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(More customer reviews)To say that this is a film with a message would be an understatement, because it comes across so emphatically clear and succinct, and it is this: To wage a war against drugs, you must first come to terms with the sobering fact that the enemy is often a member of your own family; and how do you wage a war against your own family? A sobering message? Insightful? Indeed. And, when you consider the implications of it all, devastating. Ponder that awhile and you'll begin to get a sense of the futility visited upon those who would attempt to rectify a situation that affects practically everyone everywhere sooner or later, either directly or indirectly; and it is just that situation that is addressed and presented with no-holds-barred by director Steven Soderbergh in his brilliant, hard hitting film, "Traffic," starring Michael Douglas and Benicio Del Toro. The film examines the trafficking of drugs between Mexico and the United States, and the long-ranging effects thereof; and Soderbergh tells the story through a number of perspectives, which effectively presents the "big picture" of the drug trade and the subsequent impact it all has on the lives of so many people.
Probably the most telling perspective in terms of futility is that which is shown through the eyes of Robert Wakefield (Michael Douglas), a judge who is appointed the country's "Drug Czar," and given the task of "making a difference." It's a pivotal character inasmuch as it is through his involvement that so much information is presented, not all of which is anything new, but when taken within the context of the story has a tremendous emotional impact. Through Wakefield, not only is the unbelievably far-reaching problem of illegal drugs illuminated, but the attitudes of all of those it touches on all levels, from the heads of the Mexican cartels to the kids who use and abuse the product made so readily available to them by the drug lords.
A man of principle and high ideals, Wakefield begins by educating and familiarizing himself with all facets of the drug trade. He quickly learns that although he is far from naive in terms of the reality of what he is dealing with, he actually has no concept of the depth and scope of it, like how much better equipped and financed the cartels are than the U.S. Government, for instance. Another troubling aspect of the story involving Wakefield is the lack of respect accorded him by the young people with whom he comes into contact, not only in his official position, but simply as a human being-- especially by his own sixteen-year-old daughter and her "friends." Unfortunately, it realistically reflects an attitude prevalent within a wide faction of our society today; and it's one of the strengths of the film that it can so succinctly capture something so distressing, something that should be of monumental concern to everyone, for it's an integral part of a larger something that touches us all. Also realistically portrayed is Wakefield's reaction to all of this; the helplessness born of the limited ways of combating what he encounters is extremely well realized and conveyed by the film, and it enhances even more that already overpowering sense of futility.
From the Mexican side of the border, the story unfolds through the perspective of Javier Rodriguez Rodriguez (Benicio Del Toro), a veteran of the Mexican Highway Patrol; and it's from his side of the fence that we begin to understand the ramifications of the politics, money and power, and ruthlessness that so empowers the cartels. In these segments, the dialogue is in Spanish (with English subtitles), and Soderbergh uses a tint to the film that lends a visual sense of detachment to the action; it's almost like watching an old newsreel, which gives it an air of authenticity that works because it's incorporated with the emotional substance that ultimately provides the real impact.
The superlative cast Soderbergh assembled for this film includes Don Cheadle, Luis Guzman, Dennis Quaid, Catherine Zeta-Jones, Steven Bauer, Jacob Vargas, Erika Christensen, Miguel Ferrer, Amy Irving, Tomas Milian and James Brolin. An important film of gut-wrenching implications and staggering emotional proportions, "Traffic" evokes a sense of futility and loss (especially in the final scenes) that is, at times, overwhelming. It makes you realize just how huge the drug trafficking trade is, and how any efforts to eliminate or even contain it simply pale in the light of it's enormity. It's like a terminal cancer, spreading and eating away at the fabric of our society; a disease that reduces the value of human life to the barest minimum. It's a movie that will affect everyone on a different level emotionally, depending somewhat upon personal experience and frame of reference, but there is no doubt that this is a film that will create a lasting impression on anyone who sees it; but be prepared, for this is powerful drama that elicits a sense of hopelessness which-- I'm sure for many-- may hit just a bit too close to home for comfort.
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Traffic (2001)A twisting tale that attempts to chronicle the complex and diverse war on drugs. An Ohio Supreme Court Judge is appointed Drug Czar, but his loyalties are divided as he finds out his daughter is addicted to heroin. A jailed kingpin's wife attempts to take over his successful drug business. A local constable from Mexico struggles with his own ethics and how they play into the drug war.
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