcement was made on the news that Prinze had shot himself and later passed away, I had a real hard time believing it. When you are young, you think that when a person goes to the hospital, they will be fine. HOwever, Freddie Prinze left us.
After reading, "The Freddie Prinze Story" by Maria Pruetzel and John A. Barbour, then I understood why Freddie left us. The stardom, the pressure, constant traveling, the drugs, he would get lonely, depressed and upset. That one night with Quaaludes, Valium and a gun, he was upset and even though his friends and his manager tried to help him that night, Freddie wasn't in a good state of mind and had sleeplessness. The gun went off and Dusty found Prinze slumped over in the hallway. Freddie went through periods of holding his gun not wanting to be without it.
NBC tried to keep the tv series going for Jack Albertson's sake by welcoming young Gabriel Melgar to the cast as "Raul" and Scatman Crothers and Della Reese was with him.
I still continued to watch "Chico and the Man" and the last episode I recall was when "Raul" went back to Mexico.
For many of us, we have not seen Freddie Prinze since his last appearance as "Chico" or his clips from "The Tonight Show with Johnny Carson".
This DVD release of "Chico and the Man" is a real treat and a keepsake.
The first episode, the test pilot episode aired, September 13, 1974.
"If I Were A Rich Man", (episode 16) aired, January 31, 1975.
"Chico and the Van" (Season 2, episode 6) aired October 17, 1975.
"Chico's Cousin Pepe" (Season 2, episode 19) aired Feb. 11, 1976.
"Ed Talks To God" (Season 3, episode 18) aired March 4, 1977.

You will recognize the faces of: Scatman Crothers, King Moody, Rodolfo Hoyos, Sidney Clute, Jerry Fogel, Ralph Manza, Penny Marshall, Issac Ruiz, Cesar Romero, Jose Feliciano, Jeannie Linero, Edward Andrews and Carmen Zapata.

Subtitles available in English, Spanish and French.
Bring back the laughter again in your living room.


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Studio: Warner Home VideoRelease Date: 09/27/2005Run time: 150 minutes

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Coming Home (1978) Review

Coming Home (1978)
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You can read the reviews to find out how moving and real this film is. Jane Fonda, Jon Voight and Bruce Dern are all perfect in their roles. Since the soundtrack doesn't seem to be available, I am going to share with you the songs played on the soundtrack so that you can compile your own soundtrack.
They are organized by group.
Happy Viewing and Listening! This is a film not to be missed.
Beatles - Hey Jude
Big Brother & the Holding Company with Janis Joplin - Call on Me
Tim Buckley - Once I Was
Buffalo Springfield - Expecting to Fly, For What It's Worth
Chambers Brothers - Time Has Come Today
Bob Dylan - Just Like a Woman
Aretha Franklin - Save Me
Richie Havens - Follow
Jimi Hendrix - Manic Depression
Jefferson Airplane - White Airplane
Rolling Stones - Out of Time, No Expectations, Jumpin' Jack Flash, My Girl, Ruby Tuesday, Sympathy for the Devil
Simon & Garfunkel - Bookends
Steppenwolf - Born to Be Wild

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Perhaps the most powerful picture ever made about the shattering aftermath of the Vietnam War, Coming Home earned eight Academy AwardÂ(r) nominations* and three OscarsÂ(r): Actress (Jane Fonda), Actor (Jon Voight) and Original Screenplay. Hailed by critics as "dazzling" (Rex Reed), "gripping" (Leonard Maltin) and "unforgettable" (Judith Crist), it is a heart-rending examination of a critical period in our nation's history and "an uncompromising, extraordinarily moving film" (Roger Ebert).When Marine Captain Bob Hyde (Bruce Dern) leaves for Vietnam, his wife, Sally (Fonda), volunteers at a local hospital. There she meets Luke Martin (Voight) a former sergeantwhose war injury has left him a paraplegic. Embittered with rage and filled with frustration, Luke finds new hope and confidence through his growing intimacy with Sally. The relationship also transforms Sally's feelings about life, love and the horrors of war. And when, wounded and disillusioned, Sally's husband returns home, all three must grapple with the full impact of a brutal, distant war that has changed their lives forever.

