Showing posts with label war movie. Show all posts
Showing posts with label war movie. Show all posts

A Gathering of Eagles (1963) Review

A Gathering of Eagles  (1963)
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I saw this film as a kid, growing up in Cleveland, Ohio, and it was the reason I decided then that I wanted to join the Air Force when I grew up. I served some time with a Titan II wing at Little Rock AFB, AR, as an enlisted man, and after getting commissioned, attending navigator and electronic warfare officer school, became a crew member on B-52Gs -- the same type as those in the film -- at Barksdale AFB, LA. The romance between Mary Peach and Rock Hudson is a bit hokey, but the aerial work by Paul Mantz and the minimum interval takeoff launch of B-52s during the ORI is GREAT. This film is extremely accurate, both for the missileers and the fly guys. It captures very well the look, the spirit, and the procedures of the real SAC. Kinda makes you nostalgic for those old 1505s (khaki uniforms), too!
Dick Cole, Major, USAF (Ret.), former B-52G instructor electronic warfare officer.

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The Dirty Dozen (1967) Review

The Dirty Dozen (1967)
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"The Dirty Dozen", Robert Aldrich's 1967 adventure classic, would redefine a whole genre of films, as public attitudes towards warfare and heroism changed, due to Vietnam. With 'heroes' who were certainly not noble, a mission that would require a level of cruelty film audiences had never before seen from American fighting men, and graphic language and bloodshed, the impact of the the film was both immediate (despite huge 'box office', many critics panned the film as 'disturbing' and glorifying violence), and continuing (influencing films as diverse as "Patton" and "Saving Private Ryan"). It can be viewed at many levels, as a crackling good adventure yarn, an 'anti-establishment' and anti-war statement, the ultimate 'buddy' film...few films have generated as much controversy, or stood the passage of time, better!
Based on E.M. Nathanson's novel (of rumored 'Death Row' convicts offered a pardon or reduction of sentence for volunteering for a suicide mission), with a large dash of the Pathfinders' legendary "Filthy Thirteen" of WWII tossed in, the property was purchased as a potential starring vehicle for John Wayne. The Duke passed on the project, however (choosing to make "The Green Berets", instead). Director Aldrich never envisioned Wayne in the lead, preferring WWII Marine vet Lee Marvin in the complex role of maverick Maj. John Reisman, and the actor, fresh from winning an Oscar for "Cat Ballou", was dead-on perfect in the part. Veteran stars Ernest Borgnine, Robert Ryan, Ralph Meeker, Robert Webber, George Kennedy, and Richard Jaeckel were cast as Marvin's military allies and adversaries.
For the "Front Six" of the Dozen, sullen Charles Bronson (another WWII vet), John Cassavetes (who would garner an Oscar nomination), Telly Savalas (in the most 'whacked-out' role in his career), Clint Walker (of "Cheyenne" TV fame), football legend Jim Brown (in only his second film), and popular singer Trini Lopez (in his film debut) would dominate the screen time, with a "Back Six" of character actors in much smaller roles, simply filling out the rest of the twelve parts. But a movie 'miracle' occurred; when Walker objected to a scene where, as a bogus 'General', he would idiotically review an Airborne unit (feeling it demeaned Native Americans, who his character portrayed), Aldrich passed the scene to "Back Six" actor Donald Sutherland...and the scene would spectacularly launch his career, leading to his starring role in "M.A.S.H."
Aldrich's meticulous shooting style, and the often rainy British weather (where the film was shot), more than doubled the shooting schedule, and after seven months on location, Trini Lopez (on the advice of friend Frank Sinatra), informed Aldrich and the producers that he was missing singing dates, and would need a pay hike to continue. To Lopez' surprise, Aldrich 'dropped' him, having him die in the climactic parachute drop!
The director was warned that if he didn't eliminate the film's most controversial scene (pouring gasoline and dropping grenades on the women guests, as well as the Nazi officers seeking refuge in the bomb shelters), he would lose any chance of a 'Best Director' Oscar. After soul-searching, he left the scene in ("War is Hell, and HAS to be portrayed that way"), and while he sacrificed the prize, Robert Aldrich gave the film a brutal honesty that subsequent wars would sadly verify.
With loads of Disc Two Special Features that open up the film and gives an insight into why it has become a 'classic' (including the first "Dirty Dozen" TV 'sequel', a Lee Marvin Marine 'Leadership' training film, and an astonishing documentary on the "Filthy Thirteen"), it is absolutely an essential for any 'War Film' library.
"The Dirty Dozen" survived contemporary criticism, and has proven to be one of the most enduring war films of all time, as fresh today as when it debuted in 1967.


