Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Pocahontas (Disney Gold Classic Collection) (1995) Review

Pocahontas (Disney Gold Classic Collection) (1995)
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The Gold Collection disc is too flawed to seriously consider at this point with the "10th Anniversary{ two-disc set now out.
Gold Collection:
1. Worst DVD tranfer of a Disney film in recent memory
2. No "If I Never Knew You". Not even the rough cut.
3. Extras: a Trailer and some music videos. Not much going on here.
4. Not anamorphic
10th Anniversary:
1. Anamorphic 16:9
2. Great new transfer
3. "If I Never Knew You" in the movie and completely animated. Major addition to the last half of the movie.
4. Both versions of the film, the 1995 cut and the 2003 "Director's Cut".
5. Loads of extras including a documentary, updated audio commentary track, sections for each major character with art, concept drawings, deleted scenes, scenes that never made it past the concept stage......you get the idea.

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The Last of the Mohicans (Director's Expanded Edition) (1992) Review

The Last of the Mohicans (Director's Expanded Edition) (1992)
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Like many people here, I detest the recut DVD version of this film. Seeing the original theatrical version in 1992 was one of the key moviegoing experiences of my life. I don't buy DVDs to see a new spin on a movie I liked, I buy them to be able to rewatch that same movie. Alternate cuts are fine as a bonus feature, but once I saw how Michael Mann had butchered his mainstream masterpiece, giving no option of seeing how it was originally, I sold the DVD and bought a copy of the mercifully untouched widescreen VHS.
Recently, however, I discovered that while this American director's cut DVD is from Fox, Warner Bros holds the rights to Mohicans outside the USA, and they have released the original theatrical version on DVD around the globe. I have a regionless DVD player, which is easy to get in many stores for under fifty dollars, so I bought a copy of the British DVD at amazon.co.uk
Wow. It's as I remembered it, with the Clannad song, without the extra monologue over the closing scene, and with my favorite line back in -- "My father warned me about people like you. He said do not try to understand them, and do not try to make them understand you."
If you love this movie like I do, get a regionless DVD player, they're worth it for so many reasons, and then get a copy of the British DVD. You'll be glad you did.

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An epic adventure and passionate romance unfold against the panorama of a frontier wilderness ravaged by war.Academy Award® winner Daniel Day-Lewis (Best Actor in 1989 for My Left Foot) stars as Hawkeye, rugged frontiersman and adopted son of the Mohicans, and Madeleine Stowe is Cora Munro, aristocratic daughter of a proud British Colonel.Their love, tested by fate, blazes amidst a brutal conflict between the British, the French and Native American allies that engulfs the majestic mountains and cathedral-like forests of Colonial America.

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The 13th Warrior (1999) Review

The 13th Warrior (1999)
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Film director John McTiernan's "The 13th Warrior" is such a frustrating film. There's much to love about this robust viking epic, including a handful of terrific actors with an appealing presence, excellent period detail, memorable battle sequences and a fantastic musical score by the always-dependable Jerry Goldsmith. But why did the studio editors have to cut this film to pieces?!
When watching this action movie, any viewer with half a brain can tell that multiple scenes must have been left on the cutting room floor. Supporting characters disappear without a trace, continuity is fragmented and illogical, the ending is abrupt and unsatisfying. At one point the vikings are traveling by ship, the next they are riding cross country on horseback.
So it's a pleasant surprise that even after such annoying studio interference, "The 13th Warrior" still succeeds on several levels. Based on Michael Crichton's novel "Eaters of the Dead," a whimsical interpretation of the Olde English tale "Beowulf," this film (like the book) changes the dragon into a cannibalistic horde of viscious warriors terrorizing a remote village. A ragtag group of vikings, in the best tradition of "The Magnificient Seven," soon come to the rescue with unwitting Arabic ambassador Ahmed (Antonio Banderas) in tow.
Several great scenes will stay with the viewer, among them Ahmed's touching dalliance with a willowy viking maiden (who disappears by the film's end), Ahmed's humorous camaraderie with his new viking friends, Bulvine's (Beowulf's) fatal stand prior to the final battle, and Omar Sharif's brief cameo at the film's beginning.
Bulvine's viking burial, which should have been one of the ultimate highlights of this film, is shown as if an afterthought during a far too brief montage. The relationship between Bulvine, aging warrior king Hrothgar and Hrothgar's wife (played by the talented Diane Venora), also appears to have been a victim of impatient editors. With the recent success of the "Lord of the Rings" films, it's obvious viewers have no complaints about sitting through a finely detailed epic fantasy, so it comes as a rather sad note that what could have been an equally superb fantasy film has been so severely butchered.
I would love to see a Director's Cut of "The 13th Warrior," with the missing scenes added. John McTiernan has proven his action muscle in the past with the underrated "Predator," and the creative "Die Hard." "The 13th Warrior" is a good film, and I enjoy watching it repeatedly. But with each viewing, I realize with frustration this should have been a great film. As a fantasy fan, I have been sold short by an unimaginative Hollywood system.

