Showing posts with label classic. Show all posts
Showing posts with label classic. Show all posts

Tomorrow Is Forever (1946) Review

Tomorrow Is Forever  (1946)
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I find with each viewing of the classic "Tomorrow Is Forever" I find I like the production more and more. It is such a totally rich film in so many ways, whether it be the sterling central performance from Claudette Colbert in what I'm convinced is one of her finest performances, Orson Welles's charmed under playing of a role that could have been simply sentimental, or the haunting anti-war message it puts forward in its telling of life through two world wars.
"Tomorrow Is Forever" has so much to offer to the viewer in so many different ways. Claudette Colbert always a favourite actress of mine proves once and for all what a superb dramatic actress she can be. Long regarded as one of the premier comedy actresses of the 1930's and 40's here she excels in the role of a young bride who believes she has lost her husband in WW1 action only to find that years later after she has re married that a stranger who comes into her families life gives her a eerie sense that that might not be the case. In this film she is at times touchingly lovely, stubborn, full of anger and full of hope, in short she has a wonderful well rounded character to work with and she makes the most of it.
Claudette is blessed with two excellent leading men in this production in Orson Welles and George Brent. Welles, so often prone to bellicose overplaying of roles that require a bit of restraint, here delivers a beautiful modulated performance as Claudette's first husband who seemingly has come back from the grave. His scenes after he has returned to Colbert's home are wonderful and full of tension as to whether he will reveal his real identity. The conclusion of the film is a tour de force for Welles as he decides to sacrifice his own potential happiness and to remain a mystery to the family and tells Colbert that "Tomorrow is forever and not to look back to a romantised past". George Brent, so often stiff on screen here delivers one of his best performances as the man who has loved Claudette through two world wars and provides her with the home and family she craves so much. He is entirely believable and warm in his playing and he and Colbert reveal a wonderful chemistry in their playing together. Natalie Wood also makes a rare childhood appearance in this film as an Austrian orphan, the daughter of the doctor who saved Welles's life but was killed by the Nazi's, who Welles adapts and brings to America. She is a delight in her scenes and you can see the tremendous acting talent that she possessed even at this early age. Richard Long playes Welles's and Colbert's son who doesn't know the identity of his real father and brings great depth to his playing of the treasured son who comes into conflict with Colbert over his decision to join the fighting early in WW2 thus causing history to repeat itself.
"Tomorrow Is Forever" can be regarded as a real tear drenced drama for the matinee crowd however its worth goes way beyond that. It covers many issues just as relevant today such as those about the human cost of war, the issue of whether we should involve ourselves in others problems and whether we should allow our past experiences to rule how we behave. It is a beautifully put together drama full of rich performances that really stay in your mind. I'm quite surprised that this wonderful film is not better remembered today. I sense that it has been forgotten because of the more famous roles that all the main performers have undertaken. Claudette Colbert in particular is totally awe inspiring in her dramatic delivery of the tortured young bride who has been robbed of her life and spends a lifetime trying to recapture it. She will have you alternately crying, laughing and saying "bravo" up to the wonderous finale.
I cannot recommend "Tomorrow Is Forever" highly enough. For all those who enjoy well acted dramas with fine writing, a non preaching message and performers delivering often unexpectedly restrained acting work, none come finer than the anti-war "Tomorrow Is Forever".

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Guns of Navarone (1961) Review

Guns of Navarone  (1961)
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The second movie in Columbia's newest wave of World War II movies (along with "The Caine Mutiny") is the 1961 Academy Award-winning film for Best Special Effects, "The Guns of Navarone," which stars Gregory Peck as Keith Mallory, the leader of a group of British commandos tasked with destroying two gigantic German anti-ship guns.
The British are desperate to evacuate 2,000 soldiers from the Aegean island of Kiros, with the only sea route through a stretch of water commanded by the guns that are encased inside a massive cliffside bunker that is immune to air attack.
Based on the best selling novel by Alistair (Where Eagles Dare) MacLean, Mallory has been working on occupied Crete for two years and as an expert mountaineer is the perfect choice to ferry the team to the only part of Navarone not monitored by the Germans - a 400-foot cliff.
Joining Peck is David Niven as explosives expert John Anthony Miller and Anthony Quinn as a Greek resistance fighter.
MacLean is known for being able to weave together a great story and this movie is consistently entertaining. In fact the film was already afforded a respectable special release on DVD in 2000. Columbia though have outdone themselves with this 2-disc set by adding a second audio commentary and four new documentaries.
The original release included a rather dry, faltering, but informative commentary by director J. Lee Thompson, a smattering of archival featurettes of varying quality and an anecdotal documentary on the making of the picture featuring on-camera interviews with Gregory Peck, Anthony Quinn, James Darren and J. Lee Thompson named "Memories of Navarone" and running at 29:34. It's a nice, breezy documentary and entertaining - detailing some of the experiences the cast had working on the picture.
However this new release includes a lively commentary with historian Stephen J. Rubin who mentions that this film started the trend of Hollywood going outdoors. Up until this time most movies were filmed on the studios backlot, whereas this movie was filmed on the island of Rhodes. He also discusses the cast (including a very young Richard Harris). Rubin also discusses some of the differences between the MacLean novel and the movie - which appear to be a number of changes to characterization and details some of the criticisms of the movie when it was released - including the fact that the actors were too old to play commando's, many being as they were in their 40s and 50s. Though Rubin quickly adds that he feels it was cast perfectly.
Also included are two new documentaries, the first of these "Forging the Guns of Navarone" runs at 13:58 and includes on camera interviews with Eve Williams-Jones (the former wife of producer Carl Foreman) and Assistant Director Peter Yates (who himself went on to become a very successful director in his own right). Apparently Thompson was not the original director for the project and Yates credits Thompson for his ability to jump straight into a film that had already shot much of its second unit work as well as his ability to manage so many big name actors. Yates also reveals that despite their on-screen animosity towards each other, both Niven and Peck got along well together determined to have as much fun as possible on the picture. Yates also recounts how the crew would refer to it as "The biggest B-feature ever made."
The second new documentary "The Ironic Epic of Heroism" runs longer at 23:38 and is essentially an on-camera analysis of the movie by noted Film Historian Sir Christopher Frayling (who was mistakenly credited with providing an audio commentary in the press release for this DVD release). Frayling is quite engaging as he recounts such facts as Foreman's initial reluctance to handle the project. Foreman once said that he was incapable of making a movie that did not make statements and he initially saw the MacLean book as a simple action adventure. It was not until he re-read the novel that he realized it could serve to make statements about the futility of war and the ability of war to bring out the best in people.
Frayling also reflects on the fact that the movie was the first global production caper-style World War II movie to be played as an action adventure in a style he describes as "incredibly innovative."
Also included on this new release is the restored intermission with score that was seen in some European cities (it is listed as an extra since it is not part of the official cut of the movie) and featurettes on the Dimitri Tiomkin score which details the subtle differences throughout the movie and a fascinating look at the UCLA restoration.
The restoration featurette details the tortured path towards restoring a film that was in such terrible shape that they needed several sources of original negative, both from Columbia and a private collector. In an example of the work the UCLA team had to do, the print they were provided by Columbia had the plane crash at the beginning of the movie happen in broad daylight. This apparently is how most people have seen the scene in recent years. That was until one of the eagle-eyed team at UCLA noticed that one of the trucks had it's headlights on and wondered why. Sure enough they were able to track down a copy of the print from a private collector that showed that the crash happened at night with the screen various shades of blue - and that is how it was restored.
In another instance the print UCLA had also had the infamous dubbing of Richard Harris where the censor had the word "bloody" replaced with "ruddy" for some of the screenings in the UK (the word "bloody" is considered a swear word in the UK). The UCLA team prevailed again and were able to locate a copy of the correct audio still intact).
On a sidenote the DVD also affords fans of Tiomkin the opportinity to hear the opening sequence sans the narrative as a special feature on the second disc. This apparently is a special feature that had been requested for years.

