Showing posts with label cia. Show all posts
Showing posts with label cia. Show all posts

No Way Out (1987) Review

No Way Out (1987)
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If only the ending could be just a tad different, this would be twice as popular as it ever got. The topnotch, passionately made film largely goes unsung, a bit like "The Siege," only because it threw away all the riveting plot twists when it reached its ho-hum finale (some may call it a great final twist).
Quibbles aside, this fast paced nail-biter may be one of the quickest 2 hours of cinema ever filmed. Costner plays a Navy commander assigned to a high level post in the DOD, where he, and the Secretary of Defense become embroiled in a murder/scandal. The bulk of the film chronicles the Departments Under Secretary's attempts to quash the problem. A high level Russian mole in the U.S. government is being pursued throughout the film. The chase keeps narrowing down more and more drawing the government officials closer and closer to the culprit. The tension became almost unbearable as the mole was about to be trapped.
Costner, for a change, is really convincing in his role, the tight dialog helping him immeasurably. Sean Young actually smiles in this movie and looks twice as good as all her other newer movies put together. Gene Hackman has the usual commanding screen presence.
All in all, a fabulous politically charged thriller you ought not to miss!

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Imagine being a hunter leading highly trained bloodhounds in pursuit of a killer...and the trail leads directly to you! Starring Academy-AwardÂ(r) winners Kevin Costner* and Gene Hackman,** No Way Out is "a mesmerizing look at Washington power" (The Hollywood Reporter).Capturing a well-deserved four stars from critic Roger Ebert, this "taut [and] stylish" (Newsweek) thriller is fast-paced and powerful"a perfect nailbiter" (Variety)!In a fit of rage, Secretary of Defense David Brice (Hackman) murders his mistress. To keep a lid on the scandal, Brice's loyal aide (Will Patton) creates the perfect cover-up: he "invents" a more enticing killera Russian spyand then enlists naval commander Tom Farrell (Costner) to find him. But as achilling twist of fate would have it, Farrell also has a strong connection to the victim and now all the clues he's been hired to uncover are leading straight to him! In a desperate race against time, Farrell's search for the killer is not only a matter of national security, but also a matter of saving his own hide. *1990: Director and Picture, Dances with Wolves**1971:Actor, The French Connection; 1992: Supporting Actor, Unforgiven

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Conspiracy Theory (1997) Review

Conspiracy Theory (1997)
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I was shocked at how much I enjoyed this movie. When it hit theaters I wasn't interested in seeing it and only saw it recently. Being a huge Star Trek: The Next Generation fan, it was a cheap thrill to know that Patrick Stewart would be in this film... and he proves what an incredible actor he is. His character (Jonas) is so evil, you want him to just die, already!
Jerry Fletcher (Mel Gibson) is a cab driver in New York City. He is a nutty but harmless (or is he?) conspiracy theory junkie. He has all sorts of theories about crop circles, crime, government control, you name it.
He is sure that people are out to kill him, so he always sets up an elaborate escape plan and sets booby traps everywhere in his slum apartment. Jerry is unexplicably obsessed with Alice Sutton (Julia Roberts), who is an attorney with the Department of Justice. He continues to stalk her and tries continuously to contact her to espouse his latest theories. Alice feels sorry for Jerry and thinks of him as a sometimes annoying, but caring, sweet, lonely man who is a little touched in the head.
Jerry has a self-published newsletter he sends out to a whopping 5 subscribers. As a number of them start mysteriously dying one by one, Alice suddenly starts to believe there is more to Jerry than just being a nutty cab driver.
Those who couldn't stomach "The Marathon Man" may have trouble seeing similar torture scenes at the hands of Jonas, but they are brief in comparison. The film is a total thriller that had me on the edge of my seat. The plot was so well thought-out, that while you're watching in suspense, you don't find yourself saying, "that's ridiculous!"

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A CONSPIRACY OBSESSED CABDRIVER NAMED JERRY FLETCHER BELIEVES HEHAS AN INEXPLICABLE CONNECTION TO A JUSTICE DEPARTMENT ATTORNEY,ALICE SUTTON. HE KEEPS TRYING TO WARN HER ABOUT IMPENDING CONSPIRACIES EVEN THOUGH SHE GENTLY BUT FIRMLY DISMISSES HISCONCERNS.