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Item Name: The Dirty Dozen [Blu-ray]; Studio:Warner Home Video

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Where Eagles Dare (Clint Eastwood Collection) (1969) Review

Where Eagles Dare (Clint Eastwood Collection) (1969)
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Quite simply one of the greatest war movies ever made. A top notch thriller loaded with action, espionage and double crosses, "Where Eagles Dare" is the kind of movie that Hollywood just doesn't make anymore. This isn't some politically correct drama steeped in reality. No, this is good guys vs. bad guys. This is pure unabashed fantasy which keeps the audience on the edge of its seat. This is just darn good entertainment!
Richard Burton is absolutely cunning as the British agent who leads an elite group of soldiers behind enemy lines and into a seemingly unpenetrable German castle to rescue an imprisoned American General. A young Clint Eastwood is the only American on the mission. Clint is his usual cool and calm self. However he, like the audience, isn't sure who to trust. Somebody's a double agent, but exactly who is anyone's guess. Don't worry about figuring it out, just sit back and enjoy the drama. You'll love the growing tension and suspicion between Burton and Eastwood.
The journey into the castle is classic heart-stopping drama. Even better is Burton's fight with a German soldier high atop a ski lift -- truly one of the most riveting action sequences ever filmed. Bullets are flyin' and bombs are blastin' throughout. In the end, heroes emerge while evil perpetrators get their just due. Classic, absolutely classic!
And yes, as several reviewers have noted, the stunning scenery and beautiful cinematography in this film would greatly benefit from a widescreen DVD treatment. So, how 'bout it, I want my DVD!

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Commandos, posing as German soldiers, parachute into a city to rescue a supposed allied general from a Nazi hideaway fortress that can only be reached by cable car.

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Lawrence of Arabia (1962) Review

Lawrence of Arabia (1962)
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Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.
The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.
The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

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Director David Lean follows the heroic true-life odyssey of T.E. Lawrence (Peter O'Toole) in this dramatic portrait of the famed British officer's journey to the Middle East. Assigned to Arabia during World War I, Lawrence courageously unites the warring Arab factions into a strong guerrilla front and leads them to brilliant victories in treacherous desert battlefields where they eventually defeat the ruling Turkish Empire.

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Kelly's Heroes (1970) Review

Kelly's Heroes (1970)
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This is definitely one of the funniest war movies of all time! Donald Sutherland, who plays a hippie(!) tank commander, seems out of place in a WW2 setting. However, he had me laughing the whole way through! I can't imagine what this film would be like without his hysterical performance. One of my favorite scenes is when Sutherland's three Sherman tanks attack a Nazi railroad station while playing Hank Williams' music on a loud speaker! I realize that this "WW2 movie" has a definite 70's feel to it (especially with one of the hit songs of the decade, Burning Bridges), & some don't like this movie for that reason. I can't help but have fun everytime I see this! The tanks, even the German ones, look much more authentic than those in Patton or The Battle of the Bulge. This is a real treat for WW2 tank buffs like me who appreciate authenticity. I know the plot is hokey, but who cares? If you want to see a war movie that isn't depressing (like most) or boring then this is for you!

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A group of soldiers set out to rob a bank and almost win World War II.Genre: Feature Film-Action/AdventureRating: PGRelease Date: 8-FEB-2005Media Type: DVD

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Pearl Harbor - The Director's Cut (Four-Disc Vista Series) (2001) Review

Pearl Harbor - The Director's Cut (Four-Disc Vista Series) (2001)
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Why does Hollywood have to make a three hour movie about a terrible day in US history and turn it into 'As The World Turns'? I could not believe that I sat through this piece of junk. It was 2 1/2 hours of 'General Hospital' and 1/2 hour of reality. It's a shame that Hollywood feels that 99% of the films that come out today must contain some kind of soap opera setting to satisfy what they think the lady folks wish to see. I find that to be rather insulting to women and I am not a female. There is nothing romantic about December 7,1941. It gets 1 star for the actual attack sequence. I must mention that I highly doubt that while they flew over head, the Japanese pilots were signaling to the American children to take cover. Silliness. If you wish to see a great film on Pearl Harbor, seek out 'Tora! Tora! Tora!' and let this one rot.

