Female Yakuza Tale - Inquisition and Torture (2005) Review

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(More customer reviews)Directed by seasoned veteran of Japanese exploitation cinema Teruo ISHII, FEMALE YAKUZA TALE - INQUISITION AND TORTURE is the unrelated sequel to SEX AND FURY (also available on amazon), again starring beautiful and very sexy Reiko IKE as tough as nails female gambler Ocho. Set in Kobe ca. 1920, the story with various fractions of yakuza, revenge and double - crossing is a bit too overconvoluted for its own good. To cut a long story short, let`s just say you can expects LOTS of nudity, sex, violence and sleaze. Some examples of what you can expect here: there are some nasty yakuza who force women to smuggle drugs in their private parts (!) As incentive the poor drug addicted gals get their fix injected in their naked breasts (!) In one particularly sleazy scene our heroine is engaged in a card game with mean yakuza mobster Big Tiger, who foolishly accuses her of cheating and insists that Ocho strips naked (!) to prove she did not hide cards. On the condition that he cuts off some of his fingers in time honoured yakuza-tradition, should he be proven wrong, she drops her clothes (in the process clandestinely disposing of an incriminating card). Now it's time of the unfortunate yakuza to cut off his fingers, but his girl comes to his rescue and asks Ocho for a favour "from woman to woman": Making an obscene gesture with her hand, she begs Ocho to spare Big Tiger's middle finger. It's up to the viewer's dirty imagination, why she asks his finger be spared...
The showdown, involving sword- and gunplay, explosions, blood geysirs and about two dozen naked girls (!) is particularly over the top. As if this was not enough there is some downright silly slapstick and funny dialogue ("trashy boss" being my favorite) thrown in for good measure.
When all is said and done, FEMALE YAKUZA TALE - INQUISITION AND TORTURE is surely a pleasureable and entertaining way to spend an evening. The film is well-shot with stunning cinematography. Reiko IKE is great. However, I found the film still a bit disappointing. The story is convoluted and over blown. Personally, I found SEX AND FURY a far better film. Sure, there is more sex and violence in INQUISITION (though there is not a shortage of it in SEX AND FURY either), but SEX AND FURY has a better story and is overall a far more rewarding viewing experience.
Technically the DVD is great. The film is presented in its original widescreen aspect ratio, colours are nice and the print is pristine. There are also several interesting extra features. First of all the excellent trailer. Then there are picture galleries of promotional art and stills from the film. There are also excellently written production notes and bio- and filmographies of director Terou ISHII and star Reiko IKE.


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Female Yakuza Tale - Inquisition And Torture is an anarchistic apex in the career of Japanese cult director, Teruo Ishii, whose fifty year resume includes Horror of Malformed Men and Blind Beast Vs. Killer Dwarf. Notoriously lacking restraint, sexy 'pinky violence' star, Reiko Ike, returns in this gonzo sequel to Sex & Fury following the further exploits of Ocho, a thief and gambler running afoul of evil yakuza in Meiji Era Tokyo. Aided by a lone wolf adventurer (Ryohei Uchida), Ocho investigates a ruthless gang of cutthroats who are using indentured prostitutes as drug mules to smuggle heroin from China. Director Ishii throws everything but the kitchen sink into this mind-altering sexploitation action saga, all culminating in a bloody mobster massacre replete with sultry swordswomen. Full of intoxicating mayhem and uproarious kabuki-striptease antics, Female Yakuza Tale - Inquisition & Torture is freak-out filmmaking at its finest! Panik House is proud to present Female Yakuza Tale uncut, uncensored and totally restored from the original vault elements. Available for the first time anywhere on DVD! FEMALE YAKUZA TALE DVD Features- Audio Commentary with Chris D., American Cinematheque film programmer and author of the book Outlaw Masters of Japanese Film.- Director & Star Bios for Teruo Ishii and Reiko Ike, written by Chris D.- Original Theatrical Trailer.- Poster and Still Galleries- Production Notes- Special Insert Sticker - Optional English Subtitles - Brand New 16x9 transfer with completely re-mastered video and audio - Special Packaging – stunning transparent amaray and the first 10,000 units debut in a clear O-Sleeve

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Scarface (Collector's Edition) (1983) Review