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Go Ask Alice (1973) Review

Go Ask Alice (1973)
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I am a 13-year old. I read the book "Go Ask Alice" and I loved it. I rented the movie, and loved it. I am learning about drug abuse now so I wont make the same mistakes Alice made. This is definitely my favorite book, because it it so honest and realistic. I feel like Alice in some ways. I feel like I am all alone sometimes, and I get angry and frustrated and upset over the littlest things.What can I say, I'm normal. So I give this movie a 5 because it is the only film out there that is real. It is based on an actual girl's life, and that's what I like about it so much.

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A teenage girl's downhill spiral into drug addiction.A move to a new school in a new city puts great pressure on Alice, a high school student.Hoping to be liked, she tries desperately to be friendly with the school's "popular" students.Eventually sh

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Welcome Back, Kotter: The Complete First Season (1975) Review

Welcome Back, Kotter: The Complete First Season (1975)
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It has been years since I last saw "Welcome Back, Kotter." It is a real treat to see it coming out on DVD. No one could have imagined the break out star John Travolta would become, trading in his tight t-shirt for a white leisure suit, as Gabe Kaplan fights to hold his own against an unruly class of "Sweathogs," who fall below the curve of Buchanan High School. This was the first high school comedy to capture a gritty urban feel. Room 222 had its moments but was sticky sweet by comparison. Gabe Kaplan drew on his life experiences, which had been the fodder of his stand-up routines, to capture a lively classroom of remedial kids led by Vinnie Barbarino. They manage to stay one step ahead of Vice Principal Woodman (John Sylvester White), but Kotter knows the tricks all too well, having been a sweathog himself in his youth. Robert Hegyes, Lawrence Hilton-Jacobs (who enjoyed a brief celebrity of his own) and Ron Palillo round out the motley crew, representative of the racial diversity of the school. Marcia Strassman is wonderful as Kotter's wife, Julie, who has to listen to his daily accounts each evening, reminiscent of the bed conversations between Bob and Emily Newhart. The show had a good run of 4 seasons, which is appropriate given that it was a high school comedy. And, don't forget the wonderful theme song by John Sebastian.

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Mr. Kotter, meet the Sweathogs, the goofiest group of remedial students who ever set off the fire alarm two minutes before a test or spent algebra class constructing spit wads. Sweathogs, meet Mr. Kotter, a former Sweathog who's returned to his old high school as your new teacher. Gabriel Kaplan stars as Kotter and John Travolta, in his breakthrough role, plays Sweathog leader Vinnie Barbarino in this multicultural, multicomical 1970s smash hit set at Brooklyn's James Buchanan High School. Join them plus jivin', high-fivin' Freddie Washington, tough-guy Juan Epstein and peppy pipsqueak Arnold Horshack for all the Season One fun - or it's up your nose with a rubber hose! DVD Features:Featurette:The shows cast and creators reflect on the influence of the show, their personal experiences and memorable momentsOther:Actors' Original Screen Tests


