Showing posts with label best picture. Show all posts
Showing posts with label best picture. Show all posts

The History Channel Presents Enola Gay Review

The History Channel Presents Enola Gay
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This Video/CD was called "Rain of Ruin" when it was shown on the History Channel. It shows the history of the Manhattan Project/Silverplate from start to finish. The last 30 minutes deal with the dropping of "little boy" on Hiroshima and "Fat man" on Nagasaki. Most people do not know that Nagaskai was actually the 4th choice of cities but weather prevented the dropping of the bomb on target # 2 which was Kokura. This film uses a tremendous amount of raw footage. Its very impressive.

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"I am become Death, the destroyer of worlds." - J. Robert Oppenheimer, quoting the Bhagavad-Gita after detonation of the world's first atomic bomb. On August 6, 1945, the first atomic bomb intended as a weapon was dropped on the Japanese city of Hiroshima, instantly annihilating over 70,000 people. ENOLA GAY combines two compelling, topflight documentaries that tell the remarkable story of America's decision to forever alter the course of history. ENOLA GAY: RAIN OF RUIN puts you inside the cockpit of the historic B-29 Superfortress bomber whose devastating payload helped bring about the end of WWII. From the development of the atomic bomb to the horrific aftermath, highlights include dramatic footage taken by the crewmembers themselves. HIROSHIMA: THE DECISION TO DROP THE BOMB takes an in-depth look at the steps leading to America's fateful decision. Was Japan already on the verge of surrender? Or was Truman's motivation ultimately political? Get the full story in this revealing, powerful program. Available on DVD for the first time, ENOLA GAY brings the full force of one of history's most pivotal moments straight into your living room. DVD Features: Interactive Menus; Scene Selection

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Lawrence of Arabia (1962) Review

Lawrence of Arabia (1962)
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Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.
The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.
The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

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Director David Lean follows the heroic true-life odyssey of T.E. Lawrence (Peter O'Toole) in this dramatic portrait of the famed British officer's journey to the Middle East. Assigned to Arabia during World War I, Lawrence courageously unites the warring Arab factions into a strong guerrilla front and leads them to brilliant victories in treacherous desert battlefields where they eventually defeat the ruling Turkish Empire.

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The Ninth Configuration (1980) Review

The Ninth Configuration (1980)
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Roger Ebert once said that Casablanca was the sort of movie that improves upon multiple viewings, because the first time we see it we're too involved in the plot, too concerned about what is happening and why; seeing the movie again gives us the chance to appreciate the nuances. Those comments certainly apply to The Ninth Configuration.
The plot is a good one, and people who enjoy thrillers and mysteries will find enough action and plot twists in the film to rival Hitchcock's best works. But what makes this movie so special are the terrific performances (by Stacy Keach, Scott, Wilson, and Ed Flanders), the witty dialogue, and the religious undercurrents. Too often movies treat religious belief with sentimentality or scorn, but the Ninth Configuration deals with faith and doubt in with a deftness and dignity that isn't patronizing to either side.
It's the sort of movie that you immediately want to talk about with someone...which could be difficult since so few people have seen it. Case in point: I host a movie party every Thursday night. Every time a new member joins, I ask him or her to compile a short list of movies that he or she has seen but thinks others haven't but should. These lists serve as our guide for film selections, and the attendees love movies and have broad tastes. But not one of them had seen The Ninth Configuration. My father recommended it to us, and we watched it last October, and thus far it remains the club's hands-down favorite, beating out classics such as The Sting or The Lion in Winter. Many of them have passed the title along to friends, who have also enjoyed the newly discovered gem. And it has provoked hours of conversation among us.
I can't think of a movie that would appeal so well to the casual viewer, the mystery lover, the film buff, the occasion bible study group for that matter.
Many movies are worth seeing. This one is worth owning.

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A stunning meditation on God\'s existence in a form that might be best described as Catch 22 meets Spellbound, the film received 3 Golden Globe nominations, including Best Picture, and won the award for Best Writing against a field of nominees that included Ordinary People, The Elephant Man and Raging Bull.

