Showing posts with label judy garland. Show all posts
Showing posts with label judy garland. Show all posts

Easter Parade (Two-Disc Special Edition) (1948) Review

Easter Parade (Two-Disc Special Edition) (1948)
Average Reviews:

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I really like "Easter Parade" and was eagerly anticipating how beautiful it would look as a result of Warner's Ultra Resolution process. This is a method that electronically aligns the elements of the famous 3-strip Technicolor process to deliver greater sharpness and even details that weren't visible when the film was brand new. Unfortunately, this film doesn't look nearly as good as the other films that previously underwent this process: "Singin' in the Rain," "The Adventures of Robin Hood," "Meet Me in St. Louis," and "Gone With the Wind." Even "The Harvey Girls" and "Annie Get Your Gun," which were restored without the Ultra Resolution process, look much better than "Easter Parade."
All of these films, although not perfect, look almost like they were filmed yesterday with wonderful sharpness and contrast range, an almost three-dimensional clarity, and beautiful, sparkling colors--rather like a Kodachrome slide. "Easter Parade," on the other hand, looks like a very old movie that's had it colors artificially pumped up--like an old tart that thinks a lot of warpaint will make her look young, but fools no one. This transfer HAS to be several generations removed from the negative. It has a thick, flat, dull look: very little contrast or modeling, flesh tones the color of red clay mud, and colors that look as if they were applied to the film with a spatula--no light or life can get through! When there is some contrast and a bit of brightness, the effect is very garish and detail is washed out. Warner Brothers either shortchanged this film financially in its restoration or it was working with elements that were far removed from the original negative or color separations. Yes, this is the best this film has looked on home video. Yes, it often has decent detail, but it looks everybit like a film from 1948--or even older--rather than the almost brand new look we have come to expect from Warner's other major restoration efforts.
"The Band Wagon," another classic musical that was released in conjunction with "Easter Parade," is better, but still has that rather dull, flat, copy-of-a-copy-of-a-copy look, and reddish brown fleshtones. Compare it with "Singin' In the Rain," released just a year before: the difference is like night and day! We have come to expect better than this from a company that has given classic film fans the best DVD transfers of any company. I am more than disappointed; I am shocked! What happened, Warner Brothers?

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ON THE DAY BEFORE EASTER IN 1911, DON HEWES IS CRUSHED WHEN HIS DANCING PARTNER (AND OBJECT OF AFFECTION) NADINE HALE REFUSES TOSTART A NEW CONTRACT WITH HIM. TO PROVE NADINE'S NOT IMPORTANTTO HIM, DON ACQUIRES INNOCENT NEW PROTEGEE HANNAH BROWN, VOWING TO MAKE HER A STAR IN TIME FOR NEXT YEAR'S EASTER PARADE.

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TCM Greatest Classic Films Collection: American Musicals (The Band Wagon / Meet Me in St. Louis / Singin' in the Rain / Easter Parade) (2009) Review