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PEARL HARBOR: THE DIRECTOR'S CUT Vista Series DVD is the most extensive exploration of moviemaking ever presented. Four discs showcase more than 60 new shots in the film and over 12 hours of new special features. There's never been anything like it before. History comes alive in the unforgettable epic motion picture PEARL HARBOR, the spectacular blockbuster brought to the screen by Jerry Bruckheimer and Michael Bay. Astounding visual and audio effects put you at the center of the event that changed the world -- that early Sunday morning in paradise when warplanes screamed across the peaceful skies of Pearl Harbor and jolted America into World War II. This real-life tale of catastrophic defeat, heroic victory, and personal courage focuses on the war's devastating impact on two daring young pilots, Ben Affleck (ARMAGEDDON) and Josh Hartnett (BLACK HAWK DOWN), and a beautiful, dedicated nurse, Kate Beckinsale (SERENDIPITY). PEARL HARBOR is extraordinary moviemaking -- a breathtaking reenactment of the "date which will live in infamy" and a heartfelt tribute to the men and women who lived it.

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The Great Escape (2-Disc Collector's Set) (1963) Review

The Great Escape (2-Disc Collector's Set) (1963)
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The Great Escape certainly didn't get its due when it was released -- it wasn't even nominated for Best Picture, Director or any of the Acting awards. In fact, it was only nominated for Film Editing! It seems, however, that the film doesn't even get its proper due today as it was not on the American Film Institute's 100 Greatest Film list despite its large following.
The Great Escape is certainly one of the most memorable films I've ever seen. The cast includes the late great Steve McQueen, James Garner, Richard Attenborough (Director of Gandhi), Charles Bronson, James Coburn, James Donald (Bridge on the River Kwai), Donald Pleasance and David McCallum (The Man From U.N.C.L.E.). McQueen's performance is riveting and makes the viewer miss him all the more. Garner, who actually was a "Scrounger" during the Korean War, is terrific. It's also particularly nice to see a performance as a good guy from Pleasance and as a human being by Bronson (sorry, but Bronson truly wasted his talent in the Death Wish movies). And in an era when studios tried to substitute backlot sets for on location filming, the POW camp, which was built on location in Germany, looks completely authentic and makes the audience sympathize with the prisoners' plight even more. The DVD heightens the experience by presenting the film letterboxed in clear, vibrant colors. In addition, the DVD edition includes a documentary on both the real story and the making of the film. This film is a classic and the DVD edition does it great justice and makes you realize what a mistake the AFI made by excluding it from its list.
Here's to "the fifty."

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In 1943, the Germans opened Stalag Luft North, a maximum-security prisoner-of-war camp, designed tohold even the craftiest escape artists. In doing so, however, the Nazis unwittingly assembled the finest escape team in military historybrilliantly portrayed here by Steve McQueen, James Garner, Charles Bronson and James Coburnwho worked on what became the largest prison breakout ever attempted.One of the most ingenious and suspenseful adventure films of all time, The Great Escape is a masterful collaboration between director John Sturges (The Magnificent Seven), screenwriters James Clavell (Shogun) and W.R. Burnett (Little Caesar), and composer Elmer Bernstein. Based on a true story, The Great Escape is epic entertainment that "entertains,captivates, thrills and stirs" (Variety).

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Rules of Engagement (2000) Review

Rules of Engagement (2000)
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Tommy Lee Jones and Samuel L. Jackson are excellent as usual in their roles: two old friends from Vietnam whose careers took different courses after a firefight that badly injured Jones. Jackson's Marines rescue a cowardly ambassador and his family from an embassy pelted with rocks, insults and the occasional sniper's bullet. In return for this service, the ambassador will testify that Jackson lost control and opened fire on a crowd full of unarmed civilians, because his superior at the Department of State thinks he should to save the American reputation in the Middle East.
The basic story is good and the actors have amazing presence, but there are a number of amusing inconsistencies in the script, like:
1) Dale Dye, as Samuel L. Jackson's commanding officer, asks him whether he wants private counsel or the base legal office to represent him (if you watch this in a theater full of military personnel, expect this line to be among the funniest in the film). This occurs right in the middle of him briefing the man whose court-martial he will convene, which happens absolutely never.
2) Why didn't anyone analyze the bullet holes in the embassy wall to establish trajectory?
3) How the hell do you find a Vietnamese company captain from an action that occurred thirty years ago with no sort of attention at any previous time? (This probably makes no sense to you if you haven't seen it, and it really won't in the film, except to make the point that even officers on opposing sides have the common trait of valuing their troops' lives more than anything else on the field of battle.)
The conflict between functions of state and defense isn't as implausible as the reviewers appear to think, particularly in a time when we deploy our soldiers and Marines to the world's least desirable corners as beat cops. Whether you set this story in Yemen or Kosovo or somewhere else, it can happen, it has happened and will probably continue to happen. State wants its wars to resolve neatly into ends comfortably discussed in meetings over tea, and gets annoyed when Defense reminds them that rules of engagement always make room for an exception necessary for saving lives.
Rent it before you buy it.

