Showing posts with label suspense. Show all posts
Showing posts with label suspense. Show all posts

Lassiter (1984) Review

Lassiter  (1984)
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This little known movie stars Tom Selleck as an American jewel cat thief in pre-World War II London. It's a great movie and has an incredible supporting cast including Bob Hoskins as a police officer doggedly on the title characters trail. Adding beauty to the movie is former Bond girl Jane Seymour as Selleck's girlfriend and the impossibly sexy Lauren Hutton as a Nazi.
With OTT Nazi's as the villains this movie truly is a great ride and a DVD release is long overdue.
There is a DVD available in Europe (Region 2) for those of us with region-free players.

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No Way Out (1987) Review

No Way Out (1987)
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If only the ending could be just a tad different, this would be twice as popular as it ever got. The topnotch, passionately made film largely goes unsung, a bit like "The Siege," only because it threw away all the riveting plot twists when it reached its ho-hum finale (some may call it a great final twist).
Quibbles aside, this fast paced nail-biter may be one of the quickest 2 hours of cinema ever filmed. Costner plays a Navy commander assigned to a high level post in the DOD, where he, and the Secretary of Defense become embroiled in a murder/scandal. The bulk of the film chronicles the Departments Under Secretary's attempts to quash the problem. A high level Russian mole in the U.S. government is being pursued throughout the film. The chase keeps narrowing down more and more drawing the government officials closer and closer to the culprit. The tension became almost unbearable as the mole was about to be trapped.
Costner, for a change, is really convincing in his role, the tight dialog helping him immeasurably. Sean Young actually smiles in this movie and looks twice as good as all her other newer movies put together. Gene Hackman has the usual commanding screen presence.
All in all, a fabulous politically charged thriller you ought not to miss!

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Imagine being a hunter leading highly trained bloodhounds in pursuit of a killer...and the trail leads directly to you! Starring Academy-AwardÂ(r) winners Kevin Costner* and Gene Hackman,** No Way Out is "a mesmerizing look at Washington power" (The Hollywood Reporter).Capturing a well-deserved four stars from critic Roger Ebert, this "taut [and] stylish" (Newsweek) thriller is fast-paced and powerful"a perfect nailbiter" (Variety)!In a fit of rage, Secretary of Defense David Brice (Hackman) murders his mistress. To keep a lid on the scandal, Brice's loyal aide (Will Patton) creates the perfect cover-up: he "invents" a more enticing killera Russian spyand then enlists naval commander Tom Farrell (Costner) to find him. But as achilling twist of fate would have it, Farrell also has a strong connection to the victim and now all the clues he's been hired to uncover are leading straight to him! In a desperate race against time, Farrell's search for the killer is not only a matter of national security, but also a matter of saving his own hide. *1990: Director and Picture, Dances with Wolves**1971:Actor, The French Connection; 1992: Supporting Actor, Unforgiven

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The Package (1989) Review

The Package (1989)
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Bravo MGM; you've managed yet again to screw up a great movie with a terrible DVD. -It's actually an ORION picture, and I'd hoped that they would've cared more about its appearance, but no such luck. Of my 100+ DVDs, this is one of the worst looking with dull colors and a fuzzy image. (Let's hope they're more careful with their upcoming Woody Allen ORION collection.) This is a rather oldfashioned straight-ahead action suspenser like they just don't make them anymore in Hollywood, but it's difficult to be thrilled about that when you know you can enjoy a much sharper version on TV. Hackman, Heard, Cassidy and Jones lead a good cast, but in order to see them clearly we desperately need a remastering of this otherwise wonderful movie. Until then, avoid like the plague.

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From the director of The Fugitive comes a brilliant, explosively entertaining action/thriller featuring powerful performances by OscarÂ(r) winners* Gene Hackman (Unforgiven) andTommy Lee Jones (Men in Black). Featuring a superb supporting cast that includes Dennis Franz ( N.Y.P.D. Blue ), Pam Grier (Jackie Brown) and John Heard (The Pelican Brief), this'top-notch thriller(The Associated Press) really delivers!Sergeant Johnny Gallagher (Hackman) thinks he's been given a routine assignment: to escort a rebellious American soldier (Jones) from Europe to the U.S. for a military court martial. Gallagher soon learns, however, that the assignment is anything but routine, when he uncovers a terrifying military conspiracy. The clock is ticking down to a historic superpower summit, and Gallagher must stop the deadly plot before it's too late...for him and his country. *Gene Hackman: Actor, The French Connection (1971); Supporting Actor, Unforgiven (1992); Tommy Lee Jones: Supporting Actor, The Fugitive (1993)

