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The Ninth Configuration (1980) Review

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(More customer reviews)Roger Ebert once said that Casablanca was the sort of movie that improves upon multiple viewings, because the first time we see it we're too involved in the plot, too concerned about what is happening and why; seeing the movie again gives us the chance to appreciate the nuances. Those comments certainly apply to The Ninth Configuration.
The plot is a good one, and people who enjoy thrillers and mysteries will find enough action and plot twists in the film to rival Hitchcock's best works. But what makes this movie so special are the terrific performances (by Stacy Keach, Scott, Wilson, and Ed Flanders), the witty dialogue, and the religious undercurrents. Too often movies treat religious belief with sentimentality or scorn, but the Ninth Configuration deals with faith and doubt in with a deftness and dignity that isn't patronizing to either side.
It's the sort of movie that you immediately want to talk about with someone...which could be difficult since so few people have seen it. Case in point: I host a movie party every Thursday night. Every time a new member joins, I ask him or her to compile a short list of movies that he or she has seen but thinks others haven't but should. These lists serve as our guide for film selections, and the attendees love movies and have broad tastes. But not one of them had seen The Ninth Configuration. My father recommended it to us, and we watched it last October, and thus far it remains the club's hands-down favorite, beating out classics such as The Sting or The Lion in Winter. Many of them have passed the title along to friends, who have also enjoyed the newly discovered gem. And it has provoked hours of conversation among us.
I can't think of a movie that would appeal so well to the casual viewer, the mystery lover, the film buff, the occasion bible study group for that matter.
Many movies are worth seeing. This one is worth owning.

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A stunning meditation on God\'s existence in a form that might be best described as Catch 22 meets Spellbound, the film received 3 Golden Globe nominations, including Best Picture, and won the award for Best Writing against a field of nominees that included Ordinary People, The Elephant Man and Raging Bull.

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Hot Shots Part Deux (1993) Review

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(More customer reviews)Hot Shots: Part Deux! is an amazing rarity---a sequel that's actually superior to the first movie. (Not that Hot Shots! was bad; it was quite funny and enjoyable in its own right.) Like the second Star Trek film, this sequel gels all of the good elements from its predecessor and discards whatever didn't quite click. In this case, the supporting cast made the movie even more than Charlie Sheen as its troubled hero Topper Harley. Returning are the late great Lloyd Bridges, this time as the president, and Valeria Golino as the lovely Ramada. Joining Topper are his former CO (Richard Crenna), a no-nonsense tough-guy soldier (Miguel Ferrer), a cool blonde CIA operative (Brenda Bakke) and Ramada's hapless yet scornful spouse (the wretchedly hilarious Rowan Atkinson).
Abandoned for no apparent reason by Ramada, Topper seeks inner peace at an Asian monastery, kicking the crap out of whoever steps into the fighting arena with him. His former CO finds him and asks Harley to go on a mission to find the men who went to find the men who were sent to find the men---you get the idea. In a filmed spoof of both other films (Rambo, Terminator II) and real-life events (President George the elder Bush's unfortunate vomiting into the lap of a Japanese official), Hot Shots Deux is funny, fresh and at times even more insane than a Leslie Neilsen movie, without the tendency to bog down that usually plagues this type of sight comedy.
Sheen, of course, deserves plenty of credit for the movie's success, for he breathes life into the potentially cardboard lead role. Crenna does an excellent if off-the-wall reprise of his colonel character from Rambo. Bridges is sickeningly funny as the semi-lunatic president who's had more parts replaced than a '71 Volkswagen and may be a couple cards shy of a full deck. Gorgeous Golino and beautiful Bakke duke it out---literally, in an homage to American Gladiator. Ferrer, not known for comedic parts, is deadpan, Joe-Friday hilarious as the hard-bitten Harbinger, especially when he goes to pieces during a battle. Atkinson is acerbic and despicable as Ramada's self-absorbed and undeserving husband. Toss into this mix a dead ringer for Saddam Hussein (with a lisp!), and the result is one crazy ride, almost as insane as the one Topper endures with the CIA blonde on a squeaky bed. Some of the humor is risque but nothing is flat-out offensive; it's not a movie for young children, but teens and adults alike should enjoy it very much.
In summary, this is that rare sequel that stepped well beyond the confines of its previous version, and was much funnier. Highly recommended for an hour and twenty-eight minutes of viewing pleasure.