TCM Greatest Classic Films Collection: American Musicals (The Band Wagon / Meet Me in St. Louis / Singin' in the Rain / Easter Parade) (2009)
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This is one of several DVD sets that TCM/WHV is producing over the next year or so that brings the classic films to the masses at affordable prices. All of these films are available in more deluxe editions, so this is mainly for those who are not interested in extra features. Every one of these is a five star film for musical lovers.
Singin in the Rain is my favorite movie musical and perhaps the best movie musical ever made. Thrown together quickly after the success of "An American in Paris" I love it for its comedy, its timing, and its wonderful plag iarism of just about every song written for MGM movies between 1929 and 1940. If you are interested in extras this film is available as Singin' in the Rain (Two-Disc Special Edition). The two disc edition has some wonderful extras about the transition from silent film to sound.
The Band Wagon is one of Fred Astaire's best MGM musicals. Fred plays an aging song and dance man whose friends are writing a new Broadway show and want Fred to star. They enlist a Broadway headliner to help them get financial backing, but the show the veteran describes is a musical version of Faust, not the fun romp that was originally planned. This one is available in a more deluxe version as The Band Wagon (Two-Disc Special Edition).
The Easter Parade stars Fred Astaire again. After being rejected by his girlfriend/star, on a lark he offers Judy Garland a job as his partner, claiming he could make her as big a star as his ex-girlfriend. The next day he regrets his offer, but he has to go through with it when Judy shows up for rehearsal after having already quit her current job. Again, if you like extra features it is available as Easter Parade (Two-Disc Special Edition).
Meet Me in St. Louis stars Judy Garland and is about - absolutely nothing. However, this musical which has no big events and no real dramatic climax will grow on you. It is about a year in the life of an extended St. Louis family. The father has accepted a job offer in New York City, and nobody in the family is happy about it. This midwestern group does not want to give up their easy-going way of life and all of their friends for the big treeless city. Worse yet, the move is scheduled to take place at Christmas. This is available in the deluxe Meet Me In St. Louis (Two-Disc Special Edition). The best thing about this 2-disc edition is the inclusion of the 1930 Vitaphone short "Bubbles". Besides being one of the strangest little musical shorts ever, it stars Judy Garland back when she was still one of the Gumm Sisters.

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EASTER PARADE Strolling along 5th Avenue or bumming around as A Couple of Swells, Judy Garland and Fred Astaire lead a parade of music (17 Irving Berlin tunes and an Academy Award-winning adaptation score) and gotta-dance fun in this neverending delight co-starring Ann Miller and Peter Lawford. MEET ME IN ST. LOUIS She's in love with the boy next door. And movie fans are forever in love with her Judy Garland in a nostalgia and humor-filled tale of life with the Smith family in 1903 St. Louis. Songs include The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas. SINGIN IN THE RAIN Considered by many to be the greatest movie musical ever! Silent movies are giving way to the advent of sound and a Hollywood matinee idol (Gene Kelly) is caught in that bumpy transition, as well as his buddy (Donald O'Connor), prospective sweetheart (Debbie Reynolds) and vocally-challenged co-star (Jean Hagen). THE BAND WAGON Fred Astaire dazzles in a train station (By Myself), a penny arcade (A Shine on Your Shoes), a back-lot Central Park (Dancing in the Dark) and a smoky café (Girl Hunt), the latter two with incomparable Cyd Charisse. Nanette Fabray, Jack Buchanan and Oscar Levant co-star, and as the movies hallmark song goes, That's Entertainment!

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The Clock (1945) Review

The Clock (1945)
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A charming, intelligent and pleasantly sentimental wartime comedy-romance, featuring a winsome Judy Garland and a babyfaced Robert Walker as a star-crossed young couple who meet in the waning days of WWII. He's a soldier from a small town who has a couple of days layover in New York City before shipping off to Europe. They meet by accident and slowly, but inexorably fall in love. The delicate, deliberate pace of their budding romance swiftly gives way to a panicked rush to marry, as they realize he's about to leave within hours, possibly never to return... This is one of director Vincente Minnelli's most heartfelt films, a really sweet, nostalgic ode to the meeting of old and new America, as the still-young nation strode into superpower status. One of my favorite old films... Fun supporting cast as well, with several broadly-drawn cariacatures of the nice folks you can meet in the Big City, if you can only still find its heart.

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Soldier Joe Allen is on a two-day leave in New York, and there he meets Alice. She agrees to show him the sights and they spend the day together. In this short time they find themselves falling in love with each other, and they decide to get married before Joe has to return to camp.