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(More customer reviews)The reason to buy this DVD is simple: one of the most influential films of the 20th century has finally been released in a newly restored, pristine transfer. As an owner of the original DVD release, I can testify that the difference is like night and day.
With every viewing, I come to appreciate Brian DePalma's Scarface more and more. Although not perfect, there is much more right with this film than wrong. It helps to compare it with its countless imitations: where most subsequent crime films rush headlong from one bloody gunfight to the next, Scarface takes its time. Its languid, gliding camera has a certain elegance in the way it reveals story points without relying on clunky Dick-and-Jane dialog or overwrought MTV pyrotechnics. A prime example is the infamous scene where Tony Montana (Al Pacino) attemps to buy two kilos of cocaine from some Coloumbians for his boss, Frank Lopez (Robert Loggia). Watch the way the camera drifts from the Miami Beach hotel room, across a peaceful sun-drenched street, over to the car where Tony's associates are waiting for him, then slowly back up to the bathroom window, where the sound of the idling chainsaw grows louder. Creepy. Insinuating. It's comparable to the best work of Hitchcock - a day-lit nightmare where the ordinary becomes sinister. Watch closely as the Columbian dismembers Tony's friend limb by limb. In spite of the scene's reputation, we never actually see what's happening. Like the shower murder in Psycho, all the violence is implied - so strongly, in fact, that DePalma had to fight the MPAA in a well-publicized battle to keep Scarface from receiving an X rating.
It's interesting the way that the improved picture and sound seem to contribute to every aspect of the film. Subtleties in Pacino's largely unsubtle performance become clear. We can better see what he does with his face in those famously shadowy close-ups; the way he registers what he's thinking privately, even as he swaggers with exaggerated bravado. Where once it seemed he was over-acting at times, it is now apparent that he was carefully playing his character's machismo against a darker undercurrent of great hunger - so intense that it defies articulation. Tony Montana's great tragedy is his utter lack of self-knowlege. Beneath the clouds of cordite and testosterone, he is so painfully needy that he will draw everyone around him into a decaying orbit of destruction. He is a criminal, but he is not immoral. He is a black hole of a man, a vacuous human being whose desires eclipse whatever soul that a life of deprivation and decay may have left him. He acts without apology, or even much thought. He's an animal in both the best and worst senses of the word. The tragedy is not so much that he is killed at the end - he brings that on himself - it is that so many others, not least the addicts that buy his product, must suffer and die as well. It's downright Shakespearean, but with (lots of) f-words in place of gilded Elizabethan speech.
Once you get past those 160-odd f-variants, Oliver Stone's screenplay begins to seem as thoughtful as it is blunt. The language is harsh, but also truthful, with plenty of quotable lines (though you would not want to quote them in polite company).
The improved sound mix also brings into relief something that I had always looked upon as a liability of Scarface - the very "80's" music score, which had always seemed to me the newer equivalent of those ham-handed "jazz" scores from certain 50's melodramas like Man With the Golden Arm. But now the music seems "dated" more in the way of an early James Bond score; it is appropriate to the era. Were Scarface made now, it would still be a legitimate choice of styles.
The extras are thorough, though the "making of" documentary seems to be a longer version of the one from the original DVD release. There is also a documentary on Scarface's considerable influence on hip-hop music, but I smell an Obvious Plug for a CD of music "inspired" by the film. (The package insert proclaims that it's In Stores Now! from DefJam records.)
In any case, Scarface has finally received its due respect in a form that showcases the late John Alonso's brightly-hued, yet somehow gritty cinematography. Alonso also photographed the sumptuous Chinatown. This DVD is also a tribute to him - a master of light and shadow, whose old-fashioned, hard-lit chiaroscuro images contributed in no small way to Scarface's status as a modern classic.

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A Boy & His Dog (1975) Review

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(More customer reviews)It's the year 2024, and most of the Earth's nations have been demolished by yet another world war (the latest being WWIV). In this postapocalyptic world, slow-witted survivor Vic (Don Johnson) forages through the ruins for food and women with the help of his faithful dog, Blood (voiced by Tim McIntire), with whom he is able to communicate telepathically. Blood, more intelligent and more cultured than his young "master," often gets impatient with Vic's immature behavior and lack of interest in his attempts to educate the boy, but he nonetheless loves Vic and sticks with him to help him survive. And after several minor adventures and one huge misadventure, Vic does learn one incontestable actuality: Nothing is more important to a boy than his dog.
Based on an award-winning novella by the curmudgeonly SF writer Harlan Ellison, A BOY AND HIS DOG was adapted and directed by character actor L.Q. Jones and co-produced by Jones and Alvy Moore (the latter probably best known for his portrayal of scatterbrained Hank Kimball on TV's GREEN ACRES). While Ellison has said many times publicly that the film is the most faithful adaptation of any of his works, he has nonetheless complained vehemently about some of Jones' "adjustments"--most notably the minor addition of some gross or vulgar dialogue--and tried unsuccessfully to get them changed. Whether or not Ellison's complaints have merit, A BOY AND HIS DOG has come to be regarded as a science-fiction classic, its popularity undoubtedly due to its likeable characters who, despite their constant bickering and individual quirks, are redeemed by their committed friendship and their sarcastically humorous approach to survival.
The performances in A BOY AND HIS DOG are top-notch. Johnson convincingly portrays Vic as a filthy scavenger who, in spite of his dire situation, still manages to remain a decent human being at the core. Tim McIntire's vocal characterization of Blood embodies Ellison's original concept of a mutant pooch with a caustic ego that is balanced with just the right amount of off-beat humanity, and this portrayal is enhanced further by the outstanding on-screen performance of Tiger, the canine thespian that portrayed the family pet on TV's THE BRADY BUNCH. In his supporting role as the governor of a subterranean dystopia, Jason Robards is delightfully smarmy. And when beautiful Susanne Benton bares her ample "talents" on the screen, that's a lot of fun watch, too.
With A BOY AND HIS DOG, Jones' intention is not to make deep socio-political innuendos or to meet the average action-fan's prosaic expectations, and sentimentality is obviously far from his mind. Instead of serving up a dull postapocalyptic survival-of-the-fittest thriller or a cliché love-among-the-ruins drama, Jones gives us a wry black comedy that doesn't take itself too seriously. His direction is tight, his staging often inventive, and the dialogue--while MOSTLY lifted directly from Ellison's story--is often sharply sardonic and frequently witty. With this AND the outstanding performances he elicits from his cast, Jones creates a realistic world of future desolation, but he peoples it with central characters that learn to deal with the nightmare while still maintaining their humanity...and a sense of humor.
Several DVD editions of A BOY AND HIS DOG have been available over the past few years, and all have delivered good letterbox widescreen digital transfers. The current offering from First Run Features is an anamorphic widescreen version, and it also contains an interesting feature commentary and theatrical trailers.
All in all, A BOY AND HIS DOG is a wonderful interpretation of a classic SF novella, and this DVD will make a great entry in the film collections of SF fans who love quirky non-mainstream films.