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In this hilarious "Hot Shots!" sequel, former renegade pilot Topper Harley (Charlie Sheen) is once again recruited for a secret mission.This time the country's incompetent president (Lyod Bridges) sends him to the Middle East to resue U.S. hostages and the countless men who have already been sent in to rescue them.Pining for his former lover (Valeria Golino) in a Buddhist temple, Topper manages to pull himself together and sets out on his laugh-laden, action-packed task.

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The Whole Nine Yards (2000) Review

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(More customer reviews)The Whole Nine Yards is one of the funniest films I have recently seen, and I can't wait for the video release.
The film is about an unhappily married, underpaid dentist (Matthew Perry) whose next door neighbor is no other than Jimmy "The Tulip" Tudeski (Bruce Willis), an infamous contract killer out on parole. During the course of the film, everyone wants to kill someone, and no one can be trusted. There are some interesting twists, which makes the film unpredictable.
The acting is great. The comic treat in this film is Matthew Perry; he's very funny and charismatic. Bruce Willis's acting, however, is a little restrained, but his powerful stage presence is more than enough; his portrayal of Tudeski is excellent. Amanda Peet is a scene-stealer in the film; her comic timing is precise. I also enjoyed Michael Clarke Duncan and Kevin Pollack in their supporting roles. The only blemish in the film is Roseanna Arquette -- what's with the phony French accent?
Great film. A must-see!

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Well, there goes the neighborhood -- in a pine box. When hit man Jimmy "The Tulip" Tudeski moves into a comfy suburb, everyone's suddenly in danger of pushing up daisies. And it's not all Jimmy's doing either. Jonathan Lynn (My Cousin Vinny) directs and a talented ensemble cast packs heat in this manic comedy about life, love and plenty of ammo. Bruce Willis plays Jimmy, whose arrival sparks a chain reaction in which just about everybody wants to clip somebody else. Matthew Perry plays a hapless dentist who finds a way to get on the Tulip's good and bad sides. And Rosanna Arquette, Michael Clarke Duncan, Natasha Henstridge, Amanda Peet and Kevin Pollak add to the yards of wacky and whacked fun.

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Being There (1979) Review

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(More customer reviews)This is my favorite movie of all time. And I don't particularly like Peter Sellers!
It's a slow starter. First time I saw it, I remember being somewhat puzzled by the opening, where Chance is revealed as a very retarded middle-aged man, trained as a gardener, who apparantly has reached his full--and extremely limited--potential. He loses his livelihood and his sheltered place to live when "the old man"--his mysterious benefactor--dies, and the lawyers in charge of the estate evict him.
My first chuckle came soon after, when he tried using his TV remote on a mugger, trying to change the experience into something more pleasant; it wasn't until this point in the film that things began to make sense to me.
Throughout the rest of the movie, scene after scene shows 'Chauncy Gardener' as a complete misfit--and highlights how we human beings, in all our frailty, create ourselves and our world through what we decide to believe. When Chancy speaks, his words are mysterious because they are short and puzzling--when those around him try to make sense of them, they take what he says as metaphors, and read wildly profound meanings in his words.
(This leads to Jerzy Kosinski's purpose for writing the novel, to highlight the foolish way people blindly swallow whatever tripe the media--and our politicians--serve up. IMO director Hal Ashby caught Jerzy's intention with this movie even better than the book did.)
At the same time that people read wisdom into his simple words, Chauncy is fully present and honest in the moment, and the other characters--to whom this is foreign--treasure that, even while they completely miss that Chance is totally clueless as to what's really going on (with one notable exception).
The irony is that those people closest to Chauncy are led by the meanings they insert to personal growth and transformation--even, in a performance that won Melvyn Douglas a well-deserved Oscar, acceptance of approaching death, as just another season in the eternal cycle of life.
Other reviews I've read on Amazon villify the walking-on-water scene, at the end of the movie; I believe they completely miss the point.
Chance has, by chance, walked out on a stone quay in the lake, and doesn't even know that he should be drowning. He slowly bends over, inserting his umbrella into the water, and looks at it with some puzzlement; he is once again demonstrating that his total innocence is protected--and he gives the audience the experience that the characters in the movie have, namely, to read into this enigma of a film whatever meaning they choose to see.