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Catch-22 (1970) Review

Catch-22 (1970)
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Finally ...... one of those DVD re-releases I've been practically holding my breath for, and was not disappointed. This criminally overlooked gem was trashed by critics upon its release in 1970, and never enjoyed a video transfer worthy of the filmmaker's effort, not even on laserdisc! And as you can see from the varying reviews, the controversy rages on. Which just proves how alive and well and timely a film Catch-22 truly is.
Mike Nichols captures the essence of Joseph Heller's defining anti-war classic quite admirably, with a faithful adaptation by Buck Henry (who can be seen along with a veritable Who's Who period ensemble cast), with an eye as removed and objective as Kubrick, yet at times very visually subjective ..... an approach used to great advantage in his previous hit film The Graduate. All the verbal and ethical contradictions of the book bring its dark humor to demented life, through a kaleidoscopic cavalcade of archtypical characters who make up the living nightmare of one Captain Yossarian, who has decided he can no longer bear to fly the combat missions his superiors have made it impossible to get out of. To get out of flying, he has to be officially diagnosed as "crazy", and must request to be grounded ..... but if he requests to be grounded, then he's not really crazy, and is therefore eligible to keep flying missions. That's some catch, that Catch-22.
This film, like the book on which it's based, is not so much an indictment of the insanity of war as it is a look at how the corporate mentality can find its way into the noblest of causes, and how beurocratic manipulations devaluate basic human principles, which take a back seat to merely "looking good". A timeless theme indeed. This skewed logic is cheerfully accepted by all the story's characters ..... until our Yossarian's eyes are opened to the product of that logic literally disemboweled at his fingertips (yes, that scene was put back in!), and suddenly he is the outsider whose prime mission is to avoid any more missions. Which is not an easy thing to do when Brass keeps adding more after you've completed your tour of duty.
As far as the transfer itself: It has probably never looked better since the original theatrical release over 30 years ago, especially being the first widescreen release of this title, which is the only way to experience it as intended. The transfer team did the best they could with the mono soundtrack, I'm sure, which does get compressed and distorted at times, something we enthusiasts of early films live with.
Mike Nichols' Catch-22 may only enjoy cult status, but it is DVD releases like this (and that other oddball, star-studded 60's curiosity Candy) that make one truly appreciate what is being done with this revolutionary medium. Hey, not all movies can be for everybody. Long live the Anti-Blockbusters!

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The cinematic adaptation of Joseph Heller's scathing black comedy about a small group of flyers in the Mediterranean in 1944.Genre: Feature Film-DramaRating: RRelease Date: 13-AUG-2002Media Type: DVD

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Kung Fu: The Complete First Season (1972) Review

Kung Fu: The Complete First Season (1972)
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Although I have not watched all 15 episodes yet, I was disappointed to discover that a total of one to two minutes in each episode were cut. While the short scenes that were cut were not crucial, they do create noticeable gaps in the smooth telling of the story.
It appears that the master tape used to make the DVD was not taken from the original series, but from a shortened version that was edited to make room for additional commercials when the show was shown in recent years. The total run time for each episode is 50 minutes.
It is also not "complete" because the top and bottom of the screen have been cut to make it fit a widescreen format.
I purchased the DVD because, although I had recorded the series on VHS, I did not have all the episodes. Therefore, I am happier with the DVD than without it; but I can only give it three stars since this is not the "complete first season." It has been cropped and shortened.

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He is a man of peace in a violent land.He is Kwai Chang Caine, schooled in the spirit-mind-body ways of the Shaolin priesthood by the blind, avuncular Master Po and the stern yet loving master Kan.Caine speaks softly but hits hard.He lives humbly yet knows great contentment.He is the Old West's most unusual hero.But hero is not a word Caine would use.He would simply say, "I am a man."

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Wonder Woman: The Complete First Season (1976) Review

Wonder Woman: The Complete First Season (1976)
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I have 4 kids ranging in age from 9 down to a newborn but this year for Christmas I was the one screaming and jumping up and down more than any of the kids. When I opened up the Wonder Woman season DVD I almost passed out. I just couldn't believe it. I was a HUGE fan as a kid. I had wonder woman barbie, towels,etc. I used to love to pretend that I was Wonder Woman with all my friends. I even had told my kids all the stories of Wonder Woman that I could remember so that even THEY were excited when they realized they woudl finally get to watch the show and not just hear about it. I don't think my kids knew how to react seeing their mom so hyped about something!!!! When my husband hit play and the Wonder Woman song came on it all came back to me. I was absolutely in heaven!! I was dancing and rocking out to "You're a wonder, Wonder Woman!!!!" All my kids were dancing with me and I was so excited to see my kids being introduced to the greatest tv show of all time! Ok....well that could by my nostalgia from childhood but no matter how hokey this show was (and now as an adult I realize it was pretty hokey) I just don't care. As far as I am concerned Wonder Woman is still the best tv show ever made. I love Lynda Carter. I was such a loyal devoted fan that even when she starred in that one hour show with Lonnie Anderson later in the 80's that got cancelled quickly I still watched the show out of loyalty to Lynda Carter. The show she was in with Lonnie was not a good show but I was a devoted Wonder Woman fan to the end. I hope they come out with every single episode ever made. I will buy every one.