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Facing a court martial after the peacekeeping mission he led in Yemen ends in disaster, Col. Terry Childers turns to Hays Hodges, a lawyer whose life he saved in Vietnam.Genre: Feature Film-Action/AdventureRating: RRelease Date: 28-MAR-2006Media Type: DVD

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The Guns of Navarone (1961) Review

The Guns of Navarone (1961)
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The second movie in Columbia's newest wave of World War II movies (along with "The Caine Mutiny") is the 1961 Academy Award-winning film for Best Special Effects, "The Guns of Navarone," which stars Gregory Peck as Keith Mallory, the leader of a group of British commandos tasked with destroying two gigantic German anti-ship guns.
The British are desperate to evacuate 2,000 soldiers from the Aegean island of Kiros, with the only sea route through a stretch of water commanded by the guns that are encased inside a massive cliffside bunker that is immune to air attack.
Based on the best selling novel by Alistair (Where Eagles Dare) MacLean, Mallory has been working on occupied Crete for two years and as an expert mountaineer is the perfect choice to ferry the team to the only part of Navarone not monitored by the Germans - a 400-foot cliff.
Joining Peck is David Niven as explosives expert John Anthony Miller and Anthony Quinn as a Greek resistance fighter.
MacLean is known for being able to weave together a great story and this movie is consistently entertaining. In fact the film was already afforded a respectable special release on DVD in 2000. Columbia though have outdone themselves with this 2-disc set by adding a second audio commentary and four new documentaries.
The original release included a rather dry, faltering, but informative commentary by director J. Lee Thompson, a smattering of archival featurettes of varying quality and an anecdotal documentary on the making of the picture featuring on-camera interviews with Gregory Peck, Anthony Quinn, James Darren and J. Lee Thompson named "Memories of Navarone" and running at 29:34. It's a nice, breezy documentary and entertaining - detailing some of the experiences the cast had working on the picture.
However this new release includes a lively commentary with historian Stephen J. Rubin who mentions that this film started the trend of Hollywood going outdoors. Up until this time most movies were filmed on the studios backlot, whereas this movie was filmed on the island of Rhodes. He also discusses the cast (including a very young Richard Harris). Rubin also discusses some of the differences between the MacLean novel and the movie - which appear to be a number of changes to characterization and details some of the criticisms of the movie when it was released - including the fact that the actors were too old to play commando's, many being as they were in their 40s and 50s. Though Rubin quickly adds that he feels it was cast perfectly.
Also included are two new documentaries, the first of these "Forging the Guns of Navarone" runs at 13:58 and includes on camera interviews with Eve Williams-Jones (the former wife of producer Carl Foreman) and Assistant Director Peter Yates (who himself went on to become a very successful director in his own right). Apparently Thompson was not the original director for the project and Yates credits Thompson for his ability to jump straight into a film that had already shot much of its second unit work as well as his ability to manage so many big name actors. Yates also reveals that despite their on-screen animosity towards each other, both Niven and Peck got along well together determined to have as much fun as possible on the picture. Yates also recounts how the crew would refer to it as "The biggest B-feature ever made."
The second new documentary "The Ironic Epic of Heroism" runs longer at 23:38 and is essentially an on-camera analysis of the movie by noted Film Historian Sir Christopher Frayling (who was mistakenly credited with providing an audio commentary in the press release for this DVD release). Frayling is quite engaging as he recounts such facts as Foreman's initial reluctance to handle the project. Foreman once said that he was incapable of making a movie that did not make statements and he initially saw the MacLean book as a simple action adventure. It was not until he re-read the novel that he realized it could serve to make statements about the futility of war and the ability of war to bring out the best in people.
Frayling also reflects on the fact that the movie was the first global production caper-style World War II movie to be played as an action adventure in a style he describes as "incredibly innovative."
Also included on this new release is the restored intermission with score that was seen in some European cities (it is listed as an extra since it is not part of the official cut of the movie) and featurettes on the Dimitri Tiomkin score which details the subtle differences throughout the movie and a fascinating look at the UCLA restoration.
The restoration featurette details the tortured path towards restoring a film that was in such terrible shape that they needed several sources of original negative, both from Columbia and a private collector. In an example of the work the UCLA team had to do, the print they were provided by Columbia had the plane crash at the beginning of the movie happen in broad daylight. This apparently is how most people have seen the scene in recent years. That was until one of the eagle-eyed team at UCLA noticed that one of the trucks had it's headlights on and wondered why. Sure enough they were able to track down a copy of the print from a private collector that showed that the crash happened at night with the screen various shades of blue - and that is how it was restored.
In another instance the print UCLA had also had the infamous dubbing of Richard Harris where the censor had the word "bloody" replaced with "ruddy" for some of the screenings in the UK (the word "bloody" is considered a swear word in the UK). The UCLA team prevailed again and were able to locate a copy of the correct audio still intact).
On a sidenote the DVD also affords fans of Tiomkin the opportinity to hear the opening sequence sans the narrative as a special feature on the second disc. This apparently is a special feature that had been requested for years.