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Based on Jerzy Kosinski's satirical novel about an illiterate gardener who has lived his entire life behind the walls of a Washington, D.C., house, his only knowledge of the world coming from the TV programs he watches.When his employer and protector dies, he is catapulted into the fast lane of political power.

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MAS*H (Widescreen Edition) (1970) Review

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(More customer reviews)The Five-Star Collection is Fox Studios' top-of-the-line releases. Movies like French Connection have already made the list, and now Fox debuts the greatest anti-war movie of all time, M*A*S*H. The basis for the long-running TV series (which also debuted recently on DVD), M*A*S*H introduces us to the antics of Hawkeye Pierce (Donald Sutherland), Trapper John (Elliot Gould), Hot Lips (Sally Kellerman), and Radar (Gary Burghoff).
Altman's black comic masterpiece doesn't have a solid plot so much as a series of skits and sketches about life during the war. From golfing 5 miles from the front to suspension of marital promises to trying to figure out why people are dying all around, M*A*S*H handles the gruesomeness of stupidity of war in the only way possible - if you're not laughing, then you're going to be crying, so it's probably better to laugh.
And what a way to bring this classic to DVD - the movie has never looked so good. For being 30 years old, it looks great after Fox's extensive restoration and is presented in its original theatrical ratio of 2.35:1 with an anamorphic transfer. There's some grain here and there, but the colors are exceptionally vibrant, with great contrast on the blacks and whites especially. The sound mix is a decent DD 2.0, which is fine considering that the movie is mostly dialogue, but the lack of a more dynamic soundtrack was noticeable during the football game and any time there was music. There are enough extras to make up for it, though, including Altman's commentary track, three featurettes including A&E's "The Story of M*A*S*H" and a 30-year cast reunion that's both touching and funny.
The lack of the DD 5.1 soundtrack doesn't sully the otherwise pristine quality of the rest of this 2-disc set. It's a must have - get it now. Now, trooper! Now!

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One of the world's most acclaimed comedies, MASH focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould.Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifes

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Inglorious Bastards (3-Disc Special Edition) (1978) Review

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(More customer reviews)I watched this classic on HBO as a child and loved it. I recently bought it and watched it the first day I received it. It is the best "B" class WW II movie out there. The acting is pretty good and the story, while implausible, is pretty cool. All of the actors were perfect for their role. Other than Bo Svenson, Fred Williamson, and Ian Bannen, I have not seen any of the other actors since. It's too bad. I would like to see them in something else. By the way, if any of you out there who were in the service is wondering why Bo Svenson sounds authentic calling cadence in the movie, it is because he was in the Marines for six years.The movie is relatively short by today's standards so pause it if you go to the bathroom. Anyway, a great and fun movie. I loved it as a kid and do today.

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Three Disc Collector's Edition Includes Exclusive New Bonus Features And Never-Before-Released Soundtrack CD
"Whatever THE DIRTY DOZEN did," screamed the ads, "they do it dirtier!" INGLORIOUS BASTARDS is more than just the inspiration for Quentin Tarantino's long-rumored next movie; this 1978 international smash remains perhaps the biggest and most badass war movie in EuroCult history! Exploitation legends Fred 'The Hammer' Williamson and Bo (WALKING TALL, KILL BILL) Svenson star as the leaders of a gang of condemned criminals who escape from an Allied prison camp with a plan to blast their way to the Swiss border, only to find themselves 'volunteering' for a suicide mission deep inside Nazi occupied France. Academy Award(r) nominee Ian Bannen (FLIGHT OF THE PHOENIX, BRAVEHEART) co-stars in this explosive action epic from director Enzo Castellari (STREET LAW, THE BIG RACKET), now fully restored from original vault elements for the first time ever in America!

