The Cary Grant Signature Collection (Mr. Blandings Builds His Dream House / Destination Tokyo / The Bachelor and the Bobby-Soxer / My Favorite Wife / Night and Day) (1946) Review

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(More customer reviews)This Signature Series effectively brings together some stellar examples of the suave, urbane sophistication and light-hearted good humor that was Cary Grant. However, the absence of "Bringing Up Baby" and "Dream Wife" from this DVD collection is - quite simply - inexcusable! Having said that, this box set is comprised of 3 hilarious comedies (Mr. Blandings Builds His Dream House, My Favorite Wife, The Bachelor and the Bobby-soxer), one highly enjoyable musical (Night & Day) and one thrilling WWII drama (Destination Tokyo). "Mr. Blandings" is a sort of 1940s rendition of "The Money Pit" - about a couple desperately trying to build their dream house despite overwhelmingly hilarious adversity. It co-stars Melvyn Douglas and Myrna Loy. "My Favorite Wife" is the most outstanding of the three comedies. It stars Irene Dunne (who previously costarred with Grant in "The Awful Truth"), as Grant's wife - presumed dead at the start of the film, but resurfacing shortly thereafter to throw a monkey wrench into Grant's second marriage to Gail Patrick. "The Bachelor and The Bobby-soxer" is a quaint romantic triangle between Grant, Shirley Temple and Myrna Loy. He's a playboy writer unwillingly and romantically tied to a 17-year-old schoolgirl (Temple) but more interested in her older sister (Loy). "Night & Day" is the outstanding and tuneful musical loosely based on the life of composer, Cole Porter. Actually, there's no hint of Porter's real life in it at all, other than Grant assigned to play the flamboyantly homosexual real-life man as a playfully womanizing heterosexual. Faux reality aside, the film contains wonderful production numbers to some wonderful tunes including "You're The Top" sung by Grant and "My Heart Belongs to Daddy", a Mary Martin specialty that stops the show. "Destination Tokyo" is a stark shift from all the lighthearted playfulness discussed thus far. Grant is the captain of a submarine during WWII, sent to gather information for the coming Doolittle Raid. John Garfield is magnificent as the torpedo man with a bitter grudge against the Axis powers. A tad weighty on war time propaganda, this film is nevertheless, one of a handful of truly outstanding films based upon reality.
THE TRANSFERS: All of these films have been given an upgraded treatment by Warner Brothers and the clean up most definitely shows - most noticeably on "My Favorite Wife" which previously has looked very poor on home video formats. Overall, the gray scale on each of these films (with the exception of "Night & Day" which is in Technicolor) is wonderfully balanced with clean whites and solid blacks. There's very little in the way of age related artifacts for a collection of digital transfers that will surely NOT disappoint. There is some pixelization and edge enhancement present on "Destination Tokyo" as well as considerable film grain present in several rear projection shots from the same film, but these are to be expected in the quality of films of this vintage. Of special note: the Technicolor transfer on "Night And Day" suffers from periodic mis-registration that creates distracting halos or out of focus image quality from time to time. At its best the color is rich and well balanced. The audio is mono for all the titles but very nicely balanced. Of special merit: the songs in "Night And Day" are wonderfully spatial.
EXTRAS: It is somewhat disappointing that the Cary Grant Bio currently airing on Turner Classic movies as part of their month long tribute has not been included as part of this box set. We get only scant features here - some audio commentaries - resourceful if brief - some theatrical trailers and some publicity stills. Perhaps Warner is waiting to do a Cary Grant Vol. II. We'll see.
BOTTOM LINE: This is definitely one to add to your collection. Even if the transfers had not been so beautifully rendered - owning a bit of that old Cary Grant magic is never a waste of money.

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Mr. Blandings Builds His Dream HouseThe Bachelor and The Bobby-SoxerMy Favorite WifeDestination Tokyo Night and Day

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From the Terrace (1960) Review

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(More customer reviews)A view FROM THE TERRACE is what Paul Newman's character David Alfred Eaton has of his future wife Mary (JoAnne Woodward). The screen play was based on a best-selling novel of the same name by John O'Hara. Given it was released in the 1950s when sex on the screen was verboten and not much more explicit in novels (ban a book in Boston), one must appreciate the work it took for Newman and Woodward to give these performances.
Like many other teenagers of my generation, I was "in love" with Paul Newman. Newman could make female hearts flutter by simply looking at the camera with his big blue eyes. Many other teens preferred Marlon Brando, his peer and rival for female affection. I believe these two actors were the Leonardo de Caprio and Brad Pitt of their day, although in the long run, Newman (like de Caprio) has had more staying power and gracefully made the transition to mature roles.
In the 1950s, to see a film one had to attend a theater, where the screen was usually covered with a huge velvet curtain. FTT played at the Center theater in my small town, and I saw the film six times after it was released. I was able to get into the theater for a quarter, and as my allowance was $3, this was no small sacrifice. So, you might say this film was one of my all time favorites.
Watching it again almost 50 years later, I wondered how I would react, and of course the passage of time and arrival of many other actors and vast changes in filmmaking have affected the way I view the film and Newman, but I still like him enormously, and this film holds it's own, though the storyline may seem archaic.
This film is about infidelity and divorce and the price of success, a story line that may be lost on generations raised in an age of no-fault divorces and dual earner households. Once upon a time, divorce and infidelity were considered absolutely scandalous, and financially disastrous. In fact, if you divorced, your life was ruined. Many couples stayed together and suffered the ignominy of a cheating spouse. FTT was a ground-breaking film because it tackled these issues head-on.
The DVD version of the film is well done, and the price reasonable (technicolor and cinemascope production). Do your self a favorite, buy this DVD and add it to the shelf where you keep CAT ON A HOT TIN ROOF and other 50's favorites.

