Showing posts with label cary grant. Show all posts
Showing posts with label cary grant. Show all posts

The Cary Grant Signature Collection (Mr. Blandings Builds His Dream House / Destination Tokyo / The Bachelor and the Bobby-Soxer / My Favorite Wife / Night and Day) (1946) Review

The Cary Grant Signature Collection (Mr. Blandings Builds His Dream House / Destination Tokyo / The Bachelor and the Bobby-Soxer / My Favorite Wife / Night and Day) (1946)
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This Signature Series effectively brings together some stellar examples of the suave, urbane sophistication and light-hearted good humor that was Cary Grant. However, the absence of "Bringing Up Baby" and "Dream Wife" from this DVD collection is - quite simply - inexcusable! Having said that, this box set is comprised of 3 hilarious comedies (Mr. Blandings Builds His Dream House, My Favorite Wife, The Bachelor and the Bobby-soxer), one highly enjoyable musical (Night & Day) and one thrilling WWII drama (Destination Tokyo). "Mr. Blandings" is a sort of 1940s rendition of "The Money Pit" - about a couple desperately trying to build their dream house despite overwhelmingly hilarious adversity. It co-stars Melvyn Douglas and Myrna Loy. "My Favorite Wife" is the most outstanding of the three comedies. It stars Irene Dunne (who previously costarred with Grant in "The Awful Truth"), as Grant's wife - presumed dead at the start of the film, but resurfacing shortly thereafter to throw a monkey wrench into Grant's second marriage to Gail Patrick. "The Bachelor and The Bobby-soxer" is a quaint romantic triangle between Grant, Shirley Temple and Myrna Loy. He's a playboy writer unwillingly and romantically tied to a 17-year-old schoolgirl (Temple) but more interested in her older sister (Loy). "Night & Day" is the outstanding and tuneful musical loosely based on the life of composer, Cole Porter. Actually, there's no hint of Porter's real life in it at all, other than Grant assigned to play the flamboyantly homosexual real-life man as a playfully womanizing heterosexual. Faux reality aside, the film contains wonderful production numbers to some wonderful tunes including "You're The Top" sung by Grant and "My Heart Belongs to Daddy", a Mary Martin specialty that stops the show. "Destination Tokyo" is a stark shift from all the lighthearted playfulness discussed thus far. Grant is the captain of a submarine during WWII, sent to gather information for the coming Doolittle Raid. John Garfield is magnificent as the torpedo man with a bitter grudge against the Axis powers. A tad weighty on war time propaganda, this film is nevertheless, one of a handful of truly outstanding films based upon reality.
THE TRANSFERS: All of these films have been given an upgraded treatment by Warner Brothers and the clean up most definitely shows - most noticeably on "My Favorite Wife" which previously has looked very poor on home video formats. Overall, the gray scale on each of these films (with the exception of "Night & Day" which is in Technicolor) is wonderfully balanced with clean whites and solid blacks. There's very little in the way of age related artifacts for a collection of digital transfers that will surely NOT disappoint. There is some pixelization and edge enhancement present on "Destination Tokyo" as well as considerable film grain present in several rear projection shots from the same film, but these are to be expected in the quality of films of this vintage. Of special note: the Technicolor transfer on "Night And Day" suffers from periodic mis-registration that creates distracting halos or out of focus image quality from time to time. At its best the color is rich and well balanced. The audio is mono for all the titles but very nicely balanced. Of special merit: the songs in "Night And Day" are wonderfully spatial.
EXTRAS: It is somewhat disappointing that the Cary Grant Bio currently airing on Turner Classic movies as part of their month long tribute has not been included as part of this box set. We get only scant features here - some audio commentaries - resourceful if brief - some theatrical trailers and some publicity stills. Perhaps Warner is waiting to do a Cary Grant Vol. II. We'll see.
BOTTOM LINE: This is definitely one to add to your collection. Even if the transfers had not been so beautifully rendered - owning a bit of that old Cary Grant magic is never a waste of money.

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Mr. Blandings Builds His Dream HouseThe Bachelor and The Bobby-SoxerMy Favorite WifeDestination Tokyo Night and Day

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Gunga Din (1939) Review

Gunga Din (1939)
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Possibly the best pure action film ever made and certainly the inspiration for many that have followed. Inspired by, rather than based on, a poem by Rudyard Kipling (who briefly appears as a character in the uncut version of the film in the guise of a journalist traveling with the British army) this tale of adventure, comedy, and action in 19th-century India under the British Raj has it all. Superb b&w cinematography (nominated for an Academy Award in Hollywood's greatest year). Perfect casting, with Cary "Archie" Grant as the cockney Sgt. Cutter, Victor McLaghlen as gruff Master Sgt. MacChesney, Douglas Fairbanks, Jr. as the dashing Sgt. Ballantine, Sam Jaffee (in full body makeup) as the humble water carrier Gunga Din, and the scene-stealing Eduardo Cianelli as a ferociously intelligent villain who is far more frightening than any '30's movie monster.
The setting, outside the small town of Lone Pine, in California's eastern Sierras, beautifully mirrors that of northwestern India. Filmed in 100 degree heat, the picture's sets and backgrounds have a look of sere authenticity rarely achieved by location filming in the '30's. The superb score borders on the operatic, with leitmotifs for characters as well as scenes.
I vividly remember thinking as a child, when I first saw a grainy print on our b&w tv, that this was the first time I had seen a non-white person in a film who was obviously smarter than the Caucasian heroes. Yes, Cianelli's guru is a fanatic at the head of a cult of ritual murderers, but his discourse on what makes a good officer ("Great generals, gentlemen, are not made of jeweled swords and mustache wax. They are made of what is here [touches hand to head] and here [touches hand to heart]!") has stayed with me ever since. Not to mention, before throwing himself into the cobra pit so that his soldiers will move against the British, that "India is my country, and I can die for my country as well as you for yours".
Of course, there is also his rousing speech in the temple to his devotees to "Kill for the love of Kali, kill as you yourselves would be killed, kill for the love of killing...kill, kill, kill!" that carries rather chilling relevance to all too many fanatical groups today (though not worshippers of poor slandered Kali, whose temple in Kolkata I have visited). And it's the bravery of a mistreated Hindu, Gunga Din, who saves the day, and British behinds.
This is a film that functions on many levels and inspired far more than the forgettable remake (SOLDIERS THREE). Its lack of availability on DVD in a fully restored version, together with the accompanying George Stevens, Jr. documentary footage on its making (including color film shot on the location), makes it the number one omission in the current DVD catalog.