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A BOY AND HIS DOG is a wild, kinky and darkly hilarious cinematic adventure, a cult classic for almost 30 years and an inspiration for an era of sci-fi films, including the Mad Max movies. Based on the Nebula winning novella by Harlan Ellison and directed by L. Q. Jones, it stars Don Johnson, Jason Robards and Susanne Benton. Set in the year 2024 in Post-Apocalyptic America, 18-year old Vic (Johnson) and his telepathic dog Blood (voiced by Tim McIntyre) are happy scavengers in the desolate wilderness ravaged by World War Four, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats. When they find a woman named Quilla Jones (Benton), she lures Vic into a bizarre underground city, where he is to be used against his will to impregnate dozens of young ladies!

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The Ninth Configuration (1980) Review

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(More customer reviews)Roger Ebert once said that Casablanca was the sort of movie that improves upon multiple viewings, because the first time we see it we're too involved in the plot, too concerned about what is happening and why; seeing the movie again gives us the chance to appreciate the nuances. Those comments certainly apply to The Ninth Configuration.
The plot is a good one, and people who enjoy thrillers and mysteries will find enough action and plot twists in the film to rival Hitchcock's best works. But what makes this movie so special are the terrific performances (by Stacy Keach, Scott, Wilson, and Ed Flanders), the witty dialogue, and the religious undercurrents. Too often movies treat religious belief with sentimentality or scorn, but the Ninth Configuration deals with faith and doubt in with a deftness and dignity that isn't patronizing to either side.
It's the sort of movie that you immediately want to talk about with someone...which could be difficult since so few people have seen it. Case in point: I host a movie party every Thursday night. Every time a new member joins, I ask him or her to compile a short list of movies that he or she has seen but thinks others haven't but should. These lists serve as our guide for film selections, and the attendees love movies and have broad tastes. But not one of them had seen The Ninth Configuration. My father recommended it to us, and we watched it last October, and thus far it remains the club's hands-down favorite, beating out classics such as The Sting or The Lion in Winter. Many of them have passed the title along to friends, who have also enjoyed the newly discovered gem. And it has provoked hours of conversation among us.
I can't think of a movie that would appeal so well to the casual viewer, the mystery lover, the film buff, the occasion bible study group for that matter.
Many movies are worth seeing. This one is worth owning.

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A stunning meditation on God\'s existence in a form that might be best described as Catch 22 meets Spellbound, the film received 3 Golden Globe nominations, including Best Picture, and won the award for Best Writing against a field of nominees that included Ordinary People, The Elephant Man and Raging Bull.

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Gymkata (1985) Review

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(More customer reviews)When I was growing up, it seemed like every other movie on cable television was either called Iron Eagle or Gymkata. I had no use for Iron Eagle. Sorry. Gymkata, however, was a altogether different story. I must have seen this movie a few hundred times between grades 10-12--generally at three in the morning, stumbling in, stumbling out--less of a choice, more of a compromise. As if the pay channels didn't milk the Gymkata cash cow dry, local stations decided to make it their duty to keep it in heavy rotation on a weekly basis. The only movie that came close in its domination of b-string broadcasting was the 1972 classic, Gargoyles. But I digress. Gymkata is about a martial artist (Kurt Thomas) who loses his military papa (Eric Lawson). He goes to a small fictional nation that encompasses every clich? relating to villains from the 1980's. There's intrigue, a great feast, and more intrigue. There's an exotic princess who, to this day, still looks pretty good. The best part of the movie is the game of death--mostly because there isn't a great deal of dialog. As other reviews have mentioned, the asylum/village has some classic moments (the cackling woman comes to mind). Long story short, an olympic wannabe offers up a textbook example of why his acting career went nowhere. Of course, who am I to judge? I have yet to make a single movie about ninjas or good cops gone bad.
One last question: Why isn't this movie on DVD?