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Operation Bikini (Amazon.com Exclusive) (1963) Review

Operation Bikini (Amazon.com Exclusive)  (1963)
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This is a nicely done 60's war movie with a great cast that includes Frankie Avalon,Tab Hunter and Jim Backus.Check it out!!

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A Navy demolition team must destroy a sunken submarine before the Japanese get to the top-secret equipment aboard the vessel.

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Humphrey Bogart - The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille) (1944) Review

Humphrey Bogart - The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille) (1944)
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"Humphrey Bogart - The Signature Collection, Vol. 2" may be as entertaining a collection of Bogart films, as he emerged as a major WB star, as you'll ever find. They run the gamut of early classic noir, espionage, action/adventure, broad comedy, and moody morality tale, each exceptional, and stamped with the distinctive Bogie 'style'.
"The Maltese Falcon" (1941) - One of the earliest examples of the style that became known as Film Noir, John Huston's crime classic has been described as the finest detective film ever made, and certainly deserves the title! The second teaming of the director and star ("High Sierra" had been released earlier that year), both films had a common history, as George Raft 'passed' on both properties (not wanting to work with an 'untested' director), and the films would launch Bogie into the superstardom that had eluded him in the 30s.
Dashiell Hammett's tale of amoral detective Sam Spade, the murder of his partner, and the offbeat collection of characters in pursuit of a fabulous, jewel-encrusted statue, had been filmed twice by WB in the thirties, but never truly captured the 'flavor' of the novel. Huston, with his eye for characterization, and use of light and shadow, not only got it 'right', but popularized a new genre, of beat-up, world-weary anti-heroes with their own 'codes of honor', duplicitous women, and endings where things seldom end 'happily ever after'. While Film Noir wouldn't become a film staple until after WWII, it seldom got better than this!
I could say MUCH more, but this 3-Disc collection says it FAR better...it is, simply, a MUST OWN!
"Across the Pacific" (1942) - The next teaming of Huston and Bogie may be one of the most enjoyable espionage comedy/dramas of WWII, made even more entertaining by the film's back story; Huston, who wanted, desperately, to get into WWII, managed to leave for the war after writing Bogie into 'certain-death' film climax, without a resolution! While the director and star thought it was hilarious, poor Vincent Sherman, called in to finish the film, probably lost a lot of sleep tying everything up!
Re-teaming the star with "Falcon" co-stars Mary Astor and Sydney Greenstreet (who are both superb), the film, despite obvious flaws, is eminently 'watchable', and remains one of Bogie's most popular films.
"Action in the North Atlantic" (1943) - One of WB's best wartime action/adventure films, Lloyd Bacon's tribute to the merchant marine is a marvelous ensemble piece, with great acting compensating for obvious stereotypes. Bogie isn't the focus of the story, but a team player, on a ship commanded by Raymond Massey (in one of his warmest, most ingratiating portrayals). This film has a famous back-story, as well; watching their stunt men performing a dive off a burning ship, Bogie and Massey, both a bit intoxicated (being 'off-duty'), started making bets on which stunt-man was braver...one thing led to another, until the stars, themselves, made the dive (which must have driven Jack Warner into apoplexy!)
"All Through the Night" (1942) - Humphrey Bogart made few comedies (mostly later in his career), but this 'Damon Runyon-Types vs. the Nazis', filmed just after "Falcon", is breezy fun, if totally outrageous! The story of gambler/promoter Bogie, investigating (for his mother!) strange goings-on, getting framed for murder, and discovering a Nazi cell in Manhattan with evil intentions, is so loaded with funny one-liners that you never miss the lack of logic.
Supported by a cast of GREAT comic actors (including William Demarest, Frank McHugh, Jackie Gleason, and Phil Silvers), hiss-able villains (headed by Conrad Veidt and Peter Lorre, who would re-team with Bogie in "Casablanca"), and lovely Kaaren Verne (the future Mrs. Peter Lorre) for romance, "All Through the Night" may not be a classic, but is FABULOUS fun!
"Passage to Marseille" (1944) - After the huge success of "Casablanca", WB attempted to find similar vehicles for Bogie, to attempt to recapture the magic. Some would work very well ("To Have and Have Not"); most didn't. This was one of the misfires, but it does offer "Casablanca" co-stars Claude Rains, Sydney Greenstreet, Peter Lorre, and Helmut Dantine, in a tale of Devil's Island escapees, dealing with Vichy plots, finding their 'souls', and rejoining the fight to rid France of the Nazis. Atmospheric, if occasionally slow-moving, the film is not among Bogie's best, but is certainly watchable, and has WB's distinctive 'gloss'...
Quite a collection!

