Showing posts with label robert mitchum. Show all posts
Showing posts with label robert mitchum. Show all posts

The Man with the Gun (1955) Review

The Man with the Gun (1955)
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There should be a sub-genre in the Western called 'the Robert Mitchum Western'. Mitchum's brilliant, idiosyncratic, usually undervalued Westerns import his film noir persona to etch some compellingly dark character studies, and bring an elegiac world-weariness prefiguring the films of Sam Peckinpah. 'Man with the gun' is one of his best. Directed by Orson Welles protege Richard Wison, it is a stark, monochrome beauty, full of chilling silhouettes and terrifying outbursts of savage violence, as Mitchum comes to tame a town terrorised by a monopolist with a private army. Mitchum's regression from soft-spoken stranger to deranged murderer, with a host of dark emotions in between, is a marvel of expressive, physical acting.

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Studio: Tcfhe/mgmRelease Date: 05/13/2008Run time: 83 minutesRating: Nr

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Thunder Road (1958) Review

Thunder Road (1958)
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IF you're a Robert Mitchum fan, it's almost impossible not to give THUNDER ROAD five stars. Heck, he even wrote and sang the title song.
Mitchum plays Lucas Doolin, a Korean War vet turned Kentucky moonshine runner, a man with "a machine gunner's outlook and death don't faze him much." Times are hard along Thunder Road, the revenuers from Alcohol and Tobacco are stepping up the pressure and a big city operator, Carl Kogan (Jacques Aubuchon), is trying to buy out all the local moonshiners. Luke Doolin is the best runner out there, and when the revenuers & Kogan push, he pushes back.
The revenuers, personified by Troy Barrett (Gene Barry), want to shut down things and especially want help in capturing the big fish Kogan. At one point he even (mistakenly) tries to intimate Luke into cooperating. "I reckon you can do all you say," the sleepy-eyed Luke says after listening to Barrett's threats. "But first you got to catch me. If you can." Kogan's threat is more direct and lethal. He wants to buy out and build his empire. In other words, the moonshiners belong to a loose cooperative and Kogan is threatening a hostile takeover. Barrett tries to win through persuasion; Kogan's goons use guns.
THUNDER ROAD loves cars and driving. When we aren't underneath the souped-up '51 Ford's hood admiring the curves of its engine, we're speeding and chasing and crashing along the rural backroads. The chase scenes were probably pretty exciting for the time, although today they just look quaint and hokey.
Mitchum is, as always, excellent. In an interesting bit of casting, and perhaps as a nod to the dubious paternity in some areas of rural America, Mitchum's son James is cast as his brother Robin Doolin. The less said about his acting the better, but they do look an awful lot alike. Another interesting and somewhat wooden choice is the golden-throated Keely Smith as Mitchum's big city's girlfriend Francie Wymore. As a bonus to her fans, she sings a couple of songs.
THUNDER ROAD is a minor cult classic, most popular in the Appalachia region. I read an interesting bit of trivia from the IMDB site: Elvis Presley was originally offered the part of Robin Doolin, but Tom Parker put the kabosh on it. Now THAT would have been interesting.

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Transporting illegal alcohol over dark two-lane mountain highways, Lucas Doolin (Robert Mitchum) races wildly through the night, crashing road blocks and outrunning ambushes, defying anyone who triesto stop him.A man has a right to do anything,he says,including making whiskey, as long as he makes it on his own land.But when ruthless racketeers muscle in on Doolin's territoryand kill one of his men in the processthe Kentucky bootlegger declares war, fiercely determined to maintainhis hard-won business and independence...even if it costs him his life.Boastingbreathtaking auto chase scenes(The Film Daily) and a superb performance from Robert Mitchum, Thunder Road is breathtaking excitementthe most exhilarating road thriller of them all.