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Sommersby (1993) Review

Sommersby (1993)
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This review refers to the DVD edition (Warner Bros) of "Sommersby".....
No matter how often I watch this wonderful story, I am always left sighing at the end. Lucky for me DVDs have been invented, or for sure I would have worn out several tapes by now. "Sommersby" has got something for everyone. The romantic in you will love the deep and passionate love story. For those that love to try to solve a mystery,this is a good one. It's a period piece set post civil war, and has some excellent court-room drama as well.
Jack Sommersby has left his small southern town of Vine Hill to fight in the Civil War. He hasn't been seen or heard from in over six years and is presumed dead. Then all of a sudden, one day he turns up to find his town ravaged by the effects of the war, and his lovely wife Laurel, now promised to another. He seems to pick up right where he left off though,renewing friendships,becoming very much a part of the everyday life in the town, and having his wife back where she belongs... in his bed.Up to now, we only get a little hint that someting is amiss..."Jethro", his faithful dog, doesnt seem to recognize him.
As the story progresses,and Jack and Laurel fall more deeply in love then ever, we have more and more reason to believe that Jack is not who he says he is. Could he possibly be an imposter with an uncanny resemblence to Sommersby? Do the townfolk realize this and accept him at his word because he has brought a new hope and a new vitality to Vine Hill? And what about Laurel, did she know all along? When Jack Sommersby must stand trial for his life will the truth finally come out? Who is Jack Sommersby???
Richard Gere and Jodie Foster have an incredible chemistry and you will feel the intense love they share on screen. The supporting cast turn in outstanding performances as well. James Earl Jones as a black judge who must put up with the extreme prejudices of the witnesses,Bill Pullman as the jilted and vengeful fiancee,Frankie Faison the ex-slave now becoming a property owner, and young Brett Kelly who's love grows for his new found father all add greatly to the film. And of course,it is always a treat to see Wiiliam Windom make an appearance.The story based on the beautiful French film "The Return of Martin Guerre",is a fabulous remake. The musical score by Danny Elfman is one that will stay with you long after the view,and the photography of Philippe Rosselot is gorgeous.All under the expert direction of Jon Amiel make this one beautiful film.
The DVD presents a beautiful picture in widescreen or a standard version.The color does justice to the lush farmlands. The sound in Dolby Surround(Stereo) is excellent. No special features other than a theatrical trailer. Languages and subtitles are English and French.
"Sommersby" is a film that will leave you thinking about it and maybe sighing a little too.....enjoy...Laurie

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When Jack Sommersby returns home to the South after the Civil War, he is not the man anyone remembers, including his wife. The real test of their newfound love and his identity comes when he stands trial for his life.Item Type: DVD MovieItem Rating: PG13Street Date: 09/21/99Wide Screen: yesDirector Cut: noSpecial Edition: noLanguage: ENGLISHForeign Film: noSubtitles: noDubbed: noFull Frame: yesRe-Release: noPackaging: Sleeve

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Murder by Numbers (Widescreen Edition) (2002) Review

Murder by Numbers (Widescreen Edition) (2002)
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Finally, Sandra Bullock has acted in a good film! Ever since I saw her in 'Speed', I always thought that she was a talented actress. But then 'While you were sleeping' and 'Hope floats' were thoroughly cliched and made me wonder if she was just a one-film wonder. Well, she did prove me otherwise in 'Murder by numbers'.
If you thought from the title or the trailer that this film is about a serial killer, you are wrong (I did that same mistake too!). This film is about the perfect crime or what the killer(s) think will be a perfect crime. As is the case with all killers, they do one simple mistake and that is enough for Casey (the cop played by Sandra Bullock) and her partner Sam to solve the case.
Even though there is no actual suspense in the film, I will not spoil the plot by telling who the killers are. The director does not attempt to hide the identity of the killers, it is fairly clear who the killers are right from the first or second scene. In spite of this, the film continues to gather momentum, with Sandra Bullock and her partner doing their detective work meticulously. Where the film lacks in suspense, it more than makes up for it in the tight story-line and the excellent acting by all the actors.
Sandra Bullock is very convincing as the troubled cop who has a checkered history of her own and that comes to light as the film progresses. Ben Chaplin, who plays Bullock's partner Sam is good too, but the best acting in the film comes from the two young men played by Ryan Gosling (who plays Richard) and Michael Pitt (who plays Justin). Gosling is nothing less than brilliant in his portrayal and his future as an actor sure looks bright.
The film drags a bit towards the end, with the climax being a bit cliched. But this is surely a film that is worth seeing!

