Days of Glory (1944) Review

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(More customer reviews)Here's a film that no decent Gregory Peck fan should be without. Perhaps this is why the video is OUT OF STOCK?? Or perhaps the subject matter - The Great Patriotic War - is unpopular in these days of glory in occupied Iraq? The things that strike me about this film, apart from Peck's rawboned, wide-eyed performance (yes, his VERY FIRST) are the deep B&W photography and the treatment of children in the movie.... it's as though much of the story is seen through their eyes. Indeed, "Enemy at the Gates" owes a plotline to "Days of Glory". In fact, I am gonna go ahead and put this on my list of grand all-time war movies 'about' children, right up there with Boorman's "Hope and Glory" (similarity intentional, Bro. John?); "Come and See"; "Empire of the Sun"; "The North Star"; "Back to Bataan"; and of course "Mrs. Miniver". Perhaps YOU can add others?

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Until They Sail (1957) Review

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(More customer reviews)With a superb cast and sensitive direction by Robert Wise, "Until They Sail" follows the lives of 4 sisters, who deal with the tragedy and loneliness of war from different perspectives, and in different ways. Joan Fontaine is Anne, who is rigid and virtuous, and Jean Simmons is Barbara, who has only been a bride for a month when her husband leaves for the war. Piper Laurie is Delia, who in desperation marries an obnoxious cad, because he's the only man in town, and Sandra Dee is Evelyn, whose enthusiasm for life cannot be dampened, even by the uncertainty and sadness of the time. Dee was only 13 when this film was made, and it was her delightful screen debut.
Woven into the women's lives are the Americans, who are stationed in New Zealand, among them Jack (Paul Newman), whose principal job in the military is to investigate the potential brides of the enlisted men. After a bad marriage, Jack relies on the comfort of whiskey to get him through the night, until he meets Barbara. Based on a James Michener story, "Until They Sail" is a marvelous wartime melodrama, and though it is essentially a "woman's film," can be appreciated by anyone who likes fine acting and filmmaking. The b&w cinematography by Joseph Ruttenberg is lovely, and when the camera focuses on Jean Simmons's luminous eyes, one realizes what a great actress she was, and how she was able to convey depth and passion with just a look. "Until They Sail" is an underrated classic that depicts the emotional toll on the women left behind in a way that is unique, insightful, and memorable. Total running time is 94 minutes.


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Where Eagles Dare (Clint Eastwood Collection) (1969) Review

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(More customer reviews)Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!
Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.
The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!
And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

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Commandos, posing as German soldiers, parachute into a city to rescue a supposed allied general from a Nazi hideaway fortress that can only be reached by cable car.

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The Caine Mutiny (1954) Review

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(More customer reviews)THE CAINE MUTINY remains one of the finest films ever made about the Navy. It was also one the U.S. Navy had a complex relationship with. On the one hand, the navy provided considerable access to naval vessels. Significant scenes were shot on at least three: the destroyer-mine sweeper used to represent the Caine, a light cruiser at the very end, and the U.S.S. Kearsarge, which represented Halsey's flag ship the U.S.S. Enterprise, though he later moved to the U.S.S. Missouri. Despite this remarkable cooperation, the Navy very nearly withheld its approval for the film. It was afraid that the public might imagine that the story represented actual events or that it might be imagined that there had been a mutiny aboard some ship. Only after the filmmakers agree to begin the film with a historical disclaimer did they approve.
More than anything, despite the presence of ships, the film is mainly a showcase for great acting. The quality of the cast simply can't be exaggerated. There are a host of stellar performances, and they even have such future stars as Lee Marvin in throwaway parts. Humphrey Bogart absolutely dominates the screen with one of the finest performances of his career. Most of the fan and critic polls I have seen over the years of the greatest movie stars of all time invariably place Bogart in the number one spot, and when you see him in this role, and then realize that he has 7 or 8 roles just as great, it is easy to see why. He is such a forceful presence that one would imagine that he wouldn't have been capable of a variety of roles, yet you contrast this film with THE MALTESE FALCON and THE AFRICAN QUEEN, and you realize that he had a capacity to play a surprisingly wide range of roles. Lt. Commander Queeg lacks almost all of the qualities of Rick in CASABLANCA, and possesses a host of lamentable ones as well. The scene in which Queeg cowardly has the U.S.S. Caine quickly outrun the landing crafts it is assigned to protect and then retreat to safety as fast as possible is made all the worse by the courage his characters in other films display. Queeg's final crack up on the witness stand at Lt. Maryk's court martial is justifiably famous, and is among the great scenes in cinema. It is now impossible for any character in any film to play with a pair of steel balls and not think of Bogart.
The rest of the cast is hardly shamed by Bogart. Van Johnson, as the loyal, enormously capable, conscientious Lt. Maryk is superb. (This is, by the way, the only film in which the make up department didn't cover the quite large scars on his forehead that he suffered over a decade earlier in a serious car wreck, which resulted in a steel plate being placed in his forehead.) Robert Francis, who had a promising career cut short at the age of 25 in a plane crash he suffered a year after this film, is solid as the young, idealistic Ensign Keith (though the parallels between his hesitancy to stand up to his mother and marry the woman he loves and his hesitancy to stand up to his commanders isn't developed as much as it is implied) holds his own against stiff competition. Fred MacMurray, who spent his entire career bouncing between utterly lovable and absolutely reprehensible characters, here takes the latter course as the complex, spineless Lt. Keefer. His character adds a delicious degree of ambiguity to the film. Jerry Paris, who would later play Rob and Laura Petrie's friend in THE DICK VAN DYKE SHOW, is excellent as the ship's other junior ensign. Tom Tully managed an Oscar nomination for Best Supporting Actor in his stellar performance as Lt. Commander DeVriess, the first commander of the Caine. Jose Ferrer (who is, by the way, George Clooney's uncle by marriage), whose screen roles never seemed to come up to the level of his talent, is outstanding in his small but memorable role as the mutineers' defense attorney.
On a minor note, I very much enjoyed the very unusual location scene in Yosemite National Park. Although we take location shots for granted today, Hollywood in the thirties, forties, and fifties was only very slowly willing to undertake location shots. It is hard today to realize how radical it was for directors like John Huston (who shot parts of THE TREASURE OF SIERRA MADRE in Mexico and THE AFRICAN QUEEN in Africa) or John Ford (who shot extensively in Arizona for his Westerns and in Ireland for THE QUIET MAN) to shoot on location. The general preference was to build sets on Hollywood backlots. It is so unusual to see location shots that no sound film was shot on location in Chicago (many films were made at the old Essanay Studios in Chicago in the teens and twenties) until the superb Jimmy Stewart CALL NORTHSIDE 777. The scenes in this one, therefore, set in Yosemite are pretty unique.