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The Hunters (1958) Review

The Hunters (1958)
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"The Hunters" is a well-made, exciting Korean war drama, with the accent on aviation. It has an above-average plot for this type of film, and the whole movie, particularly the aerial sequences, is expertly directed by Dick Powell. If you are interested in combat aircraft, there are many scenes of F-86 Sabre Jets engaging MIGs in dogfight battles to the death.
While the planes are great to watch, this film is primarily about human beings caught up in war. It stars Robert Mitchum, and he is terrific--his fighter pilot character is a born leader, yet he also suspects there is something important missing in his life. He enters into a guilt-ridden relationship with the wife of another pilot, played by lovely May Britt. When there's a war on though, the feelings of two people aren't worth--as someone once said--"a hill of beans". Mr. Mitchum's main job is to lead a fighter squadron, and satisfy his boss on the ground--Richard Egan in a strong performance, knowing that every day he may be sending a man to his death.
Just to make things even more interesting for Mr. Mitchum, his squadron includes Ms. Britt's husband ( a paranoid, self-doubting Lee Philips ) and a cocky, young "hotshot" who doesn't like "rules" ( a young, excellent Robert Wagner ). It would be unfair to reveal more of the plot, but the film is consistently interesting and exciting.
The DVD is full screen on one side, and wide-screen on the other. The colour is very good for a 46-year old film. It does not have "surround sound", of course, unlike that 1986 aviation hit, "Top Gun"--then again, "Top Gun" didn't have Robert Mitchum ! Tom Cruise has a nice smile--but, for leadership and grit, I'd follow Robert Mitchum through the gates of hell !
Actually, I'll give "The Hunters" 4 1/2 stars. Action--suspense--romance--Sabre Jets--Robert Mitchum--what more do you want ? Thanks, Fox--a very nice disc !

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With its electrifying flight sequences and high-powered cast, The Hunters is a mesmerizing film based on the best-selling novel by veteran fighter pilot James Salter. Set during the height of the Korean War, the story centers on Major Cleve Saville (Robert Mitchum), a master of the newly operational F-86 Sabre fighter jets. But adept as he is at flying, Saville¹s personal life takes a nosedive when he falls in love with his wingman¹s (Lee Philips) beautiful wife (May Britt). To make matters worse, Saville must cope with a loud-mouthed rookie (Robert Wagner) in a daring rescue mission that threatens all their lives in this well-crafted war drama.

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The Longest Day (1962) Review

The Longest Day (1962)
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The Longest Day (1962 film)
In 1959, 15 years after the Allied invasion of Normandy, former war correspondent Cornelius Ryan wrote The Longest Day, his popular and critically-acclaimed account of the D-Day landings. Based on painstaking research and interviews with Allied and German veterans and the French civilians swept up in the events of June 6, 1944, The Longest Day remains among the best books on the topic.
It is not surprising, then, that 20th Century-Fox studio chief Darryl F. Zanuck bought the film rights and asked Ryan, (who, besides having been a reporter, had also written plays) to adapt The Longest Day into a screenplay for a major motion picture. Zanuck, who had served in the Army Signal Corps as a lieutenant colonel and helped document the D-Day landings, had always wanted to make a feature film about the invasion. He also had another pressing reason to make what he thought would be a big hit: 20th Century-Fox, nearly crippled by box office flops and the costly production of Cleopatra, was on the brink of bankruptcy.
In order to attract audiences, Zanuck and his massive production team assembled a cast almost as large as the actual invasion force. 48 major international stars from three countries were signed on to what a World War II trivia book described as "the most expensive black-and-white movie made." Shot in studios near Paris and on the Mediterranean island of Corsica, The Longest Day required not one but three directors. Andrew Marton shot the American exterior episodes, Bernhard Wicki handled the German exterior episodes, and Ken Annakin directed the British exterior episodes. Overseeing the entire project were Zanuck and Associate Producer Elmo Williams, who would later executive produce the Japanese-American Pearl Harbor classic, Tora! Tora! Tora!
The movie basically follows the book's structure in its three major acts: The Wait, about the preparations on both sides for the invasion; The Night, about the night airborne assault; and The Day, about the landings on the five invasion beaches. The DVD breaks these three acts into 12 chapters.
While by early 21st Century standards The Longest Day's combat scenes are rather tame - there are no extremely gory scenes as explicit as those in Saving Private Ryan - they do capture the vastness and complexity of the Normandy landings. Shot in a semi-documentary style (major characters are introduced with identifying "credits" so we know who is who), The Longest Day is as accurate as a 1962-era film studio could depict an actual event. The black-and-white presentation allows insertion of a few snippets of actual documentary footage (mainly of German soldiers marching through Paris and running to their fortifications near the beaches) seamlessly into the film. Of course, some characters (such as Eddie Albert's Col. Thompson) seem to be composites or even fictitious, and some actors (such as John Wayne and Robert Ryan) look nothing like the officers they are portraying. Wayne plays Lt. Col. Benjamin Vandenvoort, who in 1944 was in his 30s, while Ryan plays Brig. Gen. James "Slim Jim" Gavin, who at 38 was the Army's youngest general. (The more accurate, but far less popular sequel, A Bridge Too Far, cast Ryan O'Neal as Gavin.)
Accuracy goes out the window in at least one respect, and this one is at the top of most D-Day veterans' list of gripes. While the movie does mention the awful conditions on the transports and landing craft ("Man, that stink! Diesel oil, backed up toilets, vomit. And there ain't no place to get sick in!" gripes one soldier to Roddy McDowell), when the Allied soldiers get out of the landing craft, they hit the beaches running and screaming like banshees. In Stephen E. Ambrose's 1994 D-Day, June 6, 1944, veterans scoff at Zanuck's fanciful depiction, pointing out that they were too tired and too sick to run across the beach, much less yell like Confederates at Gettysburg.
Nevertheless, The Longest Day remains one of the best war movies ever made. Released in October of 1962 and enjoying a long run at the theaters, it was the box office's top draw for 1963, earning an Academy Award for special effects and, luckily for Zanuck, saving 20th Century Fox from bankruptcy.
The DVD presents The Longest Day to its original CinemaScope wide screen presentation, improving on the CBS-Fox two-cassette VHS version, which was released on the usual pan-and-scan "full screen" re-edit. Other improvements are a sound remastering by THX and a few tiny bits of additional footage. The single disc, however, has very few extra features; only the theatrical trailers to The Longest Day, Patton, and Tora! Tora! Tora!

