Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Manufacturing Consent - Noam Chomsky and the Media (1993) Review

Manufacturing Consent - Noam Chomsky and the Media  (1993)
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Despite the previous reviewer's remarks, not once in this film does Noam Chomsky argue that the media suppreses certain news items at the behest of the goverment. Instead, he argues that the national media, as part of the elite corporate power structure, has certain vested interests in not reporting on potentially embarrasing events where the U.S. government is heavily involved on the wrong side. Places like East Timor in the late 1970s, for example. There is no conspiracy theory here. Chomsky is very clear on that. Rather, it's simply a case of people and corporations in power seeking to maintain their hold on power. That's it. Chomsky is an advocate of full, democratic participation in all aspects of American life, and that's the case he presents in this film. It's a wonderful educational tool. Highly recommended.

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The Odessa File (1974) Review

The Odessa File (1974)
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The year is 1963...as the world is reeling from the assassination of President Kennedy, Egypt has missiles posed to annihilate Israel. The only thing preventing this is the lack of guidance technology to properly target the missiles, which Egypt is on the verge of obtaining with assistance from a group of Germans, once officers within the SS during World War II, now members of a group called Odessa, a clandestine organization designed to assist ex-German military personal gain new identities and lives, thereby avoiding capture, after the end of the war.
The Odessa File (1974) takes the popular Frederick Forsyth novel of the same name, which is supposedly based on actual facts and events, and presents it as a truly wonderful, tense thriller that I really enjoyed. Directed by accomplished cinematographer and director Ronald Neame, the film stars Jon Voight as freelance German journalist Peter Miller and Maximilian Schell as an ex-German officer named Eduard Roschmann, a man responsible for horrible atrocities, earning him the nickname `The Butcher', during his tenure as head of a concentration camp which housed Jewish prisoners. After the passing of an elderly Jewish survivor of a WWII concentration camp, Miller comes into possession of a diary kept by the man, one which detailed, in particular, the various crimes against humanity by Roschmann, and also seemed to indicate that the war criminal may still be alive. As Miller begins delving into the story, uncovering tidbits of information, he meets resistance in the form of various individuals, many of which turn out to be members of the secret Odessa organization, and are now actively working against Miller for fears that he may uncover their secrets.
As Miller gets closer to uncovering the truths, the resistance against him grows, and takes the form of actual attempts on his life. Around this time he comes into contact with a Jewish group, working to locate the site within Germany that's developing the guidance system for the Egyptian rockets, and Miller agrees to work with them, changing his identity in order to become an ex-German officer and enable him access to the Odessa organization. In exchange for this, Miller will supply the group with information, while he himself tries to get closer to Roschmann. As Miller infiltrates the group, his cover is eventually blown, but not before he learns of the existence of the Odessa file, documents that detail many of the members within the group, including Roschmann. The goal now is survival, and given the circumstances, his chances seem pretty slim.
I have not actually read the book, but I really liked this film. Jon Voight is wonderful and believable, German accent and all, as a reporter, seemingly driven by a determination to expose a subversive hideousness, once prominent in his country, that has now gone underground, and threatens yet again a great many peoples of the world. Listed as a thriller/drama, The Odessa File certainly doesn't disappoint. The plot, while having many twists and turns, keeps focused, and rarely falters in its' progression. The development of the characters is carefully planned, but not so to bring attention to the fact, allowing for the viewer to become drawn into the film. The exposition at the beginning was a little awkward to me, but I didn't see any other way around it, so I accepted it. Schell provides an excellent performance as an ex-German officer hiding in broad daylight, one who will resort to any means necessary to protect his secrets, along with those of the Odessa group. One point I enjoyed was near the end, as a particular revelation was made. Prior to that point, I had started to question one of the main character's motivations, and, as if the film knew what I was thinking, it answered my question in a completely satisfying manner. The film runs just over two hours, and the first half may seem slow, but I felt as if this was deliberate, allowing time for the story to develop. During the second half the film picks up speed as the tension mounts, drawing on the momentum carefully constructed in the beginning, resulting in a wholly enjoyable conclusion. Given the nature of realizing novels to film, I suspect a number of plot elements were left out, but what was left seemed to be missing very little, at least anything that left a glaring hole which would pull the viewer out of the movie with its' obviousness, which indicates a skillful adaptation of original source material, done with care to preserve the elements which made the book so very popular and well received. All in all, this is a really thrilling outing, one that requires a little patience, but provides a rewarding experience overall.
Presented on this release are really good looking prints, both in wide screen and full screen formats (it's double-sided). The audio seems a bit soft, but there are English subtitles, so I missed nothing. As far as special features, there are some well put together production notes in a four page booklet within the DVD case, an original theatrical trailer, talent biographies for actors Voight, Schell, and director Neame, and trailers for Anaconda (1997) and Oliver Stone's U-Turn (1997), neither film as good as this one, but both certainly benefiting from Voight's appearance...and that's another thing...remember when Jon Voight appeared in good films? Along with this film, I also count Midnight Cowboy (1969), Catch-22 (1970), Deliverance (1972), and Runaway Train (1985) to be some real highlights of his career...and let's look at some of his more recent films...Most Wanted (1997), The Karate Dog (2004), and Baby Geniuses 2 (2004)...not exactly the caliber of films early in his career, but who knows what the future holds?
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A German journalist sets out to track down a Nazi war criminal, and discovers the existence of a secret Nazi organization called Odessa.Genre: Feature Film-DramaRating: PGRelease Date: 28-AUG-2001Media Type: DVD