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Top Secret (1984) Review

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(More customer reviews)Top Secret! - the Jim Abrahams/Zucker Bros.' follow-up to Airplane! - does for (or is that *to*) Elvis movies and WWII espionage films what the earlier feature did for/to the airborne disaster genre. The gags are slightly more immature (not necessarily a bad thing, but in some cases may have been better had they been allowed to age a little before being put into production), but some, like the forced-perspective oversize phone or saying farewell to the Scarecrow, rival anything the ZAZ team has ever done.
The music is a mixed bag. "Skeet Surfing" and the Macy's jingle are great. "Tutti-Fruitti" and "Straighten the Rug" are less so (not that every song in an Elvis movie was worthy of screen time, either). Kudos to Val Kilmer, though; even when he's camping it up, the musical numbers remain watch- and listenable.
The only thing I don't care for on the disc is the audio commentary. The production team really rips the movie apart as if they had tried to make a "serious" film that fell apart. In that case, learning why/how it failed would be interesting and instructive. To shred a spoof film, especially a sophomore and sophomoric effort like Top Secret!, is entirely unwarranted. Sure there are plot holes. Sure it makes no sense that submarine would crash into a prison dungeon. Sure some things are only mildly amusing. Drawing undue attention to them is doubly pointless. Sheesh! If you're a big fan, skip the commentary.
I really enjoyed this movie and really (mostly) enjoyed its presentation on the DVD. There aren't a lot of extras, but be sure to hunt for the Easter Egg - it's definitely worth finding.

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An American rock star teams up with a scientist's daughter to rescue her father before the enemy can force him to make a devasting weapon.Genre: Feature Film-ComedyRating: PGRelease Date: 1-MAR-2004Media Type: DVD

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King of Hearts (1967) Review

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(More customer reviews)A fairy tale set in a French town caught between the opposing armies of the First World War, "King of Hearts" has lost none of its beguiling charm in the 35 years since its original release, nor has its message grown stale. Alan Bates shines as Charles Plumpick, a simple private in a Scottish regiment and perhaps the only sane man in the abandoned town. But is his world of war and brutality really any saner than the make-believe world conjured up by the escaped inmates of the town lunatic asylum, the only residents Private Plumpick encounters during his reconaissance? It is a point of view that depends entirely on one's perspective. This whimsical, gentle tale challenges the watcher to reexamine what constitutes true madness, just as the asylum characters force Pvt. Plumpick, having been to his initial discomfort acclaimed as the King of Hearts, to choose which role he prefers: king of the fools or fool for King George V? Broca directs his own screenplay with a deft touch and using a stellar cast of mostly French actors. A very young Genevieve Bujold makes one of her earliest appearances in a major picture. The English subtitles aren't the best I've seen (and unlike the VHS version, are distractingly present even during English dialogue), but far better than the awful English-dubbed version of "King of Hearts" that is sometimes broadcast or sold. (The best subtitles I have ever seen were on a print that circulated around theatres during the 1970s and 1980s, but I've never seen this version used for home video.) The score by Georges Delerue is one of his best.
Quelle Surprise! This DVD version has, without fanfare, at least two entirely new scenes in the film that I have never seen before (and I first saw this in 1977). The first is a lengthier "homily" by Monseigneur Marguerite (aka Bishop Daisy) in the church before Charles' coronation. But the real grabber is an added scene at the very end of the movie that offers a parting glance at the primary players and a final bittersweet twist. Where on earth did this footage come from, and why has it been missing from this film for so long? Does this DVD version offer a "better" ending than the familiar one? It's debateable. But it's certainly intriguing.

