Showing posts with label tony curtis. Show all posts
Showing posts with label tony curtis. Show all posts

Francis the Talking Mule (1950) Review

Francis the Talking Mule  (1950)
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Although these films were made five years apart, the later one is loaded with references to the earlier one, making this a fine double bill. FRANCIS has soldier Donald O'Connor vainly trying to convince his superior officers that he knows a mule that talks. The gimmick is a good one (the director later worked on TV's "Mister Ed"), and it's an enjoyable movie. FRANCIS JOINS THE WACS is even funnier, with O'Connor recalled to duty but in the Women's Army Corps. O'Connor plays the mule's pal more broadly this time, and the script gives him plenty of room for clowning (in one scene O'Connor has to masquerade as a WAC nurse while Francis hilariously heckles everybody). Very well done technically; you'll be amazed at how well the dialogue is fitted to Francis's facial movements. Both films have good supporting casts, especialy Ray Collins and John McIntire in the first film, Lynn Bari and Julia Adams in the second, and Chill Wills and ZaSu Pitts in both. A fun show from Universal.

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Francis the Talking Mule [VHS] (1950)Donald O'Connor (Actor), Patricia Medina (Actor), Arthur Lubin The first movie of Francis they went on to make many others of the adventures of the talking mule.

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Taras Bulba (1962) Review

Taras Bulba (1962)
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Taras Bulba could have been a very good film - possibly even a great one. But Hollywood values killed any chance of that. Instead, we have a reasonably enjoyable mess of a movie with two outstanding ingredients that rise above the rest - Franz Waxman's rousingly inventive music and a suitably over the top performance by Yul Brynner. As the title character, Brynner looks every inch a Cossack - swaggering and posing like a macho peacock, delivering his lines with that growling accent, and wearing his costumes as though he had lived in them all his life. Brynner was a hugely undervalued actor - a larger than life performer whose presence saved many a film. But the odds were really against him here.
Instead of focusing on Brynner, the film makes Tony Curtis, as his son, the central character. Curtis makes absolutely no effort to look like a Cossack so it is not surprising that he doesn't act like one either. While the rest of the Cossacks are swarthy, burly, scalplocked he-men, the sons of Taras Bulba look more like a couple of surfers who have wandered in from the film next door. Worse still is Curtis's love interest - the enemy girl he falls in love and betrays the Cossack Brotherhood for. She is played with wan listlessness by Christine Kaufmann in a performance so wooden it's a wonder Curtis didn't get splinters in their love scenes. Still, in real life, he must have fancied her because he left Janet Leigh to marry her.
Even with its insipid love story, Taras Bulba could still have achieved greatness through sheer spectacle. The costume department certainly did their bit - although some of the Polish uniforms are needlessly naff. The music thunders and roars - except for the obligatory love song sung by an oversweetened choir over the equally obligatory sixties montage sequence. Filming in Argentina may have been a good fiscal decision, but it doesn't help the look of the film - pampas are not steppes. Still, there are some exciting and effective sequences, notably the Ride To Dubno during which Brynner's followers grow from a handful to an army. The battles scenes are as lively as the Polish university scenes are dull. Sometimes the scale of the enterprise impresses. But you end up wanting to like the film more than you do.
Perhaps the film's uncertain tone is best illustrated by a post-production anecdote. At a pre-release screening, director J. Lee Thompson supposedly turned to Yul Brynner and said: "I still don't see why you had to shoot Tony."

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Studio: Tcfhe/mgmRelease Date: 09/23/2008Run time: 122 minutesRating: Pg13

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Operation Petticoat (1959) Review

Operation Petticoat (1959)
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Cary Grant is cast as the commander of the Sea Tiger, a sub held together by a lick and a promise. Tony Curtis is cast as Lt Nick Holden. He was assigned sea duty as a punishment, and is very outside of his element. Since the country is at war, supplies are very scarce, and Holden discovers that he does have a talent in being a thief. If they can't get a requisition filled, Mr. Holden can find it. This crew has one catastrophe after another, and then they get stuck with team of nurses that are stranded. This is a hilarious movie that will make you laugh out loud. The cast is superb, and not just the talent of Grant and Curtis, but all the supporting players.