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The Great Escape (2-Disc Collector's Set) (1963) Review

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(More customer reviews)The Great Escape certainly didn't get its due when it was released -- it wasn't even nominated for Best Picture, Director or any of the Acting awards. In fact, it was only nominated for Film Editing! It seems, however, that the film doesn't even get its proper due today as it was not on the American Film Institute's 100 Greatest Film list despite its large following.
The Great Escape is certainly one of the most memorable films I've ever seen. The cast includes the late great Steve McQueen, James Garner, Richard Attenborough (Director of Gandhi), Charles Bronson, James Coburn, James Donald (Bridge on the River Kwai), Donald Pleasance and David McCallum (The Man From U.N.C.L.E.). McQueen's performance is riveting and makes the viewer miss him all the more. Garner, who actually was a "Scrounger" during the Korean War, is terrific. It's also particularly nice to see a performance as a good guy from Pleasance and as a human being by Bronson (sorry, but Bronson truly wasted his talent in the Death Wish movies). And in an era when studios tried to substitute backlot sets for on location filming, the POW camp, which was built on location in Germany, looks completely authentic and makes the audience sympathize with the prisoners' plight even more. The DVD heightens the experience by presenting the film letterboxed in clear, vibrant colors. In addition, the DVD edition includes a documentary on both the real story and the making of the film. This film is a classic and the DVD edition does it great justice and makes you realize what a mistake the AFI made by excluding it from its list.
Here's to "the fifty."

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In 1943, the Germans opened Stalag Luft North, a maximum-security prisoner-of-war camp, designed tohold even the craftiest escape artists. In doing so, however, the Nazis unwittingly assembled the finest escape team in military historybrilliantly portrayed here by Steve McQueen, James Garner, Charles Bronson and James Coburnwho worked on what became the largest prison breakout ever attempted.One of the most ingenious and suspenseful adventure films of all time, The Great Escape is a masterful collaboration between director John Sturges (The Magnificent Seven), screenwriters James Clavell (Shogun) and W.R. Burnett (Little Caesar), and composer Elmer Bernstein. Based on a true story, The Great Escape is epic entertainment that "entertains,captivates, thrills and stirs" (Variety).

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McHale's Navy - Season One (1962) Review

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(More customer reviews)Join Lt. Cmndr Quinton McHale and his fun-lovin' squadron of rule-bending goof-offs and gamblers aboard the PT 73 on its award-nominated maiden voyage of 36 episodes in the 45th anniversary release of McHale's Navy - Season One!
Starring the unsinkable talents of Ernest Borgnine (a real-life navy veteran) as skipper McHale, Tim Conway (The Carol Burnett Show) as klutzy Ensign Parker, Carl Ballantine as con man Lester Gruber, Joe Flynn (The Rescuers) as blustery, fun-spoiling Capt. Binghamton, and Bob Hastings as his jittery aide Lt. Carpenter, McHale's Navy is one of television's longer-lasting military comedies (and a classic B&W sitcom favorite of mine), with 138 episodes aired over four seasons (1962-1966).
Digitally restored and remastered by Shout! Factory, McHale's Navy - Season One is a 5-disc (930 min.) set featuring all 36 episodes in Full Frame (1.33:1) video and English mono, plus the following Special Feature: "The Crew Remembers": Shout! Factory hosts a very special 45th anniversary reunion of the crew, including stars Ernest Borgnine, Tim Conway, Carl Ballantine, Edson Stroll and Bob Hastings. Here are how the discs will be configured, plus original airdates:
Disc 1:
"An Ensign For McHale" (10/11/1962)
"A Purple Heart For Gruber" (10/18/1962)
"McHale And His Seven Cupids" (10/25/1962)
"PT 73, Where Are You?" (11/1/1962)
"Movies Are Your Best Diversion" (11/8/1962)
"Operation Wedding Party" (11/15/1962)
"Who Do The Voodoo?" (11/22/1962)
Disc 2:
"Three Girls On An Island" (11/29/1962)
"McHale's Paradise Motel" (12/6/1962)
"The Battle Of McHale's Island" (12/20/1962)
"The Day They Captured Santa Claus" (12/27/1962)
"Beauty And The Beast" (1/3/1963)
"The Captain's Mission" (1/10/1963)
"Send Us A Hero" (1/17/1963)
Disc 3:
"The Captain Steals A Cook" (1/24/1963)
"The Ensign Gets A Zero" (1/31/1963)
"The Big Raffle" (2/7/1963)
"One Of Our Engines Is Missing" (2/14/1963)
"The Natives Get Restless" (2/21/1963)
"The Confidence Game" (2/28/1963)
"Six Pounds From Paradise" (3/7/1963)
Disc 4:
"Washing Machine Charlie" (3/14/1963)
"Nippon Nancy Calling" (3/21/1963)
"One Enchanted Weekend" (3/28/1963)
"The Mothers Of PT 73" (4/4/1963)
"H.M.S. 73" (4/11/1963)
"A Wreath For McHale" (4/18/1963)
"Portrait Of A Peerless Leader" (4/25/1963)
"Instant Democracy" (5/2/1963)
Disc 5:
"Camera, Action, Panic" (5/9/1963)
"Alias Captain Binghamton" (5/16/1963)
"Parents Anonymous" (5/23/1963)
"McHale's Millions" (5/30/1963)
"The Hillbillies Of PT 73" (6/6/1963)
"The Monster Of McHale's Island" (6/13/1963)
"Uncle Admiral" (6/27/1963)McHale's Navy - Season One
March 20th!