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The body of a young woman is found in a ditch in the woods of the small California coastal town of San Benito. SANDRA BULLOCK ("Divine Secrets of the Ya Ya Sisterhood," "Miss Congeniality"), stars as Cassie Mayweather, the seasoned homicide detective and crime scene specialist assigned to the case along with her new partner San Kennedy (BEN CHAPLIN - "Lost Souls," "The Thin Red Line"). The two dectectives make their way through microscopic hints of evidence, which seem to indicate a random act of violence, but Cassie has a gut feeling that there is more to this murder than meets the eye. Something about this case reminds her of her past exactly at a time when she is asked to appear at a parole hearing on an old police matter. These events force Cassie to revisit the past.

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The Client (Snap Case) (1994) Review

The Client (Snap Case) (1994)
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A sterling cast headed by Oscar - nominated Susan Sarandon makes this slick thriller the adaptation of a John Grisham bestseller. Mark Sway (Brad Renfro) witnesses the suicide of a Mafia lawyer, who confesses that the mob was behind the murder of a U.S. senator. Mark's brother is traumatized into a coma by the incident; gangster Barry Muldano (Anthony LaPaglia) is soon on Mark's trail, and in desperation, he arrives at the office of recovering alcoholic lawyer Reggie Love (Sarandon). With the mob after them, and a ruthless federal attorney Roy Foltrig (Tommy Lee Jones) trying to force Mark to reveal what he knows, Love battles to guarantee the safety of her client and his family. The relationship between Reggie Love and Mark Sway is the center of the film, adding considerable character development to plot's routine elements. Director Joel Schumacher helmed another Grisham adaptation, A Time To Kill, in 1996.

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Settle in. Take a deep breath. Hold tight. The best screen version yet of a novel by John Grisham (The Firm, The Pelican Brief) delivers all-out, moment-by-moment suspense! Headliners Susan Sarandon and Tommy Lee Jones join newcomer Brad Renfro in The Client, a whirlwind thriller that "starts like a house afire and keeps on blazing" (Chicago Tribune). Renfro plays Mark Sway, an 11-year-old torn between what he knows and what he can never tell. A hitman will snuff him in half a heartbeat if Mark reveals what he learned about a Mob murder. An ambitious federal prosecutor (Jones) will keep the pressure on until Mark tells all. Suddenly, Mark isn't a boy playing air guitar anymore. He's a pawn in a deadly game. And his only ally is a courageous but unseasoned attorney (Sarandon) who risks her career for him...but never imagines she'll also risk her life.

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The Ninth Configuration (1980) Review

The Ninth Configuration (1980)
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Roger Ebert once said that Casablanca was the sort of movie that improves upon multiple viewings, because the first time we see it we're too involved in the plot, too concerned about what is happening and why; seeing the movie again gives us the chance to appreciate the nuances. Those comments certainly apply to The Ninth Configuration.
The plot is a good one, and people who enjoy thrillers and mysteries will find enough action and plot twists in the film to rival Hitchcock's best works. But what makes this movie so special are the terrific performances (by Stacy Keach, Scott, Wilson, and Ed Flanders), the witty dialogue, and the religious undercurrents. Too often movies treat religious belief with sentimentality or scorn, but the Ninth Configuration deals with faith and doubt in with a deftness and dignity that isn't patronizing to either side.
It's the sort of movie that you immediately want to talk about with someone...which could be difficult since so few people have seen it. Case in point: I host a movie party every Thursday night. Every time a new member joins, I ask him or her to compile a short list of movies that he or she has seen but thinks others haven't but should. These lists serve as our guide for film selections, and the attendees love movies and have broad tastes. But not one of them had seen The Ninth Configuration. My father recommended it to us, and we watched it last October, and thus far it remains the club's hands-down favorite, beating out classics such as The Sting or The Lion in Winter. Many of them have passed the title along to friends, who have also enjoyed the newly discovered gem. And it has provoked hours of conversation among us.
I can't think of a movie that would appeal so well to the casual viewer, the mystery lover, the film buff, the occasion bible study group for that matter.
Many movies are worth seeing. This one is worth owning.

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A stunning meditation on God\'s existence in a form that might be best described as Catch 22 meets Spellbound, the film received 3 Golden Globe nominations, including Best Picture, and won the award for Best Writing against a field of nominees that included Ordinary People, The Elephant Man and Raging Bull.