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Triumph of the Will (Special Edition) (1935) Review

Triumph of the Will (Special Edition) (1935)
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TRIUMPH OF THE WILL has long been viewed through a dual perspective: It is both reviled by many for its glorification of Hitler, and at the same time praised for the masterful work of its director, the legendary Leni Riefenstahl (who at the time of this writing is still alive...I think she's over 100 by now). The truth is, it is all of that and more - a highly memorable, fascinating experience on several levels:
1. Despite the subject matter, it must be acknowledged that this film does what it was made to do marvelously well: It is a masterpiece of the art of propaganda...somethng that is practiced every day by all governments, in advertising, and in all political campaigns - but never better than this. The film does an amazing job of tapping deep into the German psyche, with scenes of Nuremburg, youth, etc., and allusions to great Germans of the past, all designed to tug at the "volkish" national sentiment, then deftly superimposed with images of Hitler. Very crafty, but no different than what we see every day in our media-saturated world.
2. As a study of the early the Nazi era, it is invaluable. Regardless of what happened in the years that followed, TRIUMPH needs to be viewed as a statement of its own era, when none of the horrors had yet happened and many around the world still referred to the Nazi regime (which was then consolidating power and trying to reach the hearts and minds of the people) as "the German renaissance". The commentary track adds a fascinating "what happened to that Nazi?" perspective.
3. This film has become unbelievably influential (possibly because it is still required viewing in film schools); it is perhaps second only to THE BATTLESHIP POTEMKIN as the most visually quoted film in hstory. Just a few examples: The closing scene in STAR WARS, "Be Prepared" from THE LION KING, and especially the entrance of Commodus into Rome from GLADIATOR are all lifted directly from visuals in TRIUMPH. Even more common is the visual "homage" that directors sometimes subtly insert, such as the woman being tossed in the air from THE BIG LEBOWSKI (remember the kid at the beginning of TRIUMPH)? The list goes on and on.
One certainly does not need to sympathize with the Nazis to appreciate this film. In fact, it is precisely because of what became of them that makes this early look so fascinating. Still, I would not call this "entertainment"; rather, this is a piece to study and analyze. Recommended for any student of history, sociology, mass media, or film.

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Conspiracy Theory (1997) Review

Conspiracy Theory (1997)
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I was shocked at how much I enjoyed this movie. When it hit theaters I wasn't interested in seeing it and only saw it recently. Being a huge Star Trek: The Next Generation fan, it was a cheap thrill to know that Patrick Stewart would be in this film... and he proves what an incredible actor he is. His character (Jonas) is so evil, you want him to just die, already!
Jerry Fletcher (Mel Gibson) is a cab driver in New York City. He is a nutty but harmless (or is he?) conspiracy theory junkie. He has all sorts of theories about crop circles, crime, government control, you name it.
He is sure that people are out to kill him, so he always sets up an elaborate escape plan and sets booby traps everywhere in his slum apartment. Jerry is unexplicably obsessed with Alice Sutton (Julia Roberts), who is an attorney with the Department of Justice. He continues to stalk her and tries continuously to contact her to espouse his latest theories. Alice feels sorry for Jerry and thinks of him as a sometimes annoying, but caring, sweet, lonely man who is a little touched in the head.
Jerry has a self-published newsletter he sends out to a whopping 5 subscribers. As a number of them start mysteriously dying one by one, Alice suddenly starts to believe there is more to Jerry than just being a nutty cab driver.
Those who couldn't stomach "The Marathon Man" may have trouble seeing similar torture scenes at the hands of Jonas, but they are brief in comparison. The film is a total thriller that had me on the edge of my seat. The plot was so well thought-out, that while you're watching in suspense, you don't find yourself saying, "that's ridiculous!"

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A CONSPIRACY OBSESSED CABDRIVER NAMED JERRY FLETCHER BELIEVES HEHAS AN INEXPLICABLE CONNECTION TO A JUSTICE DEPARTMENT ATTORNEY,ALICE SUTTON. HE KEEPS TRYING TO WARN HER ABOUT IMPENDING CONSPIRACIES EVEN THOUGH SHE GENTLY BUT FIRMLY DISMISSES HISCONCERNS.