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Johnathan Cabot (Kurt Thomas) is a champion gymnast. In the tiny, yet savage, country of Parmistan, there is a perfect spot for a "star wars" site. For the US to get this site, they must compete in the brutal "Game". The government calls on Cabot, the son of a former operative, to win the game. Cabot combines his skill at western gymnastics with his fighting secrets of the east and forms Gymkata.

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Jacob's Ladder (1990) Review

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(More customer reviews)I wonder if this movie could be made today - after all, it doesn't have any computer-generated special effects, it demands the viewer's complete attention, and really needs to be seen more than once to appreciate fully the meaning of all of the scenes. Incredible too is that the writer (Bruce Joel Rubin) was working on the filming of this and his more popular movie "Ghost" at the same time. Director Adrian Lynne wisely avoided some of the more sacharrine touches that Rubin had in the original script (such as the view of "Heaven") and added many subtle disturbing elements of his own. The final result is a film that you will think about long after you see it, a man's journey through the bardo state to his final enlightenment. In a way, this is the cinematic equivalent of a Pettersson symphony - an emotional catharsis after the long, dark night of the soul. I'm not ashamed to say that I cry like a baby every time I watch it.
Comparisons with Bierce's "Occurrance at Owl Creek Bridge" and "Carnival of Souls" are inevitable and not out of place, but "Jacob's Ladder" has more layers than either of those and ambitiously takes on the psychological layers of one man's life, the tension between the comforts of home, wife and family and the unfufilled desires he harbors.
There are some violent scenes and very disturbing imagery throughout the movie; after all, it *is* about war, fear, and death. However, none of it is gratuitous, and the use of strobe lighting, quick cuts, and odd camera angles keep the viewer from being able to see anything definite. But don't say you weren't warned....
The DVD's documentary and deleted scenes, along with the director's commentary, will enable the first-time viewer to get a more complete idea of what is happening. I've watched this film at least a dozen times, and never fail to see something new in it each time. Sound and image quality are excellent.
This one isn't for casual viewing; it is *certainly* not a Saturday-night time killer, nor is it a "horror" movie in the standard sense of the term. Still, absolutley my highest recommendation.

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A Vietnam vet, back at home in New York City, finds himself losing his grip on reality, in a horrifying way; only his friend can help him.Genre: Feature Film-DramaRating: RRelease Date: 22-AUG-2006Media Type: DVD

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THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

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(More customer reviews)The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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Observe and Report (2009) Review

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(More customer reviews)Not to say that writer/director Jody Hill is the new Scorscese (he's not), but I was constantly reminded of Scorscese's early 80s disturbo-comedy "King of Comedy" when watching this. Whereas Scorscese uses stark realism, though, Hill uses the conventions and expectations of modern comedy to nail us. This could have easily been another crude and rude comedy along the lines of Superbad or Pineapple Express. Those (hell, most) comedies made today feature borderline-sociopathic, emotionally-retarded, and hopelessly immature males. Hill simply tips his characters over the edge. There is no denying that Ronnie (Seth Rogan) is a full-blown psychopath. What's surprising is how close this character is to every other character Seth Rogan has ever played!
Your reaction to this film will be greatly effected by your expectations. If you expect an extremely dark, yet often silly, film instead of yet another "Superbad" or, god forbid, "Paul Blart: Mall Cop", you should not be disappointed in the least.


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OBSERVE AND REPORT - DVD Movie

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Kung Fu Hustle (Widescreen Edition) (2005) Review