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From 1962 to 1966,McHale s Navy was the ABC networks must-see comedy series. With an amazing cast, including Academy Award winner Ernest Borgnine (Lt. Commander McHale), comic genius Tim Conway (Ensign Parker), the one-of-a-kind comic talent of Joe Flynn (Captain Binghamton) this series remains second only to M*A*S*H as a truly funny military sitcom.Veteran seaman Quinton McHale is commissioned into the Navy Reserve at the start of WWII. He becomes Skipper of the Torpedo Patrol (PT) Boat #73 stationed on the island of Taratupa in the Pacific. Assigned to his command are six free-spirited, good-hearted swabbies who love to have fun. McHale and his men are constant irritants to their base commander, Captain Wallace B. Binghamton. Binghamton is forever trying to find a way to get rid of McHale and his rule-bending crew, while McHale & Co. are forever scheming to keep him from succeeding. Despite their hilarious party-boy shenanigans and utter disregard for Navy regulations, when duty calls, the crew of PT 73 does its job and does it well.With its talented stars, great writing and solid supporting cast, including Gavin McLeod (Mary Tyler Moore Show, The Love Boat), McHale s Navy is classic television at its finest and funniest.Bonus Features:* The Crew Reunion Ernest Borgnine, Tim Conway, Carl Ballantine, Bob Hastings and Edson Stroll reunite and share their memories of the show.* A special Colorized episode.

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Operation Pacific (1951) Review

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(More customer reviews)Since I grew up with this movie, I have seen it at least 30 times. This is one of the best Submarine Movies of WW-II action made. And not everyone knows this but this movie did deal with some truth. When the skipper is shot by a "Q" ship in a surface attack, he uses the command "Take Her Down" which was in actuality used by the CO of the USS Growler, after being critically wounded in action in 1942. And the torpedo trouble in the movie was also true and they did drop warheads from on high to test out various firing options. One submarine mentioned in the Movie was the Corvina, which really was a USN Sub, and she was suck by a Japanese Submarine like the movie portrays. Unlike other Sub Movies, this one has a lot of truth in it and is an excellent watch. It is made more realistic by being in black and white. Sources for the above "Sink em All" By Vice Admiral Charles A. Lockwood, USN COMSUBPAC during WW-II

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World War II rages across the Pacific and Lt. Cmdr. Duke E. Gifford is in the thick of it. He evacuates children from enemy-held islands. Oversees the development of torpedoes at Pearl Harbor. And prowls the depths in the submarine Thunderfish for a chance to aim his improved "tin fish" - torpedoes - at the enemy. John Wayne plays Gifford in Operation Pacific. "I'm no theory man. I'm a line officer," Gifford barks. He backs it up with lots of bite in several feverish sea battles. He's also a man of heart with a loving wife at home (fellow Academy AwardO winner* Patricia Neal). Vice Adm. Charles Lockwood, World War II commander of all U.S. Pacific submarines, was technical advisor for this adventure packing real you-are-there thrills!

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Stalag 17 (Special Collector's Edition) Review

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(More customer reviews)Quite easily a front runner for the title of best POW movie ever made, "Stalag 17" is expertly directed by Billy Wilder to provide humour, drama, satire and sadness....and William Holden in his Oscar winning performance as the cynical POW sergeant, Sefton, makes this movie a class act from start to finish !
American POW's under the watchful eye of camp commander Von Scherbach (Otto Preminger at his sinister best) are suspicious of a traitor in their ranks...escape plans are going horribly wrong...lives are being lost....and the finger of guilt point's to the crafty, opportunistic Sefton. William Holden was well deserving of the 1953 Best Actor Oscar as the somewhat unlikeable and moody Sefton. Taking advantage of his fellow POW's and filling his footlocker with contrband purchased from the income off his "racetrack", "moonshine" and "telescope" rackets, Sefton then suddenly finding himself the victim of circumstance and his own cynical nature. Holden took on a particularly difficult role, as Sefton is definitely not what you would call a likeable character...only looking out for his own welfare, negative of his fellow prisoners escape attempts and eager to pick up an extra dollar any way he can from other prisoners. The character of Sergeant Sefton is arguably one of the first anti-hero's of film drama. Fine support is provided in the film by the hilarious comic talents of Robert Strauss & Harvey Lembeck (Animal & Harry Shapiro)...just love that dreamy Betty Grable dance sequence...plus the fine character actor, Sig Ruman is very funny as chess playing German guard, Schulz.
A quite youthful Peter Graves plays security officer "Price", Gil Stratton narrates the tale as the meek "Cookie"...Sefton's trusty sidekick.....and actors Richard Erdman & Neville Brand are solid as "Hoffy" & "Duke", the two leaders of the POW barracks.
"Stalag 17" is thoroughly enjoyable on so many levels due to the fine balance of performances between the cast members and the equilibrium between tension and humour that Wilder maintains throughout this memorable movie....
I've noticed some reviewers have called this film a "time passer" or that it is "nothing spectacular"...are they sure we are discussing the same movie ??? "Stalag 17" is top class entertainment and it's release on DVD (albeit without any extra features) is long overdue and well received.
A high calibre production that deserves a place in any true film fans movie collection !