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Antonio Banderas (THE MASK OF ZORRO) brings huge star power to an immensely thrilling action-adventure from the hit-making director of DIE HARD and THE THOMAS CROWN AFFAIR! An exiled ambassador far from his homeland, Ahmed (Banderas) comes across a fierce band of warriors who are being attacked by ferocious creatures legendary for devouring all living things in their path! And when an old fortune-teller warns the combatants that they are doomed to failure without a 13th warrior, Ahmed is given no choice but to join their battle and help conquer the mysterious enemy! Suspenseful and endlessly exciting, this exhilarating hit is sure to thrill anyone who enjoys action on an epic scale!

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The Patriot (2000) Review

The Patriot  (2000)
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My review for the original version of "The Patriot" can be found under its respective title. This review is merely for those who may already own the movie and are wondering if it's worth buying a second time around for an additional 10 minutes of footage. For those who have never bought this title, then I can say emphatically to choose this version. For those who already own it . . . well . . . I suppose you'll need to read on and decide.
First of all (thank goodness), the extra 10 minutes of footage are not merely tacked on as "Deleted Scenes" at the end of the movie. In fact, it would be nearly impossible to do so since some of the extra footage is not found in separate scenes, but rather additional footage of already established scenes. In these situations, the extra footage may be as long as an additional minute or as little as a few seconds. How do I know? Well, for one, I'm a high school history teacher and show it every year during our unit on the Revolutionary War. Given that I teach five classes a day of the same subject, I'd say I've gotten quite familiar with the movie.
Now, one particular extension of a scene is quite riveting in that Benjamin Martin's youngest children get their first taste of the horrors of war prior to the death of Thomas. This comes just before the evening when Gabriel stumbles home after being wounded in a nearby battle. Something (the viewer is unaware) catches the attention of the Martin children and they stride over to a nearby creek/river to investigate. What they discover are the bodies of several soldiers floating downstream. Martin then comes over and ushers the children back into the house.
Another noteworthy scene extension is found in the "ambush" scene following the death of Thomas--you know, the famous "aim small, miss small" scene. Well, in the original edited version of the film we soon observe the infamous Tavington interviewing a dying witness of the event in a battlefield tent hospital. It is in this scene that the witness compares who we know as Benjamin Martin to a ghost. The problem is, as far as we knew, there were no survivors. We had to accept at face value that perhaps one must have escaped. In this version of the film we now know the facts! You see, after Martin does his bloody hack job on a would-be escapee, the camera pans in on one particular Redcoat as he lays wounded in a nearby swamp. We then get a peek at what he sees through his one dying eye: an eerie glimpse of Martin flitting through the dim light of the heavily-wooded forest. Then the camera focuses again on the bloodied face of this dying witness. It is not long thereafter that we discover that this poor chap actually survives (he's the one in the hospital tent).
One particular scene left off the original is the burial of Thomas. Although the scene is short, it nevertheless reiterates that Benjamin Martin has a tender, loving side (remember, a few scenes before he was hacking and slashing away at every Redcoat in sight).
Of particular note are the additional scenes involving Cornwallis and Tavington. Here, the viewer witnesses Cornwallis scolding Tavington in the presence of other officers --- the viewer should be delighted to see the arrogant and villainous Tavington being humiliated in front of others. In the scene, Cornwallis sarcastically remarks that Tavington has earned himself the nickname "The Butcher." This scene is important in that it helps establish and underscore the motive Tavington has for eliminating "The Ghost," Benjamin Martin. Further dialogue between the two is found later in the movie as well.
In short, the additional footage is not just added fluff. Indeed, the additional footage adds substance to every scene where it was originally found. Now, if the original version is a perennial favorite of yours, then by all means go out and get it. If, on the other hand, you may only watch it once in a blue moon then you could probably live without it.