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Meet the United States' secret and most beautiful weapon in the fight against tyranny: Wonder Woman!Season One of Wonder Woman (the Pilot Movie and 13 regular episodes) retains the World War II era of the super heroine's early comic book adventures. Also captured is the exuberant tone of a comic book come to screen life as the warrior princess, empowered by her sense of a woman's worth and by the mysterious substance Feminum that's found only on her remote native isle, battles a succession of Nazi baddies. Former Miss USA Lynda Carter stars as the heroine who hides her identity behind the oversized glasses of a War Department functionary. But when duty and danger call, she transforms. And the wonders never cease.

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Dallas: The Complete First & Second Seasons (1978) Review

Dallas: The Complete First and Second Seasons (1978)
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First, you need to know that if you pick this up expecting to get to the famous "A House Divided" episode which ends with the cliffhanger of J.R. being gunned down in the offices of Ewing oil that sparked the "Who Shot J.R.?" mania of the summer of 1980 it is not to be found here. While that episode did come at the end of the second season of "Dallas" this collection counts the five episode mini-series from 1978 as the "first" season with the 24 episodes of the first season now called the "second." This explains why there are only 5 discs in this collection of "Dallas: The Complete First and Second Seasons."
It is easy to see how "Dallas" got on the air. In the very first episode, "Digger's Daughter" (April 2, 1978), Bobby Ewing (Patrick Duffy) is bringing his new bride, Pamela Barnes (Victoria Principal) home to the Ewing family ranch of Southfork. She predicts that his family is going to throw her off the ranch and we soon learn why. Once upon a time Pam's father Willard "Digger" Barnes (David Wayne) and John Ross "Jock" Ewing (Jim Davis), the patriarch of the Ewing clan, had been oil wildcatters in the great state of Texas. When they struck oil Jock too both the company and the woman they both loved, Eleanor Southworth (Barbara Bel Geddes) away from Digger.
But not only do we have the whole Romeo & Juliet thing going on with Bobby & Pam, now Juliet is from the wrong side of the track. Add to this that Juliet has a brother, Cliff Barnes (Ken Kercheval), who is the legal counsel for a government investigation gunning for Ewing Oil, and that the foreman of Southfork, Ray Krebs (Steve Kanaly) is Pam's old beau. Ray is also sleeping with you Lucy Ewing (Charlene Tilton), who is the daughter of the absent Ewing son, Gary (David Ackroyd). Of course if you watched the show when it aired you now how twisted the Ray-Lucy bit becomes down the road, but that does not matter because we still have to talk about J.R. and Sue Ellen.
This time around Romeo has an older brother who was a human oil slick that viewers loved to hate. John Ross "J.R." Ewing (Larry Hagman) was power hungry and unscrupulous, whether it was with regards to the business interests of Ewing Oil or with his personal life. If Bobby and Pam were Romeo & Juliet, then J.R. and Bobby were Cain and Abel. By the end of the first episode J.R. is trying to have Pam caught in a compromising position with Ray so he can through "Ms. Barnes" off of Southfork and the mini-series ends with J.R. making sure that Pam does not produce the first Ewing grandson. Of course, since J.R. and his wife, Sue Ellen (Linda Gray), the former Miss Texas, and having a contest to see who hates the other one the most, their having a child first does not seem to be a real possibility.
Actually while "Dallas" resonates with Shakespearean and Biblical elements, series creator David Jacobs, who had been the story editor on "Family," was inspired by Ingmar Bergman's Swedish mini-series "Scenes From A Marriage," which an executive at CBS suggested Jacbos should move up the social ladder The mini-series was enough of a success that "Dallas" came back as a regular series in 1978-79.
The season begins with prodigal son Gary returning to Southfork with his wife, Valene (Joan Van Ark) and J.R. conniving to drive him away. Then Bobby's childhood sweetheart Jenna Wade (Morgan Fairchild) shows up with a daughter, Charlie (Laurie Lynn Myers) who may be his, Jock has a heart attack, Sue Ellen tries to adopt a baby on the Black Market, Pam's first husband (Robin Clarke) shows up claiming they are still married, Lucy runs away, Cliff runs for the state senate, a plane carrying Bobby and J.R. crashes, Ray becomes smitten with country singer Garnett McGee (Kate Mulgrew), Bobby tries a business venture with old friend Guzzler Bennett (Richard Kelton), Bobby gets kidnapped, Elle gives Southfork to her brother Garrison (Gene Evans), Jock's former secretary Julie Gray (Tina Louise) shows up dead and J.R. tries to frame Cliff for the murder, and Sue Ellen's sister Kristin Shepard (Colleen Camp) makes a play for Bobby, Pam and Bobby separate, J.R. tries to marry Lucy off to Kit Mainwaring (Mark Wheeler), and Ray has an affair with Donna Culver (Susan Howard).
However, the second season comes down to the fact that Sue Ellen has an affair with Cliff Barnes and then finds out she is pregnant offering us the delicious irony that the first Ewing grandchild could be a Barnes and not a Ewing. But Sue Ellen, afraid to leave J.R. starts drinking hard and heavy (even by Ewing standards). J.R., figuring that the child is not his but fearing what would happen to his reputation and the Ewing name if the truth comes out, has his wife committed to a sanitarium. Even there Sue Ellen manages to keep on drinking and the season ends with her in the hospital and the life of the baby in danger. To be continued...
The main advantage of "Dallas" as a nighttime soap opera was that the show really kept things moving. Arguably as much happened in a season of this show as you got in a year with a daytime soap opera but jammed into two-dozen episodes. More importantly, even if you do not care about Pam and Bobby, who refuse to live happily ever after, there is cunning J.R. sticking his finger into each and every pie. The year after this "second" season, "Dallas" finishing 6th in the Nielsens with a 25.0 rating. The series would finish 1st three of the next four seasons including a 34.5 rating the year we found out "Who Shot J.R.?" (Only one television show has average a rating over 30.0 since then, "The Cosby Show," 1985-87).

