Showing posts with label matt damon. Show all posts
Showing posts with label matt damon. Show all posts

Courage Under Fire (1996) Review

Courage Under Fire (1996)
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The basic plot line of "Courage Under Fire" is that Lt. Col Nathaniel Sterling (Denzel Washington) is investigating an incident during the Gulf War to determine whether or not the Medal of Honor should be awarded to Captain Karen Walden (Meg Ryan). It does not take us long to find out that the title of this film refers to both Sterling and Walden. The initial story on Walden, the pilot of a rescue helicopter, is that she made a spectacular rescue of a downed helicopter crew, then fought off attacking Iraquis after her own copter crashed, dying right before they were rescued themselves. But as Sterling questions the surviving members of Walden's crew, he discovers their various versions do not jive, and he begins to question what is the truth. Moreover, Sterling is haunted by his own actions during the Gulf War, where he was responsible for a "friendly fire" incident that resulted in the death of American soldiers. To complicate matters, Sterling is drinking too much, has grown distant from his family, and is being hounded by a commanding officer who wants the P.R. value of Walden receiving the medal and a reporter who knows something of what happened to the Colonel in Iraq.
"Courage Under Fire" makes excellent use of the "Rashomon" technique, wherein we get to see each person's version of what really happened in Iraq. Sterlings own feelings of guilt and responsibility for what happened in Iraq provide an additional level of depth to the narrative (more so than in Kurosawa's original classic film in fact). Some may find the parallel attempts to find redemption to be somewhat heavy handed, but ultimately the film succeeds because of the solid acting performances. In addition to Washington and Ryan, who knew have a scene together, there are solid performances from Lou Diamond Phillips and a very underweight Matt Damon as surviving members of Walden's crew, Michael Moriarity as the General, Scott Glenn as the reporter, and Regina Taylor as Sterling's wife. Certainly this film is closer to the reality of Desert Storm than "Three Kings," but the main enjoyment here is watching Ryan and her crew do the same lines with totally different meanings because of radical changes in context while Washington tries to find meaning in his own life.

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When Lt. Colonel Nathaniel Serling (Denzel Washington) is asked to review the posthumous candidacy of the first woman (Meg Ryan) to receive a medal of honor, he finds himself plunged into an apparent cover-up surrounding the actions that led to her death. As he struggles to uncover the truth, he also finds himself forced to confront his own tormenting demons. Matt Damon co-stars in this powerful and provocative drama.

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Titan A.E. (Special Edition) (2000) Review

Titan A.E. (Special Edition) (2000)
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I went to see "Star Wars: The Phantom Menace" the second day it came out,(and boy was I dissapointed) during the previews I saw a small teaser trailer for this film with Cale speaking while the Titan escapes the Earth's destruction. I expected that Titan A.E. would be an all-CG film ala "Antz" or "Toy Story" so I was curious. Later on I discovered that it would be a hand drawn animated film combined with CG animation and effects. I grew even more curious, but I was a serious anime fan, and after seeing great stuff like "Akira," "Bubblegum Crisis" and "Ghost in the Shell" I was convinced that I would never see anything the least bit close of quality come out of the U.S., I was in for a huge surprise.
Titan A.E.(in which I went to see the first day of it's release) turned out to be an awesome experience that was just as exciting as any anime I've seen. First of all the animation was simply incredible, the characters were the normal, well-drawn Don Bluth character designs which were good, but the real star was the CG effects and animation that blended with the hand-drawn animation even BETTER than the anime,"Blue Submarine No. 6" did. Plus, it was nothing like anything I've seen out of an American animated movie. No comic sidekicks(which is symbolized in one early scene in a comically violent scene) intense kick-ass music that perfectly complements the tense action and DOESN'T degenerate into a dumb musical. And it contains a number of awesome, visually spectacular action scenes. From the fast- paced chase scene involving spherical hydrogen trees to the final chase at the Ice Rings of Tegrin(Cale's chase with the Wake Angels was an awe-inspiring moment), Titan A.E. is a far cry from anything that Disney has put out. But cynical and angry critics and moviegoers buried Titan A.E. and just saw it as a "cartoon." Which is a real tragedy, cause Titan A.E. deserves a lot more recognition than it's getting.
Overall, I really think people should appreciate this film for what it's trying to be, a mature animated film that is really targeting teenagers and tries to avoid the "Disney" syndrome. Titan A.E. isn't really a movie for children, it can be violent and has content that reaches the PG-13 rating.(which I find even more refreshing) But overall, I can't wait for this wonderful movie to come out on DVD, and I hope that Fox puts plenty of effort into it and provides it with lots of extras. If you just leave your cynicism at the door you will discover an awesome film. Titan A.E. is one of the best (and underated) films of the year, that's even better than Disney's "Dinosaur". American Animation would take a turn for the better if there were more films such as this( and "The Iron Giant" which suffered the same fate.) But unfortunately after the results of the last two movies, that doesn't seem very likely...