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Two worthy Academy Award® nominees from 1950's Sunset Boulevard – actor William Holden and director Billy Wilder – reteamed three years later for the gripping World War II drama, Stalag 17. The result was another Best Director nomination for Wilder (his fourth), and the elusive Best Actor Oscar® for Holden. Holden portrays the jaded, scheming Sergeant J.J. Sefton, a prisoner at the notorious German prison camp, who spends his days dreaming up rackets and trading with the Germans for special privileges. But when two prisoners are killed in an escape attempt, it becomes obvious that there is a spy among the prisoners. Is it Sefton? Famed producer/director Otto Preminger tackles a rare acting role as the camp's commandant; actor Robert Strauss won a Supporting Actor nomination for his role as "Animal." Here's Wilder's powerful, acclaimed film classic -- now packed with never-before-seen special features, including audio commentary and "behind-the-scenes" featurettes.

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Rat Patrol - The Complete First Season (1966) Review

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(More customer reviews)I was a teenager when I discovered Rat Patrol in 1966. I was at the time depressed because of the cancellation of another WW II show that I enjoyed very much, 12 O'Clock High, which I sincerely wish they would release on DVD but have not.
The Rats came in to fill that void in my TV watching life and I enjoyed every single episode. What makes a girl or a woman want to watch a war show? NO, it isn't the shoot 'em up 50's or the racing jeeps spewing sand! It's the interesting characters and the stories which had heart to them. With just a half hour they couldn't delve those characters as deeply as 12 O'Clock High did (one of the best character dramas ever) but they made a good go at it. They displayed the many facets of the regulars, Troy (Chris George) who was the original loner/rebel who had to learn to be a team player and to trust others, and Moffitt (Gary Raymond) the intelligent, laid back Englishman whose strong emotions lay carefully controlled just below the surface. Less time was accorded to Hitch (Larry Casey), the cute skirt chaser, and Tully (Justin Tarr) whose love is his jeeps.
The other regular was the German commander Dietrich played by the actor then known as Hans Gudegast who has since gone on to a long lasting career in soap opera as Eric Braeden. What was so great about Dietrich was that, contrary to the popular stereotyping of the German foe at that time, he was not a conscionless, sadistic Nazi. He was a good soldier who loved his country even though in his heart he knew its methods were misguided. He gave a very human face to the enemy and you couldn't walk away from this show hating him. You understood that the enemy is human too.
There were also numerous guest characters in the many different episodes, too many for me to remember and describe, but they were very often memorable and dimensional in their own limited ways so that you felt for them as well.
So ladies, don't turn away from this one because of the war theme. There is a lot here that you will like too, not the least of which is Chris' swarthy good looks and Gary's elegant gentlemanly good looks. I give it a 10... I mean 5... well, whatever the top rating is.


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Blazing across the North African deserts, it¹s THE RAT PATROL, an elite Allied commando team whose mission is to attack, harass and wreak havoc on Field Marshal Rommel¹s vaunted Afrika Korps. Join four-man army Sgt. Sam Troy (Christopher George), Sgt. Jack Moffitt (Gary Raymond), Pvt. Mark Hitchcock (Lawrence Casey) and Pvt. Tully Pettigrew (Justin Tarr) as theywage war against Nazis, traitors and wild-eyed fanatics in this action-packed first season collection, featuring all 32 explosive episodes, uncut, unedited and commercial-free!

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Das Boot - The Director's Cut (1982) Review