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Includes:The Maltese Falcon (Three-Disc Special Edition), Across the Pacific, Action in the North Atlantic, All Through the Night, and Passage to Marseille.

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The African Queen (1952) Review

The African Queen  (1952)
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I'll spare the review of the movie itself. If you're reading this, you probably already know this movie is an absolute classic.
There's been some confusion about this release, so let me clear things up.
Because of some of the things I read, I waited for a long time before finally ordering one of these for myself. Now I see there was no reason to hesitate.
This is a "just fine" print of the movie. There's nothing "wrong" with the picture or sound--aside from simply being a dated production that has not been "remastered" in any way.
It's basically the same thing you would get if you carefully dubbed a very good copy of the VHS tape to DVD (which may actually be what they did!).
The picture and sound are basically as good as what you would have seen on your TV set back when this was first broadcast on network television. In other words, there are no "flaws" that would in any way distract from the enjoyment of the drama.
Contrary to what another reviewer reported: Yes, the Chinese subtitles are on by default--BUT THEY CAN BE TURNED OFF. It's easy to do.
Someone was wishing that this release was "wide screen." Sorry, but this would be IMPOSSIBLE. The movie was ORIGINALLY FILMED IN 4:3 RATIO. ("Wide screen" ratios did not exist until a few years after this movie was made.)
I'd gladly give this title SIX STARS! But since I'm reviewing the technical merits of THIS SPECIFIC DVD RELEASE (rather than the artistic merits of the movie itself) I gave it four.
Is this version a Chinese bootleg? I suppose it's possible. These are put out by a small company in Hong Kong. But I took a chance, because unfortunately, it's the only REGION-1 version of this movie on DVD right now. So until they come out with a better version, I'm glad I've got this one.
Before Hollywood starts b****ing about bootlegging, they need extricate their heads from their collective ***es and get classics like this back in print. Until then, they should expect to get bootlegged, and it's their own d*** fault.

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One of Bogey's best movie. If you are a Bogey fan, then you want this movie for your collection.

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Spies Like Us (Snap Case) (1985) Review

Spies Like Us (Snap Case) (1985)
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If you are a comedy movie person, this better be in your collection. Chevy Chase and dan Akroyd are a pair that will that no older person will never forget. Both men play "spies" or what they think they are, but actually they are both decoys for another group of spies. This movie has it all, laughs, women, men(for the ladies) and even bob hope!

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Chase and Aykroyd star as U.S. government spies who don't work out exactly as their superiors had hoped.Genre: Feature Film-ComedyRating: PGRelease Date: 8-FEB-2005Media Type: DVD

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The Caine Mutiny (1954) Review

The Caine Mutiny (1954)
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THE CAINE MUTINY remains one of the finest films ever made about the Navy. It was also one the U.S. Navy had a complex relationship with. On the one hand, the navy provided considerable access to naval vessels. Significant scenes were shot on at least three: the destroyer-mine sweeper used to represent the Caine, a light cruiser at the very end, and the U.S.S. Kearsarge, which represented Halsey's flag ship the U.S.S. Enterprise, though he later moved to the U.S.S. Missouri. Despite this remarkable cooperation, the Navy very nearly withheld its approval for the film. It was afraid that the public might imagine that the story represented actual events or that it might be imagined that there had been a mutiny aboard some ship. Only after the filmmakers agree to begin the film with a historical disclaimer did they approve.
More than anything, despite the presence of ships, the film is mainly a showcase for great acting. The quality of the cast simply can't be exaggerated. There are a host of stellar performances, and they even have such future stars as Lee Marvin in throwaway parts. Humphrey Bogart absolutely dominates the screen with one of the finest performances of his career. Most of the fan and critic polls I have seen over the years of the greatest movie stars of all time invariably place Bogart in the number one spot, and when you see him in this role, and then realize that he has 7 or 8 roles just as great, it is easy to see why. He is such a forceful presence that one would imagine that he wouldn't have been capable of a variety of roles, yet you contrast this film with THE MALTESE FALCON and THE AFRICAN QUEEN, and you realize that he had a capacity to play a surprisingly wide range of roles. Lt. Commander Queeg lacks almost all of the qualities of Rick in CASABLANCA, and possesses a host of lamentable ones as well. The scene in which Queeg cowardly has the U.S.S. Caine quickly outrun the landing crafts it is assigned to protect and then retreat to safety as fast as possible is made all the worse by the courage his characters in other films display. Queeg's final crack up on the witness stand at Lt. Maryk's court martial is justifiably famous, and is among the great scenes in cinema. It is now impossible for any character in any film to play with a pair of steel balls and not think of Bogart.
The rest of the cast is hardly shamed by Bogart. Van Johnson, as the loyal, enormously capable, conscientious Lt. Maryk is superb. (This is, by the way, the only film in which the make up department didn't cover the quite large scars on his forehead that he suffered over a decade earlier in a serious car wreck, which resulted in a steel plate being placed in his forehead.) Robert Francis, who had a promising career cut short at the age of 25 in a plane crash he suffered a year after this film, is solid as the young, idealistic Ensign Keith (though the parallels between his hesitancy to stand up to his mother and marry the woman he loves and his hesitancy to stand up to his commanders isn't developed as much as it is implied) holds his own against stiff competition. Fred MacMurray, who spent his entire career bouncing between utterly lovable and absolutely reprehensible characters, here takes the latter course as the complex, spineless Lt. Keefer. His character adds a delicious degree of ambiguity to the film. Jerry Paris, who would later play Rob and Laura Petrie's friend in THE DICK VAN DYKE SHOW, is excellent as the ship's other junior ensign. Tom Tully managed an Oscar nomination for Best Supporting Actor in his stellar performance as Lt. Commander DeVriess, the first commander of the Caine. Jose Ferrer (who is, by the way, George Clooney's uncle by marriage), whose screen roles never seemed to come up to the level of his talent, is outstanding in his small but memorable role as the mutineers' defense attorney.
On a minor note, I very much enjoyed the very unusual location scene in Yosemite National Park. Although we take location shots for granted today, Hollywood in the thirties, forties, and fifties was only very slowly willing to undertake location shots. It is hard today to realize how radical it was for directors like John Huston (who shot parts of THE TREASURE OF SIERRA MADRE in Mexico and THE AFRICAN QUEEN in Africa) or John Ford (who shot extensively in Arizona for his Westerns and in Ireland for THE QUIET MAN) to shoot on location. The general preference was to build sets on Hollywood backlots. It is so unusual to see location shots that no sound film was shot on location in Chicago (many films were made at the old Essanay Studios in Chicago in the teens and twenties) until the superb Jimmy Stewart CALL NORTHSIDE 777. The scenes in this one, therefore, set in Yosemite are pretty unique.