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(More customer reviews)Kung Fu Hustle is among my favorite films, not because I am a die-hard fan of Stephen Chow, but because I really liked the wild mix of comedy, adventure, crime caper and martial arts action. Most notably the excellent fight choreography by legendary Yuen Woo-Ping(who is also responsible for the fight scenes of Kill Bill vol. 1, Fearless, The Matrix, Hero). As I said, I love KUNG FU HUSTLE and am very much looking forward for its sequel in 2008, so forgive me if I am a bit biased. (I will try my best not to lose my objectivity)
The New "AXE KICKING EDITION" soon to be released by Sony is actually the REGION-3 Hong Kong release which I have. (I am certain)The Hong Kong release is still the one to go for if you have a multi-region dvd player. Since I almost know for certain that only fans of the film will be interested in this new edition, I will skip the plot summary. ( for those of you who haven't seen it, you may look up my review under the original U.S. DVD.)
I will go straight to the differences between the previous dvd release and this new "Axe-kicking edition"(original Hong Kong release):
Mild spoilers ahead---
Scene 1; The landlady throws her husband out of a window and drops a flower pot that ended up on the back of his head. The original cut showed a small pool of blood coming from his face, but the U.S. version digitally omitted it. The blood now appears as part of the film.
Scene 2; Sing heckles/insults the residents of Pig Sty Alley and gets hit in the tummy by a woman. The original cut showed Sing spitting up blood which landed on the woman's face, but the earlier U.S. version digitally removed the blood (though some still appeared around Sing's mouth). The blood now appears in this release.
Scene 3; This may be more offensive to others; it takes place on the eve of the big attack on Pig Sty Alley. The Hong Kong cut showed a man taking a d--p onto a piece of paper as the camera panned by, but the American version digitally removed the offensive feces. Now the paper is no longer blank. "Mr. Poo" makes an appearance!
Scene 4; Sing confronts "The Beast" in the casino, he gets hit hard on the chest twice. After the 2nd hit, blood sprays on The Beast's face and Sing is shown reeling backwards from the force of the punch with blood spurting from his mouth. The U.S. version PREVIOUSLY removed both of these sequential shots.
Scene 5; Also in the casino, Sing's head is hit on his face, hammered into the ground by The Beast. After the first hit, The Beast's bloody fist is shown emerging from the floor in slow motion...but the U.S. version removed this shot entirely.
Now for the DVD Picture and Sound quality--
2.35 Anamorphic Widescreen. The Picture is extremely sharp with solid Black levels. Colors are natural and enhancements are not noticeable. CGI effects suffer a bit of softness. But the transfer is clean and nice. It is the Hong Kong transfer from what I can tell.
Sound is in 5.1 Dolby/2.0 surround in English, French & Cantonese. I am a bit disappointed why Sony still didn't include the Cantonese 5.1 DTS track as in the original Hong Kong release. Why?!
EXTRAS: Stephen Chow interview--Bloopers/outtakes--Featurettes: w/ Yuen Woo-Ping, Oliver Wong(Production designer), Shirley Wong(Costumes)
Storyboard comparison--trailers--audio commentary
CLOSING: Kung Fu Hustle is one of the more entertaining (if not the most fun in 2004) imports. It mixes pop culture blends, over-the-top comedy, hard-hitting action while maintaining a profound respect for the spirit of Kung Fu. This new region 1 release is a bit confusing, while it contains the original cut of the film, it misses the original special features and the powerful DTS Cantonese Language track. I wouldn't advise a "double dip" for fans who own the first REGION 1 dvd, but for fans who doesn't own the movie, pick this new version up. However, the lack of DTS sound is a huge minus for this version. I STILL prefer the ORIGINAL Hong Kong region-3 release!
RECOMMENDED!! (Timidly)


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Stephen Chow (director and star of Shaolin Soccer) is at it again with his newest action-packed and comedic martial-arts adventure, KUNG FU HUSTLE. From wildly imaginative kung fu showdowns to dance sequences featuring tuxedoed mobsters, you've never seen action this outrageous and characters this zany! With jaw-dropping fight sequences by Yuen Wo Ping (famed action choreographer of Crouching Tiger, Hidden Dragon and The Matrix), KUNG FU HUSTLE will blow you away! In a town ruled by the Axe Gang, Sing (Stephen Chow) desperately wants to become a member. He stumbles into a slum ruled by eccentric landlords who turnout to be kung fu masters in disguise. Sing's actions eventually cause the Axe Gang and the slumlords to engage in an explosive kung fu battle. Only one side will win and only one hero will emerge as the greatest kung fu master of all.

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Quadrophenia (Special Edition) (1979) Review

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(More customer reviews)When "Quadrophenia" first came out in 1979, I think most people were expecting a "Tommy"-like rock opera, with music by The Who blasting from the speakers and Roger Daltry playing pinball adorned in a mask. Much to most people's surprise, "Quadrophenia" is a story about teen angst in England, with background music by The Who. The story is the key, and "Quadrophenia" details the historic Mod/Rocker riots of the 1960s. The riots were fueled by teen rebellion, rock music and a youthful generation seeking its identity.
The beauty of "Quadrophenia" is the film's themes of youths trying to find their place in the world is timeless and internationally identifiable. You don't have to be a British lad to love this story. Several scenes are so emotionally harrowing as to be disturbing. The protagonist Jimmy Michael Cooper (brilliantly played by Phil Daniels) begins to self destruct as the movie progresses. He loses his home, his job, his girlfriend and eventually his identity in a haze of drugs and misguided motivation. The scene where he begs his ex-girlfriend to explain herself, to which she answers "It was just a giggle" will bring a tear to most eyes. It is the saddest form of rejection and as emotionally truthful a scene one is most likely to see.
I think many teenagers eventually go through a process similar to what is seen in "Quadrophenia." One's identity when growing up is always related to the music, the parties, the mode of dress and the friends one chooses. The world is seemingly yours. As the Mods begin their march in Brighton, chanting, screaming, arms wrapped around one another, they are a force. They can change the world. So when the world rudely interrupts the dream, as the police break up the riots, as people move on to the next day, one uncomfortably realizes it really was all just a "giggle."
This is the sad quandry Jimmy Michael Cooper must confront. When watching "Quadrophenia," specifically the final scene where he rides the stolen scooter along the cliffs of Brighton, you're never sure what choice Cooper is going to make.
The Mods most certainly fueled the eventual punk movement, and I think many people who love this film came from that 1980s generation. The clothes and the hairstyles (including Sting, in an early role as the coolest Mod) are identifiable to the punk generation. What Jimmy Michael Cooper eventually confronts is similar to the conflicts of the punk generation (or any teen generation for that matter). Sadly, the movement must be left behind and we must ask ourselves what the meaning of it all was. To reach maturity, many of us must travel the same path of Jimmy Michael Cooper - and he's faced with some difficult choices.
The Who produced this film, and they must be applauded (as should director Franc Roddam) for creating a classic work about teen rebellion. The music of The Who, including "The Real Me," "Love Reign O'er Me," "Bell Boy," and "I Am the Sea" has been expertly used throughout. "Quadrophenia" is a great film not just because it details British teen angst, but timeless, international teen angst.