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Syriana (Widescreen Edition) (2005) Review

Syriana (Widescreen Edition) (2005)
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I won't try to restate or expand upon previous reviews found here for Syriana. Many contributors have offered a better reviews of the content of Syriana than I could describe.
But I will point out that whether Syriana is for you or not, has more to do with the movie-goer, than the movie itself.
Consider:
1) Can you check your political prejudices at the front door?
2) Are you willing to attempt to follow four "chess games" simultaneously?
3) Have you the courage to feel really upset at the end?
If you can answer "YES" to all three questions, then Syriana may just be one of the most worthwhile movie releases of 2005.
If you answered "NO" to any of these points, you'd better pass on Syriana.


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Big oil means big money. Very big money. And that fact unleashes corruption that stretches from Houston to Washington to the Mideast and ensnares industrialists, princes, spies, politicos, oilfield laborers and terrorists in a deadly, deceptive web of move and countermove. This lightning-paced, whip-smart action thriller grips your mind and nerves with an intensity that doesn't let go for an instant.DVD Features:FeaturetteInterviews


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Murphy Brown: The Complete First Season (1988) Review

Murphy Brown: The Complete First Season (1988)
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I purchased this DVD set on the day of it's release in Feb. 2005 and I'm still waiting for Season 2! We had to wait 3 years between releases of seasons 1 and 2 of "The Mary Tyler Moore Show" now MTM is being released a season every 6 months! Like FOX who released a deluxe 1st season set of MTM, I'm sure WB expected much more sales of the "Murphy Brown" 1st season and it failed to life up to studio expectations! FOX found a cost effective way to release all the seasons of MTM and satisify all of us loyal fans! I think WB needs to follow the example of FOX and other studios who release complete series sets on DVD of marginal shows! Complete episodes on DVD with no extras is better than nothing and those of us who care to complete our collection can do so! I was very pleased with the DVD set of MB and I noticed a few technical glitches that other viewers have commented on in other reviews but, overall this is a nice presentation of a brilliant, clever, funny, well written, well acted, sitcoms in TV history! Warner Bros. please commit and release the remaining seasons of Murphy Brown on DVD and preserve this classic for all us fans!

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Candice Bergen stars as Murphy Brown, an outspoken TV journalist, who along with her hilariously quirky cohorts of the top-rated newsmagazine show, FYI, struggles to handle personal and professional problems with humor and insight.DVD Features:Audio CommentaryDocumentary


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The Manchurian Candidate (Widescreen Edition) (2004) Review

The Manchurian Candidate (Widescreen Edition) (2004)
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I'd held off for a bit on seeing this; the original Manchurian Candidate is an all-time favorite movie, and, well, you know...
At the end of this film I scooted over to my bookshelf and grabbed the DVD case of the original. My guess was the remake was no more than 90 minutes and the original must have been at least two and 1/2 hours in duration. Good Lord! They were both exactly 129 minutes long!
There's a profound lesson here. The first film, in that wonderful 129 managed to tell a great story, travel a lot, freak me out repeatedly, stun me with novelty (the playing cards, the whole Republican/McCarthy/Lincoln shtick, the "flower show' interrogation, the "jump in a lake", getting drunk with Shaw, and on and on) work in a great love story, work in a tragic love story, work in a pathological love story, and develop a host of intriguing characters, and thrill me with what seemed to be an unending sequence of marvelous performances. The equally lengthy remake stirred little sympathies and seldom got off the ground. As storytelling, the film spun its wheels. You'd think if you remake a movie, ignore character development, ignore any relationship development, ignore any complex and intelligent commentary on modern goings-on (it was just terrorism and corporate involvement in war handled in the most superficial way)--ignore a whale of a lot--you could bring the thing in at about 48 minutes, maybe 60 with commercials. If I watch it again (not likely) I'll have a stop-watch handy and I'll take notes. It was like some magic trick.
So what happened in that 129 minutes anyway? I'm honestly not sure--Denzel Washington sweats a lot and communicated none of the subtlety and complexity that Sinatra managed, Meryl Streep brought on the heretical thought that maybe she's overrated and maybe Angela Lansbury was underrated, I missed Janet Leigh who delivered the same lines splendidly, I missed the black humor and irony and ambiguity, and who the heck was that bad Lawrence Harvey impressionist? Motivations were lost, the WHOLE POINT that everyone hated this guy but parroted their adoration for him wasn't presented clearly, and the motivation for the entire brainwashing venture was muddled up by the script after first stating that it was all about control. What a mess. Every time the film tried to echo the original, it'd already gone so far off track that it just confused matters even worse.
My serious suggestion is that some professor (and not necessarily a film professor) have a class watch both versions, note what went right in 129 minutes in the original, and what went horribly wrong in the 129 minutes of the remake and then have the students try to explain why. My guess is the answers will be fascinating.
It's a one-star movie but I give it two because it was up against impossible-to-beat competition.