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Platoon (1986) Review

Platoon (1986)
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"I think now, looking back, we did not fight the enemy. We fought ourselves. And the enemy was in us."
Thus the summation of Private Chris Taylor (Charlie Sheen) at the end of this film, a film about war, hate, self-realization, and survival. PLATOON tells a powerful story that moves beyond the horror and gore of the Vietnam War, a story that ultimately depicts the demise and disintegration of a dysfunctional combat unit. We see young Chris change before our very eyes, from a green, idealistic "grunt" to an embittered, disillusioned soldier. Chris' platoon is dominated--and subsequently divided--by two strong, yet very different men: Sergeant Barnes (Tom Berenger) and Sergeant Elias (Willem Dafoe). Barnes is cold, calculating, brutal, intolerant; Elias is compassionate, humanistic. The battle of wills between these two men is just as challenging as the Viet Cong out in the bush, and just as deadly. The film's climatic ending is powerful, spellbinding.
I dismiss naysayers of PLATOON as a soapbox for writer/director Oliver Stone's political agenda just as much as I dismiss Mr. Stone's politics. PLATOON hits you between the eyes with its depictions of warfare and human conflict, again and again. There's nothing to feel good about by watching this movie, just as there is nothing to feel good about by fighting a war. It is a dark, negative film--a negative film that happens to be compelling, thought-provoking, and very riveting.

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Cimarron (1931) Review

Cimarron (1931)
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You know, I have to agree with Mr. Erdelac - the movie is progressive for its time. For those of you who judge a movie by the degree to which it beats a political or social drum, there is much here to admire.
But there is more. There is something artistic. There is an odd balance between melodrama and something really substantial, something actually edifying to the viewer. I think a large part of why this movie doesn't descend into the sludge of cinematic slop is because the characters are all flawed, and in those flaws the viewer cannot help but recognize a touch of human frailty. Every individual in this movie is at times ridiculous and at other times supremely dignified. This, I believe, gives it a certain depth.
The characters in any great movie MUST be larger than life if the piece is to avoid being either a documentary or a soap opera. But here the larger than life characters seem firmly rooted in the earth, which brings them closer to us. I like that.
Overall, I think the sensitive viewer will find in this movie much that is both emotionally and philosophically stimulating, if he/she is willing to look past the inevitable veneer of 74 years. I personally consider it a particularly moving and thought-provoking cinematic experience.

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Spaces were neither wide nor open in most early Sound Westerns. Not so in Cimarron. It starts with one of the most renowned giddy-ups in cinema history: a thundering recreation of the 1889 Oklahoma Land Rush. From there Cimarron, based on the bestselling epic by Giant and Show Boat novelist Edna Ferber, traces the generations-spanning saga of that land. There rugged Yancey Cravat (Richard Dix) and his resourceful pioneer wife Sabra (Irene Dunne) sink roots, persevere, give shape to their dreams. It's a saga of change, told with an authenticity that moviegoers who had lived through that era recognized - and told with a skill that earned it three Academy Awards * including Best Picture!

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The Broadway Melody (Special Edition) (1929) Review

The Broadway Melody (Special Edition) (1929)
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The first talkie to win the BEST PICTURE Oscar finally comes to DVD, and it was well worth the wait.
Warner Home Video has packaged a dandy new DVD of "THE BROADWAY MELODY" that looks better than any 75 year old movie has a right to. I've never seen the film look or sound so good.
The story is hokey and predictable, but it was a trend-setter in its day. The great songs of Arthur Freed and Nacio Herb Brown debuted here including the famous title tune and YOU WERE MEANT FOR ME.
As much fun as the movie is, the superb extras WB has assembled here are worth the price of the DVD alone. 5 METRO MOVIETONE REVUE shorts from the 1928-29 era, filled with long-forgotten vaudeville stars, shine here, proving that some of these performers were really terrific and shouldn't be forgotten. Added to this, is a nifty little vaudeville short with the team of Van & Schenck who perform two novelty songs, one of which will have you rolling on the floor.
Last but not least is the DVD debut of MGM's 1930 DOGVILLE COMEDY SHORT-The Dogway Melody. This 20 minute classic features an all Canine cast, parodying The Broadway Melody. It was co-directed by Jules White, who later helmed THE THREE STOOGES best shorts at Columbia.
You'll love the movie, which is packaged with its original poster on the cover, and the extras make this an extra special treasure for any true classic film fan.