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Scarface (Universal Cinema Classics) (1932) Review

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(More customer reviews)A gritty, fast-paced gangster film that ranks among the best. Made with a purpose in 1932, take into consideration for example the complete title; 'Scarface: The Shame Of A Nation' and the beginning credits that ask you 'what are you going to do about it?', very straightforward but naïveté aside this is one of the best gangster films of all time. Paul Muni delivers a powerful performance, he is a driving force throughout the movie. Muni plays Tony Camonte, a character that is more than 'loosely' based on Al Capone. He easily dominates every scene he's in except one or two scenes that get stolen by Ann Dvorak as his sultry little sister. George Raft is equally impressive as Tony's best friend and partner in crime. Boris Karloff, fresh from the success of 'Frankenstein' just one year earlier, also appears as one of Tony's competitors. Ann Dvorak is excellent as Tony's sultry sister who is also in love (or is it lust?) with Tony's best friend (Raft). Scandalous at the time particularly because of the unhealthy relationship between Tony and his sister. Those hints of incest are still kind of shocking today. Some of the elements were taken from real life like the 'St. Valentine Day Massacre' for example and the name 'Scarface' is directed at Al Capone himself. The ending is a knockout. An intense and brutal gangster drama that's brilliantly directed by Hawks. A remake was attempted in the 80's with Brian DePalma and Al Pacino in the role of Tony Montana, but was much more graphic and violent not to mention overlong. This remains the best of the Scarface films. From a scale of 1-10 I give this film an 8!

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Generally regarded to be the best of the classic gangster films, Scarface tells the exciting story of organized crime's brutal control over Chicago during the Prohibition era. Oscar winner Paul Muni gives an electrifying performance as Tony Carmonte, an ambitious criminal with a ruthless drive to be the city's top crime boss. Produced and directed by the legendary Howard Hawks, Scarface was a groundbreaking film which established both Paul Muni and George Raft as major Hollywood stars, while influencing all gangland films to follow.

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Dead Presidents (1995) Review

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(More customer reviews)This film was really good. By the end of the movie, I did not condone what was done, but I understood. How many of us know people who came back after fighting for their country, and they are working jobs that suck, and living a tough life. That's pretty much the message I got from the film. I watch this movie about once a month, I like it that much. Chris Tucker had a role in this film that makes you stand up and take notice. I would love to see him in more dramas in the future. He could do the roles.

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Get ready for action with this explosively exciting hit! On the streets they call cash dead presidents. And that's just what a Vietnam veteran (Larenz Tate -- MENACE II SOCIETY) is after when he returns home from the war only to find himself drawn into a life of crime. With the aid of his fellow vets he plans the ultimate heist -- a daring robbery of an armored car filled with unmarked U.S. currency! From the Hughes Brothers, acclaimed directors of the smash hit MENACE II SOCIETY -- you'll love every pulse-pounding second as these bold thieves risk it all for the score of a lifetime!

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Superfly (1972) Review

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(More customer reviews)Superfly (1972) is a tough, unpolished gem rising above the numerous films to come from the blaxploitation period of the early 70's. While some are critical of the message they believe posed within the film, one of glamorizing the image of the drug dealer, I didn't really see it that way at all. I think this image presented was a superficial one, and one that the main character within the film saw and understood, prompting his actions and decisions to try and escape the life.
Ron O'Neal, who recently passed away on January 14, 2004, plays Priest, a streetwise pusher in a dilemma. Seems he is tired of the hustle, and is looking for a way to get out of the game, but, as his partner Eddie (Carl Lee) puts it, "Look, I know it's a rotten game, but it's the only one The Man left us to play." Apparently Priest has thought long about this, and he has come up with a plan to score a lot of cash in a short amount of time, and then plans to retire. Sounds like a plan, but Priest soon encounters powerful forces that feel he is worth more to them on the streets, pushing junk, doing what he does best. While the film does appear to glamorize the lifestyle of the drug peddler, I truly believe the underlying message was than despite all Priests' success, he was languishing in a form of slavery, always working for someone else and taking all the risks involved in such a trade. In a way he realized this, but found it difficult to leave the life, as that was all he knew, and working for 'chump change' was not in his future.
Gordon Parks, Jr. direction may seem amateurish with jerky camera shots and such, but it fit in nicely with the nature of the material within the film, giving a raw, harsh look into the seedy side of life, much like Martin Scorsese's Mean Streets (1973). One of the things that really sets this film apart from the other movies of the time was the soundtrack by the legendary Curtis Mayfield. With such funkified songs as Pusherman, Freddie's Dead, and Superfly, Mayfield's contributions to the film served to elevate it above many films within the genre, and solidify his career as a musical genius. O'Neal is great as Priest (love those outta sight mutton chops), and is supported by some really decent performances by the lovely Sheila Frazier, Julius Harris, who many may recognize from the James Bond film Live and Let Die (1973), and Charles McGregor, who also appearing in Mel Brooks Blazing Saddles (1974).
There are a good amount of special features on this disc including a brand new documentary called `One Last Deal: A Retrospective', a commentary track by Dr. Todd Boyd, a USC professor of television and cinema and author of "Am I Black Enough for You: Popular Culture from the 'Hood and Beyond", a early featurette with Ron O'Neal, a `making of ` documentary with O'Neal, `Behind the Threads' featurette with costumer designer Nate Adams where he shows off some of the original costumes from the film, and an audio only track with Mayfield's music. Also, I really liked some of the small touches within the interactive menu. For instance, instead of a listing for `Scene Selection', it's titled `Makin' the Scene', the `Special Features' selection is titled `Fly Features', and the subtitles section is labeled `Jive Talk'. A very nice and well-developed release by Warner Brothers, although I still am annoyed that they use the cheap plastic and cardboard packaging. When will they learn...
Cookieman108