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(More customer reviews)This review will attempt to assist those who already own the Director's Cut (or Superbit version), but who are thinking about also buying the newer "Original Uncut Version" (293 minutes on 2 DVDs).
The first thing you should know is that the English dub has been largely redone; if you are familiar with the Director's Cut dialogue, you will immediately notice that the English dub's script has been changed in many places within the Uncut Version. In particular, the saltier comments throughout the movie have been deleted and replaced with much more 'polite' translations. Moreover several of the characters (Werner the war correspondent, Kriechbaum the Navigator, the boat's second-in-command [whom is referred to as "Number One"], as well as the comical red-haired Second Officer, etc.) have received new voices in the English dub (if only in select places), and their scripts have been changed in numerous instances as well. I raise this as a concern because I realize diehard fans may find these (sometimes unnecessary) dialogue changes irritating. This is the main flaw of this edition, in my opinion.
While the Uncut Version soundtrack includes new sound effects, and adds frequent narration in old footages areas (largely excerpts from Werner's diary), short pieces of the new footage have not been remastered and look very grainy. Most of the new footage is however seamless and not of unacceptable quality (contra another reviewer). The sections that have been neglected are mainly external shots of the uboat -- in one such instance an obvious blue line spans the vertical width of the screen for about 20-30 seconds.
The new footage that appears in the Uncut Version is not simply superfluous addition either, but in a few instances actually clarifies or adds completely new elements to the Director's Cut storyline (I won't ruin that for you, suffice to say that some very interesting plot elements are introduced in this newer edition). This cut is also much more pointed in depicting the stress, paranoia, poor morale, and sheer boredom of the crew, who are shown praying, making mistakes, complaining, and doing many stupid things just to pass the time and ease the strain of being a submariner. Of interest is the enthusiasm that the crew eventually displays at the prospect of going into battle: not because that is what they have trained to do, but because anything is preferable to the endless waiting and resulting apathy between enemy contacts. Numerous conversations between various characters have been added, and minor characters that didn't make it into the Director's Edition appear in the Uncut Version. A few treats exist as well, such as a shot where the Second Officer can be more clearly seen using a Kreigsmarine four-rotor ENIGMA machine to decode a transmission. Most importantly of all, the new footage emphasizes the sense of watching the story unfold through the eyes of the war correspondent, which is what Director Wolfgang Peterson originally intended. The new footage adds considerably to the picture's atmosphere, and contributes important characterization -- particularly for Johann the Chief Engineer, the second-in-command, and Grade, the Chief of the Boat.
German with English subtitles is the default option, but an English dub with French subtitles is also available. The English track has been upgraded to Dolby 5.1.
This 2-DVD Uncut Version is highly recommended, but isn't for everyone -- note that it is deliberately aimed at the fan base. This special-interest group is likely the only one this version of the film will please. If you've never seen Das Boot, borrow a friend's copy of the shorter Director's Cut first; when you've cultivated an appreciation for this benchmark in WWII filmmaking, come back and get this edition. I would not recommend buying this version if you've never seen the movie -- it might turn you off due to its sheer length and relatively slower pace. Neither should the fan looking solely for special features purchase this Uncut Version - the featurette entitled: "The Making of Das Boot: Behind the Scenes" is a little over seven (7) minutes long, and is mainly a justification for the re-release of the full length cut.
A member of the Das Boot `cult' would be very pleased to see the extra footage in this Uncut Version. If you're a diehard fan, don't think twice; I bought mine even after having read the more negative reviews here. Four stars given for the substantive quality and importance of the new footage to the overall picture; the image quality and sound in places is not perfect, and there are no new special features worthy of the name, so this cut cannot receive five stars. Since you are willing to sit through close to 5 hours of Das Boot anyway, the instances of grainy new footage shouldn't overwhelm you. In all, the extra tidbits (in my estimation) are worth the money.

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DAS BOOT - DIRECTOR'S CUT - DVD Movie

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Force 10 From Navarone (1978) Review