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GUNS OF NAVARONE - DVD Movie

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The Devil's Brigade (1968) Review

The Devil's Brigade (1968)
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This fact based WW2 film is one of the great whip 'em into shape movies. When the call went out for U.S. and Canadian volunteers for a commando unit many commanders used this as a oppurtunity to unload their trouble makers. Choir boys don't make good commandos so the right men were available for the job. This film shows the tough training that these men endured including skiing, mountain warfare and advanced hand to hand combat. I've read a few books on these men and the film accurately potrays the bonding developed between the US and Canadians as they teamed up in the local bars to fight lumberjacks and miners. After their harsh training the force is sent to Italy. The film makes no mention that the force's first mission was against the Japanese in the Aluetion Islands. The climax of the film is an assault on a mountain top in Italy. These scences are so well done that when I attended the USMC mountain warfare school at Bridgeport CA. they used this clip as a training tool. The film has a great soundtrack and lots of hero type actors. Just one problem-where did those red berets come from? Read the 2001 published book, "The Black Devil Brigade" told by the men themselves.

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They were misfits, rebels and heroes. Oscar(r) winners* William Holden and Cliff Robertsontopline this riveting World War II saga based on the true story of the First Special Service Force.Capturing the drama of combat with "outstanding" cinematography and an "exceptionally strong cast" (The Hollywood Reporter), The Devil's Brigade is a thrilling tribute to this renowned fighting unit.Lt. Col. Robert T. Frederick (Holden) takes on the daunting task of melding a renegade group of American and Canadian recruits into a crack team of commando warriors. Frederick's superiors doubt the rookies until Frederick volunteers them for a perilous attack on a Nazi stronghold in the mountains. His men will be outnumbered and outgunned, but that's a fair fight to "the devil's brigade."

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Das Boot - The Director's Cut (1982) Review

Das Boot - The Director's Cut (1982)
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This review will attempt to assist those who already own the Director's Cut (or Superbit version), but who are thinking about also buying the newer "Original Uncut Version" (293 minutes on 2 DVDs).
The first thing you should know is that the English dub has been largely redone; if you are familiar with the Director's Cut dialogue, you will immediately notice that the English dub's script has been changed in many places within the Uncut Version. In particular, the saltier comments throughout the movie have been deleted and replaced with much more 'polite' translations. Moreover several of the characters (Werner the war correspondent, Kriechbaum the Navigator, the boat's second-in-command [whom is referred to as "Number One"], as well as the comical red-haired Second Officer, etc.) have received new voices in the English dub (if only in select places), and their scripts have been changed in numerous instances as well. I raise this as a concern because I realize diehard fans may find these (sometimes unnecessary) dialogue changes irritating. This is the main flaw of this edition, in my opinion.
While the Uncut Version soundtrack includes new sound effects, and adds frequent narration in old footages areas (largely excerpts from Werner's diary), short pieces of the new footage have not been remastered and look very grainy. Most of the new footage is however seamless and not of unacceptable quality (contra another reviewer). The sections that have been neglected are mainly external shots of the uboat -- in one such instance an obvious blue line spans the vertical width of the screen for about 20-30 seconds.
The new footage that appears in the Uncut Version is not simply superfluous addition either, but in a few instances actually clarifies or adds completely new elements to the Director's Cut storyline (I won't ruin that for you, suffice to say that some very interesting plot elements are introduced in this newer edition). This cut is also much more pointed in depicting the stress, paranoia, poor morale, and sheer boredom of the crew, who are shown praying, making mistakes, complaining, and doing many stupid things just to pass the time and ease the strain of being a submariner. Of interest is the enthusiasm that the crew eventually displays at the prospect of going into battle: not because that is what they have trained to do, but because anything is preferable to the endless waiting and resulting apathy between enemy contacts. Numerous conversations between various characters have been added, and minor characters that didn't make it into the Director's Edition appear in the Uncut Version. A few treats exist as well, such as a shot where the Second Officer can be more clearly seen using a Kreigsmarine four-rotor ENIGMA machine to decode a transmission. Most importantly of all, the new footage emphasizes the sense of watching the story unfold through the eyes of the war correspondent, which is what Director Wolfgang Peterson originally intended. The new footage adds considerably to the picture's atmosphere, and contributes important characterization -- particularly for Johann the Chief Engineer, the second-in-command, and Grade, the Chief of the Boat.
German with English subtitles is the default option, but an English dub with French subtitles is also available. The English track has been upgraded to Dolby 5.1.
This 2-DVD Uncut Version is highly recommended, but isn't for everyone -- note that it is deliberately aimed at the fan base. This special-interest group is likely the only one this version of the film will please. If you've never seen Das Boot, borrow a friend's copy of the shorter Director's Cut first; when you've cultivated an appreciation for this benchmark in WWII filmmaking, come back and get this edition. I would not recommend buying this version if you've never seen the movie -- it might turn you off due to its sheer length and relatively slower pace. Neither should the fan looking solely for special features purchase this Uncut Version - the featurette entitled: "The Making of Das Boot: Behind the Scenes" is a little over seven (7) minutes long, and is mainly a justification for the re-release of the full length cut.
A member of the Das Boot `cult' would be very pleased to see the extra footage in this Uncut Version. If you're a diehard fan, don't think twice; I bought mine even after having read the more negative reviews here. Four stars given for the substantive quality and importance of the new footage to the overall picture; the image quality and sound in places is not perfect, and there are no new special features worthy of the name, so this cut cannot receive five stars. Since you are willing to sit through close to 5 hours of Das Boot anyway, the instances of grainy new footage shouldn't overwhelm you. In all, the extra tidbits (in my estimation) are worth the money.