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Ron O'Neal in the smart, streetwise box office success about a pusher who tries to make one last killer deal before kicking the business. Featuring a hit Curtis Mayfield score.Year: 1972Director: Gordon Parks, Jr.Starring:Ron O'Neal, Carl Lee, Julius W. Harris

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Thunder Road (1958) Review

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(More customer reviews)IF you're a Robert Mitchum fan, it's almost impossible not to give THUNDER ROAD five stars. Heck, he even wrote and sang the title song.
Mitchum plays Lucas Doolin, a Korean War vet turned Kentucky moonshine runner, a man with "a machine gunner's outlook and death don't faze him much." Times are hard along Thunder Road, the revenuers from Alcohol and Tobacco are stepping up the pressure and a big city operator, Carl Kogan (Jacques Aubuchon), is trying to buy out all the local moonshiners. Luke Doolin is the best runner out there, and when the revenuers & Kogan push, he pushes back.
The revenuers, personified by Troy Barrett (Gene Barry), want to shut down things and especially want help in capturing the big fish Kogan. At one point he even (mistakenly) tries to intimate Luke into cooperating. "I reckon you can do all you say," the sleepy-eyed Luke says after listening to Barrett's threats. "But first you got to catch me. If you can." Kogan's threat is more direct and lethal. He wants to buy out and build his empire. In other words, the moonshiners belong to a loose cooperative and Kogan is threatening a hostile takeover. Barrett tries to win through persuasion; Kogan's goons use guns.
THUNDER ROAD loves cars and driving. When we aren't underneath the souped-up '51 Ford's hood admiring the curves of its engine, we're speeding and chasing and crashing along the rural backroads. The chase scenes were probably pretty exciting for the time, although today they just look quaint and hokey.
Mitchum is, as always, excellent. In an interesting bit of casting, and perhaps as a nod to the dubious paternity in some areas of rural America, Mitchum's son James is cast as his brother Robin Doolin. The less said about his acting the better, but they do look an awful lot alike. Another interesting and somewhat wooden choice is the golden-throated Keely Smith as Mitchum's big city's girlfriend Francie Wymore. As a bonus to her fans, she sings a couple of songs.
THUNDER ROAD is a minor cult classic, most popular in the Appalachia region. I read an interesting bit of trivia from the IMDB site: Elvis Presley was originally offered the part of Robin Doolin, but Tom Parker put the kabosh on it. Now THAT would have been interesting.

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Transporting illegal alcohol over dark two-lane mountain highways, Lucas Doolin (Robert Mitchum) races wildly through the night, crashing road blocks and outrunning ambushes, defying anyone who triesto stop him.A man has a right to do anything,he says,including making whiskey, as long as he makes it on his own land.But when ruthless racketeers muscle in on Doolin's territoryand kill one of his men in the processthe Kentucky bootlegger declares war, fiercely determined to maintainhis hard-won business and independence...even if it costs him his life.Boastingbreathtaking auto chase scenes(The Film Daily) and a superb performance from Robert Mitchum, Thunder Road is breathtaking excitementthe most exhilarating road thriller of them all.

