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(More customer reviews)Just before legendary director William Wyler died, equally legendary director Billy Wilder was interviewed about his feelings about Wyler's films, from "Best Years of Our Lives" to "Roman Holiday" to "Ben Hur" to "Funny Girl."
Wilder, a tough cookie who hates schmaltz and sentiment, the director of such classics as "Some Like it Hot," "The Apartment," "The Seven Year Itch" and "Sunset Boulevard," suddenly got emotional, expressing great affection for "The Best Years of Our Lives," noting that it was one of the best films he had ever seen.
He reacted the way I reacted. He said that it was the only film that he could remember (of course, this was well before "Saving Private Ryan" was released in 1998), where he and the entire audience were drenched in tears within the first 10 minutes. It was an unforgettable experience for him, and he recognized immediately that "The Best Years of Our Lives" was obviously a deeply personal work for Wyler, where every scene, every frame, every note of music and word of dialogue, rang true with authenticity and emotion. This was Wyler's territory. He knew the material. And many of the scenes that were shot mirrored his own experiences when he returned home from war.
This is why, after so many viewings, I still can't get over the fact that no matter how many times I say to myself, "I'm not going to be moved by this or that scene," I fail miserably. I just can't help it. To say that this is a great film is an understatement of the highest order. And yet I can only count on one hand the number of friends I know who have seen this film from start to finish. I think the running length has something to do with it. You never see it on commercial television at all and unless you're lucky enough to have cable, you'll miss it entirely. And it's not a film that people are banging down the doors to rent.
The wonderful thing about "The Best Years of Our Lives" is that it still holds up beautifully, unlike a lot of films that seem awkward or stilted. Fredric March, as the patriarch of the family (in an Oscar winning role), is stupendous. His acting and delivery of lines seems effortless and spontaneous, not the product of a script recited from memory. And to have Myrna Loy as his partner and the wonderful Teresa Wright playing his daughter (the latter an Oscar winner a few years earlier in "Mrs. Miniver"), how can you lose?
Like all great films, time has no meaning. The story sweeps you along like a great wave -- a ride -- that you never want to end. The famous "long hallway homecoming shot" that appears in the first 10 minutes of the film -- I don't care that it's the scene that most people remember and is usually the ONLY scene that turns up in any highlight reel of greatest films ever made -- it gets me every time.
And the ending, the last line from the movie, the one uttered by Dana Andrews -- despite the sentimental setting -- is so fabulously understated and cynical and yet filled with such hope, that you can't help but be -- what I describe as being -- "happily devastated." It's a wonderful ending that purposely leaves you guessing about what will become of the characters played by Teresa Wright and Dana Andrews, but you can't help but feel that their future looks bright in spite of their apparent state of destitution.
I just wish more people would see this film. There's a treasure chest of great movies from the past that people overlook every day. This is one of them. I pity people who still buy or rent movies based on slick packaging alone.
I would rather pay $10 to see this film on the big screen or less than $20 to own this film so I can see it on a little screen -- than pay about $4 to rent junk that has a good looking box -- and a few great critical reviews from people you've never heard of.
Some films are good enough to rent, but only a few films are good enough to buy. "The Best Years of Our Lives" is a film to BUY.
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It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to becomea nightmare. Captain Fred Derry (Dana Andrews) is returning to a loveless marriage; Sergeant Al Stephenson (Fredric March) is a stranger to a family that's grown up without him; and young sailor Homer Parrish (Harold Russell) is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past? Featuring a brilliant cast that includes Myrna Loy and Virginia Mayo, this postwar classic garnered* seven OscarsÂ(r), including Best Picture. Heart-wrenching, touching and "filled with emotional dynamite" (The Hollywood Reporter), it remains "one of the best films about war veterans ever made" (American Movie Classics).*1946: Director, Actor, Supporting Actor, Writing/Screenplay, Film Editing, Music/Scoring of a Dramatic or Comedy Picture
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