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The North Star (1947) Review

The North Star  (1947)
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North Star a fictional Soviet Village on the edge of the Polish/German Border. Life could not be more peaceful or serene for townspeople who are so happy that they often have occasion to break into song. And in this village all the songs are by Aaron Copland and Ira Gershwin. Far from being the "Evil Empire" of the Regan era, the villagers here are boisterous children, loving parents, devoted friends and neighbors. All of them get some opportunity to express how much they love each other and their nation. This bucolic bliss is rudely shattered when the German's begin their blitzkrieg invasion of the region in the Summer of 1941. The village bands together to fight off the tanks and planes of the enemy with horse cavalry and ingenuity. The only hope for the town to repel the invaders is a cache of arms and munitions being delivered by some local teenagers.
For its historical value this really is a must see movie. And if you can find it in the 2.99 bin at the video store, I would urge you to buy it and have a showing with all of the history buffs you know in attendance. Some of my favorite points are :
*The complete glossing over of the Soviet-German Non-Aggression pact or 1939
*The movie mentions that the Germans have occupied Poland but never makes mention of the fact that Russia immediately occupied the other half of Poland thus cutting the German's spoils in half.
* Officially the Soviet Union was a nation of atheists. The movie makers skirt around this potential fault by having some of the characters assume a praying type of posture (head down hands clasped together) as they silently work up the strength to make the needed sacrifices.
Other than as a period piece this movie has nothing to recommend it. The script is so flat that I recall once reading that Lillian Hellman tried unsuccessfully to have her name removed from the credits. The characters are wooden and lifeless manikins who mouth only patriotic platitudes. The songs would also stand a better chance if they too were more than just grist for the propaganda mill.
What is great is to see so many Hollywood stars doing there bit for the war effort. Ann Baxter, Dana Andrews, Walter Huston, Farley Granger, and Jane Winters (later to win fame as Josephine the Plumber) are all featured. They sing and dance and cavort around in regional costumes. In fact every effort is made to ensure that we are left with the opinion that except for the odds names and the quaint outfits, the kids of North Star are just like the kids back in the good old USA. A script like this one makes it very easy for me to believe that Dana Andrews and Farley Granger could be the boy next door !