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A reluctant young hero holds the key to the future of mankind in the palm of his hand in this eye-popping, sci-fi adventure. In the year 3028 the Drej, a vicious alien race, has destroyed earth. Fifteen years later a young man named Cale learns he possesses a genetically encoded map to the Titan, a spaceship that holds the secret to the salvation of the human race. With the Drej in hot pursuit, Cale blasts off withthe crew of the Valkyrie in an attempt to find the Titan before the Drej destroy it - and with it, mankind's last chance for a home of their own. Featuring an all-star voice cast that includes Matt Damon and Drew Barrymore and an edgy, out of this world soundtrack, Titan A.E. is an intergalactic thrill ride for a new generation.

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Syriana (Widescreen Edition) (2005) Review

Syriana (Widescreen Edition) (2005)
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I won't try to restate or expand upon previous reviews found here for Syriana. Many contributors have offered a better reviews of the content of Syriana than I could describe.
But I will point out that whether Syriana is for you or not, has more to do with the movie-goer, than the movie itself.
Consider:
1) Can you check your political prejudices at the front door?
2) Are you willing to attempt to follow four "chess games" simultaneously?
3) Have you the courage to feel really upset at the end?
If you can answer "YES" to all three questions, then Syriana may just be one of the most worthwhile movie releases of 2005.
If you answered "NO" to any of these points, you'd better pass on Syriana.


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Big oil means big money. Very big money. And that fact unleashes corruption that stretches from Houston to Washington to the Mideast and ensnares industrialists, princes, spies, politicos, oilfield laborers and terrorists in a deadly, deceptive web of move and countermove. This lightning-paced, whip-smart action thriller grips your mind and nerves with an intensity that doesn't let go for an instant.DVD Features:FeaturetteInterviews