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Serving together in the Persian Gulf War, Captain Bennett Marco and Sgt. Raymond Shaw were part of a platoon of soldiers kidnapped and brainwashed. Ten years later, Shaw gears up for his vice presidential campaign while Marco eventually remembers being kidnapped and discovers Shaw's powerful mother played a big part in that scheme. Determined to reveal the truth behind everything, Marco must first convince Shaw that the brainwashing really happened.

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A Civil Action (1999) Review

A Civil Action (1999)
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Sometime in the late 1960's, a hideous act of pollution took place in Woburn, Massachusetts, a small town north of Boston. Over the next fifteen years, twelve people died of leukemia. Eight of those were children. The firm of Jan Schlichtmann, Kevin Conway, James Gordon, and Bill Crowley take on the case on behalf of Anne Anderson, a woman who lost her child to cancer. For her, money isn't the point. All she wants to know is what happened, and for the responsible parties to come over and apologize to her and the other families. Thing is, corporations apologize with money, and if the corporations have deep pockets, it's a case worth taking, so money does indeed become the point in A Civil Action.
Schlichtmann uncovers the culprits, a chemical company, WR Grace and Beatrice Foods, who provide services for a tanning company owned by Riley. With that, he files a lawsuit, the legal equivalent to a declaration of war, and hires a geological team to provide scientific evidence should it come to trial.
Jan then does a couple things that leads to his downfall. One, he gets personally involved. In a news broadcast, he holds up snaps of the Woburn kids who have died. He shows empathy, which is a grave disservice to the legal profession because it clouds his judgment. He says it's like a doctor recoiling at the sight of blood. That leads to his demanding of WR Grace and Beatrice Foods a multi-million dollar settlement, including money for a research foundation, to cover expenses, and to provide for the families for thirty years, which the corporations refuse, which in turn takes the case to trial. He does this without consulting his partners, which doesn't bode well. James Gordon, the accountant, points out that they need to work on other cases to provide a cash flow. Schlichtmann has sunken a million into the Woburn case, and pretty soon, they teeter on the waterfalls of insolvency to the point of mortaging their homes. It's become a source of pride, which has undone many an attorney as opposed to idiot witnesses, lousy evidence, and the hanging judge put together, as Jerome Fasher tells his law class.
Fasher, the attorney for Beatrice, is a statesman-like man of experience, but has a detached air coupled with some eccentricities. Yet he is a clever man, and his observation on the justice system is true, at times sickening. When Schlichtmann tells him he's searching for the truth, he tells him, "You've been around long enough to know that a courtroom's not the place to look for the truth." And he accurately says that the case stopped being about children the moment Schlichtmann filed for action.
The movie is sprinkled with legal commentary from Schlichtmann, which lays out how callous, ugly, and illogical the justice system is. He begins by talking about which types of clients are worth more, i.e. are winning cases. Whites are worth more than blacks, men more than women, a long agonizing death over a quick one. A white male professional in his 40's, in his prime, is worth the most. A dead child is worth least of all. Well, Schlichtmann finds out that children are worth something after all, especially when he imagines an agonizing scene where the LaFierros were taking their son to the hospital and died en route.
While John Travolta's best known for Grease and Saturday Night Fever, A Civil Action proves he can handle serious drama and he turns in one of his best ever performances. However, the real Jan Schlichtmann came to Farmington. He's close to seven feet tall, and in terms of resemblance, could've been played by Richard Gere. As Anne Anderson, Kathleen Quinlan is the other great performer, playing a woman changed through her ordeal into someone who has a tired and sad visage. The scene where Al Love (James Gandolfini), a conscience-stricken tannery employer personally apologizes to her shows that maybe the only real meaningful apologies come from humans, not corporations.
Trials and lawsuits are examples of how corrupt and rotten the legal system and some lawyers are. Is it worth having a system where the first party to come to their senses (i.e. to cut their losses and call for a settlement) is the loser? A Civil Action also shows that despite the need for compassion, it's better to have a lawyer who thinks more with the head than the heart.

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Jan Schlichtmann is a cynical, high-priced personal injury attorney who only takes big-money cases he can safely settle out of court. Though his latest case at first appears straightforward, Schlichtmann soon becomes entangled in an epic legal battle ... one where he's willing to put his career, reputation, and all that he owns on the line for the rights of his clients! Also featuring Robert Duvall, William H. Macy, and John Lithgow -- this gripping, widely acclaimed hit delivers edge-of-your-seat entertainment!