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DAS BOOT - DIRECTOR'S CUT - DVD Movie

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Platoon (Special Edition) (1986) Review

Platoon (Special Edition) (1986)
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"I think now, looking back, we did not fight the enemy. We fought ourselves. And the enemy was in us."
Thus the summation of Private Chris Taylor (Charlie Sheen) at the end of this film, a film about war, hate, self-realization, and survival. PLATOON tells a powerful story that moves beyond the horror and gore of the Vietnam War, a story that ultimately depicts the demise and disintegration of a dysfunctional combat unit. We see young Chris change before our very eyes, from a green, idealistic "grunt" to an embittered, disillusioned soldier. Chris' platoon is dominated--and subsequently divided--by two strong, yet very different men: Sergeant Barnes (Tom Berenger) and Sergeant Elias (Willem Dafoe). Barnes is cold, calculating, brutal, intolerant; Elias is compassionate, humanistic. The battle of wills between these two men is just as challenging as the Viet Cong out in the bush, and just as deadly. The film's climatic ending is powerful, spellbinding.
I dismiss naysayers of PLATOON as a soapbox for writer/director Oliver Stone's political agenda just as much as I dismiss Mr. Stone's politics. PLATOON hits you between the eyes with its depictions of warfare and human conflict, again and again. There's nothing to feel good about by watching this movie, just as there is nothing to feel good about by fighting a war. It is a dark, negative film--a negative film that happens to be compelling, thought-provoking, and very riveting.

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Winner* of 4 Academy AwardsÂ(r), including Best Picture, and based on the first-hand experience of OscarÂ(r)-winning** director Oliver Stone, Platoon is powerful, intense and starkly brutal. "Harrowingly realistic and completely convincing" (Leonard Maltin), it is "a dark, unforgettable memorial" (The Washington Post) to every soldier whose innocence was lost in the war-torn jungles of Vietnam.Chris Taylor (Charlie Sheen) is a young, naive American who, upon his arrival in Vietnam, quickly discovers that he must do battle not only with the Viet Cong, but also with the gnawing fear, physical exhaustion and intense anger growing within him. While his two commanding officers (OscarÂ(r)-nominated*** Tom Berenger and Willem Dafoe) draw a fine line between the war they wage against the enemy and the one they fight with each other, the conflict, chaos and hatred permeate Taylor, suffocating his realities and numbing his feelings to man's highest value life.