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Little Women (1949) Review

Little Women (1949)
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This version of Louisa May Alcott's classic book, "Little Women," starring June Allyson, Janet Leigh, Liz Taylor and Margaret O'Brien, was the first remake of the film (which originally starred Kathryn Hepburn) and the version that is truest to the book.
The Wynona Ryder film, the third and latest version, was seriously flawed, especially by the inclusion of "politically correct" and contemporary social views like the scene in which Ryder, playing Jo, expresses feminist sympathies to young men in a bar. I've read the book: there's nothing like that in it. In fact, the book is practically a morality play and in the earlier film versions the girls' struggle to improve their characters is portrayed, if somewhat lightly. These struggles, which are necessary to the accurate portrayal of each character and the time in which they lived, was totally deleted from the most recent version.
Both the Hepburn version and the Allyson version use quite a bit of Alcott's original text in the screenplay and characters in both films follow the book almost to the proverbial "T." The Ryder film, on the other hand, is a blatant and successful attempt to "modernize" Louisa Alcott, resulting in a totally inferior production.

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Louisa May Alcott's famous novel of the March family, brought to the screen.

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Caddyshack (1980) Review

Caddyshack (1980)
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Y'know, I get rather disgusted when I read reviews of movies like Caddyshack which describe it as "no-brainer" and "low-brow" (see the Amazon.com review, for example).The fact is that many so-called critics really don't have a clue when it comes to comedy movies of this type. Disrespect and irreverence for the establishment has been a staple of comedy movies for years. Are the only good comedies the light-hearted drivel that the likes of Grant and Hepburn made in the 30's? Of course not!
Caddyshack features fine performances from Bill Murray, Rodney Dangerfield, Chevy Chase, Ted Knight, and of course, the gopher. This motion picture is replete with sight gags and one-liners that to this day are repeated by afficianados of clever satire.
You don't have to be a lowbrow to like this movie, and just because you think it's funny doesn't mean there's something wrong with you. Caddyshack and Animal House withstand the test of time as two of the funniest comedies ever made...and that stands for a lot! The next time you find someone who thinks you're a reprobate for liking this movie, get Carl the Greenskeeper to cut his hamstring...he'll never play golf again!

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The greenskeeper is about to start World War III - against a gopher. The judge plays to win but his nubile niece has her mind set on scoring her own way. The playboy shoots perfect golf by pretending he is the ball. And the country club loudmouth just doubled a $20,000 bet on a 10-foot putt. Insanity? No. Caddyshack. Chevy Chase, Rodney Dangerfield, Ted Knight and Bill Murray tee off for a side-splitting round of fairway foolishness that does for golf what Animal House did for college fraternities and Police Academy did for law enforcement.

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Lawrence of Arabia (1962) Review

Lawrence of Arabia (1962)
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Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.
The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.
The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

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Director David Lean follows the heroic true-life odyssey of T.E. Lawrence (Peter O'Toole) in this dramatic portrait of the famed British officer's journey to the Middle East. Assigned to Arabia during World War I, Lawrence courageously unites the warring Arab factions into a strong guerrilla front and leads them to brilliant victories in treacherous desert battlefields where they eventually defeat the ruling Turkish Empire.