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One of the most popular foreign films of all time, playing continuously in some theatres for over five years, King of Hearts is a "bright, lilting, whimsical, lyrical" (Cue) comedy thatcleverly satirizes the absurdity of war with a "message [that is] meaningful and entertaining" (Boxoffice). Bumbling Scottish Private Plumpick (Alan Bates) is sent to a village in the beautiful French countryside during World War I on a suicide mission to detonate explosives set bythe retreating German army. The village, soon to be blown sky-high, has been abandoned by its inhabitantsand replaced with escapees from the local insane asylum. Now, with the mentally challenged running the town, Plumpick is crowned King! But his new title brings him his first horrible decision: to carry out his deadly mission or join the ranks of the blissfully ignorant who know nothing about war. King of Hearts is subtle, visually striking and, in short, the "ultimate display of madness" (Life)!

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Nip/Tuck: The Complete First Season (2003) Review

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(More customer reviews)Wow did I love this series! I missed it during the original broadcast, but based on what people have told me, I gambled on this box set. I feel like I hit the jackpot.
It's definitely not for everyone though. No sirree.
First of all, if you're squeamish, the brilliantly reproduced surgeries can be a bit nauseating. (I'm a surgeon, and I loved 'em. My wife, an ex-nurse, had to close her eyes...)
Second, if you are at all uncomfortable with the topic of sex, stay away. This series will plant you into situations you have not even imagined. Bouncing between hilarity and discomfort, sex is definitely a theme throughout the 13 shows.
Third, if you appreciate good acting, it does not get any better than this. Seriously. This is "Sopranos" good; "NYPD Blue" good. The two lead performances are pitch-perfect, both deeply flawed and often morally reprehensible individuals who at the end of the day, you can't help but root for. The "supporting" players are a heck lot more than that, and provide tons of drama, amusement and eye candy.
There is beauty and ugliness everywhere, from an absolutely gorgeous female figure to a purely evil drug dealing psychopath. That's just in one episode.
Fourth, the screenwriting is bling-bling eye-popping, smart as all hell and consistently surprising. The thirteen episodes link nicely together, the first ones dovetailing back into the last ones. I was constantly taken aback at the twists, the lines, the situations they came up with. Let's just say that I learned in the very first episode that crocodiles prefer ham to human flesh. And that fact is actually important to the story...
I haven't even had a chance to go through what appears to be fairly extensive supplements and deleted scenes. I HAD to write in...I will recommend this to ANYONE, anyone over 18 I should say, who likes good television and may like to be pleasantly shocked from time to time.
With great restraint I have withheld many (if not all) plot points, because the exhilarating thrill of discovering them on your own is something you'll only feel once. Without spoiling too much, the show centers on the Miami plastic surgery practice of McNamara/Troy.
Sean McNamara is a questionably happily married man, with one teenage son, and one grade schooler daughter.
Julia, the wife, is plagued by doubts surrounding her love for her husband, the urge to go back to medical school and sexual attractions/distractions galore.
One of whom might be Christian Troy, Sean's best friend and partner, and one of the most gleefully decadent characters in TV history. I mean "decadent" in a good way. Sort of.
His travails include, but in no way are limited to, a continuing parade of sexual partners, a number of hysterical surgical propositions, problems involving his boat, his cars, his apartment and the plastic surgery competition across town.
Other important characters include the melting hot staff psychologist and the defiant, embittered, proudly lesbian anesthesiologist. The cast has such chemistry that they not only react to one another, they generate this bubbly heat together...it's fun to watch them prod each other to new heights.
The one thing that struck me the most about these shows is the amount of genuine heart that stands at the center of each episode. There is a large amount of provocative, politically incorrect but unassailable truth here...nothing you'd like to admit, but stuff you instantly recognize. As you get to know these characters, establshing empathy for them is easy. It's darn near irresistible. I was hooked from the first five minutes.
I could write more, but I need to go check out the extras, AND the four NEW episodes I have on tape. I have just GOT to get my Tivo hooked up...