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Hereafter (2010) Review

Hereafter (2010)
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Many of us have a terrible tendency to pigeonhole filmmakers into the genres we think they're best suited for. When I first saw the trailer for "Hereafter," I, like much of the moviegoing public, was unpleasantly surprised at the thought of Clint Eastwood having directed a supernatural drama. Given his recent triumphs with films like "Mystic River," "Million Dollar Baby," "Changeling," "Gran Torino," and "Invictus," it just didn't seem like something he would have or should have done. As usual, I was reacting impulsively; "Hereafter" is an incredibly strong film, in large part because Eastwood resisted the temptation to treat it as a thriller. It certainly has mysterious elements, but for the most part, it's a poignant, thought-provoking story of how different people react to traumatic circumstances.
The common thread of the story is death - or, more accurately, what awaits us after we die. Although glimpses of a spiritual void are revealed, neither Eastwood nor writer Peter Morgan makes any grand claims as to what it is or how it works. In other words, the film assumes the reality of life after death, but it doesn't linger on details such as heaven, hell, purgatory, or anything else resembling eternal punishment or eternal reward. There isn't even a discussion about the existence of God. This isn't a criticism. We've seen far too many movies in which deathly states are both explicitly examined and regarded with either extreme sentimentality or extreme terror; "Hereafter" wisely avoids these clichés, in effect keeping the true nature of death a mystery.
The film is initially structured as three separate storylines, all of which theatrically but cleverly converge during the final act. In the first storyline, we follow Marie Lelay (Cécile de France), a French television journalist for a left-wing political program. While on vacation, a tsunami tears through the resort and sweeps her away, causing a near death experience. (While never directly stated, I'm forced to assume that Eastwood was depicting the 2004 Indian Ocean Tsunami that destroyed coastal cities in Indonesia, India, Thailand, and Sri Lanka.) Miraculously, she's revived. However, upon returning to France, she finds the experience has had more of an effect than she ever thought possible. She can no longer concentrate on her work, damaging her celebrity status. She's consumed with thoughts of life after death, a possibility that neither her atheist lover (Thierry Neuvic) nor her secular coworkers are willing to consider.
The second story focuses on George Lonegan (Matt Damon) a San Francisco factory worker who, after a childhood illness, gained psychic powers, specifically the ability to talk to the dead. He doesn't consider it a blessing, and he flatly refuses to step back into the spotlight as a celebrity psychic. In an Italian cooking class, he strikes up a friendship with a female student named Melanie (Bryce Dallas Howard), which seems like the beginnings of a contrived Hollywood romance until he takes her to his apartment; at that point, a simple but disturbing scene makes his reasons for trying to keep his ability abundantly clear. His brother (Jay Mohr) simply doesn't understand where he's coming from; the way he sees it, George is missing out on a tremendous financial opportunity.
The third story centers on a British boy named Marcus (Frankie McLaren), whose identical twin brother, Jason (George McLaren), is struck and killed after running in the middle of the street. This tragedy is made worse due to the fact that his mother, Jackie (Lyndsey Marshal), is a both drug addict and an alcoholic, forcing her into rehab; Marcus, now alone and in foster care, becomes withdrawn and moody, looking uncannily like the proverbial creepy child from a horror movie - pale skin, sunken eyes, and never a smile on his face. He gets obsessed with finding some way to reconnect with Jason's spirit, thus beginning his citywide search for a medium, someone who isn't merely selling crackpot ideas but can actually speak with the dead.
This particular plotline includes one of the film's best scenes, in which Jackie tearfully but bravely says goodbye to Marcus in the Social Services office. The reason it works so well is because it develops Jackie against our expectations. We've been conditioned by other films to see characters like her as hopeless and uncaring; I was prepared for scenes of emotional breakdowns and irrational behavior, such as her being completely unable to cope with Jason's death and somehow finding a way to blame it on Marcus. But nothing that conventional ever happens - even before her son dies, we see that she's finally coming to terms with her addiction problems, and her resolve only seems to strengthen after Jason's funeral. So too does her love for Marcus.
The ending is perhaps too conventional, although it appropriately challenges George's assertion that absolutely nothing good can come from his psychic abilities. It also nicely plays into the film's message, namely that, regardless of whether or not there is life after death, we must make the most of the time we're given here on Earth. Inevitably, this will involve the difficult but necessary task of moving on after a period of grieving; life is not about staying in the past, but going ahead. There may be certain atmospheric elements of "Hereafter" that seem atypical for Clint Eastwood, but in no way do they affect his affinity for strength of character and engaging stories. Don't dismiss this movie simply because of its supernatural overtones. There's so much more to it than that.

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George (Matt Damon) is a blue-collar American with a special connection to the afterlife dating from his childhood. French journalist Marie (Cécile de France) has a near-death experience that shakes her reality. And when London schoolboy Marcus (Frankie and George McLaren) loses the person closest to him, he desperately needs answers. Each seeking the truth, their lives will intersect, forever changed by what they believe might – or must – exist in the hereafter.

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Saving Private Ryan (Sapphire Series) Review

