Doctor Zhivago (TV Miniseries) (2003) Review

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(More customer reviews)It may be somewhat sacrilegious to admit this, but I actually prefer this production to the David Lean classic. That is an admission however that I do not take lightly, the Lean version having left an indelible impression on my younger life and the beautiful Lara's Theme having haunted me since I first saw the original version on television back in the 1980s.
No, when I sat down to watch this 2002 adaptation of the Boris Pasternak epic I was all prepared to be both disappointed and resistant to a newer version of the Omar Sharif/Julie Christie favorite - so what happened? Why am I now sitting here so impressed and involved in what should by all accounts be a poorer step child to the colorful, star-filled 1960s movie.
Simply put this movie has the advantage of time. A whole hour longer than the other movie that extra time gives the production of filling in some of the blanks that inhabited the original and more fully exploring the human relationships and interaction between characters. Matheson may not have the acting ability of Sharif but what he does have is the opportunity to more fully realize the character of Zhivago. In this sense this movie is more faithful to the source material and all the better for it.
Matheson plays the part of Zhivago, a man brought up in the shadow of tragedy who feels the pull of loyalty to his wife (and childhood friend) Tonya and a deep infatuation for Lara. With the violence of World War I and the Russian Revolution as a backdrop, Zhivago travels through life torn by conflict.
Less colorful than the original this mini-series compensates with a strong, well defined script and some star turning peformances by Sam Neill and one-time Bond girl Maryam D'Abo (as Lara's mother). Many have also dismissed Keira Knightley in her role as Lara, but I found her both competent and powerful in the role. I found myself both involved in her story and convinced by her portrayal - she was certainly a different Lara than the one depicted by Christie some four decades ago, but one no less realized or compelling. In fact, I would go as far as to say that Knightley's Lara is a more rounded character than Christie's, no doubt due to Knightley's impressive screen presence, but also the longer screentime afforded to her character.
One device I found both clever and interesting was real archive footage from the period that is woven into the story in a fascinating manner.
Included on this DVD is a text biography of author Boris Pasternak as well as over an hour of interviews with the cast. Prepared to be surprised by this DVD and be prepared to fall in love with a whole new version of the DOCTOR ZHIVAGO story.

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DOCTOR ZHIVAGO A man torn between two women amid the chaos and brutality of the Russian Revolution One of the world’s most famous love stories and half a century of Russian history come to life in this adaptation of Pasternak’s masterpiece by celebrated screenwriter Andrew Davies (Bridget Jones’s Diary, Pride and Prejudice). War and revolution bring poet and physician Yury Zhivago (Hans Matheson) together with the beautiful Lara (Keira Knightley), his muse and all-consuming passion. But both are haunted--Yury by guilt over his betrayal of Tonya, his beloved wife, and Lara by fear of Komarovsky (Sam Neill), the powerful man who means to have her any way he can. DVD SPECIAL FEATURES INCLUDE 70 minutes of cast and crew interviews, photo gallery, filmographies, Boris Pasternak biography, English subtitles. Complete UK broadcast edition RECOMMENDED FOR MATURE AUDIENCES

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Taras Bulba (1962) Review

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(More customer reviews)Taras Bulba could have been a very good film - possibly even a great one. But Hollywood values killed any chance of that. Instead, we have a reasonably enjoyable mess of a movie with two outstanding ingredients that rise above the rest - Franz Waxman's rousingly inventive music and a suitably over the top performance by Yul Brynner. As the title character, Brynner looks every inch a Cossack - swaggering and posing like a macho peacock, delivering his lines with that growling accent, and wearing his costumes as though he had lived in them all his life. Brynner was a hugely undervalued actor - a larger than life performer whose presence saved many a film. But the odds were really against him here.
Instead of focusing on Brynner, the film makes Tony Curtis, as his son, the central character. Curtis makes absolutely no effort to look like a Cossack so it is not surprising that he doesn't act like one either. While the rest of the Cossacks are swarthy, burly, scalplocked he-men, the sons of Taras Bulba look more like a couple of surfers who have wandered in from the film next door. Worse still is Curtis's love interest - the enemy girl he falls in love and betrays the Cossack Brotherhood for. She is played with wan listlessness by Christine Kaufmann in a performance so wooden it's a wonder Curtis didn't get splinters in their love scenes. Still, in real life, he must have fancied her because he left Janet Leigh to marry her.
Even with its insipid love story, Taras Bulba could still have achieved greatness through sheer spectacle. The costume department certainly did their bit - although some of the Polish uniforms are needlessly naff. The music thunders and roars - except for the obligatory love song sung by an oversweetened choir over the equally obligatory sixties montage sequence. Filming in Argentina may have been a good fiscal decision, but it doesn't help the look of the film - pampas are not steppes. Still, there are some exciting and effective sequences, notably the Ride To Dubno during which Brynner's followers grow from a handful to an army. The battles scenes are as lively as the Polish university scenes are dull. Sometimes the scale of the enterprise impresses. But you end up wanting to like the film more than you do.
Perhaps the film's uncertain tone is best illustrated by a post-production anecdote. At a pre-release screening, director J. Lee Thompson supposedly turned to Yul Brynner and said: "I still don't see why you had to shoot Tony."

