Showing posts with label genocide. Show all posts
Showing posts with label genocide. Show all posts

Crazy Horse (1996) Review

Crazy Horse  (1996)
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A wonderfull movie! Attention to detail, for example some of the statements made by Crazy Horse and Custer, period costume and battles. It is interesting to note that Custer had cut his hair before the battle of the Little Big Horn, which appears to be the only movie to portray this accurately. Custer dies somewhere during the battle and not in the 'classic' back to back end of the battle senario as is popularly portrayed in the 'hero' literature.
Red Cloud and Spotted Tail are portrayed in a rather negative light. I am not convinced that this is accurate. Sitting Bull hardly gets a mention although it is a fact that he was the major role player at the time.
I will watch this film again and again

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S21 The Khmer Rouge Killing Machine (2003) Review

S21 The Khmer Rouge Killing Machine (2003)
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Rithy Panh's award-winning documentary, endorsed by Human Rights Watch, will be painful for any compassionate human being to watch. The documentary brings together two surviving prisoners and a group of former Khmer Rouge cadre, interrogators, executioners, guards, record keepers, and the photographer who staffed the infamous S-21 prison where over 16,000 Cambodians were tortured, interrogated, and trucked off to be killed and cast into mass graves.
The scenes were filmed inside the still standing prison and at the Choeung Ek killing field. The Khmer language dialogue is crisply and accurately subtitled in English.
The executioner sits in his home enduring the lecture by his mother, who bemoans the fate of her son, turned into a killer by the Khmer Rouge. She raised him to know better. His father urges him to speak the truth and take responsibility for those he killed.
Former prisoner Chum Mey collapses in tears in front of the prison, unable to speak, as painful a scene as I have ever watched on film.
Interrogators sit holding photos and confessions of their victims and discuss specific cases -- beatings, torture, forcing female prisoners to strip off their clothes, unspeakable sexual violations. Former guards re-enact their prison routines on site, escorting incoming prisoners, monitoring the cells, taking prisoners to interrogation, taking them to the trucks headed to the killing field. Executioner and driver re-enact the execution and burial routine. The former prison staff re-enact political indoctrination and training meetings they attended in the prison, using genuine archival photos and documents preserved by the superb NGO, the Documentation Center of Cambodia, which is led by Cambodian-American director Mr Youk Chhang. The interrogators admit "embellishing" the interrogation reports. The prisoners admit "implicating" everyone they knew because that was what the interrogators wanted.
Surviving prisoner Vann Nath sits with the shamed former Khmer Rouge staff to try to fathom what was in their minds when they carried out the atrocities. "There are no more ideals, no more human conscience. We become dust in the wind." One of the final scenes is of dust blowing inside the upper floor of the prison during a thunderstorm.
It is in vogue this very week for some of our leaders to publicly challenge Human Rights Watch and Amnesty International, calling them haters of America with ridiculous charges not to taken seriously. God knows the work of these two organizations is intended in part to insure that we never have to sit in shame in front of any human who suffered abuse at our hands or in our name. Documenting human rights violations around the world helps us to keep constantly alive in our minds the stark differences between "freedom-lovers" and "evil-doers." We must operate with the utmost transparency and openness with daily international inspections and demand the same from all of our momentary allies of convenience around the world.
Every American interrogator, intelligence officer, and prison guard and military officer should watch and learn and pride himself in knowing that he is in no way like the interrogator in the film who says, "I was arrogant. I had power over the enemy. I saw him as an animal."


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{Winner! International Human Rights Award, Buenos Aires International Festival of Independent Cinema 2004}{Winner! François Chalais Award, Cannes Film Festival 2003}{Winner! Gold Plaque, Best Documentary, Chicago International Film Festival 2003}{Winner! Best Documentary, European Film Awards 2003}In 1975-79, almost two million Cambodians lost their lives to murder and famine when the Khmer Rouge forced the urban population into the countryside to fulfill their ideal of an agrarian utopia. The notorious detention center code-named 'S21' was the schoolhouse-turned prison where 17,000 men, women and children were tortured, interrogated and executed, their "crimes" meticulously documented to justify their execution. In this award-winning documentary and astonishing historical document, Rithy Panh and his team undertook a three year investigation involving not only the survivors, but also their former torturers. They persuaded both groups to return to the actual site of what was formerly S21, now converted into a Genocide Museum, to face their past. One survivor, Vann Nath confronts his captors, some of whom were as young as 12 years old when they committed their atrocities.Human Rights Watch, widely regarded as one of the most influential and important human rights organizations in the world, and First Run Features, which for 25 years has distributed films that confront human rights issues, formed a collaboration to bring awareness to films that shed light on human rights abuses throughout the world. S21: The Khmer Rouge Killing Machine is the first title in the HUMAN RIGHTS WATCH SELECTS DVD series.