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Beauty, the saying goes, is only skin deep. The beauty of Nip/Tuck is that it goes deeper, laying bear the complexities and fragile natures often found in patients seeking cosmetic surgery. Dylan Walsh and Julian McMahon portray hotshot Miami South Beach plastic surgeons who are themselves in full-blown midlife crises as they confront career, family and romance problems. The series' cutting-edge stories range from funny to suspenseful to uncommonly powerful. The surgeries are graphically bold. The sexuality is rampant. Presented here in 13 first-season episodes on 5 discs and featuring compelling extras, the highly praised Nip/Tuck is a prescription for entertainment unlike anything you've ever seen.DVD Features:Deleted ScenesFeaturetteGag ReelMusic VideoTheatrical Trailer

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Beetlejuice (2008) Review

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(More customer reviews)When this movie first came out about fifteen years ago, my father owned a video store and every Wednesday night was "Beetlejuice" night. I'm older now, obviously, but I still cannot get enough of this movie.
Alec Baldwin and Geena Davis play Adam and Barbara Maitland, two Connecticut yuppies who die prematurely in a car wreck. Within a couple weeks, their home is overrun by an ultra-trendy New York City family, Charles and Delia Deetz, and their Goth daughter, Lydia (played respectively by Jeffrey Jones, Catherine O'Hara, and Winona Ryder). Adam and Barbara want their house back, and attempt to scare the Deetz's out of the house by wearing sheets and even by possessing them over dinner, making them sing and dance to Harry Belafonte's "Day O." Those attempts fail and enter Michael Keaton as Betelguese, "the afterlife's leading freelance bio-exorcist." The movie is dark without being scary and funny without being ridiculous.
In my opinion, one of the real gems in this film is the late Sylvia Sidney as Juno, Your Case Worker. Sidney was pushing eighty when this film was made, but turns in a great performance as the embittered equivalent of an afterlife social worker. Love how the smoke from her ever-present cigarette comes out of the slit in her throat.
If you've never seen this movie, see it. If you have seen it but don't own it on DVD, get it. The picture quality is better than ever.

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What\'s a couple of stay-at-home ghosts to do when their beloved home is taken over by trendy yuppies? They call on Beetlejuice, the afterlife\'s freelance bio-exorcist to scare off the family – and everyone gets more than she, he or it bargains for! Tim Burton guides this PG-rated comedy monsterpiece whose stars include Alec Baldwin, Geena Davis, and Winona Ryder. And Michael Keaton is Beetlejuice, the ghost with the most who flings one-liners, spins into grotesque forms, gobbles insects, and who just can\'t leave the ladies (living or dead) alone. Ghoul love it!

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Nip/Tuck: The Complete Fourth Season (2006) Review

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(More customer reviews)Edited 3/15/09 - WARNING - SPOILER ALERT
This season, we discover that Julia's baby is Sean's, and that it has Ectrodactyly (lobster claw syndrome). Surgeries include Sean doing a procedure on a Treacher/Collins syndrome patient (severe facial deformity), Dawn Budge is "earjacked" (her ear sliced off by an earring thief) a burn reconstruction on Escobar (he's back!), and a breast reconstruction on a woman (Escobar's wife) who's had her breasts brutally cut off.
Guest stars include Brooke shields as Faith Wolper (Christian's therapist), Larry Hagman and Sanaa Lathan as Burt and Michelle Landau, Peter Dinklage as Marlowe Sawyer, Rosie O'Donnell as Dawn Budge, Jacqueline Bisset as James LeBeau, Alanis Morissette as Poppy (Liz's girlfriend), plus the stellar, fantastic, and sexy Catherine Deneuve as Diana Lubey.
Some of the plotlines this season include Liz (the fantastic Roma Maffia) getting a kidney stolen (a la urban legend), the dog and the peanut butter, Matt joins Scientology, Sean has an affair with a potential nanny, Christian gets involved with Michelle, James (a woman) LeBeau has a dangerous hold over Michelle - running an organ theft ring, Christian battles with his own sexuality after his therapist hints that he might be gay, Liz's remaining kidney fails and she has to go on dialysis, Kimber seduces Matt to revenge Christian, Julia sleeps with Marlowe, Merrill Bobbitt returns, Wilber (Christian's "son") returns.
My favorite is the return of Escobar (Robert LaSardo). Escobar is so bad he's good, and he makes for a few great episodes. This time he's not just masking as Sean's conscience, he's really back.
The soundtrack is again fantastic (pick up the CD of the soundtrack to Season One), using music to complement the scenes, such as playing Don McLean's 'Starry Starry Night' (a tribute to Vincent Van Gogh) during the ear replacement surgery.
The season finale was fantastic, with major resolutions and some very big questions left for Season Five. The fault with this season is that once again there wasn't enough surgery scenes. Unlike Season's One and Two which focused on more surgeries, Season's Three and Four focus more on the daily lives of Sean and Christian, and have more personal trauma in them than surgery trauma. I'd like to see them go back to the old formula of more surgery issues. Since Troy/McNamara has made some major changes this year, I'm wondering how many more of the interesting pro-bono reconstructive cases we'll be seeing in the future. Overall, Season Four is as good as Season Three but still doesn't measure up to One and Two. Enjoy!