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Operation Petticoat (1959) Review

Operation Petticoat (1959)
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Cary Grant is cast as the commander of the Sea Tiger, a sub held together by a lick and a promise. Tony Curtis is cast as Lt Nick Holden. He was assigned sea duty as a punishment, and is very outside of his element. Since the country is at war, supplies are very scarce, and Holden discovers that he does have a talent in being a thief. If they can't get a requisition filled, Mr. Holden can find it. This crew has one catastrophe after another, and then they get stuck with team of nurses that are stranded. This is a hilarious movie that will make you laugh out loud. The cast is superb, and not just the talent of Grant and Curtis, but all the supporting players.


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Father Goose (1964) Review

Father Goose (1964)
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If you liked the original The Odd Couple - slob and compulsive neatnik thrown together in the same apartment - or Heaven Knows Mr. Allison - tough guy WWII Marine marooned on an enemy-held South Pacific island with a pretty nun, then you should enjoy FATHER GOOSE starring Cary Grant, Leslie Caron and Trevor Howard. I saw it once again on the telly this past weekend while doing the ironing, and I'm fortunate to be old enough to have an appreciation of all three films.
Grant is Walter Eckland, an antisocial, unkempt escapee from "civilization" that spends his time bumming around the South Seas on an old yacht. At the start of WWII, he's coerced into service as a "coast watcher", an observer stationed on a remote island as a lookout for Japanese planes or ships, by the wily and dry-witted local Royal Australian Navy authority figure, Comdr. Houghton (Howard). Eckland is bribed with booze to perform in His Majesty's service. One of his first assignments is to boat over to another island and rescue a fellow coast watcher. But, on arriving, he finds only his colleague's grave and the Caron character, Catherine Freneau, the daughter of a French government official, who's been stranded with a bevy of underage schoolgirls of which she has charge. Walter naturally takes them back to his island and his hovel, where the differences between the two adults soon surface. To Eckland, Freneau becomes "Goody Two Shoes", while, to the latter, her knight in stained armor becomes the "Filthy Beast".
While admittedly silly entertainment, FATHER GOOSE is a delightful romantic comedy that doesn't, like some of the current Tinseltown offerings, rely for laughs on sensitive body parts being caught in zippers, bodily fluids masquerading as hair gel, or carnal knowledge of apple pies. This film has Class, chiefly due to the presence of Grant, who character demonstrates more suavity unshaven and without socks than any one of today's crop of male actors dressed up in a tux. (Perhaps only Sean Connery, Robert Redford and Paul Newman are close to being in the same league.) Caron's strong-willed and very feminine Freneau is more than a match for Eckland's obstinately boorish masculinity - a pairing made in heaven, or at least Hollywood.
Perhaps my high esteem for this film is more a function of nostalgia. But there're a lot of other films from that same period of my youth that are eminently forgettable, so I have to think that FATHER GOOSE is a cut above.

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They Met In Bombay (1941) Review

They Met In Bombay (1941)
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They Met in Bombay is a film about two thieves, one of which is amateurish but successful (Rosalind Russell) and one who takes his time and replaces jewels with fakes to buy himself time (Clark Gable). The two stumble upon each other when they both plan to steal the same piece and join up when things do not go as well as they had planned. They escape on a Chinese boat heading toward Hong Kong with a suspicious captain whose money hungry behavior is detrimental for their cause (Peter Lorre). The thieves head toward China themselves but find themselves in the midst of an impending war with Japan. For authority purposes, Gable disguises himself as an officer in the military but gets roped into a major scuffle with the Japanese army.
There are plenty of great events throughout this movie which never leaves one bored. The cast is great too. Russell plays the beautiful damsel type to Gable, quite a departure from her comedic roles. She does well in the part though. Gable is wonderful as always, brash, crafty, and good at heart. He is very attractive in this film; it seems he was having a great deal of fun.

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Gerald Meldrick (Clark Gable) and Anya Von Duren (Rosalind Russell) have a lot in common. They're both jewel thieves. And they're both after the same rock, the fabulous Star of Asia. So they team up - in crime, in love, and in comic adventure that has them jumping on a tramp steamer to elude cops, swindling a Hong Kong merchant prince to nab some cash and battling advancing Japanesetroops to strike a blow in World War II. Buoyed by a top cast, Gable and Russell handle quips, kisses and danger with equal aplomb. The two stars had worked together before, but after losing Gable to Jean Harlow in China Seas and being mere window dressing as he romanced Joan Crawford in Forsaking All Others, Roz finally got her man.
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