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Mulholland Falls (1996) Review

Mulholland Falls (1996)
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I must first confess my undying admiration of the gorgeous Jennifer Connelly. Now, with my bias out of the way, married plainclothes detective Nick Nolte and doomed party girl Connelly have a torrid affair such that it hurts both to break it off. Hard-guy Nolte and his 3 partners are members of the thuggish but sharply-dressed "Hat Squad," who take it upon themselves to rid the city of organized crime figures transplanted from Back East. With the gracious assistance of the "Hat Squad," these organized crime figures have a way of rolling down the side of the canyon off Mulholland Drive, which is their "hint" that they have overstayed their welcome in L.A., and that it is time to leave town. Hence the title. This was obviously before the days of Internal Affairs divisions and Citizen Review boards.
In what looks to be a routine murder investigation, Nolte and his posse are surprised to discover Connelly's body. Probing deeper, Nolte and his partners determine that Connelly may have been killed for what or whom she knew. Nolte takes it personally. He and his men place themselves in harm's way with the FBI and other well-armed federal agencies. The plainclothes L.A. cops do battle the Feds and, of course, get way in over their heads. Ultimately, no one wins. When you dig deeply enough, no one ever wins.
The upside: this film stars a great ensemble cast--Nolte; Melanie Griffith, his wife; Chazz Palmintieri, Chris Penn, and Michael Madsen, his partners; Connelly; Andrew McCarthy, an effeminate witness; Daniel Baldwin, a smug FBI agent; John Malkovich and Treat Williams. The film looks super, and it recreates 50's L.A. in clear detail, and the dialogue is convincing. Philosophy and psychology are also briefly discussed, which earns it a half-star with me.
The downside: although most scripts made into movies are implausible, the film has difficulty making a believable transition from everyday murder investigation to the scale of atrocity uncovered by the "Hat Squad." This lack of a smooth transition detracts from the credibility of the plotline and the cohesiveness of the film.
The director was obviously influenced by "Chinatown," which is superior viewing, as is "L.A. Confidential," which was released soon afterwards. "Mullholland Falls" is a "Chinatown-lite," although set 15 years or so later.
If you can avoid overly critical comparisons with the best films of this type, you should enjoy it, too.

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In the brutal war against murder and corruption, there's one place where the battles are won. Nick Nolte, Melanie Griffith, Chazz Palminteri, Michael Madsen, Chris Penn, Treat Williams, Jennifer Connelly, Andrew McCarthy and John Malkovich star in Mulholland Falls, a brilliant, high-powered crime thriller electrified by hard-hitting action, forbidden passion and shocking intrigue.In 1950s Los Angeles, Max Hoover (Nolte) leads an elite squad of four detectives who play by their own rules, dealing with criminals the only way they know howwith deadly force. But when they investigate the murder of a beautiful young woman (Connelly), the detectives find themselves embroiled in a high-level conspiracy and faced with a terrifying secret that the US government is determined to keep hiddenat any price.

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Jacob's Ladder (1990) Review

Jacob's Ladder (1990)
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I wonder if this movie could be made today - after all, it doesn't have any computer-generated special effects, it demands the viewer's complete attention, and really needs to be seen more than once to appreciate fully the meaning of all of the scenes. Incredible too is that the writer (Bruce Joel Rubin) was working on the filming of this and his more popular movie "Ghost" at the same time. Director Adrian Lynne wisely avoided some of the more sacharrine touches that Rubin had in the original script (such as the view of "Heaven") and added many subtle disturbing elements of his own. The final result is a film that you will think about long after you see it, a man's journey through the bardo state to his final enlightenment. In a way, this is the cinematic equivalent of a Pettersson symphony - an emotional catharsis after the long, dark night of the soul. I'm not ashamed to say that I cry like a baby every time I watch it.
Comparisons with Bierce's "Occurrance at Owl Creek Bridge" and "Carnival of Souls" are inevitable and not out of place, but "Jacob's Ladder" has more layers than either of those and ambitiously takes on the psychological layers of one man's life, the tension between the comforts of home, wife and family and the unfufilled desires he harbors.
There are some violent scenes and very disturbing imagery throughout the movie; after all, it *is* about war, fear, and death. However, none of it is gratuitous, and the use of strobe lighting, quick cuts, and odd camera angles keep the viewer from being able to see anything definite. But don't say you weren't warned....
The DVD's documentary and deleted scenes, along with the director's commentary, will enable the first-time viewer to get a more complete idea of what is happening. I've watched this film at least a dozen times, and never fail to see something new in it each time. Sound and image quality are excellent.
This one isn't for casual viewing; it is *certainly* not a Saturday-night time killer, nor is it a "horror" movie in the standard sense of the term. Still, absolutley my highest recommendation.