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Sex. Seduction. Liposuction. Find them all in the fearless Nip/Tuck, the award-winning series that's the scalpel's edge of entertainment...and the spark for debate about what cosmetic surgery can or cannot bring to a patient's life. Dylan Walsh and Julian McMahon play plastic surgeons/best friends whose glamorous South Beach practice is a revolving door for Season 4's hot-button issues (including a terrifying story arc about an organ-harvest ring) and human foibles (a ventriloquist wants to look like his dummy). Guest stars include Jacqueline Bissett, Larry Hagman, Alanis Morissette, Mo'Nique, Rosie O'Donnell, Brooke Shields and more. Thrills, surprises, shocks, stars abound in this 5-Disc Set. And all it takes is a little Nip/Tuck.DVD Features:Deleted ScenesFeaturetteGag Reel

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Nip/Tuck: Season 5, Part 1 (2007) Review

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(More customer reviews)what A LOT of people dont seem to realize is that there were supposed to be 22 episodes this season, making it the longest nip/tuck season yet. however, only 14 were aired. (most likely due to the wrighters strike we're all so familiar with) so for those that feel there was no closure, you're right, there wasnt any, because that was never supposed to be the close, they just aired the ones they had finished.
while i agree, the plots have gotten more and more shocking, and less about the surgery and the subtlties of the charecter relationships, i have to keep my fingers crossed that by the end of the season (the missing episodes rumored to be airing early this fall, possibly late summer) things will turn around a bit and get more involved, and less trashy.
never the less, i'm gonna buy it, i plan to support my favorite show, leave my input, and hope it gets back to some taste.
love the show, love ya all, feel free to contact me
~laura =D

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L.A. City of Angels. Tinseltown. La-La Land. The place thats made a bundle selling glamour, illusion and dreams the perfect place for the newly relocated plastic-surgery practice of McNamara/Troy. Its also the place for Lights! Camera! Scalpels! as Sean and Christian go from consulting on a TV drama about plastic surgery to being on-camera players (and rivals for stardom). Its the place for wavering Kimber to become porn again, for strung-out Matt to try to go straight, for Julia and Christian to rekindle a flame, for all the personal and professional entanglements that are McNamara/Troy. And its the place for skilled surgical procedures some silly, some heartrendingly serious. Welcome to L.A.!