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Easter Parade (Two Disc Special Edition) (1948) Review

Easter Parade (Two Disc Special Edition) (1948)
Average Reviews:

(More customer reviews)
I really like "Easter Parade" and was eagerly anticipating how beautiful it would look as a result of Warner's Ultra Resolution process. This is a method that electronically aligns the elements of the famous 3-strip Technicolor process to deliver greater sharpness and even details that weren't visible when the film was brand new. Unfortunately, this film doesn't look nearly as good as the other films that previously underwent this process: "Singin' in the Rain," "The Adventures of Robin Hood," "Meet Me in St. Louis," and "Gone With the Wind." Even "The Harvey Girls" and "Annie Get Your Gun," which were restored without the Ultra Resolution process, look much better than "Easter Parade."
All of these films, although not perfect, look almost like they were filmed yesterday with wonderful sharpness and contrast range, an almost three-dimensional clarity, and beautiful, sparkling colors--rather like a Kodachrome slide. "Easter Parade," on the other hand, looks like a very old movie that's had it colors artificially pumped up--like an old tart that thinks a lot of warpaint will make her look young, but fools no one. This transfer HAS to be several generations removed from the negative. It has a thick, flat, dull look: very little contrast or modeling, flesh tones the color of red clay mud, and colors that look as if they were applied to the film with a spatula--no light or life can get through! When there is some contrast and a bit of brightness, the effect is very garish and detail is washed out. Warner Brothers either shortchanged this film financially in its restoration or it was working with elements that were far removed from the original negative or color separations. Yes, this is the best this film has looked on home video. Yes, it often has decent detail, but it looks everybit like a film from 1948--or even older--rather than the almost brand new look we have come to expect from Warner's other major restoration efforts.
"The Band Wagon," another classic musical that was released in conjunction with "Easter Parade," is better, but still has that rather dull, flat, copy-of-a-copy-of-a-copy look, and reddish brown fleshtones. Compare it with "Singin' In the Rain," released just a year before: the difference is like night and day! We have come to expect better than this from a company that has given classic film fans the best DVD transfers of any company. I am more than disappointed; I am shocked! What happened, Warner Brothers?

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WHEN A DANCER'S PARTNER ABANDONS THE ACT, SHE FINDS A REPLACEMENT WHO TURNS OUT TO BE EVEN BETTER.

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Meet Me In St. Louis (Two-Disc Special Edition) (1945) Review

Meet Me In St. Louis (Two-Disc Special Edition) (1945)
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Many critics consider MEET ME IN ST. LOUIS the single finest Hollywood musical of the 20th Century. Produced by Arthur Freed, directed by Vincent Minnelli, and sporting a flawless ensemble cast led by Judy Garland, the film was immediately hailed when it debuted in 1944--and time has only added luster to its name. Now, after several home market incarnations, it at last receives the edition it deserves on DVD.
Given its stature, it is ironic that both MGM and Judy Garland originally fought the project. Based on a collection of autobiographical stories by Sally Benson, the script is little more than a series of domestic adventures in the lives of the Smith family of 1903 St. Louis. But it became a thing of wonder: a careful balance of sly but gentle humor, a collection of memorable performances, an understated score shorn of the usual movie-musical affectations, and at the center of it all Judy Garland, one of Hollywood's most memorable talents.
The transfer is excellent, capturing every nuance of the film's meticulously and beautifully designed sets in full Technicolor; the sound elements, remastered in Dolby 5.1, are equally fine and Garland's unique vocal skills are undimmed by time. All in all, it seems safe to say that not even the original 1944 theatrical release could surpass the quality of picture and sound offered here.
Although the bonus package would have better without the awful pilot for a failed television series based on the film, by and large it offers a superior collection. Previously available on VHS, the Roddy McDowell-narrated "making of" documentary is worth revisiting, as is the TCM-produced "Becoming Attractions." While a number of later documentaries surpass it, "Hollywood: The Dream Factory" has never before been widely available and offers an inside glimpse of the famous 1972 MGM auction. The Martins' performance of "Skip to My Lou" a reconstruction of "Boys and Girls Like You and Me," and a collection of Vincent Minnelli movie trailers round out the offerings, all of them entertaining.
The notable audio commentary is led by film historian and Garland scholar John Fricke. I regret to say that I have several issues with Fricke, who seems to rely excessively on Vincent Minnelli's autobiography I REMEMBER IT WELL and who has a tendency to perpetuate certain myths about the film--chief among them the idea that Garland did "The Trolley Song" in a single take. (Garland prerecorded the song, the overall sequence involves at least seven unique camera set-ups, and although Garland performs most of the solo in a single take there is a change in camera set-up toward the end of her vocal.) Even so, Fricke offers considerable insight into the cast, crew, and production of MEET ME IN ST. LOUIS, and the commentary is laced with remarks (some of them archival) by the likes of Margaret O'Brien, Hugh Martin, and Irving Brecher; in spite of my occasional misgivings, it really is everything one could wish an audio commentary to be.
These aside, the bonus package contains one significant and unique prize: the short film "Bubbles" and a notable audio commentary led by Hollywood and Garland historian John Fricke. Long thought lost, "Bubbles" is one of several shorts made in the early 1930s that include The Gumm Sisters, the youngest of whom would become better known as Judy Garland--a true rarity indeed.
Given the beauty of the transfer and the generally exceptional bonus package, it is difficult to imagine a better edition of this uniquely American classic. I strongly recommend it.
GFT, Amazon Reviewer

