Showing posts with label infidelity. Show all posts
Showing posts with label infidelity. Show all posts

Brief Encounter - Criterion Collection (1946) Review

Brief Encounter - Criterion Collection (1946)
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Master director David Lean's reputation undoubtedly consists mostly of his brilliance with his epic panoramas, such as the classics THE BRIDGE ON THE RIVER KWAI, LAWRENCE OF ARABIA, DOCTOR ZHIVAGO, and A PASSAGE TO INDIA. Of course those who look closely in these films will see that Lean chose only the best actors to flesh out real, true characters caught in the midst of overwhelming events--witness Peter O'Toole's vivid characterization of T. E. Lawrence and Peggy Ashcroft's beautiful, indelible Mrs Moore from A PASSAGE TO INDIA. With BRIEF ENCOUNTER, the actors are everything, too.
The story is simple--in a very sad, post-WWII London, two married people meet by chance at a (glorious) train station and begin a friendship which slips quickly into love. The depth of their feelings is never in question, as Trevor Howard and the incandescent Celia Johnson portray these feelings honestly and without pretense, clutter, or the manneredness of modern depicitions of love. Whether the characters will be adulterers or not is important to them; they have principles and do truly care for their existing families. Again, they are two ordinary adults in the midst of something overwhelming; how they handle the situation is what gives them grace and dignity. The use of Rachmaninoff's Concerto no. 2 in C minor, especially the adagio section, was a stroke of genius. One cannot hear the piece ever again without imagining a tear streaming from Miss Johnson's large, soulful blue eyes. Fans of romance, classic cinema, or simply great acting should not miss this experience. The DVD transfer is excellent and Criterion should be applauded again for restoring a vital classic to modern audiences.

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From Noël Coward's play Still Life, legendary filmmaker David Lean deftly explores the thrill, pain, and tenderness of an illicit romance in the dour, gray Britain of 1945. From a chance meeting on a train platform, a middle-aged married doctor (Trevor Howard) and a suburban housewife (Celia Johnson) enter into a quietly passionate, ultimately doomed love affair, set to a swirling Rachmaninoff score. Criterion is proud to present Lean's award-winning masterpiece a beautifully restored digital transfer.

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Doctor Zhivago (TV Miniseries) (2003) Review

Doctor Zhivago (TV Miniseries) (2003)
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It may be somewhat sacrilegious to admit this, but I actually prefer this production to the David Lean classic. That is an admission however that I do not take lightly, the Lean version having left an indelible impression on my younger life and the beautiful Lara's Theme having haunted me since I first saw the original version on television back in the 1980s.
No, when I sat down to watch this 2002 adaptation of the Boris Pasternak epic I was all prepared to be both disappointed and resistant to a newer version of the Omar Sharif/Julie Christie favorite - so what happened? Why am I now sitting here so impressed and involved in what should by all accounts be a poorer step child to the colorful, star-filled 1960s movie.
Simply put this movie has the advantage of time. A whole hour longer than the other movie that extra time gives the production of filling in some of the blanks that inhabited the original and more fully exploring the human relationships and interaction between characters. Matheson may not have the acting ability of Sharif but what he does have is the opportunity to more fully realize the character of Zhivago. In this sense this movie is more faithful to the source material and all the better for it.
Matheson plays the part of Zhivago, a man brought up in the shadow of tragedy who feels the pull of loyalty to his wife (and childhood friend) Tonya and a deep infatuation for Lara. With the violence of World War I and the Russian Revolution as a backdrop, Zhivago travels through life torn by conflict.
Less colorful than the original this mini-series compensates with a strong, well defined script and some star turning peformances by Sam Neill and one-time Bond girl Maryam D'Abo (as Lara's mother). Many have also dismissed Keira Knightley in her role as Lara, but I found her both competent and powerful in the role. I found myself both involved in her story and convinced by her portrayal - she was certainly a different Lara than the one depicted by Christie some four decades ago, but one no less realized or compelling. In fact, I would go as far as to say that Knightley's Lara is a more rounded character than Christie's, no doubt due to Knightley's impressive screen presence, but also the longer screentime afforded to her character.
One device I found both clever and interesting was real archive footage from the period that is woven into the story in a fascinating manner.
Included on this DVD is a text biography of author Boris Pasternak as well as over an hour of interviews with the cast. Prepared to be surprised by this DVD and be prepared to fall in love with a whole new version of the DOCTOR ZHIVAGO story.

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DOCTOR ZHIVAGO A man torn between two women amid the chaos and brutality of the Russian Revolution One of the world’s most famous love stories and half a century of Russian history come to life in this adaptation of Pasternak’s masterpiece by celebrated screenwriter Andrew Davies (Bridget Jones’s Diary, Pride and Prejudice). War and revolution bring poet and physician Yury Zhivago (Hans Matheson) together with the beautiful Lara (Keira Knightley), his muse and all-consuming passion. But both are haunted--Yury by guilt over his betrayal of Tonya, his beloved wife, and Lara by fear of Komarovsky (Sam Neill), the powerful man who means to have her any way he can. DVD SPECIAL FEATURES INCLUDE 70 minutes of cast and crew interviews, photo gallery, filmographies, Boris Pasternak biography, English subtitles. Complete UK broadcast edition RECOMMENDED FOR MATURE AUDIENCES

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The Other Side of Midnight (1977) Review

The Other Side of Midnight (1977)
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A happy-go-lucky American WWII pilot gets the girl everytime. Never mind the girl's feelings. In this typically mid-70's film, one of the pilot's affairs goes terribly awry when the French girl he seduces winds up pregnant, in the middle of WWII France no less. Cute. The girl, played to the hilt by Marie-France Pissier, becomes obsessed with finding her beau. The plot takes her through some very tortuous ways of securing the information she wants. Meanwhile, she becomes a great movie star and eventually the beautiful and spoiled wife of one of the most powerful men in the world, a la Onassis. She ultimately finds her pilot but he doesn't recognize her as the girl he seduced and left pregnant and full of hope. The lovers eventually renew their romance but there is a high price to pay. Susan Sarandon gives a tour-de-force performance as the very loving and naive wife jilted by her philandering pilot-husband. The ending will amaze and delight you.

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Based on the novel by Sidney Sheldon, this riveting story of love and revenge boasts dazzling portrayals by Marie-France Pisier, John Beck and Susan Sarandan in one of her career-making roles. Although American WWII pilot Larry Douglas (Beck) promises to marry French femme fatale Noelle Page (Pisier), he instead returns Stateside and marries well-to-do Catherine Alexander(Sarandon).And once Noelle takes a Greek multi-millionaire (Raf Vallone) as a lover, she plots to shame Larry by arranging for him to be the tycoonÂ's private pilot. But in one of many delicious twists of fate in this gripping tale of love, war and betrayal, Noelle and Larry again become passionate, and when Catherine refuses to divorce Larry, the cheating couple seek a murderous revenge.

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