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(More customer reviews)You really cannot go wrong with any movie that stars Robert Shaw, Harrison Ford, Barbara Bach and Edward Fox and this movie - although blasted by the critics upon its release - really is a great action adventure war movie. In fact the Jimmy Carter White House picked the movie only weeks before its December 1978 opening to be the Thanksgiving movie to be screened at Camp David.
The movie was previously released on DVD in 2000 in what was a simply horrible transfer with scratches and print dirt all over the place. Even so I would watch it over and over again, reveling in a 1978-era nostalgia when, as a seven-year-old, I would sit in the local town hall (which once a month was converted into a movie theater) wowed by the action unfolding on the screen.
The problems with that release have been mostly rectified for this Blu-ray release which is simply pristine in comparison. It's not the best Blu-ray release I have ever seen, with a large degree of softness and some grain but it does a good job recreating the film stock of the time and is certainly the best the movie has ever looked since its 1978 theatrical release. The Yugoslavian scenery in particular is breathtaking. I did not notice any of the problems that plagued the DVD release and, hey, who can argue with a Blu-ray that features the impossibly beautiful Bach in high definition :)
Many saw this as a disappointment due to its attachment to the Guns of Navarone, but if it is taken up on its own merits then one can see that this is really nothing more than a fun movie for funs sake, no serious character studies here and the movie is all the better for it.
The movie gets its title from the Alistair MacLean book of the same name, but bears little resemblance to the actual narrative of the novel. In fact the differences are so apparent that MacLean would go on to loosely adapt part of the screenplay into his 1982 book "Partisans". Indeed there had been plans to film this movie shortly after the 1961 original with Peck and Niven reprising their roles. Following the success of the original movie producer Carl Foreman asked MacLean to write a hardcover sequel novel on which a follow-up film would be based, but the author was reluctant to write an entire novel and instead delivered a screen treatment. The film was announced for 1967 but after the script got bogged down in studio development hell MacLean decided to develop the screen treatment as a book and "Force 10 From Navarone" was published in 1968.
Throughout the 1970s Foreman tried to get enough financial backing for the movie and eventually patched together enough money to finance the production from no fewer than five different international sources but by the time the movie finally went before the cameras (some 17 years after the original) it was thought that Peck and Niven were too old and the decision was made to recast. In an interesting footnote to this theory Peck and Niven would team up two years later in the excellent World War II action adventure "The Sea Wolves" in which they played retired veterans seeking one last hurrah.
Bond fans will notice a number of actors in this movie that had already occupied roles in the Bond franchise or would go on to appear in the series. In addition to Shaw (from "From Russia With Love") and Bach (who was fresh off playing the Russian spy Anya Amasova in "The Spy Who Loved Me") and Edward Fox (who would go on to play M in the rogue 007 movie "Never Say Never Again") there is also Bach's co-star from "The Spy Who Loved Me" Richard Kiel, who was riding high as somewhat of a cultural icon (hey, he appeared in a Shredded Wheat TV commercial) after playing perhaps the most famous 007 henchman Jaws.
I suppose the Bond connection is most apparent in the choice of director with "Goldfinger"'s director Guy Hamilton handling the honors. His sure direction shows his usual flair and expertise handling action that he so ably previously demonstrated in (perhaps the best of the early James Bond movies) the aforementioned "Goldfinger" and the World War II drama "Battle of Britain." Hamilton does succumb to some espionage cliches at times, such as when one of the characters stumbles across the traitor sending a message, but all of these instances are handled capably and add to the familiar nature of the plot.
As already mentioned the plot of the movie is also very different from the MacLean book, but some good Boy's Own adventure that actually flows slightly better than its literary namesake. Shaw (in his last movie role) plays Mallory (yes the same character that Gregory Peck played in the original) and he and Fox's character (who was played by David Niven in the original) are sent into Yugoslavia to identify and kill a traitor from the first movie. So, they hop a ride along with Force 10 (headed by Ford's character) who are headed to the same location with the mission of destroying a key, strategic bridge. Of course things do not go entirely to plan, and soon the action begins to come thick and fast.
Filmed on location in Yugoslavia (with members of Tito's Yugoslav army playing both partisans and German soldiers), England and Malta the crew had to endure freezing temperatures and even a rash of kidnapping that led producers to limit the actors movements. Shepperton Studios in England (where the original had also been filmed) provided four soundstages for interiors and the largest studio tank in Europe (at the Mediterranean Film Studios in Malta) was used to film the movie climax with a $1 million miniature dam.
As previously noted the critics almost universally hated the movie and the moviegoing audience did not warm to it either with the $10 million production only bringing in $7.2 million during its U.S. theatrical run. Matters were probably not helped when the U.S. distributor American International Pictures trimmed the picture down from 126 minutes to 118 minutes and redubbed some of the scenes prior to the movies release, with an impersonator performing the duties for the late Robert Shaw. However in the 30-plus years since its release the movie has developed a cult following among World War II movie buffs.
In an interesting footnote, Columbia Pictures was the defendent in a 2008 lawsuit brought by the estates of the late producers of the film Carl Foreman, Sidney Cohn and Oliver Unger and surviving producer Peter Gettinger over unpaid money from distribution rights. The New York Supreme Court found in favor of the producers, saying they were entitled to funds that had been witheld for over 30 years by Columbia Pictures.
The one negative towards this Blu-ray release is the lack of special features. All we get is a trailer for the movie whereas the original DVD release featured a sketch (hidden as an "easter egg"), a collectible booklet with trivia notes and two different cuts of the movie.
This movie would get a lot more respect if it didn't have the name "Navarone" attached to it. It's rather strange that a movie which received such a hostile critical reception and low takings at the box office should be one of the early catalog titles in the lives of both the DVD and Blu-ray formats (three years for DVD and just over two years for Blu-ray) and before the original "Guns of Navarone," but as a fan of the movie I am happy to be able to watch "Force 10 From Navarone" in all its high definition goodness. Incidentally here's hoping that 1961's "Guns of Navarone" gets a Blu-ray release soon :)

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Robert Shaw (The Deep, Jaws) and Harrison Ford (The Fugitive, Air Force One) star as fearless World War II commandos in this thrilling follow-up to The Guns of Navarone. Directed by Guy Hamilton (Goldfinger) and adapted to the screen by Robin Chapman (screenplay) and Academy AwardÂ(r) winner* Carl Foreman (screen story), it's a large-scale action-adventure saga with "remarkable special effects" (Los Angeles Times), a powerful cast and "one hair-breadth escape after another" (Newsweek).In the darkest days of World War II, Hitler's armies are storming through Europe, annihilating all opposition in their path. But US Colonel Barnsby (Ford) plots to strike a crippling blow to the brutal Nazi forces. To succeed, he'll need the help of the most skilled and lethal soldiers in the world: the Force 10 squad, fresh from itstriumphant mission at Navarone. *1957: Adapted Screenplay, The Bridge on the River Kwai

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1941 (Collector's Edition) (1979) Review

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(More customer reviews)I think Mike from Chicago had one too many baby back ribs. This movie is hysterical. Speilberg directed a comedy classic, and with Belushi, Aykroyd, and John Candy this comedy is of the 5-star variety.
One of the funniest movies ever made !
Hey Mike, get a sense of humor, and then watch this again. Maybe you'll laugh like the rest of us !