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A Vietnam vet, back at home in New York City, finds himself losing his grip on reality, in a horrifying way; only his friend can help him.Genre: Feature Film-DramaRating: RRelease Date: 22-AUG-2006Media Type: DVD

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The Pelican Brief (Snap Case) (1993) Review

The Pelican Brief (Snap Case) (1993)
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This is a movie full of intrigue and suspense. Denzel Washington turns in one of his best performances as Gray Grantham. Julia Roberts is equally as exciting as Darby Shaw a Tulane law student. Together they work to expose a criminal conspiracy that involves many high officials that include the White House. When attempts are made on their lives, it becomes a race to see if they can solve the case before they forfeit their lives in pursuit of justice.


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A New Orleans law student finds herself embroiled in a terrifying web of intrigue extending to the highest levels of government after she writes a speculative legal brief exposing the activities of a powerful oil magnate.

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Passenger 57 (1992) Review

Passenger 57 (1992)
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Synopsis:
John Cutter (Wesley Snipes) is an airline security expert who is just getting back into his groove after the tragic murder of his wife. On his way to a meeting with airline executives in Los Angeles, the plane he is on is also occupied by international terrorist Charles Rane (Bruce Payne), escorted by the FBI. But things don't go as planned as Rane escapes and hijacks the plane. Cutter, along with an unsuspecting stewardess (Alex Datcher) must try to stop him before more people die.
About the Movie:
This is a movie that I initially really enjoyed, but after seeing it a second time a number of years later, I'm not so certain about any more. It's definitely nothing original as far as airplane disaster movies go, especially compared to the host of airplane hijacking movies that have come out in the past decade.
One of the main problems is that it needed to be better composed as far as its main characters. The movie makes great pains to reveal to the viewer that Cutter's wife was murdered and he is gun shy about working in counter-terrorism. I rather liked this element of the film because it made him less of a paper cutout action hero. Unfortunately, apart from one or two short sequences, the movie doesn't follow up on this background all that well and chances to develop the tension between him and the female lead are missed completely.
The movie is 84 minutes long. For the expense of an extra 10 minutes a lot could have been done to follow up on all that character development later in the film. It's a real shame that they didn't, because the female lead in this film fares rather poorly, existing mainly as an eye-pleaser and a woman to squeal when harassed by the terrorists.
On the acting side, Wesley Snipes is his usual self, manly and in charge. He does nothing new here. The villain, played by British actor Bruce Payne, comes of exactly like he's supposed to be, psychotic. Payne does a decent job in the role, though in all honesty, he really isn't given much to work with to make him stand out. The same goes with the female lead, played by Alex Datcher. Her character as Snipe's love interest, as mentioned earlier, is hardly fleshed out at all, leaving the actress with very little to make her memorable.
Interestingly, this movie happens to have Elisabeth Hurley in it in a role you wouldn't expect her to play. It's a shame that her role wasn't fleshed out more because a more dynamic character to work with in such an atypical role for her might have been entertaining. As it is, she's totally unexciting.
On the action side, Passenger 57 has everything you'd expect in a Wesley Snipes film, from cheesy one-liners to gratuitous action sequences. There are some pretty good action sequences in this film, including one where Snipes climbs from a speeding car onto the landing gear of an airplane that's taking off.
Of course, there are some cheesy and clichéd sequences too, like the confrontation he has with a couple of redneck sheriff's deputies. It makes it seem like they're discriminating against him because he's black, a plot element that has been so over used in movies as to make one's eyes roll. There are a number of bits like this.
All in all, this isn't a terrible movie. It could have been better written, but the action scenes can be entertaining. It won't stand up against some of the other airplane hijacking movies out there (Executive Decision and Airforce One, to name two), but it does have it's high points.
About the DVD:
Passenger 57 comes in a cardboard snap case on a double-sided DVD with both fullscreen and Widescreen versions of the film in Dolby Digital 5.1 sound. The image and sound are about average for a budget DVD such as this one. The movie is translated into French and has English, French and Spanish subtitles.
As far as special features, this one has what appears to be something that is becoming standard on Warner Brothers budget DVD releases. They include 9 theatrical trailer for other films and a series of textual production notes that provide background on the movie, cast bios and notes on the airplane hijacking movie genre. They're interesting to read, but not nearly as nice as real special features like documentaries would have been.
Bottom line is that this is an average movie on an average DVD release. 3 stars.