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The Hunters (1958) Review

The Hunters (1958)
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"The Hunters" is a well-made, exciting Korean war drama, with the accent on aviation. It has an above-average plot for this type of film, and the whole movie, particularly the aerial sequences, is expertly directed by Dick Powell. If you are interested in combat aircraft, there are many scenes of F-86 Sabre Jets engaging MIGs in dogfight battles to the death.
While the planes are great to watch, this film is primarily about human beings caught up in war. It stars Robert Mitchum, and he is terrific--his fighter pilot character is a born leader, yet he also suspects there is something important missing in his life. He enters into a guilt-ridden relationship with the wife of another pilot, played by lovely May Britt. When there's a war on though, the feelings of two people aren't worth--as someone once said--"a hill of beans". Mr. Mitchum's main job is to lead a fighter squadron, and satisfy his boss on the ground--Richard Egan in a strong performance, knowing that every day he may be sending a man to his death.
Just to make things even more interesting for Mr. Mitchum, his squadron includes Ms. Britt's husband ( a paranoid, self-doubting Lee Philips ) and a cocky, young "hotshot" who doesn't like "rules" ( a young, excellent Robert Wagner ). It would be unfair to reveal more of the plot, but the film is consistently interesting and exciting.
The DVD is full screen on one side, and wide-screen on the other. The colour is very good for a 46-year old film. It does not have "surround sound", of course, unlike that 1986 aviation hit, "Top Gun"--then again, "Top Gun" didn't have Robert Mitchum ! Tom Cruise has a nice smile--but, for leadership and grit, I'd follow Robert Mitchum through the gates of hell !
Actually, I'll give "The Hunters" 4 1/2 stars. Action--suspense--romance--Sabre Jets--Robert Mitchum--what more do you want ? Thanks, Fox--a very nice disc !

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With its electrifying flight sequences and high-powered cast, The Hunters is a mesmerizing film based on the best-selling novel by veteran fighter pilot James Salter. Set during the height of the Korean War, the story centers on Major Cleve Saville (Robert Mitchum), a master of the newly operational F-86 Sabre fighter jets. But adept as he is at flying, Saville¹s personal life takes a nosedive when he falls in love with his wingman¹s (Lee Philips) beautiful wife (May Britt). To make matters worse, Saville must cope with a loud-mouthed rookie (Robert Wagner) in a daring rescue mission that threatens all their lives in this well-crafted war drama.

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The Dam Busters (1954) Review

The Dam Busters (1954)
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Anchor Bay Entertainment did an excellent job of transferring this British WWII classic to DVD. Scratches and blemishes in the picture are virtually nonexistent. And it IS Region 1, so it WILL play in just about any DVD player in the US and Canada (for those of you in the US and Canada).
If all you care about is having a good copy of this movie, then I highly recommend this DVD. If you also want special features like trailers, "Making of" documentaries, deleted scenes, etc., then you may want to wait until someone puts out a "special edition." All this DVD offers apart from the great transfer is scene selection (that missing star is actually half a star for not having more in the way of special features).
In the meantime, I recommend also getting Paul Brickhill & Guy Gibson's books ("The Dam Busters" and "Enemy Coast Ahead," respectively) upon which the movie is based along with the DVD of the PBS documentary "Secrets of the Dead: Bombing Nazi Dams" (which incidentally uses footage from this movie though uncredited). If you can find it, you might also want the audio cassette version of Brickhill's book read by the film's co-star, Richard Todd.

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Studio: Starz/spheRelease Date: 11/11/2008Run time: 125 minutesRating: Nr

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Full Metal Jacket (1987) Review

Full Metal Jacket (1987)
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If you're a fan of this film like me and had bought the Blu-Ray or HD-DVD before and thought "This is hi-def?", then you're in for a treat. This newly remastered version has a sharper picture and better color image and new commentaries to boot. While not as stunning a transfer as "The Shining" or "2001", this is still a much improved re-release. Trade in your old copy and purchase with confidence.

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The story of an 18-year-old marine recruit named Private Joker - from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.

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The Longest Day (1962) Review