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Syriana (Widescreen Edition) (2005) Review

Syriana (Widescreen Edition) (2005)
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I won't try to restate or expand upon previous reviews found here for Syriana. Many contributors have offered a better reviews of the content of Syriana than I could describe.
But I will point out that whether Syriana is for you or not, has more to do with the movie-goer, than the movie itself.
Consider:
1) Can you check your political prejudices at the front door?
2) Are you willing to attempt to follow four "chess games" simultaneously?
3) Have you the courage to feel really upset at the end?
If you can answer "YES" to all three questions, then Syriana may just be one of the most worthwhile movie releases of 2005.
If you answered "NO" to any of these points, you'd better pass on Syriana.


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Big oil means big money. Very big money. And that fact unleashes corruption that stretches from Houston to Washington to the Mideast and ensnares industrialists, princes, spies, politicos, oilfield laborers and terrorists in a deadly, deceptive web of move and countermove. This lightning-paced, whip-smart action thriller grips your mind and nerves with an intensity that doesn't let go for an instant.DVD Features:FeaturetteInterviews


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The In-Laws (Widescreen Edition) (2003) Review

The In-Laws (Widescreen Edition) (2003)
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Why? Why why why?
Well, there are positives to get out of the way first. Albert Brooks is an inspired choice to recreate Alan Arkin's role from the original "In-Laws". He brings to every movie a fully-formed nebbish ready to let loose 6 or 7 really memorable zingers, and this was no exception. Michael Douglas has played a very wide range of stock characters, if not necessarily deep. And the original "In-Laws" certainly wasn't technically perfect: it suffered from atrocious film editing. Why not spruce it up with some CGI submarines, more expansive stunt sequences, and a Paul McCartney soundtrack?
Most of the changes in the remake, however, don't make sense. Brooks is playing a Chicago podiatrist, not a Manhattan dentist. Michael Douglas has been saddled with a female sidekick, the likes of which Peter Falk didn't need. There's considerable more emphasis placed on Brooks's daughter and Douglas's son... so they can argue at length about his pre-marital flings. Candice Bergen has a strenuously unfunny cameo as Douglas's ex-wife (Falk was happily married in the original, albeit to a wife who had no idea what he did for a living).
Most noticeably, the witty humor of the original is all but gone, save for a few Brooks gags. That's all been replaced by a wide variety of warmed-over sex and toilet jokes, which have been funny in a hundred other movies since "The In-Laws" came out, and which are so familiar here that you'll laugh at the joke before it's even finished. Indeed, with the main character being a nebbishy Jewish medical professional from Chicago, and his co-star an over-the-top CIA agent, you'll quickly realize that this is a remake of "Meet the Parents" more than anything else.
The accomplished David Suchet shows up for a pointless role only faintly evocative of Richard Libertini's in the original. I'm sure that blatant gags about repressed gay terrorists are still funny somewhere, but it is possible to do a movie without them. Right?
I wasn't expecting a carbon copy of the original "In-Laws". However, I was expecting something lively and original. And this movie isn't it.

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Family matters. Laughing matters. They're all a matter of laugh or death as Michael Douglas and Albert Brooks play opposites thrust together by their children's wedding and by CIA agent Douglas' involvement in an arms-smuggling sting operation, plunging mild-mannered podiatrist Brooks into the world of international intrigue.

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Thirteen Days (Infinifilm Edition) (2001) Review

Thirteen Days (Infinifilm Edition) (2001)
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I saw this film in the theaters and was very disappointed that it was not a major hit; although I think I know why. This is definitely a character and dialogue-driven historical drama. Not your run-of-the-mill mind-blowing blockbuster type of film! I believe this film will play very nicely in DVD or video form where it's quiet drama will play itself better.
I was VERY disappointed that Bruce Greenwood was not nominated for an academy award (there were rumors this may happen) because I believe his performance was as good if not better than the men that were nominated. His JFK was, in my humble opinion, perfect. I found this film compelling, well written, and dramatic. I especially enjoyed the scenes where Kenny O'Donnell (K. Costner) went to church and went to see his son play ball. Can you just imagine what you would feel if you thought the end of the world may happen?
As I watched this movie, I thought it was a shame that the movie-going generation of today did not take the time to watch it. To them, this is history of long ago; to many others, it is a lesson worth watching and remembering.
This is also, quite frankly, a wonderful and entertaining piece of cinema. Give it the chance it deserves.