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SECURITY AGENT CUTTER STEPS INTO THE PLANE LAVORATORY AND REEMERGES TO FIND A HI-JACKING IN PROGRESS. RELYING ON HIS COOL CUNNING AND HIS STREET LETHAL MARTIAL ARTS MOVES, HE DEFIES THE HI-JACKERS IN A RUNNING CAT AND MOUSE BATTLE IN THE AIR.

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Alien (The Director's Cut) (1979) Review

Alien (The Director's Cut) (1979)
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Amazon's reviewer calls this movie overrated and drawn out, while the Leonard Maltin movie guide review seems a bit baffled that some people like this kind of entertainment. Don't listen to either of them. Alien is, quite simply, one of the best movies ever made in both the sci-fi and horror genres. Those who complain that the film takes too long to get going suffer from some kind of cinematic attention span disorder; Ridley Scott draws his scenes out because he wants to build tension and establish a sense of realism before introducing H.R. Giger's terrifying creation. Unfortunately we can all see that the monster is just a guy in a suit during the closing sequences when Scott finally lets us see what the big slimy nemesis really looks like, but otherwise the film hasn't aged a bit since it came out two decades ago. The DVD is great too, with excellent picture quality and a really great commentary track, despite some disastrously inappropriate menu screens (the interfaces are all CG-rendered glitz, which really doesn't go with a movie known for its slow, elegant, quiet suspense). Anyone with any interest in horror or science fiction films in general should pick up this classic immediately.

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

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The Four Deuces (1976) Review

The Four Deuces (1976)
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Nice to see this old classic for sale on dvd! New remaster is recommended. A genuine action comedy about the the 1930s nightclub/mob life during prohibition.

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FOUR DEUCES THE (DVD MOVIE)

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Absolute Power (Snap Case) (1997) Review

Absolute Power (Snap Case) (1997)
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At the start of "Absolute Power" Luther Whitne (Clint Eastwood), cat burglar par excellence, finds himself in a very strange situation. While robbing a rich man's safe in a large bedroom closet, he is interrupted by the appearance of a man and woman who head straight for the bed. While hiding in the closet, where he sees what is going on through a two-way mirror, he watches while the sex play gets rough: the man hits her, she stabs him with a letter opener, and then two men come into the room and shoot her. Luther gets out of there, but while his presence was undetected it does not go undiscovered. The problem is that the man he was watching happens to be the President of the United States (Gene Hackman).
Now, I have to stop at this point and tell you that one of my cinematic pet peeves is the idea that the United States Secret Service will let the president do anything, no matter how stupid or reckless, without batting an eye. Indeed, in "Absolute Power" there are two such agents, who help to cover up the murder and then try to track down Luther and kill him. However, the actors playing those two agents happen to be Scott Glenn and Dennis Haysbert, which is an important fact because a lot of the faults in this film area absolved by the casting, the credit for which goes to the film's director: Clint Eastwood.
The hook for this thriller is the idea that the president, his Chief of Staff (Judy Davis), and the Secret Service are out to get Luther, whose stated intention is to get out of town and get lost as quick as possible. But the key to this film ends up being a rather odd romantic triangle that exists between Luther, his estranged daughter, Kate (Laura Linney), and the D.C. homicide cop, Seth Frank (Ed Harris), who is assigned to the murder. Frank interviews Luther, not because he thinks the old con is a murderer, but because he is one of the few that could have pulled off the heist. He then moves on to Kate, hoping to get her to persuade her father to turn himself in before the wrath of the rich man (E.G. Marshall) whose wife is dead comes crashing down on him. Frank clearly likes Kate and is rather impressed by Luther, which is good because I like smart cops. For his part, Luther clearly has some admiration for the detective and also likes his taste in women.
My favorite scene in this movie is when Frank takes Kate to her father's house, where she has never been, and (knowing where Luther hides the key), takes her inside. In one room she finds a gallery of photographs, of all of the key moments in her life after her father left. "She was at none of these," she insists to Frank, although clearly that was never the case and we can see in an instant that she is rethinking her entire relationship with her father. As much as it is fun to watch Luther outsmart the cops, the Secret Service, and the hitman sent by old man Sullivan, the heart of this film is between Luther and Kate. Even when she sets him up, believing it to be the only way of helping keep her father alive, he surprises her by showing up. His reasoning? He did not want her to believe he was a murderer. Besides, his daughter wanted to see him.
I understand the script by William Goldman is quite different from David Balducci's novel, but that simply has to do with Eastwood playing Luther (if you read the novel you will understand why this would matter in terms of the significant changes). Eastwood's direction is competent as always, and, as I mentioned above, he gets the credit for being able to bring together such a solid cast for one of his projects (who would turn down a Clint Eastwood movie?). Final Note: the White House Tour Guide is played by the director's daughter, Kimber Eastwood.