The Longest Day (1962)
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The Longest Day (1962 film)
In 1959, 15 years after the Allied invasion of Normandy, former war correspondent Cornelius Ryan wrote The Longest Day, his popular and critically-acclaimed account of the D-Day landings. Based on painstaking research and interviews with Allied and German veterans and the French civilians swept up in the events of June 6, 1944, The Longest Day remains among the best books on the topic.
It is not surprising, then, that 20th Century-Fox studio chief Darryl F. Zanuck bought the film rights and asked Ryan, (who, besides having been a reporter, had also written plays) to adapt The Longest Day into a screenplay for a major motion picture. Zanuck, who had served in the Army Signal Corps as a lieutenant colonel and helped document the D-Day landings, had always wanted to make a feature film about the invasion. He also had another pressing reason to make what he thought would be a big hit: 20th Century-Fox, nearly crippled by box office flops and the costly production of Cleopatra, was on the brink of bankruptcy.
In order to attract audiences, Zanuck and his massive production team assembled a cast almost as large as the actual invasion force. 48 major international stars from three countries were signed on to what a World War II trivia book described as "the most expensive black-and-white movie made." Shot in studios near Paris and on the Mediterranean island of Corsica, The Longest Day required not one but three directors. Andrew Marton shot the American exterior episodes, Bernhard Wicki handled the German exterior episodes, and Ken Annakin directed the British exterior episodes. Overseeing the entire project were Zanuck and Associate Producer Elmo Williams, who would later executive produce the Japanese-American Pearl Harbor classic, Tora! Tora! Tora!
The movie basically follows the book's structure in its three major acts: The Wait, about the preparations on both sides for the invasion; The Night, about the night airborne assault; and The Day, about the landings on the five invasion beaches. The DVD breaks these three acts into 12 chapters.
While by early 21st Century standards The Longest Day's combat scenes are rather tame - there are no extremely gory scenes as explicit as those in Saving Private Ryan - they do capture the vastness and complexity of the Normandy landings. Shot in a semi-documentary style (major characters are introduced with identifying "credits" so we know who is who), The Longest Day is as accurate as a 1962-era film studio could depict an actual event. The black-and-white presentation allows insertion of a few snippets of actual documentary footage (mainly of German soldiers marching through Paris and running to their fortifications near the beaches) seamlessly into the film. Of course, some characters (such as Eddie Albert's Col. Thompson) seem to be composites or even fictitious, and some actors (such as John Wayne and Robert Ryan) look nothing like the officers they are portraying. Wayne plays Lt. Col. Benjamin Vandenvoort, who in 1944 was in his 30s, while Ryan plays Brig. Gen. James "Slim Jim" Gavin, who at 38 was the Army's youngest general. (The more accurate, but far less popular sequel, A Bridge Too Far, cast Ryan O'Neal as Gavin.)
Accuracy goes out the window in at least one respect, and this one is at the top of most D-Day veterans' list of gripes. While the movie does mention the awful conditions on the transports and landing craft ("Man, that stink! Diesel oil, backed up toilets, vomit. And there ain't no place to get sick in!" gripes one soldier to Roddy McDowell), when the Allied soldiers get out of the landing craft, they hit the beaches running and screaming like banshees. In Stephen E. Ambrose's 1994 D-Day, June 6, 1944, veterans scoff at Zanuck's fanciful depiction, pointing out that they were too tired and too sick to run across the beach, much less yell like Confederates at Gettysburg.
Nevertheless, The Longest Day remains one of the best war movies ever made. Released in October of 1962 and enjoying a long run at the theaters, it was the box office's top draw for 1963, earning an Academy Award for special effects and, luckily for Zanuck, saving 20th Century Fox from bankruptcy.
The DVD presents The Longest Day to its original CinemaScope wide screen presentation, improving on the CBS-Fox two-cassette VHS version, which was released on the usual pan-and-scan "full screen" re-edit. Other improvements are a sound remastering by THX and a few tiny bits of additional footage. The single disc, however, has very few extra features; only the theatrical trailers to The Longest Day, Patton, and Tora! Tora! Tora!

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Battle of Britain (1969) Review

Battle of Britain (1969)
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The Battle of Britain is one of my favorite films. Great cast, classic flying scenes and a fascinating perspective on historical events.
However, I was disappointed with the DVD version. The image quality is great, but the DVD differs from the VHS version in some important ways.
First, the DVD version has different subtitles. Some are modified and some are added. If you read all of the newly added (and mostly unnecessary) subtitles, you can't keep up with the video in some scenes. I don't speak German, so I can't say whether the modified subtitles are more accurate, but I feel that some of the translations lost their dramatic edge in this release. The DVD producers also chose to overlap subtitles with the picture, when, at 2.35:1, there's plenty of room below the video for the subtitles.
Secondly, on VHS, the movie's final scene is boosted by Ron Goodwin's beautiful soundtrack. The DVD version drops the Ron Goodwin track and replaces it with a lifeless piece that saps the life out of the final scene. This was a major disappointment.
Lastly, just before the end credits, Winston Churchill's famous quote is replaced with a less notable one.
Overall, it's still a great movie, but the VHS version was nearly perfect. After waiting years for the DVD version, I'm now left hoping there will be a Special Edition version with the VHS subtitles and soundtrack restored.

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Featuring a "big stellar cast" (Variety), including Michael Caine, Trevor Howard, Laurence Olivier, Christopher Plummer, Michael Redgrave, Robert Shaw, Susannah York and Edward Fox, Battle of Britain is a spectacular retelling of a true story that shows courage at its inspiring best. Few defining moments can change the outcome of war. But when the outnumbered Royal Air Force defied insurmountable odds in engaging the German Luftwaffe, it may well have altered the course of history!

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