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Patton (1970) Review

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(More customer reviews)"Patton" offers one of the great marriages of actor and role with George C. Scott's riveting portrayal of the notorious American tank commander. As a film biography "Patton" forgoes the rise of the celebrated general and merely hints at his ironic death because of injuries suffered in a traffic accident, focuses entirely on his military career commanding troops in North Africa, Sicily and France during World War II. The strength of the script by Francis Ford Coppola and Edmund H. North, as well as of Scott's performance, is that the paradoxes of Patton are completely embraced. Not even Patton's loyal cadre of staff officers can keep him from shooting off his mouth every time there are reporters around, but then neither German Field Marshall Rommel or English Field Marshall Montgomery can beat him on the battlefield. Karl Malden's performance as General Omar Bradley is just as solid as Scott's, presenting a man whose personality is the complete antithesis of Patton. Viewers find themselves identifying with the German captain who is the intelligence expert on Patton and arguably the only person in the film who really understands or respects the American general. But the more I watch "Patton," the more I am very impressed with the battle sequences of director Franklin J. Schaffner ("Planet of the Apes," "Pappillon"), which were staged live and full-scale without special effects of miniatures. Schaffner provides not just the large spectacle of a desert tank battle, but smaller and equally memorable moments, such as a soldier falling dead in the snow. "Patton" deserved its Oscars.
In terms of extra features on this DVD, the second disc features the 1997 50-minute retrospective documentary, "The Making of Patton: A Tribute to Franklin J. Schaffner." Recent interviews with the cinematographer, composer, etc., are blended with audio interviews of Schaffner and Scott from 1970, newsreel footage of Patton, along with clips and publicity stills from the film make a fitting tribute to the late director. The audio commentary on the first disc is really more of a lecture on Patton by Charles M. Province, the author of the book "The Unknown Patton" and founder/president of the General George S. Patton, Jr. Historical Society. Province more than adequately fills in what the movie leaves out about Patton's life. On the second disc Jerry Goldsmith's Oscar nominated musical score is presented in stereo, including alternate takes and a series of radio spots. You certainly have to appreciate what Fox has put together here: This is a "Special Edition" DVD priced as a regular DVD, a real treat for those of us who remember being mesmerized by George C. Scott giving that profanity laced opening speech standing in front of that giant American flag.

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Black Book Review

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(More customer reviews)As many here have said, this is a beautifully shot, gripping, unforgettable movie, a great addition to the honorable genre of WWII flicks. In fact, the father of one of my colleagues, Dutch himself and in his 70s, said this was the best film he has ever seen. So I don't understand why, if a man in his 70s who is from the WWII generation himself did not find this film "prurient," so many reviewers have insisted that it is. The scene that most of the prudes seem to find gratuitous is (spoiler alert) the scene in which the Jewish heroine prepares herself to pass as a blonde bombshell so she can seduce the German officer. Clearly, she is going to have to dye or shave hair other than the hair on her head in order to pass as a natural blond. The movie shows her doing this. Why is it not gratuitous? Because the scene sets up the love triangle that will result in the conflict in the last third of the movie. It is absolutely essential to the advancement of the plot, and in my opinion, any reviewer who can't see that is not only a fussy old woman, but also not much of a reviewer. So if you have not seen this movie because you've read a review that trashes it on the grounds of prurience, please reconsider. And consider this: the most recent Ang Lee movie is so sexually frank that it got an NC-17 rating, yet there hasn't been a single review which has trashed it on the basis of its gratuitous sex. That says to me that some major reviewers are only interested in criticizing Paul Verhoeven rather than commenting honestly on his film. Another reason to see this movie is Carice Van Houten. She not only convincingly plays a 40's bombshell, she has that same 40s movie-star quality that you can't take your eyes off of. Truly, you could watch this film 100 times and never get tired of her. She is irresistible.

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In the darkest days of World War II, Jewish fugitives attempt to escape occupied Holland – only to face a Nazi ambush. Rachel Stein (Carice van Houten) alone survives the attack and joins the Dutch Resistance to avenge her family. She soon confronts the ultimate test: she must infiltrate German headquarters by tempting Captain Ludwig Mÿntze (Sebastian Hoch). In the heat of passion, he uncovers her duplicity...but keeps her secret. Then Rachel's espionage reveals that a murderous traitor lurks within Resistance ranks. Unable to fully trust anyone, Rachel navigates a minefield of deception and becomes an enemy to both sides. Epic, passionate, breathtaking, Black Book relates an untold story of World War II where the distinctions between good and evil become blurred by the complexities of human nature.

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Away All Boats (1956) Review

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(More customer reviews)I was a big fan of Chandler as a boy in the 1950's. My personal favorites of his from then and as an adult are Pillars of the Sky and Yankee Pasha. As always with older films, you have to put them in the context of the time in which they were made as far as style, realism, etc. Believe me, this guy was handsome to the ladies and a man's man to the guys....tons of on screen magnetism.
The main thing I want to add about both Chandler and this movie is my experience watching this film as a Navy officer aboard a ship of the very same type during the Viet Nam era. The title of the film refers to the fact that the ship (the Belinda, as I recall) was an amphibious cargo ship, one which carries marine vehicles, anchors off the coast, lowers boats ("away all boats") into the water and drops the vehicles into the boats for the trip to the beach with U.S Marines who drive them ashore and onward. In the officers' wardroom aboard the USS El Paso in the early '70's, we watched this movie multiple times and loved it as well done and realistic.
We did get some big chuckles out of the casting comparing actors like Richard Boone ("Have Gun Will Travel") playing, I think, the First Lieutenant, and Lex Barker (Tarzan) as the Executive Officer and comparing these guys to our own counterparts. We all thought the film was "Navy" all the way, however. I'm not sure if these amphibious cargo ships are still in operation, but they were used through the first Gulf War.
This movie is realistic and an accurate depiction of a U.S.Navy amphibious ship during wartime. Chandler is certainly the main man in the story but does not dominate to quite the same extent as in some of his other films. He is good in the role, however, and this is an authentic depiction of Navy life and a good story.