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Item Name: The Broadway Melody (Special Edition); Studio:Warner Home Video

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Avatar (Three-Disc Extended Collector's Edition + BD-Live) (2009) Review

Avatar (Three-Disc Extended Collector's Edition + BD-Live)  (2009)
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I'm primarily interested in the storyline differences between special sets and their theatrical counterparts, so here are the differences between the two (NOTE: SPOILERS FOLLOW).
The extended collector's edition runs 16 minutes 28 seconds longer than the theatrical cut, and listed below are the major differences.
1) The opening scene is different, and starts with Jake in a wheelchair on Earth, in a Blade Runner-esque Earth city. The scene moves to scenes of Jake in his apartment, then taking liquid shots in a bar. Jake's narration of "I told myself I can pass any test a man can pass" and "They can fix the spinal if you got the money. But not on vet benefits, not in this economy" are inserted during this new opening scene.
Jake beats up a bar patron who is mistreating a woman, and then Jake and wheelchair are unceremoniously thrown outside by bouncers into an alley. While in the alley, Jake meets the two RDA representatives who bring him news of his brother's untimely death. Then the movie cuts back to the original theatrical cut where Jake sees his brother's body cremated, then awakes in space.
2) During Jake's initial flyover of Pandora in his avatar, they witness a herd of Sturmbeasts, buffalo-like creatures.
3) After seeing the Sturmbeasts, Grace, Jake, and Norm stop by Grace's old English school for the Na'vi. The school is now closed, abandoned, and some walls are riddled with bullet-holes. Norm finds a Dr. Seuss book, "The Lorax", on the ground. This scene explains how Neytiri knew English so well, and certainly gives some further backstory into Grace Augustine's character.
Interestingly, The Lorax can be seen as a metaphor for the Pandoran story. Recall that the seemingly simple Seussian book is actually a lesson on the plight of the environment and industrialization.
4) We see some other different Pandoran flora and fauna, particularly with scenes of the luminescent forest floor.
5) Jake's first dinner with Neytiri is longer and extended, and it's here that she tells him her full name.
6) When Jake, Grace, and Norm first visit the Hallelujah Mountains on the way to the remote uplink station, Grace explains (in a Jake voiceover) that the mountains are levitated [via the Meissner Effect], because Unobtanium is a superconductor. There's a pretty spectacular CGI shot as the characters look around in awe at the suspended mountains.
7) Pictures of Grace and Na'vi children at her previously functioning school. Dr. Augustine tells Jake that she previously taught Neytiri and her sister, Sylwanin. However, one day, Sylwanin and some hunters destroyed an RDA bulldozer, and RDA SecOps troopers killed them at the school, which explains why the school walls were previously seen pockmarked with bullet holes.
8) Sturmbeast hunting scene after Jake tames a Banshee. After Jake successfully kills a Sturmbeast with an arrow, he and Neytiri chortle a "Heck yeah!" and whoop.
9) Jake and Neytiri's love scene comprises them linking braids together. Some kissing, nothing explicit.
10) Tsu'tey leads a war party that destroys the RDA's autonomous bulldozers, as well as the RDA SecOps squad that was guarding them. Corporal Wainfleet leads the search party that uncovers the evidence, via real-time helmet cam footage. Not sure why they cut this scene from the theatrical cut, as it persuades Selfridge to attack the Home Tree.
11) Attack of Hammerhead Titanotheres on RDA forces has been extended slightly; additional scenes of AMP-Suits getting destroyed.
12) Fight between Colonel Quaritch in AMP Suit and Neytiri on Thanator slightly longer.
13) Tsu'tey's death scene; in the theatrical cut, he falls off the RDA shuttle's aft ramp to his death. In the Collector's Edition, he falls to the forest floor, mortally wounded. He passes on leadership to Jake, and asks Jake to ceremonially kill him e.g. hara-kiri, so that Jake will be the last shadow that Tsu-Tey sees. Jake does so.
I preferred the original Tsu'tey death scene, which was more dramatic. Jake, had afterall, already become the de facto clan leader by that point in the movie, so further formal transfer by Tsu'tey (a minor character) seemed unnecessary.