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Gone with the Wind (Two-Disc Edition) (1941) Review

Gone with the Wind (Two-Disc Edition) (1941)
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It seems like a 'new, improved' edition of "Gone With the Wind" has appeared every couple of years, offering the 'ultimate' in picture and sound reproduction, and extras. It can become expensive keeping up, and frustrating (much like buying a classic Disney DVD, when you know a more complete "Special Edition" will soon render your "First Time on Video" copy obsolete), but the new GWTW Four-Disc Collector's Edition most assuredly deserves a place in your collection.
First off, the picture and sound quality is astonishing. Warner's Ultra-Resolution process, which 'locks' the three Technicolor strips into exact alignment, provides a clarity and 'crispness' to the images that even the 1939 original print couldn't achieve. You'll honestly believe your TV is picking up HD, whether you're HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale hiss and scratchiness of the opening credit title music, still discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a good workout. (Listen to the brass in this sequence, and you'll notice what I'm talking about...)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, superb. Beginning with the excellent "Making of a Legend" (narrated by Christopher Plummer), Disc Three offers fascinating overviews about the film, the amazing restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to explain the Civil War to foreign audiences), and a 1940 MGM documentary on the "Old South" (directed by Fred Zinneman) memorable today for it's simplistic view of the time, and stereotypical portrayal of blacks.
Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more interested in discussing her wardrobe than on-set tension...although a prank she pulled on Gable is amusing), and the Clark Gable Profile is superficial (A&E's biography of 'The King' is far superior). Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a WONDERFUL section devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George 'Superman' Reeves).
All in all, the GWTW Four-Disc Collector's Edition isn't perfect, but offers so much terrific material that it is CERTAINLY the one to own!



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Invasion Earth : Complete Uncut Version : Mini Series Review

Invasion Earth : Complete Uncut Version : Mini Series
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This is a good, thoughtful and intelligent miniseries. What blunts it's effect is two things in my mind. One, Fred Ward is a horrible actor. He is SO wooden and cliched in this that it is pathetic. His poor performance could be blamed on the writers and director if it wasn't for the fact that the other actors give reasonable performances with the material. Ward is just plain bad. Second, I felt that the development of the relationship between the male and female leads was pretty sketchy and contrived. There was absolutely no chemistry between the two and the idea that they were attracted to each other sexually just does not come across. I also thought that the writers took the Echoes out of the storyline too quickly. The series does have it's moments though and they keep the actual physical form of the evil ND's ambiguous all the wat through.

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This ambitious miniseries, a coproduction between the BBC and the American cable entity the Sci-Fi Channel, is an unusually intelligent and demanding example of the genre. The story begins when a cocky pilot shoots down a UFO inside British air space, but the following revelations only hint at the scope of the predicament. A few soldiers and civilians, led by an American general with the NATO forces (Fred Ward), find themselves in the middle of an intergalactic war and discover they are the next target of a mysterious civilization that has already conquered most of the galaxy. Working with a limited budget, the filmmakers concentrate on creating a palpable sense of fear of the unknown while punctuating the story with sparse but startling effects: dimensional portals that open out of nowhere, a hellish otherworldly land where prisoners appear to be digested in a monstrous stomach, our first and only glimpse of the demonic-looking enemy as it lays waste to an Earth laboratory. These eerie moments only intensify the moody dread that permeates the series. Though an unconvincing romantic subplot occasionally slows the pace, the consistently smart writing and dense, delirious plotting makes this unusual epic compelling viewing right through to its jaw-dropping conclusion.

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Silent Night (2002) Review

Silent Night (2002)
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I wasn't at the Battle of the Bulge, the last great battle of World War II whose little-known and unknown byways form the locale of this true-life story, but SILENT NIGHT is, in its way, as evocative and illuminating of this momentous event in history as its far-better-known counterpart, the 1949 front-line combat film, BATTLEGROUND.
Rather than concentrating on the fierce, frozen struggle that the Bulge certainly was -- leaving as it did, thousands of Americans and Germans dead in the dark, snowy Huertgen Forest during that brutal winter of 1944-'45 -- SILENT NIGHT deals with the intertwined universality of soldiers' longing for home, a war-weary German mother's longing for peace in her own home, and her little boy's desperate need for a sign that the world he'll inherit might be filled by something other than the hollow, ranted slogans of the Hitler Youth.
The performances, especially those of Linda Hamilton, as the frightened, yet determined, Frau Vincken, and the young men who play the GI's and Wehrmacht infantrymen, convincingly convey the snow-blanched weariness and wariness that surely contributed to the real participants' touch-and-go attempt to lay aside their arms for one last wartime Christmas, as a sign that their world may have tired of its madness.
Also utterly convincing, by the way, is the film's depiction of the snowbound German landscape -- photographed, as I understand it, in Quebec in the height of summer!