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Power, wealth, sex, glorious extravagance. One place has them all - Dallas. This 5-disc set includes all 29 of the hugely entertaining show's First- and Second-Season Episodes, including a cast reunion special. Patrick Duffy, Victoria Principal and more play Texas sons and daughters whose lives revolve around oil, family and power. And Larry Hagman portrays petroleum magnate J.R. Ewing, whose pursuit of, in no particular order, money and clout knows no limits. DVD Features:Audio Commentary:Commentary featuring Larry Hagman, Charlene Tilton, and creator David JacobsFeaturette:Soaptalk Dallas Reunion, SOAPnet special featuring Larry Hagman, Patrick Duffy, Linda Gray, and Charlene Tilton


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Superfly (1972) Review

Superfly (1972)
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Superfly (1972) is a tough, unpolished gem rising above the numerous films to come from the blaxploitation period of the early 70's. While some are critical of the message they believe posed within the film, one of glamorizing the image of the drug dealer, I didn't really see it that way at all. I think this image presented was a superficial one, and one that the main character within the film saw and understood, prompting his actions and decisions to try and escape the life.
Ron O'Neal, who recently passed away on January 14, 2004, plays Priest, a streetwise pusher in a dilemma. Seems he is tired of the hustle, and is looking for a way to get out of the game, but, as his partner Eddie (Carl Lee) puts it, "Look, I know it's a rotten game, but it's the only one The Man left us to play." Apparently Priest has thought long about this, and he has come up with a plan to score a lot of cash in a short amount of time, and then plans to retire. Sounds like a plan, but Priest soon encounters powerful forces that feel he is worth more to them on the streets, pushing junk, doing what he does best. While the film does appear to glamorize the lifestyle of the drug peddler, I truly believe the underlying message was than despite all Priests' success, he was languishing in a form of slavery, always working for someone else and taking all the risks involved in such a trade. In a way he realized this, but found it difficult to leave the life, as that was all he knew, and working for 'chump change' was not in his future.
Gordon Parks, Jr. direction may seem amateurish with jerky camera shots and such, but it fit in nicely with the nature of the material within the film, giving a raw, harsh look into the seedy side of life, much like Martin Scorsese's Mean Streets (1973). One of the things that really sets this film apart from the other movies of the time was the soundtrack by the legendary Curtis Mayfield. With such funkified songs as Pusherman, Freddie's Dead, and Superfly, Mayfield's contributions to the film served to elevate it above many films within the genre, and solidify his career as a musical genius. O'Neal is great as Priest (love those outta sight mutton chops), and is supported by some really decent performances by the lovely Sheila Frazier, Julius Harris, who many may recognize from the James Bond film Live and Let Die (1973), and Charles McGregor, who also appearing in Mel Brooks Blazing Saddles (1974).