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Bedknobs and Broomsticks (30th Anniversary Edition) (1971) Review

Bedknobs and Broomsticks (30th Anniversary Edition) (1971)
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In 1971, Bedknobs and Broomsticks, a film many call a Mary Poppins rip-off, premiered at Radio City Music Hall, but in a version in which nearly half an hour of footage, including full songs, was removed. For its 25th Anniversary in 1996, Disney re-inserted all of the deleted footage except for one musical number in which the picture was lost. The Academy Of Motion Picture Arts And Sciences screened this in 1996, but it didn't get a theatrical release, and for years, the only way Americans could get it was either by the 1997 laserdisc release, an import of a European video, or by catching it on occasion on the Disney Channel.
Finally, in 2001, for the film's 30th Anniversary, Disney released a DVD with this extended version of the film. Restored and remastered, the film now has a clearer plot, extended musical numbers, and songs previously deleted. The brilliant "Portobello Road" number is now restored to its original running time, as well as Miss Price's response verses, titled "Don't Let Me Down" during Mr. Browne's song "Eglantine," and the previously entirely deleted songs "With A Flair" and "Nobody's Problems" are restored to the film.
The DVD is a mixed bag. The transfer is quite nice, but Lowry Digital, who did the recent Mary Poppins, Bambi, and Cinderella DVD restorations, could punch it up a little, as on occasion, I saw a bit of grain, and the occasional film artifact, especially during the closing credits and Walt Disney Pictures logo. However, this film has still never looked better on home video, so it's fine with me.
The extras could have been better. An actual making-of on the film would have been nice, including footage used in the Music Magic featurette. While that featurette does give some nice insight on the restoration, there's nothing behind-the-scenes about it except for the creation of the music score. Nothing about the effects, actors, nothing. But it's worth a look for info on the film's 1996 restoration. A larger gallery would have been nice. I do like the inclusion of the two cartoons. And of course, I'm happy to see that they have included theatrical trailers.
The best supplement, however, is the deleted song A Step In The Right Direction. That song was the catalyst that jump started this restoration project to begin with, so there's a bit of irony here in the fact that they couldn't find the footage of the song. So the supplement on the DVD, which is ported over from the 1997 laserdisc and was shown after the movie when the Disney Channel aired the restored version, is reconstructed using still photos of the scene and the original soundtrack. Hopefully one day, the footage will be found and they will be able to reinstate the number into the film, or at least they'll decide to include the photo reconstruction a la the restored version of A Star Is Born with Judy Garland.
Some have complained that there isn't an option to watch the original, shorter version due to its length and/or the poor dubbing of the voices in deleted scenes. (For much of the non-musical deleted footage, original dialogue soundtracks could not be found, so many of the deleted scenes had to be re-dubbed.) While I prefer the restored version despite the dubbing flaws, I think it would be wise of Disney to release both versions on DVD. Next year is the 35th Anniversary - maybe Disney will make a 2-disc DVD featuring both editions, with bonuses spread out on each disc, to appease all fans. Or better yet, a 3-Disc Collector's Edition, with discs 1 and 2 containing both cuts of the film and disc 3 with all the supplements. While neither edition is likely, the 2-Disc is a more likely option.
In conclusion, I can heartily recommend this DVD. The film has been lovingly restored and remastered, featuring almost all of the footage left on the cutting room floor in 1971, and features a nice handful of bonuses.

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An Academy Award(R) winner for Best Visual Effects (1971), BEDKNOBS AND BROOMSTICKS is a magical blend of live action and animation that makes it one of Disney's most enduring classics. This magical 30th anniversary edition version of the film is now yours to enjoy in digital splendor on this remastered, fully restored DVD! BEDKNOBS AND BROOMSTICKS is the enchanting story of an amateur witch who, along with three precocious orphans, flies into one fantastic adventure after another aboard a bewitched bed. The legendary Angela Lansbury is charming as the witch, and the inimitable David Tomlinson (MARY POPPINS) delights as the amusing professor whose help Lansbury and the children enlist in order to find an ancient incantation that will save the country from hostile invaders! This special edition BEDKNOBS AND BROOMSTICKS DVD includes many bonus features and is sure to be a film the entire family will want to watch again and again!

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South Pacific (1958) Review

South Pacific (1958)
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I first saw South Pacific when it was released in 1958 at the age of 10, and remember being totally overwhelmed by the orchestrations, performances and photography. Over the years I have regularly heard the film trashed by critics and many members of the public, so I was curious to see how I would respond to it now when I recently bought the video. Well, maybe it's just me, but I found the film as thrilling and beautiful as I did forty years ago. I agree with everyone else that it was a mistake to use those colored filters in many of the sequences, but the film still packs a heck of an emotional whallop, and I think along with The King and I stands out as the most successful of the Rogers and Hammerstein shows put on film. The weakest of the cast is John Kerr, who is somewhat wooden; however, Juanita Hall is magnificent as Bloody Mary (she will never be surpassed in the role she createwd on Braodway), Rossano Brazzi is thoroghly convincing as Emille DeBeque (even if he was dubbed by Giorgio Tozzi), and Mitzi Gaynor gives an unforgettable performance as Nelly Forbrush. Of all of the criticism one hears of South Pacific, to me the most puzzling is the bashing of Mitzi Gaynor, who to me is not only excellent but perfection in the role. I realize a lot of this probably stems from anger that Mary Martin didn't get the role and is basically sour grapes, but the fact is Ms. Martin was too old to be convincing in 1958. The scenes in which Ms. Gaynor struggles with her small-town prejudices are moving and very real, and when Bloody Mary brings Liat to her to find Lieutenant Cable, who has been killed, it breaks one's heart. Anyway, the movie still knocks me out, even if that makes me, as Nelly Forbrush calls herself, a "knucklehead." The incredible photography, gorgeous music, and theme of the need to triumph over bigotry which is still so relevant even today, makes this film a 5-star winner in my book. As trite as it sounds, "They don't make 'em like that anymore!"