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Studio: Tcfhe/mgmRelease Date: 09/23/2008Run time: 122 minutesRating: Pg13

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Doctor Zhivago (Two-Disc Special Edition) (1965) Review

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(More customer reviews)Both Boris Pasternak's extraordinary novel and David Lean's magnificent film version are among my favorites of all-time. The story is basically about a poet/physician (Omar Sharif) who loves two women--his adoring wife, Tonya (Geraldine Chapin), and his enigmatic mistress, Lara (Julie Christie)--through the events of World War I and the Russian Revolution.
Robert Bolt's screenplay balances the political upheaval with exquisite, heartwrenching romance--one of the few films to succeed at this level. Lean, who seemed to make a specialty of making films about illicit love (Brief Encounter, Summertime, etc.), also works a tightrope, giving the film the necessary grandeur and sweep required for an epic while never losing sight of the intimacy of the characters. He is aided considerably by a magnificent cast: Sharif, despite or perhaps because of his Egyptian background, provides the perfect perspective of an individual observing things around him, each time as if it were new--it's a wonderful performance; Christie is simply luminescent; Chaplin nicely understated; and there's terrific support from Alec Guinness, Rod Steiger, Tom Courtney, etc.
What makes Zhivago a must on DVD is the awe-inspiring cinematography of Freddie Young, who deservedly won the Academy Award. I was lucky to see Zhivago at a theater, on the big screen proper, several years ago when it was re-issued; unbelievably, the DVD transfer here is even BETTER!!! There are shots in this film that are simply jaw-dropping beautiful.
Doctor Zhivago is, like the book it's based on, a challenging film that will reward the viewer with one of their most extraordinary cinematic experiences.

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The Last Station (2009) Review