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The Manchurian Candidate (Special Edition) (1962) Review

The Manchurian Candidate (Special Edition) (1962)
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This is a great DVD with many excellent bonus features, including the Director's commentary that adds so much to the understanding of how the film was made. The film was shot primarily with wide angle lenses which heightens the effect of some very frightening screens. For example is there anything more incredible than the scene where the captured, brainwashed prisoners believe they are attending a ladies' garden party, while actually on stage as human guinea pigs in a meeting of communist cadres. Just an amazing juxtaposition of images! The storyline is well developed and never loses the taut feeling of suspense from start to finish. Laurence Harvey, Frank Sinatra, and Angela Lansbury are particularly fine in their roles. If there is only one criticism, it is that Harvey lapses at times into his original British accent, which is disconcerting. But given the power of his performance in this role, this is a minor detail that can easily be overlooked. The film is shot in black and white, which is far better suited to its cold war images. Just puzzled why MGM issued the cover for this DVD in color? Anyway, highly recommend this DVD!

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Eerie, shocking, daring, thrilling and mesmerizing, The Manchurian Candidatewill leave youbreathless(People)! Featuring an all-star cast, including Angela Lansbury in an OscarÂ(r)-nominated performance, thischilling and controversial(Leonard Maltin) filmmay be the most sophisticated political satire ever made(Pauline Kael).When a platoon of Korean War G.I.s iscaptured, they somehow end up at a ladiesgarden club party. Or do they? Major Bennett Marco (Frank Sinatra) can't remember. As he searches for the answer, he discovers threads of a diabolical plot orchestrated by the utterly ruthless Mrs. Iselin (Lansbury) and involving her war hero son (LaurenceHarvey), her senator husband (James Gregory) and a secret cabal of enemy leaders.

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Bloody Sunday (2002) Review

Bloody Sunday (2002)
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"Bloody Sunday" is a remarkable and powerful film; a rare breed of film that makes you wonder why such a gem goes so unrecognized by moviegoers. This is such a well-done and important film that has the ability to re-create history with pure authenticity. One of the best things I did last week was purchase this DVD. As soon as I started it, I knew there was no turning back.
I had never heard of the event itself (here's my age showing again). Never even learned about it in high school. As a matter of fact, I'm learning there's LOTS of things I never learned in high school, but back to the movie. "Bloody Sunday" is a documentary-like film that re-creates what transpired on Sunday, January 30th, 1972. In a Civil Rights demonstration in Northern Ireland, British troops opened fire on protesters when things were getting hairy, which would eventually lead to 27 wounded and 13 dead. This was a tragedy that struck a major blow to the Civil Rights movement, and to Ireland and Britain as well.
From what I understand, this is still a very controversial topic, even today. Nobody is still 100% sure of what exactly happened. Both sides are still debating and offering their versions of what really went down. I don't know much about the event, as I said in the beginning of this review. What I do know is that this film was done in a very realistic and authentic way, and I believe that what happened on that tragic day might've gone down the way it did in the film, or very close to it. I also believe that the movie shows both sides, not just one.
This film was done entirely hand-held, meaning not once did the filmmakers use a dolly or camera stands. The end result is that it gives it the raw and realistic feel that it needs to be affective. There is no story or plot in the movie. The movie isn't there to tell a single story or show us "characters;" the only goal is to try to educate us all on what happened on January 30th. You never look at the actors as actors, but more like the real people themselves. In fact, when I was watching this, I was very convinced that I wasn't watching a movie, but a real documentary.
The DVD comes equipped with some very nice special features. Those being two commentary tracks and 2 documentary features. That may not sound like a lot, but when you view or hear them, you feel very satisfied. It would've been nice to have a few more extras, but I can't really complain. Nor do I want to.
I really believe the filmmakers when they say that they did not make "Bloody Sunday" to open old wounds. They want to educate us all on what happened and they want us to confront it. Much like when an addict has a problem but he or she won't admit it, the problem will never come to a resolution if we continue to ignore it. I urge every history teacher to make their students watch this movie. I urge EVERYONE I know to give this movie a try. It is a rare and unique gem that takes historical films to a new level that it has never reached before. It's a shame that not many have seen it, but my hope is that more people will see it now since it is available to own and rent on DVD and video. "Bloody Sunday" is an experience you will never forget, and it is an important one you do not want to miss out on. Definitely makes my Top 10 of 2002 list, without question.