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Brief Encounter - Criterion Collection (1946) Review

Brief Encounter - Criterion Collection (1946)
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Master director David Lean's reputation undoubtedly consists mostly of his brilliance with his epic panoramas, such as the classics THE BRIDGE ON THE RIVER KWAI, LAWRENCE OF ARABIA, DOCTOR ZHIVAGO, and A PASSAGE TO INDIA. Of course those who look closely in these films will see that Lean chose only the best actors to flesh out real, true characters caught in the midst of overwhelming events--witness Peter O'Toole's vivid characterization of T. E. Lawrence and Peggy Ashcroft's beautiful, indelible Mrs Moore from A PASSAGE TO INDIA. With BRIEF ENCOUNTER, the actors are everything, too.
The story is simple--in a very sad, post-WWII London, two married people meet by chance at a (glorious) train station and begin a friendship which slips quickly into love. The depth of their feelings is never in question, as Trevor Howard and the incandescent Celia Johnson portray these feelings honestly and without pretense, clutter, or the manneredness of modern depicitions of love. Whether the characters will be adulterers or not is important to them; they have principles and do truly care for their existing families. Again, they are two ordinary adults in the midst of something overwhelming; how they handle the situation is what gives them grace and dignity. The use of Rachmaninoff's Concerto no. 2 in C minor, especially the adagio section, was a stroke of genius. One cannot hear the piece ever again without imagining a tear streaming from Miss Johnson's large, soulful blue eyes. Fans of romance, classic cinema, or simply great acting should not miss this experience. The DVD transfer is excellent and Criterion should be applauded again for restoring a vital classic to modern audiences.

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From Noël Coward's play Still Life, legendary filmmaker David Lean deftly explores the thrill, pain, and tenderness of an illicit romance in the dour, gray Britain of 1945. From a chance meeting on a train platform, a middle-aged married doctor (Trevor Howard) and a suburban housewife (Celia Johnson) enter into a quietly passionate, ultimately doomed love affair, set to a swirling Rachmaninoff score. Criterion is proud to present Lean's award-winning masterpiece a beautifully restored digital transfer.

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Rawhide: Season Three, Vol. 1 Review

Rawhide: Season Three, Vol. 1
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The greatest western there has ever been or will ever be is Rawhide!
Outstanding western series! Keep them coming Paramount! We are loving it! It's true that Gil and Rowdy rule and Rawhide is #1!
episodes from the first half of Season 3
Season 3, Episode 1: Incident at Rojo Canyon
Season 3, Episode 2: Incident of the Challenge
Season 3, Episode 3: Incident at Dragoon Crossing
Season 3, Episode 4: Incident of the Night Visitor
Season 3, Episode 5: Incident of the Slavemaster
Season 3, Episode 6: Incident on the Road to Yesterday
Season 3, Episode 7: Incident at Superstition Prairie
Season 3, Episode 8: Incident at Poco Tiempo
Season 3, Episode 9: Incident of the Captive
Season 3, Episode 10: Incident of the Buffalo Soldier
Season 3, Episode 11: Incident of the Broken Word
Season 3, Episode 12: Incident at the Top of the World
Season 3, Episode 13: Incident Near the Promised Land
Season 3, Episode 14: Incident of the Big Blowout
Season 3, Episode 15: Incident of the Fish Out of Water
All episdoes are outstanding!
After years of waiting and the cruel betrayal of Columbia House, who had started making DVDs available in 2003, uncut and in series order but then abruptly stopped August 2004, Parmount has come to the rescue! Now in Paramount's capable hands, we are finally making real progress!
Paramount has released more episodes than anyone else to date, even more than Columbia House who had released dozens of VHS tapes(not in episode order). Eric Fleming is amazing as Gil Favor in this seris, there's no one else like him. Rowdy is also incredible in this series. The details of the old west in this series are fantastic. They don't make anything like it nowadays and we'll probably never see anything like it again.
Thank you Paramount!
Here's a great editorial review for Rawhide below
Like anyone growing up in the late fifties and early sixties I watched as much television as possible. Remember that this was the era of the eleven inch, black and white screen, the single three inch speaker and the universal remote was the youngest family member who had to get up to turn the knobs. This was also the golden years of television. The series that were around back then created the genres that are still around decades later. There was also something special about TV back then, it was the era of the western. Every single boy had a cowboy hat, boots and play six shooter. Even the girls refused to be left out and clamored for a fringe skirt cowgirl outfit and hat. The vast majority of television programming was dedicated to the American old west. Every network, all three of them, filled their schedules with one variation of the theme after another. Most of those series are now only a small footnote in the history of television. Several remain today as cult classics and the undisputed leaders in this field. After `Gunsmoke' one TV western still stands above the rest `Rawhide'. This was `THE' show to watch back then. We kids would put on our cowboy gear, make the coffee table into a covered wagon and sit there mesmerized by the action. This is more than an old television show; for many of us this is a piece of our personal history.
The folks over at Paramount Pictures have the most incredible vault of classic television series imaginable. Anybody would love to be able to sit there for a month or two watching the myriad of shows they have on tap. Since this is not a likely prospect it is very fortunate that Paramount has been in a sharing mood. Lately they have been bringing out DVD set after set of series from these golden years. Now they have the second volume of the second season and like the previous ones, it is fantastic. The thing about `Rawhide' is it may have been one of the most famous television westerns but it was not very typical of the genre. Most westerns had the required action. There were good guys with white hats and bad one wearing black and the Native Americans, `Indians' back then, where rarely more than savages. Rawhide took a different slant. It was a dramatic series that just happened to be set in the old west. The six-shooter was there but not as important as the moral and emotional dilemmas the characters faced each week. The stories were centered on the characters over mindless action. It was possible to do this back then. Now so much of television has degenerated into mindless pap that it is easy to forget just how powerful this medium is. In those days everything was new and the studios were willing to take a chance. Rawhide stands the test of time because it dared to be different. So bring in the youngsters and let them see television the way it was meant to be. If they complain just make them stand behind the TV holding a set of rabbit ear antennas like we had to.
The premise of the series is elegant in its simplicity following the lives a group of cowboys working on a cattle drive. Many westerns showed cowboys riding around, shooing cattle now and again but it always felt like the cowpokes really didn't have a whole lot to do. This series depicted the arduous struggle to move a heard of cattle from one location to another. It was a daily hardship battling the weather, rustlers, the cattle and even each other. The drama of the series came organically from the realism of the characters and stories. These were the kind of men that built the west. At the head of the chain of command is Gil Favor (Eric Fleming), the trail boss. He is the one in command of the drovers and support staff on the drive. He is a man who has been around and seen it all. Although he is grizzled and tough he is also fair. His right hand man is Rowdy Yates (Clint Eastwood), the ramrod. It is up to him to work along side the men making sure they do things right. While the men keep the cattle in line it is up to Rowdy to keep them moving in the right direction. Also in constant attendance is Wishbone (Paul Brinegar) the camp cook. He you are responsible for providing a group of hungry cowboys with chow you have to be ready for just about anything. He depends on his assistant Mushy (James Murdock). One of the senior wranglers is Hey Soos (Robert Cabal) he is not a stranger to getting into trouble. Usually there to scout out the land ahead is Pete Nolan (Sheb Wooley).
This series doesn't look or feel like a television show at all. It is more like short, 50 minute, movies. The production quality here is spectacular. There is more emphasis on the plot than action. The fight scenes are just a small part of the series and this set it apart from the large pack of westerns back then. Life on a long cattle drive was shown in a realistic fashion. On such a trek boredom was the real enemy. Cowpokes looking for some excitement on their down time would head off to the nearest town and typically get into some mess or another. There are also plenty of slice of life shots. In one the men side around the chuck wagon, the center of cattle drive society, and grab a snack, mend their clothes, get in a snooze or tend to their saddles. These quite times were usually disrupted by some form of mayhem. Either it is a group of cattle rustlers out to steal the heard or an Indiana attack that forces the cowboys into action. Each episode was titles `Incident at ...' which is extremely fitting. These stories are notable incidents on an otherwise routine cattle drive.
Every episode begins with Gil waxing philosophically about some aspect of his line of work. Whether it is how the good Lord swells a little stream so it takes days to cross or the economics of bringing in the heard on time and in sellable shape Gil gets to show off his deeper side. This was also the series that made a star out of Clint Eastwood. He is more than an actor; he is a true renaissance man who has achieved fame as an actor, director, jazz musician, composer and even a politician. This is where it all began for him. He could stare down the meanest bad guy with a single stare and if necessary back it up with his six-shooter. Also gaining a good deal of fame here was the singer of the theme song, Frankie Lane. This song has lived on long after the series was cancelled and is known throughout the world.
Paramount certainly took care of the original elements of this series. The black and white full screen video is incredibly clear. There is a little speck every so often but over all the video is excellent. This is better than I remember the show ever being. the Dolby 2.0 mono is clear and without flaw. These episodes are completely re-mastered and it shows. Typical of an older television set for Paramount there are no extras included. That really doesn't matter here; the series is a great buy on its own. This is a must have for everyone that appreciates quality television.And here's another good editorial review.
More often than not, Rawhide (1960) is remembered as the show that started the long and illustrious career of Clint Eastwood. After all, his appearance in this Western-themed show would eventually lead to his participation in the classic Sergio Leone spaghetti westerns as The Man With No Name. From there he would start directing and then eventually become the Academy Award winning talent that he is today. it's a very successful show in its own right, as illustrated by this release of Rawhide
Rawhide was always a fan favorite for those interested in the Western genre (and those old enough to have seen the show), and even today it is still a standout in the genre, with excellent direction, writing, and acting.
The series as a whole revolves around the cattle drives of the old west, but that simple premise leaves plenty of room for the writers to come up with tons of interesting stories, episode after episode. What's...Read more›