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Experience the spectacular world of James Cameron's Avatar as never before with this all-new three-disc extended collector\'s edition. The journey begins with three movie versions: the original theatrical release, the special edition re-release, and the exclusive extended cut not shown in theaters. And that's just what's on the first Blu-ray disc. The set's bonus feature run more than eight hours and include over 45 minutes of deleted scenes; actor's screen tests; on-location footage; feature-length documentaries on the film's groundbreaking production; an interactive scene-deconstruction feature that lets you explore different levels of production for 17 scenes; a comprehensive guide to the world of Pandora; and more. The greatest adventure of all time just got bigger and better.Versions of Avatar on Blu-ray and DVD
Contents of the Blu-ray Extended Collector's EditionWhat follows is the back-of-the box summary of the Blu-ray set's contents and then a complete listing of everything that's included.Disc 1: Three Movie Versions
Original Theatrical Edition (includes family audio track with objectionable language removed)
Special Edition Re-Release (includes family audio track with objectionable language removed)
Collector\'s Extended Cut with 16 additional minutes, including alternate opening on earthDisc 2: Filmmaker's Journey
Over 45 minutes of never-before-seen deleted scenes
Capturing Avatar: Feature-length documentary covering the 16-year filmmakers\' journey, including interviews with James Cameron, Jon Landau, cast and crew
A Message from Pandora: James Cameron\'s visit to the Amazon rainforest
The 2006 art reel: Original pitch of the Avatar vision
Brother termite test: Original motion capture test
The ILM prototype: Visual effects reel
Screen tests: Sam Worthington, Zoë Saldana
Zoë\'s life cast: Makeup session footage
On-set footage as live-action filming begins
VFX progressions
Crew film: The VolumeDisc 3: Pandora's Box
Interactive scene deconstruction: Explore the stages of production of 17 different scenes through three viewing modes: capture level, template level, and final level with picture-in-picture reference
Production featurettes: Sculpting Avatar, Creating the Banshee, Creating the Thanator, The AMP Suit, Flying Vehicles, Na\'vi Costumes, Speaking Na\'vi, Pandora Flora, Stunts, Performance Capture, Virtual Camera, The 3D Fusion Camera, The Simul-Cam, Editing Avatar, Scoring Avatar, Sound Design, The Haka: The Spirit of New Zealand
Avatar original script
Avatar screenplay by James Cameron
Pandorapedia: Comprehensive guide to Pandora
Lyrics from five songs by James Cameron
The art of Avatar: Over 1,850 images in 16 themed galleries (The World of Pandora, The Creatures, Pandora Flora, Pandora Bioluminescence, The Na\'vi, The Avatars, Maquettes, Na\'vi Weapons, Na\'vi Props, Na\'vi Musical Instruments, RDA Designs, Flying Vehicles, AMP Suit, Human Weapons, Land Vehicles, One-Sheet Concepts)BD-Live Extras
BD-Live extras require a BD-Live-enabled player and an Internet connection. The following extras may be available a limited-time only and are subject to change over time:Crew Short: The Night Before Avatar; additional screen tests, including Stephen Lang, Giovanni Ribisi, Joel David Moore, CCH Pounder, and Laz Alonso; speaking Na\'vi rehearsal footage; Weta Workshop: walk-and-talk presentationReview of the Original Theatrical Edition