Saving Private Ryan (Sapphire Series)
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"Saving Private Ryan" is, by all accounts, an American masterpiece and one of the premier World War II films. Its release on Blu-Ray has been highly anticipated and, for the most part, it doesn't disappoint. First of all, the transfer is every bit as astonishingly sharp as expected. I am by no means a videophile, but there didn't appear to be a single moment of artificial enhancement of the film. The print is appropriately accompanied by a slight sheen of grain whilst still retaining a high level of detail. As far as I'm concerned this is an easy five star transfer. The film runs 2:49:28 and features audio and subtitles in English, French, Spanish, and Portuguese. Prior to the menu loading are two easily skippped trailers for the "Minority Report" Blu-Ray and the long overdue home video release of "The African Queen".
There are no features on the first disc, not even a commentary track (Spielberg is well known for his dislike of commentary tracks). The special features are included on the second disc and all are presented in standard definition with the exception of the two film trailers. This is disappointing but not surprising, as it's something of an industry trend. There were no new features produced for this release, which is especially surprising considering the wealth of new high definition features that were produced for the "Minority Report" Blu-Ray. The positive side is that it pulls the features from all previous DVD editions. So even if it is all in standard definition, at least the consumer is presented with the complete special features collection. Most of the titles are rather self-explanatory, but here's a complete rundown of the features:
1) "Introduction" (2:35) - Director Steven Spielberg discusses what attracted him to this project. This would've made more sense if it was included on the first disc with the film, as most will only put the second disc in after watching the film, thus making this more of an epilogue!
2) "Looking Into the Past" (4:40) - This functions as a sort of extension of the introduction, as Spielberg discusses the influences that ultimately led him to creating this film.
3) "Miller and His Platoon" (8:23) - This feature discusses the different personalities of the principle characters with particular focus on Tom Hank's character. Spielberg and Hanks also speak candidly about their interest in World War II in general. There's some interesting on-set footage included as well.
4) "Boot Camp" (7:37) - This features the great Captain Dale Dye discussing how he helped train the actors for their roles, as well as the unique boot camp the actors participated in during production.
5) "Making Saving Private Ryan" (22:05) - A strong making-of feature which highlights Spielberg's directing style relative to the film with some outstanding behind the scenes footage. This is far better than the typical promotional fluff studios place on video releases with a "making of" label attached.

6) "Re-Creating Omaha Beach" (17:58) - An interesting feature discussing how the crew mounted the most impressive battle scene of the film.

7) "Music and Sound" (15:59) - Composer John Williams discusses how he went about scoring the film.

8) "Parting Thoughts" (3:43) - A nice bookend feature that contains bits of interview footage with Hanks and Spielberg.

9) "Into the Breach: Saving Private Ryan" (25:01) - A standard behind-the-scenes feature covering production of the film. This feels like a promotional piece that was bumpered between films on television during its theatrical run. This feature was ported over from the original DVD release of the film and is in rather poor quality (even for standard definiton). I'm definitely glad they included this, but the "Making Saving Private Ryan" feature is far superior.

10) "Shooting War" (1:28:05) - Tom Hanks (in full beard, as this was filmed while "Cast Away" was under production) hosts this feature focusing on the men who filmed and photographed World War II. This is perhaps the strongest feature here, bolstered by plenty of amazing war footage and anecdotes from veterans.

11) Theatrical Trailer in High Definition (2:16)

12) Re-Release Trailer in High Definition (2:05)
To be fair, all the features truly do look quite excellent with the notable exception of the "Into the Breach" feature. I've been spoiled on the clarity of Blu-Ray, however, so it's still something of a disappointment. Aside from that, this is by far the best release of the film yet. The print is fantastic, it's a huge upgrade over the DVD, and the features are expansive and plentiful. Highly recommended!
UPDATE 05/11/10: Apparently this Blu-Ray has been recalled because of an audio sync problem that occurs after Chapter 15 (about two hours into the film). I was aware of the claims on its release date, but even after watching my copy twice I never encountered any issues. Still, for the company to take this sort of action proves the problem is indeed legitimate, so hopefully Paramount's response will be swift and painless for those who have already purchased this product.
FOLLOW-UP 05/26/10: The Blu-Ray issue has been resolved, Amazon only offers the corrected copies for sale and all other retailers should have them on the shelves now. If buying locally, the easiest way to tell the difference is to check the backside of the Blu-Ray for a yellow UPC sticker. Also, whereas the original defective discs were grey, the new corrected copies are blue discs.

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Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944.