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Fahrenheit 9/11 (2004) Review

Fahrenheit 9/11 (2004)
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There are many memorable images in Farenheit 9/11, Bush reading "my pet goat" after the second plane hit, the wailing Iraqi mother who lost her family, Gore and Deniro partying after the Democrats short lived win - but the one that really sticks in my mind and manages to sums it all up succinctly is the elderly woman at the bingo hall who saw through the tainted slant of the media and the ever shifting reasons for invading Iraq and exclaims with toal contempt "we were duped"! Its an epiphany many of us are waking up to now, thanks to a fat white guy who currently happens to be more dispised by the religious right then Marylyn Manson or Anton Levay.
To hear it from the naysayers, Michael Moore stands in front of a camera for 2 hours launching vicious slander against righteous George. The truth of the matter is we almost never see Moore, Bush himself is the "star" of Fanrenheit 9/11 and whatever opinion the audience ends up drawing, it is based on Bush's own words and actions. The religious right has us so transfixed we find ourselves saying things like "even if the movie is only 90% true..." Well i went through the exhaustive reference material available on www.michaelmoore.com and every assertion, every statement has been published somewhere before in the mainstream media based on traceable data. Unfortunately with just 5 guys controlling this information an article about the White house flying the Bin Laden family back to Saudi Arabia where 15 of the hijackers originated came from quickly dissapears from print and funnily enough is NOT the lead story on FOX news, I wonder why.
Moore plays his cards just right, I have watched this film with several groups of republican voters and fundamentalist Christians who would typically vote for George the anti-choice pro descrimination conservative. When Lila Liscombe reads the final letter from her son before he died serving in Iraq she breaks down in the point of his letter "Thank you for the Bible". It suddenly begins to dawn on these conservatives that Bush and his republican cohorts have behaved in a decidedly Un-Christian way in sending thousands of innocent men and women to unnecessary deaths, while Osama Bin Forgotton. I have watched every single Christian conservative melt like an ice cube thorugh this section of the film, indeed anyone without a heart of stone could not help but be touched by the Liscombe family. My female friends weep and the men sit in stunned silence "Im flaberghasted" is all one could manage at the conclusion.
This is as heavy handed as the film will get, the documentary itself is incredible not just from the content but in that we almost have a new doco genre here "tragi-comedy". What we witness in Farenheit 9/11 makes you angry enough to jump out of your seat and enrole to vote (even when you live on the other side of the world like me), it makes you want to weep at the injustice, all while you cannot help but laugh a hysterical laugh at the complete absurdity and stupidity we ourselves remain responsible for. I can not imagine a more important film being released this decade.
Ps If you think Michael is in it for the money he is losing millions in DVD sales to rush the release and attempt to have the film shown free on TV. He withdrew his nomination for best documentary Oscar on the chance a network will screen the film before the Election. I have a new American hero


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FAHRENHEIT 9-11 - DVD Movie

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The West Wing: The Complete Seventh Season (2005) Review

The West Wing: The Complete Seventh Season (2005)
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It wouuld be difficult for me to truly describe the wonderful shock that is The West Wing's final season. I, like so many, had given up on The West Wing when Aaron Sorkin left, wished the show cancelled during its atrocious 5th season, and, honestly, found the show an irritating fantasy during the Sorkin-helmed 4th season anyway. Something astonishing happens during "The Ticket," the season's first episode - you feel, in its incredible pacing, structure, and emotional understatement - that Aaron Sorkin has not only returned but has regained all of his abilities as a writer. That he is not at all involved with the show means that writers like Eli Attie and Deborah Cahn have finally gotten their work as writers to both revive the lightning-quick trademarks of The West Wing while also justifying the often-unswallowable plot maneuvers of its previous two seasons. It occurred to me during "Message of the Week," a nimble and thrilling episode, that campaign-trail politics had never been so accurately represented, if they'd truly ever been attempted at all. That means The West Wing had found a reason to exist again, and that sense invigorated all the stories it surrounded - the White House's "leak" story, or the regional conflict between Kazhakstan and China. And, in a winning surprise, it also revived its still extraordinary cast - Bradley Whitford especially turns the stress of campaigning into a frayed study of stress and exhaustion, and with Janeane Garofalo at his side, he finds a sparring partner of incredible energy. The two's chemistry makes the workplace seem as vital a beast as this White House ever seemed in its prime.

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The seventh season of the West Wing chronicles the transition between the administration of President Josiah 'Jed' Bartlet and the race for the new presidency between Congressman Mathew Vincente Santos of Houston, Texas and Senator Arnold Vinick of California. The season includes the live episode of "The Debate" and ends with a new administration in the West Wing.