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Mrs. Miniver (1942) Review

Mrs. Miniver (1942)
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This beautiful drama about a quiet English village and its inhabitants during the early days of WWII is perfect in every way. Director William Wyler was himself flying a bombing mission over Germany the night the Academy got it right and singled it out as Best Picture. Like the hat Greer Garson purchases despite the cost, this film is rather precious, and if made tomorrow, would still win the award for Best Picture.
Wyler was delivered a fabulous script from screenwriters Arthur Wimpers, George Froeschell, James Hilton, and Claudine West. Greer Garson's restrained performance as Jan Struther's heroine won her Best Actress honors but the entire cast is equally good, Teresa Wright especially so as the bright and cheery young woman who would marry the Miniver's son and show them all the way.
Wyler paints a lovely picture of day-to-day life in 1939 for the Miniver family and the small village where they live. Greer Garson is the nice Mrs. Miniver. An early scene when the kind porter Mr. Ballard (Henry Travers) reveals to her that he has named the beautiful red rose he intends to enter in the yearly floral contest after her, sets the feelings and mood of the entire film. The story of the white rose turning red from tears yet made more beautiful was not lost on audiences on both sides of the pond. If ever a film gave the world a resolve to stand up to evil, this quiet and touching film certainly did.
Wyler shows the poignancy of young men going off to war as the Miniver's young son, Vin, home from college and full of ideals, joins the R.A.F. There is one terribly moving scene as Garson listens with all her being as the planes fly over, waiting for Vin's signal that he is one of those returning. Wyler shows the efforts of all during the early days of the war to help in any way possible. Clem (Walter Pidgeon) will use his small boat along with his fellow villagers in a dangerous rescue mission during the night, beautifully filmed by the director.
But through the air raids, which become matter-of-fact for the Miniver family, the joyous moments of living are shown by Wyler, leaving no doubt that life will and does go on. Dame May Whitty is superb as the village's most powerful woman, Lady Beldon. She is the grandmother of the sweet Carol, portrayed winningly by Teresa Wright. It is her romance with Vin (Richard Ney) which will provide the most poignant moment in the film, showing that tragedy could come at any moment.
Garson's cool resolve when confronting a downed German flyer in her kitchen is never to be forgotten. Neither are the moments of Mrs. Miniver's small children sleeping peacefully in the cellar during air raids hitting closer and closer to home while Clem talks and she knits. Just as moving, however, is the moment the winner for best rose is announced.
There is a deeply moving and unexpected death, just as it happened to many families, English and otherwise, during the war. But it will not defeat the Minivers or the village, and the final speech was so stirring that Roosevelt had leaflets of it dropped from the air all over Europe.
Rarely does something so entertaining have the substance of "Mrs. Miniver." It is no wonder that Churchill said "Mrs. Miniver" was more important to the war effort than an entire fleet of of destroyers ever could have been. A magnificent and unforgettable film you can watch time and again with the entire family. A must see film for everyone.

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Winner of six Academy Awards(R) including Best Picture, this memorable spirit-lifter about an idealized England that tends its prize-winning roses while confronting the terror of war struck a patriotic chord with American audiences and became 1942's #1 box-office hit. Greer Garson gives a formidable Oscar(R)-winning performance in the title role, comforting children in a bomb shelter, capturing an enemy parachutist and delivering an inspirational portrait of stiff-upper-lip British resolve. When Hitler did his worst, Mrs. Miniver did her best.Year: 1942Director: William WylerStarring: Greer Garson, Walter Pidgeon

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The Bridge on the River Kwai (1957) Review

The Bridge on the River Kwai (1957)
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I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

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ALLIED COMMANDOS ARE DISPATCHED DEEP INSIDE THE BURMESE JUNGLETO BLOW UP A STATEGIC BRIDGE BUILT BY BRITISH POWS. SPECIAL FEATURES: SUBTITLES IN ENGLISH, FRENCH, SPANISH, PORTUGUESE,CHINESE, KOREAN, AND THAI: LANGUAGES IN ENGLISH, FRENCH,SPANISH AND PORTUGUES: THEATRICAL TRAILERS AND MUCH MORE.

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