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Sands of Iwo Jima (1950) Review

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(More customer reviews)"Sands of Iwo Jima" was the first movie I ever saw in which John Wayne played a character who actually died, which was certainly one of the more shocking deaths I can remember ever seeing in a film. Wayne plays Sgt. John Marion Stryker and since Wayne's real name was Marion Michael Morrison there seems to be an additional level of identification between actor and character here, while the power of the name "Stryker" is obvious. Stryker seems a bully to the green recruits he is training to be U.S. Marines in 1943. When the men of the rifle squad learn that Stryker's wife had taken their son and left him they think they know the reason why the man who was once the epitome of the tough Marine has become such a martinet.
Of course when Stryker and his men hit the beach at Tarawa and are fighting for their lives against the Japanese troops defending the island, they understand that his hard lessons are the difference being life and death in combat. Then comes the last hard nut to crack of the islands occupied by the Japanese, the volcanic island of Iwo Jima. As the officer briefing the troops says, "nobody knows exactly what they've got on this island, but they've had forty years to put it there." Director Allan Dwan takes advantage of actual combat footage from the documentaries "With the Marines at Tarawa" and "To the Shores of Iwo Jima" to provide an added dimension of realism to the battle sequences. The reenactment of the flag raising on Iwo Jima involved Rene Gagnon, Ira Hayes, and John Bradley, the only three Marines in the celebrated photograph who survived the battle.
Since this is a Hollywood war movie Stryker's rifle squad consists of not just new recruits but a few veterans, including Al Thomas (Forrest Tucker), an old enemy who is perfectly willing to bad mouth the sergeant at every opportunity, even after he is taken out behind the tents by Stryker to be reminded who is running the outfit. The recruit who absorbs all of this venom the most is young Peter Conway (John Agar), whose father was Stryker's Commanding Officer at Guadalcanal. The old man felt his son was too soft to be a Marine (he reads books and went to college) and the kid resents the particular interest Stryker is taking in his training. Even when Stryker saves Conway's life when the kid is too busy reading a love letter to notice a live grenade gets loose during a training exercise, Conway refuses to show gratitude. So in addition to their relationship and sergeant and private Stryker and Conway are playing out their own familial relationship problems with each other as well.
It is in battle that Stryker is at his best, blowing up a Japanese bunker to save trapped Marines, and once he proves himself to be a warrior god his squad, now tested in battle, finally becomes a true band of brothers. But "The Sands of Iwo Jima" has the elements of a Greek tragedy and at the moment of his apotheosis the hero must fall. Adding insult to injury the blow comes from behind and the shot of a bullet hole beneath Stryker's stenciled name on the back of his fatigues is even more powerful than the reenactment of the raising of the second American flag on Mt. Surabachi.
This is not the best war movie of 1949; that honor goes to William Wellman's "Battleground," which remains one of the very best of the best in the World War II genre. Wayne was nominated for Best Actor, the only other time he was up for an Oscar besides "True Grit," although he arguably gave a better performance that same year in his previous film "She Wore a Yellow Ribbon." Despite the pair of strong performances by the Duke the Academy Award went to Broderick Crawford for "All the King's Men," but "Sands of Iwo Jima" remains Wayne's best WWII movie and one of the few that stands up with his classic westerns."


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Twelve O'Clock High (1950) Review

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I do not recall another film whose opening and closing scenes are more effective than those in this brilliant portrayal of the 918th Bombardment group based in England which flew almost daily missions to Germany during World War II. The character of General Frank Savage (Gregory Peck) is reputedly based on Brigadier General Frank A. Armstrong, Jr. Sy Bartlett co-authored the screenplay with the book's author, Berney Lay, Jr. Brilliantly directed by Henry King, we are introduced to a combination of combat fatigue and self-pity which results in the replacement of Colonel Keith Davenport (Gary Merrill) by his friend Savage who is told by his commanding officer, General Pritchard (Millard Mitchell), to shape up the 918th while avoiding Davenport's problem: Becoming overly involved emotionally in decisions to send B-17 crews on exceptionally dangerous missions, day after day after day. Savage immediately establishes his authority and almost immediately loses whatever goodwill he may have had. He applies and then maintains constant pressure on the crews to improve their performance in all areas of flight operations. Underachievers are reassigned to one B-17 renamed "The Leper Colony." Morale deteriorates to such a point that those at headquarters become concerned. A formal investigation of the situation is conducted. This is a critical moment for Savage. If he has "lost" his men, he cannot continue. In fact, he expects to be relieved and begins to pack his personal items. However, for reasons best revealed in the film, Savage remains in command. And then....
It would be a disservice to those who have not as yet seen this film to say any more about the plot. Suffice to say that brilliant direction, great acting by everyone involved (notably by Dean Jagger who received an Academy Award for best actor in a supporting role), superb cinematography (Leon Shamroy), and haunting music (Alfred Newman) are seamlessly integrated in this analysis of effective leadership (especially decision-making) under wartime conditions. The film begins when Harvey Stovall (Jagger) makes an especially significant purchase in an antique store and then proceeds to what has by then become an abandoned air base. As we begin to hear the bombers' propellers whine as the engines roar to life, we are transported back in time. Later, as the film ends, civilian Stovall climbs back on his rented bike and departs what is again an abandoned air base. Stunning images throughout both sequences.
Peck included this among his favorite films, while adding that he was especially proud of his performance as Frank Savage. When first released more than 50 years ago, it did not receive the recognition (much less the appreciation) it so obviously deserves. Whenever CEOs and other senior-level executives ask me to suggest war films which offer important lessons about leadership and management, Twelve O'Clock High is first on the list, joined by (in alphabetical order) Command Decision, The Dirty Dozen, The Enemy Below, Fort Apache, The Hunt for Red October, Paths of Glory, Pork Chop Hill, The Red Badge of Courage, They Were Expendable, and Zulu.

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This gritty World War II action drama staring Gregory Peck, Oscar winner Dean Jagger, Hugh Marlowe, Gary Merrill and Millard Mitchell is seen as one of the most realistic portrayals of the heroics and perils of war. Convinced an air force commander (Gary

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