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He was there he shouldn't have been and saw what he shouldn't have seen. Now, who will believe the word of a career thief and ex-con? Who will trust Luther Whitney when he says he saw a woman killed and that the man responsible for her death is the President of the United States? Clint Eastwood portrays Whitney and directs this crisp, finely acted thriller based on David Baldacci's best-selling novel. A stellar cast which includes Gene Hackman and Ed Harris creates well-rounded characters that intensify constantly spiraling game of cat and mouse between Whitney, local police and the highest levels of White House power. Eastwood is a master at steadily raising the stakes in thrillers. Here his mastery is absolute.

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The Manchurian Candidate (Widescreen Edition) (2004) Review

The Manchurian Candidate (Widescreen Edition) (2004)
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I'd held off for a bit on seeing this; the original Manchurian Candidate is an all-time favorite movie, and, well, you know...
At the end of this film I scooted over to my bookshelf and grabbed the DVD case of the original. My guess was the remake was no more than 90 minutes and the original must have been at least two and 1/2 hours in duration. Good Lord! They were both exactly 129 minutes long!
There's a profound lesson here. The first film, in that wonderful 129 managed to tell a great story, travel a lot, freak me out repeatedly, stun me with novelty (the playing cards, the whole Republican/McCarthy/Lincoln shtick, the "flower show' interrogation, the "jump in a lake", getting drunk with Shaw, and on and on) work in a great love story, work in a tragic love story, work in a pathological love story, and develop a host of intriguing characters, and thrill me with what seemed to be an unending sequence of marvelous performances. The equally lengthy remake stirred little sympathies and seldom got off the ground. As storytelling, the film spun its wheels. You'd think if you remake a movie, ignore character development, ignore any relationship development, ignore any complex and intelligent commentary on modern goings-on (it was just terrorism and corporate involvement in war handled in the most superficial way)--ignore a whale of a lot--you could bring the thing in at about 48 minutes, maybe 60 with commercials. If I watch it again (not likely) I'll have a stop-watch handy and I'll take notes. It was like some magic trick.
So what happened in that 129 minutes anyway? I'm honestly not sure--Denzel Washington sweats a lot and communicated none of the subtlety and complexity that Sinatra managed, Meryl Streep brought on the heretical thought that maybe she's overrated and maybe Angela Lansbury was underrated, I missed Janet Leigh who delivered the same lines splendidly, I missed the black humor and irony and ambiguity, and who the heck was that bad Lawrence Harvey impressionist? Motivations were lost, the WHOLE POINT that everyone hated this guy but parroted their adoration for him wasn't presented clearly, and the motivation for the entire brainwashing venture was muddled up by the script after first stating that it was all about control. What a mess. Every time the film tried to echo the original, it'd already gone so far off track that it just confused matters even worse.
My serious suggestion is that some professor (and not necessarily a film professor) have a class watch both versions, note what went right in 129 minutes in the original, and what went horribly wrong in the 129 minutes of the remake and then have the students try to explain why. My guess is the answers will be fascinating.
It's a one-star movie but I give it two because it was up against impossible-to-beat competition.

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Serving together in the Persian Gulf War, Captain Bennett Marco and Sgt. Raymond Shaw were part of a platoon of soldiers kidnapped and brainwashed. Ten years later, Shaw gears up for his vice presidential campaign while Marco eventually remembers being kidnapped and discovers Shaw's powerful mother played a big part in that scheme. Determined to reveal the truth behind everything, Marco must first convince Shaw that the brainwashing really happened.