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Item Name: North Star; Studio:Reel Enterprises

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The Enemy Below Review

The Enemy Below
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This is one of the best duel-of-wits on the high seas between submarine and destroyer ever filmed. Robert Mitchum as the captain of an American destroyer and Curt Jurgens as the captain of a German submarine try to out maneuver each other in a battle of nerves, instincts, intelligence, seamanship and raw courage. The multi-talented Dick Powell directed this taught drama, which remains one of the most memorable and benchmark films of this genre. The interior of the German submarine does not have the realistic or claustrophobic look as seen in DAS BOOT but that's not the point. Powell's focus is on the two captains and how they act and react. This film does not lose sight of the mentality of that era and the psychological makeup of the men at sea above and below. This is classic filmmaking and should not be overshadowed by the recent resurgence of certain World War II films that seem to have lost sight of the reason men fought and died. This film also has an impressive cast featuring David Hedison, Theodore Bikel, Kurt Kreuger and Doug McClure. Robert Mitchum and Curt Jurgens portrayed true men of honor each dedicated to their duty that they were called upon.

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It's Mitchum vs. Jurgens as the commanders of an American destroyer and a German U-boat play a deadly game of cat and mouse.

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The North Star Review

The North Star
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North Star a fictional Soviet Village on the edge of the Polish/German Border. Life could not be more peaceful or serene for townspeople who are so happy that they often have occasion to break into song. And in this village all the songs are by Aaron Copland and Ira Gershwin. Far from being the "Evil Empire" of the Regan era, the villagers here are boisterous children, loving parents, devoted friends and neighbors. All of them get some opportunity to express how much they love each other and their nation. This bucolic bliss is rudely shattered when the German's begin their blitzkrieg invasion of the region in the Summer of 1941. The village bands together to fight off the tanks and planes of the enemy with horse cavalry and ingenuity. The only hope for the town to repel the invaders is a cache of arms and munitions being delivered by some local teenagers.
For its historical value this really is a must see movie. And if you can find it in the 2.99 bin at the video store, I would urge you to buy it and have a showing with all of the history buffs you know in attendance. Some of my favorite points are :
*The complete glossing over of the Soviet-German Non-Aggression pact or 1939
*The movie mentions that the Germans have occupied Poland but never makes mention of the fact that Russia immediately occupied the other half of Poland thus cutting the German's spoils in half.
* Officially the Soviet Union was a nation of atheists. The movie makers skirt around this potential fault by having some of the characters assume a praying type of posture (head down hands clasped together) as they silently work up the strength to make the needed sacrifices.
Other than as a period piece this movie has nothing to recommend it. The script is so flat that I recall once reading that Lillian Hellman tried unsuccessfully to have her name removed from the credits. The characters are wooden and lifeless manikins who mouth only patriotic platitudes. The songs would also stand a better chance if they too were more than just grist for the propaganda mill.
What is great is to see so many Hollywood stars doing there bit for the war effort. Ann Baxter, Dana Andrews, Walter Huston, Farley Granger, and Jane Winters (later to win fame as Josephine the Plumber) are all featured. They sing and dance and cavort around in regional costumes. In fact every effort is made to ensure that we are left with the opinion that except for the odds names and the quaint outfits, the kids of North Star are just like the kids back in the good old USA. A script like this one makes it very easy for me to believe that Dana Andrews and Farley Granger could be the boy next door !

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Item Name: North Star; Studio:Reel Enterprises

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The Winds of War (1983) Review

The Winds of War (1983)
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Herman Wouk wrote an absolute masterpiece. Winds of War is without a doubt the very best historical novel in the war genre. Dan Curtis equally directs the benchmark that mini-series will be measured by for years to come.
Casting for Winds of War was perfect when it came to matching Wouk's characters. Despite the age differences Ali McGraw and Jan-Michael Vincent were absolutely perfect as the independent and fickle Natali Jastrow and the bull-headed Byron Henry. Robert Mitchum is the glue that holds the story together in a flawless performance as Victor "Pug" Henry, the man that meets everyone that is anyone in his role as a Naval Attache stationed in Berlin in the pre-World War II years. One of the best ever ensemble casts include stand-outperformances by Polly Bergen as Pug Henry's hard-drinking wife Rhoda, not to mention Topol, David Dukes, Victoria Tennant and John Houseman.
Winds of War has become a semi-annual event for our family. It is simply so entertaining that it never grows tiresome. The historical value alone makes it worth having in your home library.

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The first two years of WWII, before U.S. involvement, as seen through the eyes of a naval commander stationed at Pearl Harbor.Genre: TelevisionRating: NRRelease Date: 1-MAY-2007Media Type: DVD

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