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Paul Newman portrays a young man whose struggle for success threatens his personal happiness, in this well-scripted screen version of John O'Hara's best-selling novel.Having never known his father's love or respect, Alfred Eaton (Newman) sets out to prove himself in the business world.Marrying the "right" woman (Joanne Woodward), he works unceasingly, but is ultimately confronted with crises and choices that force him to rethink his priorities.Co-starring Myrna Loy as Alfred's alcoholic mother, Leon Ames as his embittered father, and Ina Balin as the woman who might bring him genuine happiness, From The Terrace is an absorbing tale of ambition, power and love fueled by sharp dialogue, complex characterizations and keen insight into the human heart.

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The Best Years of Our Lives (1946) Review

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(More customer reviews)Just before legendary director William Wyler died, equally legendary director Billy Wilder was interviewed about his feelings about Wyler's films, from "Best Years of Our Lives" to "Roman Holiday" to "Ben Hur" to "Funny Girl."
Wilder, a tough cookie who hates schmaltz and sentiment, the director of such classics as "Some Like it Hot," "The Apartment," "The Seven Year Itch" and "Sunset Boulevard," suddenly got emotional, expressing great affection for "The Best Years of Our Lives," noting that it was one of the best films he had ever seen.
He reacted the way I reacted. He said that it was the only film that he could remember (of course, this was well before "Saving Private Ryan" was released in 1998), where he and the entire audience were drenched in tears within the first 10 minutes. It was an unforgettable experience for him, and he recognized immediately that "The Best Years of Our Lives" was obviously a deeply personal work for Wyler, where every scene, every frame, every note of music and word of dialogue, rang true with authenticity and emotion. This was Wyler's territory. He knew the material. And many of the scenes that were shot mirrored his own experiences when he returned home from war.
This is why, after so many viewings, I still can't get over the fact that no matter how many times I say to myself, "I'm not going to be moved by this or that scene," I fail miserably. I just can't help it. To say that this is a great film is an understatement of the highest order. And yet I can only count on one hand the number of friends I know who have seen this film from start to finish. I think the running length has something to do with it. You never see it on commercial television at all and unless you're lucky enough to have cable, you'll miss it entirely. And it's not a film that people are banging down the doors to rent.
The wonderful thing about "The Best Years of Our Lives" is that it still holds up beautifully, unlike a lot of films that seem awkward or stilted. Fredric March, as the patriarch of the family (in an Oscar winning role), is stupendous. His acting and delivery of lines seems effortless and spontaneous, not the product of a script recited from memory. And to have Myrna Loy as his partner and the wonderful Teresa Wright playing his daughter (the latter an Oscar winner a few years earlier in "Mrs. Miniver"), how can you lose?
Like all great films, time has no meaning. The story sweeps you along like a great wave -- a ride -- that you never want to end. The famous "long hallway homecoming shot" that appears in the first 10 minutes of the film -- I don't care that it's the scene that most people remember and is usually the ONLY scene that turns up in any highlight reel of greatest films ever made -- it gets me every time.
And the ending, the last line from the movie, the one uttered by Dana Andrews -- despite the sentimental setting -- is so fabulously understated and cynical and yet filled with such hope, that you can't help but be -- what I describe as being -- "happily devastated." It's a wonderful ending that purposely leaves you guessing about what will become of the characters played by Teresa Wright and Dana Andrews, but you can't help but feel that their future looks bright in spite of their apparent state of destitution.
I just wish more people would see this film. There's a treasure chest of great movies from the past that people overlook every day. This is one of them. I pity people who still buy or rent movies based on slick packaging alone.
I would rather pay $10 to see this film on the big screen or less than $20 to own this film so I can see it on a little screen -- than pay about $4 to rent junk that has a good looking box -- and a few great critical reviews from people you've never heard of.
Some films are good enough to rent, but only a few films are good enough to buy. "The Best Years of Our Lives" is a film to BUY.

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It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to becomea nightmare. Captain Fred Derry (Dana Andrews) is returning to a loveless marriage; Sergeant Al Stephenson (Fredric March) is a stranger to a family that's grown up without him; and young sailor Homer Parrish (Harold Russell) is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past? Featuring a brilliant cast that includes Myrna Loy and Virginia Mayo, this postwar classic garnered* seven OscarsÂ(r), including Best Picture. Heart-wrenching, touching and "filled with emotional dynamite" (The Hollywood Reporter), it remains "one of the best films about war veterans ever made" (American Movie Classics).*1946: Director, Actor, Supporting Actor, Writing/Screenplay, Film Editing, Music/Scoring of a Dramatic or Comedy Picture

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