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(More customer reviews)The film "The Last Station" focuses on the last few months of the novelist and writer Leo Tolstoy's family and social life. It stars Christopher Plummer as Tolstoy, Helen Mirren as his wife Sophya, James McAvoy as Tolstoy's new personal secretary Valentin, Kerry Condon as Valentin's charming and aggressive love interest, and Paul Giamatti as the leader of a group of "Tolstoyans" who wish to widely promote Tolstoy's ideals.
The film is set in early 20th century Russia, before the harsh realities of the Russian Revolution occurred in 1917 and thereafter (Tolstoy died in 1910). It was a time in history when Socialism was still an untried idealized conceptual form of government, and Tolstoy in his final years became more "radical" in his political, religious, and social philosophies.
The film raises 2 universal questions: 1) What do you do when the love of your life is in conflict with your highest priority ideals? And how does your treatment or mistreatment of the people closest to you, who have loved and cared for you the most, reflect on the quality of your ideals?
~Spoilers Ahead ~
In the final months of Tolstoy's life, he abandoned his wife of 48 years, Sophya. Before Sophya and Leo married, Sophya knew of his many sexual escapades he shared with her in his diaries. She knew he had fathered a child with one of the servant girls in his household. Nevertheless, she loved him and married him, giving him 13 children, 5 of whom died in childhood. The movie implies the question: At what point does your life become more than a solitary pursuit? After how many years of good treatment and co-dependence with those close to you does your life necessarily and deservedly become considerate of more than just your own priorities? Where should your deference be?
In 2009, it was widely reported that a British couple, both 98 years old, divorced. When a friend of mine heard of the story, she said, "What was the point?" It's a fascinating question. When do we ever stop wanting to define ourselves, our relationships, and our boundaries?
James McAvoy's character Valentin is a young, romantic idealist who wishes to promote Tolstoy's ideals. He runs into a young woman named Masha, who is less interested in layers of idealism, moral laws, and controls, and is more interested in physical and emotional feelings and connections. She quickly disarms his protests by being sexually aggressive with him. His ideals lose some of their zeal and absolutism when confronted with Masha's ability to naturally please him.
The film parallels Valentin's young love story with Tolstoy's love story with Sophya. Valentin is given a rare view, at a young age, to watch "ideals" clash with "love." Valentin, living in the house with Tolstoy, is able to watch a "great man" who is leading a "revolutionary" movement. He's able to watch how Tolstoy's focus on "the greater good" appears to harm and betray his wife, whose ideals are in conflict with his.
The film implies that Sophya did more than cleaning house and raising children while Tolstoy wrote. She tempered his novels' dialogues and added exceptional advice to his female portrayals. She transcribed and edited his major novels. She was not simply his wife, she was a co-creator of his greatest artworks.
The film is based on a 1990 novel "The Last Station" by Jay Parini. The title refers to many things, including the fact that Tolstoy died at a train station, fleeing his wife and estate. The title also implies the question: How will your actions in the last station of your life define your legacy? What will your last station leave behind for your immediate social circle and your community in general?
The screenplay is tight, moving, and never circuitous. The direction is solid and never distracting. The actors are excellent. I've heard the most praise for Mirren and McAvoy, but I found Plummer's and Condon's performances to be equally excellent. Plummer is in top form, less affected than in his younger roles. The film is a perfect length and the roles are not drawn as too overwrought or too "good" vs. "evil." We see the conflicting ideals of each of the main characters and we can easily understand the warfare that develops when their strong boundaries don't wish to co-exist.
I was hesitant to give this film a "number of stars" rating. But I appreciate it when other reviewers place some measurable rating on the films they review. When trying to come up with a correct number, I asked myself: "What was wrong with this film?" And I couldn't think of anything.
It's difficult for viewers to leave this film feeling good. This is not a film with a "feel good" ending. It's a real story about complex people who in the end desperately didn't want the same things. There are no clear winners in the final act of Tolstoy's life's story. But over time, I'm glad the work of his whole life has shined brighter and more prominently than his final chapter.

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East-West (2000) Review

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(More customer reviews)I saw this movie at a cinema in Southern California, surrounded by elderly Russian immigrants. It had such an emotional impact that at least one lady was overwhelmed and required physical assistance leaving the theatre when it ended. "East-West" is a stunningly open Russian/French-produced film about life in post-war USSR. Although the characters are composites, the story is based on cruel historical events. When Stalin "welcomes back" all expatriated Russians, Alexei is overjoyed to leave his long self-exile in France and sail to his beloved homeland. Aboard ship, he and his fellow passengers celebrate their imagined homecoming to the glorious "Workers' Paradise". None of them has any idea of the brutal changes which have occurred under "Uncle Joe's" regime. Only betrayal awaits them. Upon the instant of their arrival, they are thrust into a nightmare of totalitarianism from which there is seemingly no escape. Many of the returning countrymen are arrested or executed as "traitors of the state". Alexei, as a physician, is considered valuable and spared, although his French wife comes under immediate suspicion and surveillance. How their sudden culture shock, loss of human rights, miserable living conditions, persecution, and bleak future inexoribly erode their marriage is heart-breaking. The film would be overwhelmingly depressing, but love, hope, heroism, and sacrifice can prevail even under the iron hand of Stalin. I highly recommend this video. Although unflinchingly honest about the Soviet system, it treats the long-suffering Russian people with sensitivity and compassion.