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A Civil Action (1999) Review

A Civil Action (1999)
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Sometime in the late 1960's, a hideous act of pollution took place in Woburn, Massachusetts, a small town north of Boston. Over the next fifteen years, twelve people died of leukemia. Eight of those were children. The firm of Jan Schlichtmann, Kevin Conway, James Gordon, and Bill Crowley take on the case on behalf of Anne Anderson, a woman who lost her child to cancer. For her, money isn't the point. All she wants to know is what happened, and for the responsible parties to come over and apologize to her and the other families. Thing is, corporations apologize with money, and if the corporations have deep pockets, it's a case worth taking, so money does indeed become the point in A Civil Action.
Schlichtmann uncovers the culprits, a chemical company, WR Grace and Beatrice Foods, who provide services for a tanning company owned by Riley. With that, he files a lawsuit, the legal equivalent to a declaration of war, and hires a geological team to provide scientific evidence should it come to trial.
Jan then does a couple things that leads to his downfall. One, he gets personally involved. In a news broadcast, he holds up snaps of the Woburn kids who have died. He shows empathy, which is a grave disservice to the legal profession because it clouds his judgment. He says it's like a doctor recoiling at the sight of blood. That leads to his demanding of WR Grace and Beatrice Foods a multi-million dollar settlement, including money for a research foundation, to cover expenses, and to provide for the families for thirty years, which the corporations refuse, which in turn takes the case to trial. He does this without consulting his partners, which doesn't bode well. James Gordon, the accountant, points out that they need to work on other cases to provide a cash flow. Schlichtmann has sunken a million into the Woburn case, and pretty soon, they teeter on the waterfalls of insolvency to the point of mortaging their homes. It's become a source of pride, which has undone many an attorney as opposed to idiot witnesses, lousy evidence, and the hanging judge put together, as Jerome Fasher tells his law class.
Fasher, the attorney for Beatrice, is a statesman-like man of experience, but has a detached air coupled with some eccentricities. Yet he is a clever man, and his observation on the justice system is true, at times sickening. When Schlichtmann tells him he's searching for the truth, he tells him, "You've been around long enough to know that a courtroom's not the place to look for the truth." And he accurately says that the case stopped being about children the moment Schlichtmann filed for action.
The movie is sprinkled with legal commentary from Schlichtmann, which lays out how callous, ugly, and illogical the justice system is. He begins by talking about which types of clients are worth more, i.e. are winning cases. Whites are worth more than blacks, men more than women, a long agonizing death over a quick one. A white male professional in his 40's, in his prime, is worth the most. A dead child is worth least of all. Well, Schlichtmann finds out that children are worth something after all, especially when he imagines an agonizing scene where the LaFierros were taking their son to the hospital and died en route.
While John Travolta's best known for Grease and Saturday Night Fever, A Civil Action proves he can handle serious drama and he turns in one of his best ever performances. However, the real Jan Schlichtmann came to Farmington. He's close to seven feet tall, and in terms of resemblance, could've been played by Richard Gere. As Anne Anderson, Kathleen Quinlan is the other great performer, playing a woman changed through her ordeal into someone who has a tired and sad visage. The scene where Al Love (James Gandolfini), a conscience-stricken tannery employer personally apologizes to her shows that maybe the only real meaningful apologies come from humans, not corporations.
Trials and lawsuits are examples of how corrupt and rotten the legal system and some lawyers are. Is it worth having a system where the first party to come to their senses (i.e. to cut their losses and call for a settlement) is the loser? A Civil Action also shows that despite the need for compassion, it's better to have a lawyer who thinks more with the head than the heart.

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Jan Schlichtmann is a cynical, high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward, Schlichtmann soon becomes entangled in an epic legal battle ... one where he's willing to put his career, reputation, and all that he owns on the line for the rights of his clients! Also featuring Robert Duvall, William H. Macy, and John Lithgow -- this gripping, widely acclaimed hit delivers edge-of-your-seat entertainment!

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The Man with the Gun (1955) Review

The Man with the Gun (1955)
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There should be a sub-genre in the Western called 'the Robert Mitchum Western'. Mitchum's brilliant, idiosyncratic, usually undervalued Westerns import his film noir persona to etch some compellingly dark character studies, and bring an elegiac world-weariness prefiguring the films of Sam Peckinpah. 'Man with the gun' is one of his best. Directed by Orson Welles protege Richard Wison, it is a stark, monochrome beauty, full of chilling silhouettes and terrifying outbursts of savage violence, as Mitchum comes to tame a town terrorised by a monopolist with a private army. Mitchum's regression from soft-spoken stranger to deranged murderer, with a host of dark emotions in between, is a marvel of expressive, physical acting.

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Studio: Tcfhe/mgmRelease Date: 05/13/2008Run time: 83 minutesRating: Nr

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