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Straight to Hell (1987) Review

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(More customer reviews)Alex Cox's "Straight To Hell" is such a strange and unique pop film that I'm not quite sure how to go about reviewing it. Perhaps if I can break down the elements. The film is based round the time of its release and deliberately has all the cliches of the typical 1960s Italian "Spaghetti" Western; the mood, humour, and style is like that of Jim Jarmusch (who plays "Mr. Dade" in the film), David Lynch, and the Coen Brothers; and the cast is a wonderfully entertaining group of New Wave/Punk Icons and edgy, idiosyncratic character actors; the plot: 3 Hitmen and a pregnant girlfriend oversleep and miss their scheduled "hit" and deside to rob a bank to make up for the loss of money, which leads them to hide out and bury the money; the setting: a virtual "Ghost Town" in Spain--I say virtual, but there are a few occupants: a Spanish tavern keeper, hardware/general store owners consisting of a sexy Latin lady and her war-crazed, half-a-man husband, a Priest and Coffin maker, a mobile butler who consitently serves coffee, a flamboyant singer (ala Liberace), a singer/songwriter who sells hot dogs, the gun-slinging, violent, and caffeine-addicted Mac Mahon Gang, and a few crazed others. Acknowledging the cast during the film is quite fun in itself, from Joe Strummer, Sy Richardson, Dick Rude, Elvis Costello, The Pogues (all of 'em!), Courtney Love, Jim Jarmusch, Dennis Hopper, Xander R. Berkeley, and Grace Jones to others who you'll probably see in a Jim Jarmusch film or in Alex Cox's Sid & Nancy. The soundtrack is a pseudo-Western and Latin mixture of Pogues, Pray For Rain, and Joe Strummer, which works excellently in the film, as well as outside it.
Cult stars, guns, black humour, violence, coffee, and a surreal Italian Western setting is what's in store when you go "Straight To Hell". Hilarious!

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The Warriors (The Ultimate Director's Cut) (1979) Review

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(More customer reviews)I'm David Shaber's daughter, Sam, (Samantha.) My father wrote the screenplay for The Warriors, and I'm hoping this "review" gets printed because he just passed away on Thursday morning, November 4th, of a sudden burst anneurism. With so many "Warriors" fans out there, I thought you would want to know. I'm incredibly warmed by these wonderful comments about this film and I know that if he read them (although he had barely learned how to search the internet before he died) he would chuckle in his lighthearted way and say something like "Oh, well isn't that nice," all-the-while refusing to take credit for any of it. But I know he deserved that credit, having taken a dark, psychological study of gang warfare and infusing it with a classic but clever and topical, good vs. evil story. (And maybe I shouldn't admit it, but my dad didn't really like the baseball face-paint idea which I believe was one of Walter Hill's additions - he thought that was too unrealistic and "Hollywood"...) Anyway, I do hope the movie is re-issued with the extra scenes at some point, and for those real "followers" I just discovered that you can find a complete list of his produced titles on the Internet Movie Database (IMDb.com) if you want to check it out. The Warriors is indeed an AFFECTING picture, whether you love it or hate it. So thanks for your comments and take care, -Sam.

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A battle of gigantic proportions is looming in the neon underground of New York City. The armies of the night number 100,000; they outnumber the police 5 to 1; and tonight they're after the Warriors - a street gang blamed unfairly for a rival gang leader's death. This contemporary action-adventure story takes place at night, underground, in the sub-culture of gang warfare that rages from Coney Island to Manhattan to the Bronx. Members of the Warriors fight for their lives, seek to survive in the urban jungle and learn the meaning of loyalty. This intense and stylized film is a dazzling achievement for cinematographer Andrew Laszlo.

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Bad Day at Black Rock (1955) Review

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(More customer reviews)"Bad Day at Black Rock" is a riveting suspense thriller with several memorable performances from a first rate cast. Spencer Tracy (in one of his best roles) excels as John J. MacReedy who is in Black Rock to take a medal to the father of one of his wartime colleagues now that the war is over. He encounters unexpected resentment and hostility from some of the residents, in particular from Robert Ryan, Ernest Borgnine and Lee Marvin who make a trio of formidable villains. When threats and intimidation have no effect on Tracy (who doggedly continues to pursue his investigations) the three then resort to violence. Also in the impressive cast are Anne Francis, Walter Brennan, Dean Jagger, John Ericson and Russell Collins. With the help of Brennan and Francis and after surmounting many obstacles Tracy eventually gets the upper hand bringing the film to its exciting climax.
Some favourite lines from the film:
Spencer Tracy (to train conductor): "Oh, I'll only be here for 24 hours". Train conductor: "In a place like this that could be a lifetime!".
Russell Collins (to Spencer Tracy): "Important? It's the first time the streamliner has stopped here in four years".
Tracy (to Ernest Borgnine): "You're not only wrong - you're wrong at the top of your voice!".
Dean Jagger (to Tracy): "This ain't no information bureau".
John Ericson (to Tracy): "If you're in such a hurry you should have never got off here". Tracy: "I'm inclined to agree with you".
A brilliant and satisfying film expertly directed by John Sturges who later went on to make other classics including "Gunfight at the O.K. Corral", "The Magnificent Seven" and "The Great Escape". Sturges was fortunate in having such a remarkably good cast - Borgnine and Marvin in particular were excellent as Robert Ryan's menacing henchmen and Spencer Tracy was at his peak in one of his most powerful and demanding roles ever. He was in fact nominated as Best Actor for his performance in this film but was beaten by Ernest Borgnine for "Marty".
"Bad Day at Black Rock" is a tense and captivating film with the action taking place over a tight time period of just 24 hours.

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BAD DAY AT BLACK ROCK - DVD Movie

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