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OPERATION PETTICOAT - DVD Movie

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The Great Race (1965) Review

The Great Race (1965)
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The DVD version of "The Great Race" is long overdue. It's silly and fun; reunites Lemmon & Curtis; it's an homage to all the great slapstick that EVERYONE loves. What's wrong with having fun? I truly believe that Blake Edwards deserves more consideration that he's been given. Anyone remember "Operation Petticoat" or "The Pink Panther"? We're talking about a career of almost 50 years...and Hollywood doesn't take him seriously. Anyone remember "Victor/Victoria" or "That's Life"? How about "Breakfast at Tiffany's"? These are all films that are respected and admired, but Edwards seems to be on the back-burner when awards are handed out. It's a shame; Edwards has given us no more than pure entertainment, well-presented. His most nominated film is "The Great Race", so purely devoted to period detail, though it received no Oscar nominations for sets or costumes (it was nominated for Cinematography, Sound, Music, Song, Editing, and won for Sound Effects). Indeed, Mancini's score was gorgeous; the song, "The Sweetheart Tree" has become a standard/classic. The Oscar should have gone to Peter Falk. I saw this as a kid in its initial release, and, when I told my friends how much I liked it, my teenage peers told me how shallow I was, that I should see "The Pawnbroker" or "Ship of Fools". Well, for God's sake, I was a kid (and I did see and admire those films) but the pure, grand display of craziness that Blake Edwards presented to me has never been forgotten. I've gotten older, and have been subjected to a whole bunch of stuff in the meantime, and I've waited for the DVD release of "The Great Race". Let's not forget that Blake Edwards also directed "The Days of Wine and Roses" and "Experiment in Terror". He is not frivolous nor is he simple. He does crazy comedy as well as riveting drama. His comedies are wonderful, but none as totally overwhelming and enjoyable as "The Great Race". See and enjoy!!

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GREAT RACE - DVD Movie

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The Vikings (1958) Review

The Vikings (1958)
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Historically, 'The Vikings' is largely nonsensical, from its title sequence misapprhension of the centuries-later Bayeux Tapestry to its hash of the succession to the throne of Northumberland. But this film is great good fun! - a superior swashbuckler with a sound plot, breathtaking art direction, costuming, sets, & cinemaphotography, & solid acting & direction.
Kirk Douglas gives a menacing yet humane portrayal of the Viking prince Einar whose falcon-disfigured milky eye inspires fear & loathing. Tony Curtis is, as far as looks go, perhaps a bit miscast but his energetic, seething performance amply redeems his presence. Ernest Borginine's Ragnar is fabulous - and one should keep in mind that Borgnine gave Ragnar life long before this sort of Borgnine role later turned him into a caricature of himself; Ragnar gives the film terrific heart & vitality. Janet Leigh is just...beautiful, despite the script's relegation of her female lead role into what is chiefly a plot device to motivate the action scenes. James Donald succeeds at fleshing out his character, but some of his lines are the only clichés in the script & yet he manages to rise above them with his careful elocution. And the ever-malevolent, narrow-eyed Frank Thring (Pontius Pilate in 'Ben-Hur', & a creep in 'Mad Max: Beyond Thunderdome') does yeoman service as the conniving, spineless pretender to the throne. Alexander Knox's small role as the priest isn't much dramatically, but it's pivotal in the plot development, & his diction is at its customary excellence. Also memorable is the rune-reading Viking woman saga-teller whose moonlit face & sepulchral voice in the tidal crab-nibbling scene give the plot & its Norsemen their spiritual anchor.
The DVD's special features are interesting, informative, & enjoyable.
The supporting cast of Norwegian unknowns, all of them hulking & sweaty & masculine & lusty, lends a muscular depth to the action sequences & even, suprisingly, to the dramatic ones. Norwegian fjords & their sparkling waters & towering precipices provide a majestic setting for the action. And the dénouement at the English castle is one of the finest mediaeval assault & swordplay sequences on film, rarely rivalled, as for example, by those in the Charlton Heston film 'The Warlord'.
Most of all, who can forget the long ships? Painstakingly recreated from the best archaelogical evidence available at the time of filming, these rakish craft are in themselves stars of 'The Vikings' & they give ample evidence to why the Norsemen dominated the seas. The 'walking of the oars' sequence is not only unique, but it's one of the most enjoyable bits of all of cinema's swashbucklers.
'The Vikings' isn't history, but it sure is top-shelf entertainment chock full of style & panache. Kids & grown-ups will all enjoy its scenic majesty & full-blooded characerizations.

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Hollywood legends Kirk Douglas, Tony Curtis, Ernest Borgnine and Janet Leigh dazzle in this epic chronicle of brutal rivalry and bloodthirsty ambition. Roaring through the 9th century with powerful performances and "brilliant visual drama" (Cue), The Vikings is a riveting "spectacle of have-at-'em action" (Los Angeles Examiner)!Bitter hatred divides two brothers. Prince Einar (Douglas) is the son and heir of a savage Viking chieftain. Prince Eric (Curtis) is his unknowing half-brother, the bastard offspring of Einar's father and an English queen. When the Vikings kidnap a princess (Leigh), her beauty inflames the desires of both men, forcing a bloody duel thatdecides their fate and the future of the English throne.

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