There are a good amount of special features on this disc including a brand new documentary called `One Last Deal: A Retrospective', a commentary track by Dr. Todd Boyd, a USC professor of television and cinema and author of "Am I Black Enough for You: Popular Culture from the 'Hood and Beyond", a early featurette with Ron O'Neal, a `making of ` documentary with O'Neal, `Behind the Threads' featurette with costumer designer Nate Adams where he shows off some of the original costumes from the film, and an audio only track with Mayfield's music. Also, I really liked some of the small touches within the interactive menu. For instance, instead of a listing for `Scene Selection', it's titled `Makin' the Scene', the `Special Features' selection is titled `Fly Features', and the subtitles section is labeled `Jive Talk'. A very nice and well-developed release by Warner Brothers, although I still am annoyed that they use the cheap plastic and cardboard packaging. When will they learn...
Cookieman108

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Ron O'Neal in the smart, streetwise box office success about a pusher who tries to make one last killer deal before kicking the business. Featuring a hit Curtis Mayfield score.Year: 1972Director: Gordon Parks, Jr.Starring:Ron O'Neal, Carl Lee, Julius W. Harris

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The Waltons: The Complete Sixth Season (1972) Review

The Waltons: The Complete Sixth Season (1972)
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Season 6 was a great season for the best show ever!!
Here is the episode list:
The Hawk
The Stray
The Recluse
The Warrior
The Seashore
The Volunteer
The Grandchild (2 part episode)
The First Casualty
The Battle of Drucilla's Pond
The Flight
The Children's Carol (2 part episode)
The Milestone
The Celebration
The Rumor
Spring fever
The Festival
The Anniversary
The Family Tree
The Ordeal (2 part episode)
The Return (2 part episode)
The Revelation
Grandma Comes HomeThis is last season in which all 11 members of the family appear although
there is not an episode with all of them in it. Grandma's performance in
Grandma Comes Home will never be forgotten. Richard Thomas is a guest star in The Return and The Revelation. Mary Ellen becomes a mother in The Grandchild. Jason is featured in The Recluse and The Family Tree. Ben and Jim bob have some great moments in Spring Fever. Olivia is featured in The Milestone and The Children's Carol. Elizabeth also has some great episodes - The Rumor, The Warrior, and The Ordeal. Erin has a great episode when she loses G.W. in The Volunteer. Racism is addressed in The Stray, The Festival and The Family Tree. The Waltons find out that they may have not have been the first to "own" Walton's Mountain in the Warrior. Jon and Olivia celebrate their 25th anniversary this season. Will Geer shines as Grandpa through the whole season. This is such a great season of the best family drama ever.
I highly recommend this season with 5 stars!!

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It's a big year for welcomes on Walton's Mountain. Welcome back to John- Boy, visiting from New York, and to Grandma, finally home from the hospital. And welcome to the family for Mary Ellen and Curt's baby boy John Curtis. But all that joy is set against the tragedy of events in the outside world. As the fall of 1939 turns into the spring of 1940, war rages in Europe...and the Waltons are soon caught in its chilling grasp. Curt is called up for duty. Soldiers train on Walton property. The first local enlistee dies. British children flee the Blitz for the safety of the Blue Ridge Mountains. The Depression is ending...but even tougher times lie ahead.

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