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The West Wing: The Complete Second Season (2000) Review

The West Wing: The Complete Second Season (2000)
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I think that in many cases, the second season of a TV show is its best season. Why is TV so often completely opposite from sophomore efforts in music and movies? From my own observations it's because in the second season of a TV show, the actors have gained a comfortable grasp on how to portray the deeper parts of their character. At the same time, the show still has the freshness of a new show, the same rich texture that won it a debut to begin with; the writers are still developing plots that don't feel stale, so the show hasn't lost that "new car smell". Of course there are exceptions: shows that run out of steam soon after they start, and shows that just seem to keep getting better even after the second season.
I don't know if The West Wing's second season is its best, but it definitely includes some of the best episodes. Great writing, great acting, great sets and music, all come together to form what has become my favorite TV show ever.
Season Two includes these episodes:
In The Shadow of Two Gunmen (Part 1)
In The Shadow of Two Gunmen (Part 2)
The Midterms
In This White House
And It's Surely To Their Credit
The Lame Duck Congress
The Portland Trip
Shibboleth
Galileo
Noël
The Leadership Breakfast
The Drop In
Bartlet's Third State of the Union
The War at Home
Ellie
Somebody's Going to Emergency, Somebody's Going to Jail
The Stackhouse Filibuster
17 People
Bad Moon Rising
The Fall's Gonna Kill You
18th and Potomac
Two Cathedrals
(You can look up an episode guide if you want a quick summary of the plots; I didn't want to spoil any surprises here.)
I doubt Warner will include the special episode "Isaac and Ishmael" in this set. This episode was written after the 9/11 attacks, and aired a week before the start of Season Three; thus, if it is included with a regular season, it will probably be the third.

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It's never politics as usual inside this Oval Office. The President and his staff have been targeted for disruption by rival politicians, soon after being targeted by would-be assassins. Yet the determined colleagues continue to serve the U.S. and its President as the administration heads through midterm elections and into a crisis that leads to allegations of criminal conduct. The West Wing's second season won the Best Drama Series Emmy and Golden Globe Awards.DVD Features:Audio CommentaryDeleted ScenesFeaturette


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Cuba (1979) Review

Cuba (1979)
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*Cuba* may be the best movie you've never heard of. The setting is 1958, just before the final collapse of the Batista regime. Sean Connery stars as a British mercenary with the odd name of Dapes, whom Batista's colonels hope will help them to stamp out Fidel Castro's revolutionaries. However, Connery pretty much figures out -- almost as soon as he arrives -- that Batista's cause will be lost, and so his attempts to guide the incompetent military are rather half-hearted. He's much more interested in reviving a love affair with an old flame, Brooke Adams (surprisingly glamorous, but with an on-again, off-again accent). Problem is, she's married to the profligate son (Chris Sarandon) of one of Cuba's wealthiest industrialists . . . and it's a lifestyle that rather fits in with her imperial demeanor. (She runs the cigar factory and the rum distillery while her husband gets drunk and chases the skirts of the hired help.) The movie does not pretend to be a terribly accurate account of the Cuban Revolution. What director Richard Lester goes for instead are impressionistic sketches of the land, its people, and its culture. All the stereotypes are here, lovingly rendered: the fat, pompous jefes; the sultry women; the tacky gringo culture superimposed on the place for the visiting American businessmen (one of whom is the always-welcome Jack Weston, in a terrifically sleazy performance); the cigar factories; the prostitutes; the skinny kids playing street baseball; posters of politicos; languid bathers poolside; tropical drinks with the little umbrellas . . . get the idea? The movie succeeds spectacularly in delineating the death-throes of a way of life. Havana in particular seems deserted, denuded of people: even blonde American strippers can't find an audience. *Cuba* is a poignant, and at times funny, daguerreotype of a nation filled with ghosts, just on the cusp of revolution.

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Academy AwardÂ(r) winner* Sean Connery (Entrapment) and Brooke Adams (Gas Food Lodging) lead an all-star cast in this sweeping story of two old flames caught up in the chaos, fury and exhilaration of Cuba's revolution. Directed by Richard Lester (A Hard Day's Night) andwritten by Charles Wood (The Charge of the Light Brigade), Cuba is an exciting and "intelligent thriller" (Roger Ebert).Havana, Cuba. 1959. A tropical island paradise is on the brink of revolution. Robert Dapes (Connery), a cynical British mercenary, comes to the country at the request of one of Batista's most corrupt functionaries, General Bello (Martin Balsam). But once there, Dapes finds himself unable to ignore the brutality and depravity of the Batista regimeand unable to resist Alexandra Pulido (Adams), an old lover now married to a wealthy Cuban landowner. Surrounded by volatile guerilla fighters and the human vultures present at all coups, he must come to terms with his shifting views if he has any thought of getting out alive. *1987: Supporting Actor, The Untouchables

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George W. Bushisms (2004) Review

George W. Bushisms (2004)
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It's nice to watch a DVD that's funny during this angry election year. I'm a Bush supporter and even I found his Bushisms something to be laughed at. I liked the JibJab guys too and this DVD has that same fun appeal to it.

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Theres no question that the minute I got elected, the storm clouds on the horizon were getting nearly directly overhead. This DVD, based on the New York Times best-selling BUSHISMS books is hosted by comedian/satirist Brian Unger (The Daily Show) and includes commentaries by Al Franken, best-selling author of Lies, And The Lying Liars Who Tell Them, and Bushisms author Jacob Weisberg. DVD Features include music videos from The George W. Bush Singers, artwork from the popular political cartoon Doonesbury by Gary Trudeau and animated shorts by Chris Sketchboy Roulty.