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The tale of Gil Favor, trail boss, and Rowdy Yates, his assistant, as they drive cattle across the old West. Along the way they meet up with adventure and drama.

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Clash of the Titans (Snap Case) (1981) Review

Clash of the Titans (Snap Case) (1981)
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I love "Clash of the Titans," but I'm terribly disappointed by the quality of this DVD. The "all-new digital transfer" that the manufacturer promises is quite possibly the worst transfer I've ever seen, enhancing the film's visual flaws while disguising its merits. In composite shots, live-action elements are so washed-out as to appear almost black-and-white at times, while stop-motion elements are garishly bright and crisp, looking more like cartoons than dimensional objects. This is particularly pronounced in shots of the flying Pegasus; the digital transfer so exaggerates the matte lines around the figure that it appears to be a paper cut-out plastered against the sky. Even the glorious Medusa segment suffers from these defects: what was, in the original (and on VHS), an atmospheric balance of rich darks and flickering red lights, becomes a clash of nearly impenetrable spots of shadow against grainy, pale-brown relief. I'm no authority on digital transfers, but my guess is that this one was done as quickly and cheaply as possible, the manufacturer's reasoning being (probably) that fans of Harryhausen will be so thrilled to have his films on DVD that they could care less what the films look like. Well, I was thrilled to have "Clash of the Titans" on DVD--but when the abysmal quality of the transfer interferes with the very effects that make the film great, my enthusiasm wanes considerably. I'd advise fans of Harryhausen to buy the video version, and to write angry letters to the manufacturer protesting their callous desecration of one of the master's greatest films.

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The classic Greek myth of Perseus and Andromeda re-told with an all-star cast. To win the right to marry his love (Andromeda) and fufill his destiny, Perseus must complete various tasks including taming Pegasus, capturing Medusa, and answering riddles. The result is a timeless adventure that's a treat for kids and adults.