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The Witches of Eastwick (Keepcase) (1987) Review

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(More customer reviews)Beautiful, intense, funny and outrageous horror film that mixes with the "toxic" humour of Jack Nicholson as the devil. Cher, Susan Surandon and Michelle Phiefer are excellent in their roles as three sexy women bored out of their mind by their lives, and wish for the perfect man to arrive. When a strange and mysterious man by the name of Darrell Van Horne arrives in their New England town, he bewitches the three friends and they come together as one and become their opposites, as this strange man entangles them into a world of magic, witchcraft, sex and food. When the girls realize that this man may be the devil in disguise, they take precaution and decide to rebel against him...that is until he finds out and their troubles get even worse. This film is wonderfully scored by John Williams (Jaws, Hook) and his music suits the film amazingly. The ending to me, as others have said the opposite, is totally fit for this film and those babies are very cute! All the actors and actresses involved, especially Jack Nicholson and four lead girls, are absolutely superb in their roles. Overall, I'd have to disagree with those reviewers and critics who say this is a bad movie. It is not...it's very riveting and funny, with thrills and chills mixed in with it. Devine entertainment.

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Need someone with demonic dash to portray the Devil? There are only two choices. Old Ned himself. And Jack Nicholson. The Witches of Eastwick to the better actor-and came up with the sleekest, sexiest supernatural comedy/thriller to emerge from this or any other world, earning Nicholson 1987 Best Actor Awards from the New York and Los Angeles Film Critics. The "witches" are in three modern-day women yearning for Mr. Right in a quaint New England town full of Mr. Uptights. Played glowingly by Cher (Moonstruck), Susan Sarandon (Lorenzo's Oil) and Michelle Pfeiffer (The Age of Innocence), they're lovely enough to tempt even the most jaded netherworld denizen. Soon, wealthy Daryl van Horne (Nicholson) arrives. Is his sudden appearance a coincidence? Or the outcome of the women's unconscious sorcery in this smooth adaptation of John Updyke's novel? Conjure up an evening's entertainment with The Witches of Eastwick. And have a devil of a good time.

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The Men Who Stare At Goats (2009) Review

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(More customer reviews)George Clooney, Ewen McGregor, Jeff Bridges, Kevin Spacey, Robert Patrick, Stephen Root, Stephen Lang...THE MEN WHO STARE AT GOATS has an one of the best cast lineups of any 2009 film (a year in which a lot of good actors made a lot of good movies). The film is based around a supposedly true plot: "psychic warriors" trained to fight terrorists, led by a hippie soldier, attacked by an arrogant Army officer, and infiltrated by a bored investigative reporter and a former psychic soldier. It makes for a great story, and overall, GOATS succeeds brilliantly; it is a delightful, at times dark film (the last 20 minutes or so get so dark, you'll wish the whole film had been this gutsy) that proposes a lot of questions, and doesn't bother answering them (like any good satire should).
However, something's lacking. Peter Straughan's script isn't up to par; and Grant Heslov's directing seems at times undecided. The acting is fine--Clooney is understated; Bridges is himself; Spacey is delightfully off-kilter; and watching McGregor deadpan the question "What's a Jedi?" is just good geeky fun--but the film itself doesn't live up to the cast's combined talents. The end result is a film that's certainly an enjoyable watch, even laugh-out-loud funny in spots (though it's overall a subtle comedy; this isn't slapstick, it's satire), but doesn't have the lasting effect something with this weight should. The ending is ultimately a let-down; a lot of build up for very little. That's not to say the movie isn't worth your time; if you enjoy intellectual comedies, you'll definitely want to check it out. However, unlike others of the genre--DR. STRANGELOVE comes to mind, though it's probably unfair to compare any war satire to Kubrick's masterpiece--THE MEN WHO STARE AT GOATS doesn't stay with you once you're done watching. And that is a damn shame, because a film with this great a cast, and this interesting a premise, deserves--almost necessitates--a lasting presence. As is, we have an enjoyable intelligent comedy that is slightly less than the sum of its parts.

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In this comedic look at real life events that are almost too bizarre to believe, reporter Bob Wilton (Ewan McGregor) discovers an experimental top-secret wing of the U.S. military called The New Earth Army, trained to change the ways wars are fought through New Age psychic power. In search of his next big story, Wilton tracks down Lyn Cassady (Academy Award® winner George Clooney), a shadowy figure who claims to be a member of this legion of "Warrior Monks" with unparalleled psychic powers who can read the enemy\'s thoughts, pass through walls, and even kill a goat simply by staring at it.

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