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V for Vendetta (Widescreen Edition) (2006) Review

V for Vendetta (Widescreen Edition) (2006)
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"V for Vendetta" is going to confuse a lot of people. Nevertheless, and make no mistake about it, this is movie making of the highest order, combining all the finest elements of great storytelling into a potent roller coaster of a movie filled with great action,intellect and above all, ideas. Its message can - and will - easily be dismissed by naysayers as sophomoric or too "out there," or "anti-american" but there is also an earnestness here that will resonate strongly, and perhaps, frighteningly, to many viewers who will not fail to see the correlation between this fictional tale and the way the world we live in works.
Filled with stereotypes and archetypes, "V" is unapologetic in its essaying of morality and in its strongly held sentiment that this tale is "for the people, by the people." Brothers and writers Larry and Andy Wachowski (of Matrix fame) have infused their screenplay with the anger, confusion and hope captured in Alan Moore's original graphic novel - and it's better looking as a result.
I truly believe that many who see "V" will be upset by it, but hopefully more of us will be inspired by its bold, blatant message and take a good hard look at ourselves and the way the world works around us and see that, with sacrifice and thoughtfulness, the world can be changed.
As Evey, Natalie Portman is cast in something of the "victim" role, but she makes us route for her, and to her credit she goes beyond that making the transformation of her character not only believable, but in the end, noble.
Hugo Weaving - the man behind the mask - gives a performance that can only be described as mesmerizing. As "V" he exposes all of the strength and weakness of a character that is equal parts savior and villain.
The physical production is beautiful in its realism as it paints a nightmarish world of the not-very-distant future (2020) and is chilling in its depiction of governmental power, socio-political corruption and, ultimately, the complacency of its citizens. Weaving's "V" challenges, and ultimately changes all of that, as he quickly unravels the fabric of civilized society, capturing the public with his bold ideas - and with the promise and permanancy of change through rebellion and political uprising.
Most chillingly, the film invokes the dread once feared in "1984" but with a renewed vigor that drives home the horrors Orwell foresaw, and still loom large in our comfy modern world. Chilling? You betcha! For those who know the novel, there is little skimping, and, given the current world situation, one must absolutely applaud the filmmakers for "going there" as far as the ending is concerned. This is film making at its emotional and challenging best.
Are there flaws? Of course there are, but ultimately "V for Vendetta" rises far above them in its presentation of a world filled with ideas that have forever been debated, and does it in a story well told, beautifully acted and full of hope for humankind. Not bad work for a movie. Actually, it's magnificent.


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Set against the futuristic landscape of totalitarian Britain, V For Vendetta tells the story of a mild-mannered young woman named Evey (Natalie Portman) who is rescued from a life-and-death situation by a masked man (Hugo Weaving) known only as "V." Incomparably charismatic and ferociously skilled in the art of combat and deception, V ignites a revolution when he urges his fellow citizens to rise up against tyranny and oppression. As Evey uncovers the truth about V's mysterious background, she also discovers the truth about herself - and emerges as his unlikely ally in the culmination of his plan to bring freedom and justice back to a society fraught with cruelty and corruption.

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The Union: The Business Behind Getting High (2007) Review

The Union: The Business Behind Getting High (2007)
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Cannabis culture, particularly in the medium of film, tends to unintentionally parody and belittle itself by excessively glamorizing the drug and perpetuating stereotypes about its users, but this documentary provides a serious platform for intelligent, well-spoken advocates of legalization to make logical (and not easily refutable) points against the U.S. and Canada's present drug policies.
I'd never expect a film to change a true skeptic's mind, nor would I ever force my beliefs on anyone resistant to them...but if ever a skeptic were curious to hear the pro-legalization side of the marijuana debate, I'd recommend this film. It's a succinct, comprehensive, powerful (but not too preachy) rundown of all the best arguments in favor of what is, in millions of people's opinions, an unfairly vilified substance.
(Also, it's worth mentioning that Amazon may be doing the film a disservice by listing Tommy Chong and Joe Rogan as its stars. Each has less than three minutes of screen time, and both are immensely composed and well-spoken compared to their appearances in dumb stoner comedies and inane reality television, respectively. Rogan, in fact, cements his credibility in this film by practically apologizing for having hosted "Fear Factor".)

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Follow filmmaker Adam Scorgie as he demystifies the underground market and brings to light how the marijuana industry can function while remaining illegal. Through growers, police officers, criminologists, economists, doctors, politicians and pop culture icons, Scorgie examines the cause and effect nature of the business - an industry that may be profiting more by being illegal.

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