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Frontline: Ghosts of Rwanda Review

Frontline: Ghosts of Rwanda
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This program is well done and very informative. It is definitely worth watching for anyone interested in the disaster in Rwanda. The interviews alone make the program worthwhile.
My only complaint about this program is that it is unmistakably USA-centric. A significant focus of the program is the shameful role of the U.S. in opposing every meaningful proposal for timely intervention or support of the meager peace keeping force on the ground in Rwanda. Though all the attention given to this aspect of the Rwandan disaster is worthwhile, there was no discussion of the responsibility of other Security Council members, especially France. The role of France is particularly deserving of analysis because of its close relationship with the regime, its role as a military adviser to the regime, and the use of its troops in Operation Turquoise to shelter the regime's retreat to refugee camps outside Rwanda once the genocide had been completed. Yet the program hardly mentions France at all, still unapologetic over its role in Rwanda. Similarly, the program skips over entirely the difficult questions surrounding the troubling lack of moral leadership of the Catholic and Anglican Churches in what had nominally been the most Christian country in Africa. The feckless response of the UN leaders in New York is not examined very closely, notwithstanding a few regretful, self-serving bromides from Kofi Anan, who was in charge of peace keeping missions at the time. There is not a single mention of UN Secretary General Boutros Boutros-Ghali, who helped suppress any effective UN response. If time did not permit examination of all these issues, then the coverage of the American response should have been reduced to allow more focus on Kigali, New York, and Paris.
I recommend this program, but I also recommend that it be re-titled: "Ghosts of Rwanda: The American Perspective." I also recommend "Bystanders to Genocide" in the September 2001 issue of The Atlantic (the author was briefly interviewed in the program) and the report of Organization of African Unity, "Rwanda: The Preventable Genocide", both of which are available on the Internet. There are also a number of good books on this tragedy.


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FRONTLINE marks the 10th anniversary of the Rwandan genocide with a documentary chronicling one of the worst atrocities of the 20th century. In addition to interviews with key government officials and diplomats, the two-hour documentary offers eyewitness accounts of the genocide from those who experienced it firsthand. FRONTLINE illustrates the failures that enabled the slaughter of 800,000 people to occur unchallenged by the global community.

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Hotel Rwanda (2005) Review

Hotel Rwanda (2005)
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In 1994 when Rwanda descended into the bloody madness of genocide Paul Ruseasabagina (Don Cheadle) was reasonably secure in his process. He belonged to the Hutu majority that was slaughtering the minority with machetes and he was the manger of the five-star Hotel Milles Collines in Kigali. But his wife, Tatiana (Sophie Okonedo), is Tutsi and the Tutsi are not only being called "cockroaches" on the nonstop incendiary radio broadcasts they are being exterminated like them. Not only are his wife and children in danger, so is the rest of his family and so are the guests in his hotel. It is up to Ruseasabagina to do something about this madness simply because there is nobody else to do the job (it would be easier to call the character Paul, but given the story it seems important to focus on the fact he was an African).
"Hotel Rwanda" is a true story, and even though we know going in that Ruseasabagina is going to save over a thousand refugees this is still a harrowing story. For the most part the genocide happens outside the walls of the hotel, but there are enough scenes and stories of what is happening to make it clear that the people huddled in the hotel are in mortal danger. What is probably the most unforgettable moment comes while a van is being driven through the fog and appears to have gone off the road (the DVD extras also contain scenes of the unforgettable way the Tutsi have memorialized the victims of the slaughter at one location).
The explanation for why the United Nations, the Europeans, the Americans, or anybody else with a speck of humanity in them does not intervene to stop the genocide is articulated by the Colonel Oliver character played by Nick Nolte, who tells Ruseasabagina that the problem is that these are just black Africans killing other black Africans. The words are spoken in disgust and are brutal, but they are horribly true and what redeems Oliver is not only that is he is willing to articulate the brutal truth but that there will come a point where orders to stand by and do nothing are no longer going to be obeyed. Likewise, the cameraman played by Joaquin Phoenix provides a memorable scene as the Europeans leave the Milles Collines and the character is so shamed not only by the retreat but also by the presence of a hotel employee holding an umbrella over their heads in the pouring rain.
But there is one person who cannot turn his back on what is happening. Ruseasabagina is literally the right person in the right place, because only the hotel could have become a refuge for the Tutsi and only the manager of a five-star hotel could have known exactly how to placate the military men leading the massacre. Not only does he speak their language, there is a sense in which they want to speak his as well, showing that even though their arms are covered in blood they can play the role of a civilized man. Cheadle's performance, deservedly nominated for a Best Actor Oscar, is appropriately controlled just as Ruseasabagina had to be in persuading these thugs to help him. He cracks only once when a mundane part of his preparing for his job suddenly becomes an impossibility to manage. He is also a hero who is flawed, making mistakes and trying desperately to do the right thing, even if that means forcing his wife to make a fateful promise or abandoning his family to try and save others.
There is an obvious comparison to be made between "Hotel Rwanda" and "Schindler's List." But watching this 2004 film I could not help thinking that if during the Holocaust there had been images of Nazis herding Jews into the concentration camps on the nightly news nobody would have done anything either (but if a whale is trapped in an ice flow in the arctic a rescue mission shall be sent). Stories such as this emphasize the small number doing good against the large number doing evil, but there is always that even larger number signifying all the people who do nothing and assent to the evil by their silence. Those who watch "Hotel Rwanda" will find themselves counted among that final number and should well remember that even if they were oblivious to what happened in Rwanda history will repeat itself is this regard and give us another chance to do the right thing.