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THIRTEEN DAYS - DVD Movie

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Good Guys Wear Black (1978) Review

Good Guys Wear Black (1978)
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This low-budget 'gem' from 1977 (I even remember there being a novelization, got to look for it) was a modest hit and pretty much made Chuck Norris a star. Playing John T. Booker (the way the credit is listed mades me wonder if there would be more John T. Booker movies, alas not to be), Norris is a former CIA commando whose dark past comes back to haunt him when the politician that set him up in a raid turned death trap needs to erase that unpleasent part of history. This is an old school action movie, back when they bothered to have plot and mystery prior to the fist fights and car chases, and it will probably bore many expecting wall to wall kung-fu action. Nothing happens until nearly an hour into the movie, then the pay off begins. Good Guys Wear Black was sold on the strength of one big stunt, Norris (or a double) leaping onto a car and kicking through the windshield to get at the assassin driving. It was impressive then, today it is routine. As I said, it is a low budget movie, one with Southern California locations filling in for Vietnam (sandy trails and eucalyptus trees in Vietnam???) as well as East Coast locations. Pretty giggle inducing. But the movie still works when watched in the context of its era (70s exploitation) and director Ted Post (Hang 'Em High, Magnum Force, Beneath the Planet of the Apes, etc.) keeps the movie professional looking, at least. One shocking bit of trivia, one of the movie's screenwriters is Children of A Lesser God author Mark Medoff. Wow. Recommended only to Norris fans on a nostalgia kick.

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A martial arts classic starring Chuck Norris as John T. Booker, a Vietnam Vet whose war actions have landed him at the top of the CIA's hit list. Now only a beautiful Senate investigator can help him unravel a treacherous plot - and maybe help keep him alive.DVD Features:BiographiesInteractive Menus


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The Men Who Stare At Goats (2009) Review

The Men Who Stare At Goats (2009)
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George Clooney, Ewen McGregor, Jeff Bridges, Kevin Spacey, Robert Patrick, Stephen Root, Stephen Lang...THE MEN WHO STARE AT GOATS has an one of the best cast lineups of any 2009 film (a year in which a lot of good actors made a lot of good movies). The film is based around a supposedly true plot: "psychic warriors" trained to fight terrorists, led by a hippie soldier, attacked by an arrogant Army officer, and infiltrated by a bored investigative reporter and a former psychic soldier. It makes for a great story, and overall, GOATS succeeds brilliantly; it is a delightful, at times dark film (the last 20 minutes or so get so dark, you'll wish the whole film had been this gutsy) that proposes a lot of questions, and doesn't bother answering them (like any good satire should).
However, something's lacking. Peter Straughan's script isn't up to par; and Grant Heslov's directing seems at times undecided. The acting is fine--Clooney is understated; Bridges is himself; Spacey is delightfully off-kilter; and watching McGregor deadpan the question "What's a Jedi?" is just good geeky fun--but the film itself doesn't live up to the cast's combined talents. The end result is a film that's certainly an enjoyable watch, even laugh-out-loud funny in spots (though it's overall a subtle comedy; this isn't slapstick, it's satire), but doesn't have the lasting effect something with this weight should. The ending is ultimately a let-down; a lot of build up for very little. That's not to say the movie isn't worth your time; if you enjoy intellectual comedies, you'll definitely want to check it out. However, unlike others of the genre--DR. STRANGELOVE comes to mind, though it's probably unfair to compare any war satire to Kubrick's masterpiece--THE MEN WHO STARE AT GOATS doesn't stay with you once you're done watching. And that is a damn shame, because a film with this great a cast, and this interesting a premise, deserves--almost necessitates--a lasting presence. As is, we have an enjoyable intelligent comedy that is slightly less than the sum of its parts.

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In this comedic look at real life events that are almost too bizarre to believe, reporter Bob Wilton (Ewan McGregor) discovers an experimental top-secret wing of the U.S. military called The New Earth Army, trained to change the ways wars are fought through New Age psychic power. In search of his next big story, Wilton tracks down Lyn Cassady(Academy Award® winner George Clooney), a shadowy figure who claims to be a member of this legion of "Warrior Monks" with unparalleled psychic powers who can read the enemy\'s thoughts, pass through walls, and even kill a goat simply by staring at it.

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