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SILENT NIGHT - DVD Movie

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King Arthur - The Director's Cut (Widescreen Edition) (2004) Review

King Arthur - The Director's Cut (Widescreen Edition) (2004)
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I have read the negative and positive reviews of this film, especially noting the numerous complaints about historical accuracy. But considering the era from which this story is created, and the various possibilities regarding exact time and place of events, (if they ever occurred at all), I think the film is a truly magnificent, thought-provoking piece about King Arthur.
Bringing in the aspect of the Sarmatians was long overdue in the Arthurian arena. Although various historians may argue the point, much evidence does point to the use of stirrups by about 8000 Sarmatian cavalry in the Roman army as early as 175 AD. With the commonly held belief that the stirrup was not introduced until many centuries later, I thought it a bold move for the movie makers to incorporate this into the film as well. It seemed to be one of the most commonly noted 'discrepancies' by reviewers, but I disagree - it is very accurate.
If you have watched only the PG13 version of this film, by all means, please watch not only the Director's Cut version, but take the time to also watch/listen to Antoine Fuqua's narrative over the film. His narration explains a lot, especially about how they had to change things drastically to make the mandated PG 13 rating. His explanation regarding his version of Lancelot and Guinevere is quite a statement as well.
The alternate ending was quite dark, or perhaps even depressing, in a way. I don't know which ending is more suitable, and actually would have liked to have seen perhaps a different ending altogether, just don't know what that would have been.
I thought the actors were incredible; the battle scenes (director cut) some of the only such scenes I've ever watched that let you identify the main characters' roles during the fighting; the photography was the best I have ever seen; the music illustrated and enhanced; and this movie left you wanting to see more when it was over.
There was no dwelling on use of special effects for blood and gore, or rediculous feats of super-power athletics, or campy remarks that would bring you immediately back to your own century. The horses were not constantly being tripped during battle scenes, either. All these were a welcome change from so many movies of today.
Above all, it passed the real test of a great movie - it left you with 'a feeling' after it was over.
In short, I loved it. Antoine Fuqua, you are a genius.


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King Arthur the Extended Unrated Director's Cut contains fourteen minutes of never-before-seen footage, including more intense battle sequences and the scenes "Rain and Snow" and "Saxons Surrounded." Bonus Features • Alternate Ending "Badon Hill" With Optional Director Commentary • Blood On The Land: Forging King Arthur • Cast And Filmmaker Round Table • Director Commentary • "Knight Vision" Trivia Track • Producer's Photo Gallery • Konami's King Arthur Playable Xbox Demo

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Class of '61 (1993) Review

Class of '61  (1993)
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Emotional and realistic portralial of the American Civil War and how it effected both north, south and those caught in the middle. Unlike some war movies which ignore the human cost this movie shows in detail the cost to the main characters. Class of 61' is one of the best movies that I have seen. The movie starts at West Point and shows us the last class before the war starts. The friendships between those of southern back ground and the northerns and how their friendships are torn apart by the war.

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Shining Through (1992) Review

Shining Through (1992)
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This has always been one of my favorite films. Apparently it's supposed to be a guilty pleasure. I can't imagine why though. It's not a deep or socially important work of art, but it doesn't pretend to be. It's just a glorious, old-fashioned piece of entertainment, gorgeously shot on location in Germany, with one of the best scores the late Michael Kamen ever wrote.
Alright, so Melanie Griffith convinces Michael Douglas to send her as a spy into Nazi Germany because of her phenomenal streudel baking skills. It's that kind of movie. Either you let yourself be swept away by the storytelling, or it's just not for you.
The big news, however, is that this great movie is finally on DVD in the US. And it's in widescreen, a vital piece of information that was left off the listing here. I was really afraid I'd walk into Tower today and see a Pan and Scan atrocity and have to leave it there unbought. Worry not, the film is presented here as it was in theaters in 1992.
The makers of this DVD have also kindly left the original burned-in subtitles for the sequences in German, instead of replacing them with those ugly player generated ones you see so often. I always liked the font the filmmakers chose, so this was a pleasant surprise.
It would have been nice to have a director's commentary, or some of the approximately half an hour that was removed from the version that was shot. However for under $10 what we get (two trailers) is fine.
It took long enough, with the US just about the last country on earth to get "Shining Through" on DVD, but it's here at last, and looking as good as I could have possibly have hoped.