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Ivan the Terrible - Pt. 2 (1959) Review

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(More customer reviews)Right off the bat, it needs to be said that this is the older DVD version, not the new remastered Criterion Collection version. There are no extras in this DVD version by Image. The subtitles are black and white, and are difficult to read against the black-and-white film sequences. The excellent score by Prokofiev is tinny. The soundtrack was recorded in PCM, essentially a WAV file, which will not play on many older DVD players. The transition between the black and white sequences and the color sequences is not as smooth as it could be. The difference between the Image version and the Criterion version is one of quality and content, and price. The Criterion version comes as part of a boxed set, which is pricey if you already own Alexander Nevsky and/or Ivan Part I. If you don't already own Alexander Nevsky and/or Ivan I, the Criterion version is the way to go. If you do own it, then you have to decide whether to purchase the Image version and spend less money, or to replicate part of your film library with the 3 disk set from Criterion.
As to the virtues of this Eisenstein compared to other Eisenstein films or all other films, the pacing will be too slow and the posed acting will be too melodramatic for most American audiences raised on modern action flicks. Film lovers will get more out of it, however, because most of them will have the background to appreciate the preservation of the silent film acting style with all its posing, stance, pregnant pauses and charactured good guy/bad guy visual "leitmotifs." The historical background of the film will be missed by your average modern western audience, who would probably fail to sort the propagandizing of Soviet filmmaking from the dramatic touches and historical details. Overall, this is worthy film to watch because of its historical value, insight into the Soviet "social realism" school, hand-in-glove Prokofiev score and brilliant cinematography. The set-up for the final murder and the murder scene itself are great cinema, achieving the pacing and suspense that seem lacking in the first half of the film. Even though you know what is going to happen, the resolution is still satisfying and surprising. If anything, see this film for that. My three stars are really to rate this DVD version because of its tinny and grainy quality and hard-to-read subtitles. Better to spend you money to get the Criterion boxed set instead, even if you do end up replicating one or more Eisenstein's which you may already own.

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The Star / Zvezda (2002) Review

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(More customer reviews)I had seen some Russian war films while on travel in Asia and was impressed with how well done they were, so I took a chance on The Star and was glad I did. The story of a reconnaissance team's mission behind German lines is, for the most part, realistically depicted and soldiers, in particular, will enjoy this film. The degree of accuracy in weapons, equipment, tactics, and movement is very high. The studio really had some depth of resources when it came to period weapons and equipment. No doubt, much of this was captured originals. The tanks - of which there were quiet a few - appeared to be soviet with a variety of detailed visual modifications to make them resemble Tiger's, Panthers, and Mark
IVs. The actors were clearly well coached in their roles by knowledgeable technical advisors. The action occurs in the woods, weeds, swamps, mud, and streams of eastern russia. A good use of location far beyond the studio back lot. The standard compromises for unbelievable daring and heroics, the need to speak loud enough for the audience to hear, and staging action in broad daylight so that there will be something other than shadows for the audience to see all apply, but are dealt with plausibly. Relatively little dialog is needed because the director is up to the job of conveying the story of the mission visually. You can really tell what is happening in the action and pursuit scenes both day and night. Good cinematography and a very good transfer to DVD. There a subtitles, but they are not intrusive. The Russian language adds to the realism and immersion. Yeah, it's violent on the R-rated level and not for the kids. The Russian soldiers are stereotypically heroic patriots. There are no German characters, at least that live long. The Germans are depicted as evil targets to be interrogated and disposed of. Those that are on screen for any time at all are well costumed and acted, but, much as in the Dirty Dozen, they receive little sympathy and are a poor insurance risk. But they are not assumed to fools and prove quiet capable of systematically hunting down team Star. The use of brief narration to replace the standard enemy headquarters scene where the German staff would react to the incursion and order counter measures is a bit hokey due to the odd translation which is Russian accented English and does not sound like a German battle report, but allows the focus on the team, now on the run, to remain unbroken.

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LANGUAGE (AUDIO): RUSSIAN (DOLBY DIGITAL 5.1.) SOUNDTRACK ONLY; SUBTITLES: RUSSIAN. War, Russia, 2002, 93 min. A true WWII story about a small scout group with radio sign /The Star/ (Zvezda) which got a task to find place of German tanks concentration. Two previous groups were lost and nobody knew where and how. The third group is completed by scouts from different fronts. /The Star/ goes in both dark of night and obscurity understanding that enemy waits them leaving no chances to return... Director: Nikolai Lebedev; Cast: Igor Petrenko, Artyom Semakin, Aleksei Panin, Aleksei Kravchenko, Anatoli Gushchin, Amadu Mamadakov, Yuri Laguta, Yekaterina Vulichenko, Andrei Yegorov, Oleg Gushchin

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