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Reilly - Ace of Spies (1983) Review

Reilly - Ace of Spies (1983)
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At a time when the James Bond films were still novel and going strong, as were their imitators, British television viewers were watching a 10.5 hour, 12-part miniseries called "Reilly, Ace of Spies." Based on the biography by Robin Bruce Lockhart, this intriguing series is now available in a boxed set of 4 A&E DVDs (AAE-71748) and makes for some really gripping viewing.With Sam Neill in the title role, we follow the career of the man who taught British intelligence that if ruthlessness gets the job done, then ruthless spies are what they need. Sidney Reilly, an assumed name as is learned later, remains loyal to friends but not altogether to his employers and casual acquaintances. And if he treats his wives questionably when his job gets in the way, he makes up for it by treating all the other women with great feeling and tenderness.Having little patience with incompetence on any level, he gets a huge contract for battleships for Russia away from a British firm and to a German firm for which he works, he gets oil concessions, he steals plans by posing as a fire expert in Germany, and he finally tries to make himself head of a provisional government that will overthrow the Bolshevik regime. And so on.Along the way he runs into two great villains: Basil Zaharov (Leo McKern, who can say more with a look than most actors can with a page of text), and the icy head of Soviet Intelligence Felix Dzerzhinsky (Tom Bell), who has set up a phony organization that pretends to be against Stalin and rakes in millions from rich anti-Bolsheviks all over the world. A frightening moment comes when Stalin (David Burke) orders all in the group to be shot, because even following orders to appear disloyal "is no excuse"! Which is what happens when personal power is far more important than human beings.Other major characters are Reilly's boss Cummings (Norman Rodway), his fellow agent Hill (Hugh Fraser), and an astute oriental police officer (David Suchet). Like another two series about spies, "Tinker Tailor" and "Smiley's People," the story is complex, you never quite know at first who is who and who is lying more than the others. Except for some possibly supernatural business towards the end, you watch with both fascination and a vague disgust that this is what many people are really like-and that, from what we see, it is not the meek who are doing any inheriting.Fascinating and provocative viewing on a definitely "adult" level (i.e., lots of violence and a lot of naked flesh, the latter of which is pretty gratuitous). Neill does a marvelous job of portraying the complex and highly ambiguous main character.

There is an interesting documentary of the real Reilly as a bonus feature, which should be seen after the series, not before.


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At the turn of the 20th century, one remarkable man single-handedly tried to alter the course of history. Cold, ruthless, enigmatic, this Russian-born British agent radically transformed modern espionage techniques and set the mold for a new kind of secret agent-the super spy. REILLY: ACE OF SPIES is the thrilling, suspenseful dramatization of the real-life adventures of Agent ST-1, aka Sidney Reilly, the inspiration behind Ian Fleming's James Bond. Shot in glorious period detail, one heart-pulsing mission after another captures the arc of Reilly's brilliant career. From stealing top-secret Russian oil information to a near overthrow of the Bolshevik Revolution to his final capture by Stalin's forces in 1918, Reilly's exploits are at times so daring and reckless it's hard to believe it's history and not fiction. Starring Sam Neill (Jurassic Park, The Hunt for Red October), REILLY: ACE OF SPIES includes all 12 original episodes on DVD for the first time, and features a bonus documentary examining the final, mysterious days of this legendary figure. DVD Features: "Life of Reilly: Superspy" episode from A&E's acclaimed Vanishings series; Interactive Menus; Scene Selection

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The Time Machine (1960) Review

The Time Machine (1960)
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This review refers to the Warner Bros. DVD edition of "The Time Machine"(1960)......
I am so impressed with how this 43 year old classic Sci-Fi film looks and sounds on the DVD, that I am going to start with that this time. I wasn't expecting it to look as great as it did because the editorial review here gives it 3 out of 5 stars on both the picture and the sound. If you are a big fan of this film, or thinking of buying it as a gift for someone who is, you will not be disappointed with this transfer. The picture is presented in the original widescreen format,so you won't miss a bit of the action. To watch it you would think you went back in the time machine to 1960 and were viewing it for the first time. It is clear and sharp with vibrant color.The soundtrack is remastered in Dolby Dig 5.1 and is a welcome enhancement.The DVD also includes a terrific Behind The Scenes documentary called "Time Machine...The Journey Back". The film's star Rod Taylor hosts and fans will love this informative feature. You'll get a good look at how the actual machine was made and the journey that it has taken in the last 40 years as well as other interesting tid bits. This feature has it's own scene selections to choose from or you can just watch it straight through. The film may be viewed in French and has subtitles in English and French.(my only teeny complaint would be that the black bar area is not used for these subtitles, they are at the bottom of the film).
The story based on the novel by H.G. Wells is as captivating today as it ever was. You know the tale.....
George(Rod Taylor)has all the time in the world. He tells his friends an incredible story of his adventures traveling through the ages in a time machine that he has built. As his story begins, he starts out slowly traveling through the 20th century. He doesn't like what he sees. War and destruction seem to be the fate of civilaztion.He pushes foward, quickly, and the years fly by. Finally stopping in the year 802701,he comes across what seems to be a paradise on earth. Clean air,fruit growing in abundance, and a society of young beautiful people, the Eloi, who don't seem to have a care in the world. But even in this Utopian like civilazation there's trouble amiss.The Morlocks are running things from underground and they are just as scary today as they ever were.So it's up to our guy George to save this future civilazation from the evil Morlocks,and try to get back home to the year 1900 for an 8pm dinner appointment..whew,what a great story!
Directed brillantly by George Pal("7 Faces of Dr. Lao"/"Atlantis the Lost Continent"), the film also boasts the great talents of Alan Young, Sebastian Cabot, and the lovely Yvette Mimieux, as "Weena", who adds a little romantic interest to the story. The film was awarded a well deserved Oscar for it's special effects(also discussed in the featurette) for Gene Warren and Tim Barr.The movie is rated G, although the scenes with the Morlocks might be a little scary for very young children.
A great story, fabulous film and an outstanding DVD. So go back in time, with your old friend "The Time Machine"..enjoy...Laurie

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A time travel inventor travels to the future where the passive Eloi are in danger of becoming prey to subterranean mutants called Morlocks.Genre: Feature Film-DramaRating: GRelease Date: 13-MAR-2001Media Type: DVD

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