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In this romantic espionage thriller set against the backdrop of World War II, a secretary from Queens is transformed into a government spy. After discovering her attorney boss and lover is actually a secret agent, she convinces him to let her go undercover. With the help of a fellow operative she penetrates the Berlin home of a high-ranking enemy official, and works swiftly to accomplish her mission.

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North and South: The Complete Collection (Books One, Two & Three) (1986) Review

North and South: The Complete Collection (Books One, Two and Three) (1986)
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North and South is truly one of the great miniseries, and in fact in my opinion surpasses other great Civil War films such as "Gone With the Wind." Based on the John Jakes trilogy of novels, this miniseries spans the period from the 1840s and the Mexican War, through the aftermath of the American Civil War. It tells the story of two families, the Hazards of Pennsylvania, and the Mains of South Carolina. The Hazards are the owners of a great steel manufactory. The Mains are the powerful owners of a sprawling Southern rice plantation. George Hazard and Orry Main, the scions of their respective families, form a friendship while attending West Point that sees them through the Mexican War and which is tested as each takes his region's side in the Civil War.
The miniseries is reasonably faithful to the novels, and where it departs, the changes are generally benign. The story is also quite faithful to history, and both North and South are portrayed with respect, although the story harshly indicts the institution of slavery, and reminds Americans of the incredible fact that this evil was a basic fact of our country for a very long time.
Book one of North and South is superb. It spans the period from about 1840 through the outbreak of the Civil War. The portrayal of the Mexican War is quite good, and the story of George and Orry graduating West Point and fighting together in the Mexican War makes for a fine story. The film does very well at recreating the attitudes of Northerners and Southerners during this period--conflicting attitudes which ultimately could not be reconciled by the normal political institutions of the American republic and which instead culminated in the Civil War. The battle scenes are very good and surpass what we normally expect of a miniseries.
Book Two takes place immediately following the firing upon Ft. Sumpter. It is again very well done. This is one of the very best straight Civil War films. It is not without flaws. Just as in the novel, the Elkanah Bent sub-plot adds very little to this story. This is true despite the fact that the Bent sub-plot in the Book Two film bears essentially no resembence to the novel. But overall, this is a fine story. Lloyd Bridges in particular does a fine job in his portrayal of Jefferson Davis. Hal Holbrook is a wonderful Abraham Lincoln. Here again the battle scenes are very good. My only quibble is that the soldiers' uniforms are too natty and pristine. Real Civil War soldiers were never very well turned out. The combat and conditions were too tough for that, and the supply trains too inefficient.
Book Three takes place after the end of the Civil War, and is so bad as to be unwatchable. I'm not fooling. The way I look at Book Three is that the DVD makes a fine beer coaster while watching the excellent Books One and Two. Not only is Book Three unwatchable, but it totally departs from the story as set forth in the novel. (as far as I could tell-I mean it when I say that Three is unwatchable). Book Three of Jakes' novels was far and away the weakest of the three, but it was somewhat readable. Not in the miniseries, however.
North and South is imperfect, but it is still so good as to rate five stars. It really is a great story of the Civil War era. James Read and Patrick Swayze turn in great performances as George and Orry. Read was sufficiently good in this part that I am surprised that this role did not lead to greater things for him.
The flaws. First of all, as in all John Jakes stories, the characters, particularly the villains, are one-dimensional at best. Virgilia Hazard, Elkanah Bent, Ashton Main--these characters are complete villains and in real life no one in their right mind would want to live on the same continent with such scoundrels. I have always thought that this caricature-like characterization is the weakest aspect of John Jakes' writing, and these flaws, unfortunately, are faithfully recreated in this miniseries.
The good news is that as far as I can tell, this DVD collection is uncut or close to it. I've read the novels, seen the miniseries, and owned the VHS version of the miniseries, and these DVDs seem to be complete. Further, the color and sound on the DVDs is very good. Overall this is a tremenous value that many fans of North and South have waited for for a long time.

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NORTH AND SOUTH:COMPLETE COLLECTION - DVD Movie

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