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St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however, barely notices her at first. The family is shocked when Mr. Smith reveals that he has been transfered to a nice position in New York, which means that the family has to leave St. Louis and the St. Louis Fair.

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A Star Is Born (1976) Review

A Star Is Born (1976)
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I have neither a Blu-ray player nor an HD TV so there was no reason to get the Blu-ray of this release. On my standard def TV the image is not as sharp and crisp as other recent Warner restorations such as My Fair Lady and Wizard of Oz. But, I've learned through some research that this is because ASIB was filmed in single-strip Technicolor and it is impossible to sharpen the image. Actually the print does look a bit cleaner than the old VHS version of the reconstructed film. Just don't expect sharpness throughout. The musical numbers look the best.
Remember that almost 30 minutes of the film was cut after its theatrical release and it was through the efforts of Ron Haver who, in 1984, was able to find stills to fill in where soundtrack sections were located. That is what this version is and it really fleshes out the story. (And a great story it is!). And it is wide screen, not pan and scan.
What makes this version "deluxe" is the additional two hours of new supplemental material. These are all on the second disc which is NOT Blu-ray even in the Blu-ray set. Two hours are the same material as on the last release. The new material includes additional versions of some songs with different costumes and a lot of audio-only bonuses. The disc containing the feature film is double sided with half on each side.
You can see all the details of the bonuses in another "review" which copied the info from the press release.
As far as acting goes, James Mason is amazing and perfect for the part. Garland sings her heart out and this is, of course, a must for Judy fans... many of who can quote her lines from the film from memory.
Some day I'm sure Warner will issue the "Ultimate Edition" of ASIB but, sadly this is the best it is going to look on your TV. This is why film preservation is so important!
If you've not seen this film, or haven't seen it in years, watch it.. It will draw you in and show you why Garland and Mason were stars. This is a true Hollywood classic.
Steve Ramm
"Anything Phonographic"


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A Star Is Born (1954) Review

A Star Is Born (1954)
Average Reviews:

(More customer reviews)
I have neither a Blu-ray player nor an HD TV so there was no reason to get the Blu-ray of this release. On my standard def TV the image is not as sharp and crisp as other recent Warner restorations such as My Fair Lady and Wizard of Oz. But, I've learned through some research that this is because ASIB was filmed in single-strip Technicolor and it is impossible to sharpen the image. Actually the print does look a bit cleaner than the old VHS version of the reconstructed film. Just don't expect sharpness throughout. The musical numbers look the best.
Remember that almost 30 minutes of the film was cut after its theatrical release and it was through the efforts of Ron Haver who, in 1984, was able to find stills to fill in where soundtrack sections were located. That is what this version is and it really fleshes out the story. (And a great story it is!). And it is wide screen, not pan and scan.
What makes this version "deluxe" is the additional two hours of new supplemental material. These are all on the second disc which is NOT Blu-ray even in the Blu-ray set. Two hours are the same material as on the last release. The new material includes additional versions of some songs with different costumes and a lot of audio-only bonuses. The disc containing the feature film is double sided with half on each side.
You can see all the details of the bonuses in another "review" which copied the info from the press release.
As far as acting goes, James Mason is amazing and perfect for the part. Garland sings her heart out and this is, of course, a must for Judy fans... many of who can quote her lines from the film from memory.
Some day I'm sure Warner will issue the "Ultimate Edition" of ASIB but, sadly this is the best it is going to look on your TV. This is why film preservation is so important!
If you've not seen this film, or haven't seen it in years, watch it.. It will draw you in and show you why Garland and Mason were stars. This is a true Hollywood classic.
Steve Ramm
"Anything Phonographic"


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Judgment at Nuremberg (1961) Review

Judgment at Nuremberg (1961)
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This is truly an astonishing movie. After seeing it one wonders that Spencer Tracy did not win the Academy Award for his performance here. Of course, another actor in the cast, Maxmillian Schell, playing the German defense attorney, did! In many ways the movie is the senior brother to "Schindler's List", acting to probe thoughtfully through the mist of euphemisms, excuses and exaggerations of the era. And sifting out some remarkable, memorable, and noble notions about what human beings should be held responsible for in terms of their social attitudes, civic behavior and public actions.
Ostensibly, the action takes place after the more sensational trials of the Nazi hierarchy, when the public appetite for blood, revenge, and harsh justice had been somewhat abated. Tracy plays a relatively obscure retired rural American judge called upon to act as one of the three presiding judges in overseeing the trials of prominent German jurists who had co-operated, collaborated, and then presided over the gradual civil drift from a nation whose conduct and laws were based on a corpus of jurisprudence to one characterized by crackpot eugenic policies, blatant racism, & officially-sanctioned violence and mayhem.
Burt Lancaster plays a pre-eminent German judge, one famed for his legal treatises and international reputation as a jurist. Through the prism of the testimony of both the judges on trial and their cross examination by a zealous American military prosecutor played masterfully by a young Richard Widmark, the viewer begins to understand much more about the slippery slope most of the jurists had unwittingly embarked upon. Add into this equation the introduction of a sensational set of key witnesses played by Judy Garland and Montgomery Clift, and the full emotional impact and profound significance of what these judges had allowed to happen truly gels.
This is an unforgettable and remarkably unique movie, truly a classic and cautionary tale based on the historical record of what the Germans did to each other, based on fact. And by the way, be sure to listen carefully to the final several scenes in which Tracy takes full advantage of several opportunities to cut through all the equivocations, half-truths, and "honest mistake" nonsense, literally electrifying the screen with the power of his monologue and his superb acting. He was truly one of a kind, too. Wow! Don't miss this

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Nominated* for eleven Academy AwardsÂ(r), including Best Picture, Judgment at Nuremberg is "magnificent" (Los Angeles Times), "continuously exciting" (The New Yorker) andboasts brilliant performances by an all-star cast. American judge Dan Haywood (Spencer Tracy) presides over the trial of four German jurists accused of "legalizing" Nazi atrocities. But as graphic accounts of sterilization and murder unfold in the courtroom, mounting political pressure for leniency forces Haywood to make the most harrowing and difficult decision of his career.*1961: Actor (Maximilian Schell, won); Actor (Spencer Tracy); Supporting Actor (Montgomery Clift); Supporting Actress (Judy Garland); Director; Adapted Screenplay (won); Cinematography (B&W); Art Direction (B&W); Film Editing; Costume Design (B&W).

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