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Ocean's Eleven (Widescreen Edition) (2001) Review

Ocean's Eleven (Widescreen Edition) (2001)
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"Ocean's Eleven" is a Ferrari of a movie: cool, stylish, and classy. And if, like a Ferrari, it doesn't always work, that's OK - who will complain when it's so stylish?
The premise is lifted right out of the 1960 Rat Pack original: Danny Ocean (George Clooney, suave as hell) is released from prison, and plots to steal over $163 million from the vault of a Las Vegas casino during a heavyweight fight. He recruits his old buddy Rusty Ryan (Brad Pitt), and they put together a dream team of crooks, each of whom has a specialty. There's a computer geek, a demolition expert, a con man, a pickpocket, and so on.
And, of course, there's Danny's ex-wife, Tess (Julia Roberts), who's now involved with the manager (Andy Garcia) of the casino Danny intends to rob. So, Danny's not only after money - he wants his girl back as well. But she's having nothing of it, as evidenced by this neat dialogue piece:
Danny: "I've paid my debt to society."
Tess: "Funny, I haven't gotten my check yet."
Dialogue like that is one of the great pleasures of this movie; watching it delivered by the likes of Clooney, Roberts, Pitt and the stellar supporting cast (Matt Damon, Don Cheadle, Carl Reiner, Elliott Gould, et al) is the other.
And, in fairness, it's a good thing that the dialogue and acting is so good, because as a pure caper flick, "Ocean's Eleven" is, to be charitable, a little thin. In the best caper movies ("The Heist" comes to mind), the theft itself is the star of the movie - the intracicies, the backup plans, the intrigue. In "Ocean's Eleven," we're expected to believe that a casino with over $150 million in its vault wouldn't have a backup power generator, or that the vault's security system wouldn't have a motion sensor.
But criticisms like that are akin to nitpicking that red Ferrari 575 because it has a small trunk - the point isn't realism, it's style, and like a Ferrari, "Ocean's Eleven" has it in droves.

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Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right, the payoff will be a fat $150 million. Divided by 11. You do the math.DVD Features:Audio Commentary:Feature-length audio commentary with stars Matt Damon, Brad Pitt and Andy Garcia Feature-length audio commentary with director Steven Soderbergh and screenwriter Ted GriffinDVD ROM Features:DVD-ROM enabled -- "In or Out" Game and web linksDocumentaries:Behind-the-scenes documentary HBO First Look: "The Making Of Ocean's Eleven" Behind-the-scenes documentary: "The Look Of the Con", an inside look at the fashion in Ocean's ElevenInteractive MenusScene AccessTheatrical Trailer


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Ocean's Twelve (2004) Review

Ocean's Twelve (2004)
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I saw Ocean's Eleven, reluctantly, and fell in love. It opened the door for me to be able to tolerate George Clooney and Brad Pitt (although 12 Monkeys and Fight Club continue to be his best work). That being said, Twelve was NOT Eleven.
This does not make it bad, just different. The difference though being a rather large one. Instead of one tremendously clever caper, we have three blase ones with alot of down time in between. And herein is where I think alot of people torched this film. They wanted to see the exact same genius of the first script and instead got Ocean and crew palling around Europe. This film is by no means a mind buster, but it IS an enjoyable film with some rather entertaining times and the same type of story one would expect the writers to come up with for this crew.
All in all, not the best one out of the group, but I challenge anyone who bashed this film for not being as good as the first one to give me a series of films that consistently IMPROVED upon itself. There have been A LOT of letdown sequels out there, I would not go so far as saying this one was a letdown. Eleven was 5 stars........this one is four, for simply being a fun film as long as you can sit back and not start making Ocean's Eleven comparisons. Sure it bears the namesake, but it is NOT the same film. And honestly, it does a great job showing just how clever Terry Benedict can be as the villain. One of Andy Garcia's best roles, albeit short lived.
I got to apologize for reviewing the film itself instead of the product, but I honestly felt this was being unfairly represented by alot of the reviews. Hope this helps give some counterpoint. And FYI, the disk is great I simply wish it had a little more meat. Not alot in the way of extras

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They're back. And then some. Twelve is the new eleven when Danny Ocean and pals return in a sequel to the cool caper that saw them pull off a $160 million heist. But 160 million doesn't go as far as it used to. Not with everyone spending like sailors on leave. Not with a mysterious someone stalking Danny and crew. It's time to pull off another stunner of a plan?or plans. With locations including Amsterdam, Paris and Rome, the direction of Steven Soderbergh and the original cast plus Catherine Zeta-Jones and others, Twelve is your lucky number.

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