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Once you find out what happened in Rwanda, you'll never forget. OscarÂ(r) nominee* Don Cheadle (Traffic) gives "the performance of his career in this extraordinarily powerful" (The Hollywood Reporter) and moving true story of one man's brave stance against savagery during the 1994 Rwandan conflict. Sophie Okonedo (Dirty Pretty Things) co-stars as the loving wife who challenges a good man to become a great man. As his country descends into madness, five-star-hotel manager Paul Rusesabagina (Cheadle) sets out to save his family. But when he sees that theworld will not intervene in the massacre of minority Tutsis, he finds the courage to open his hotelto more than 1,200 refugees. Now, with a rabid militia at the gates, he must use his well-honed grace, flattery and cunning to protect his guests from certain death.*2004: Actor, Hotel Rwanda

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The Rape of Nanking (Disc 1 Side A). Unit 731, Sex Slaves & Comfort Women, Japanese War Time Atrocities, Hiroshima, and more (Disc 2, Side A). Tiananmen Massacre (Disc 2 Side B). Review

The Rape of Nanking (Disc 1 Side A). Unit 731, Sex Slaves and Comfort Women, Japanese War Time Atrocities, Hiroshima, and more (Disc 2, Side A). Tiananmen Massacre (Disc 2 Side B).
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I saw this movie, with several friends, in a crowded theater in California. This movie will give you nightmares! It is the most shocking, horrifying movie ever made! Let me tell you about the audience that saw it with me. By the end of the film, almost everyone was in shock. Many were crying and in tears. A friend of mine who is a journalist, told me she began having nightmares after watching it. This movie is not for the faint hearted. All the pictures and film clips are archival, and most were taken by the Japanese. This is truly shocking stuff. It does not get more real than this. As to the background music, I have only this to say: Bravo!

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This edition contains two, 2-sided DVDs, 3 full length movies, and 8 short films. Disc 1: Side A: The Rape of NankingDisc 1: Side B: Hitler's DiariesDisc 2: Side A: Atrocities (8 short films)Disc 2 Side B: The Tiananmen MassacreRapeof Nanking begins with a historical overview of ancient China and the sun-cult of Shinto, Bushido, and Japanese Emporer Hirohito's dream to rule the world. There follows the Japanese invasion of Shanghai, the Rape of Nanking, and finally, the rape of Manilla, Unit 731 and the Baatan Death March.Japanese soldiers tear out the eyes of children, gang-rape women then set them on fire, bury people alive or use them for bayonet practice...beheading women, children, old men....and torturing people for fun...and then laughing hysterically as victims, who have been set on fire, run screaming through the night..."We had fun killing Chinese. We caught some innocent Chinese and either buried them alive, or pushed them into a fire, or beat them to death with clubs. When they were half dead we pushed them into ditches and burned them, torturing them to death. Everyone gets his entertainment this way. Its like killing dogs and cats." --Asahi Shimbun, Japanese soldier, describing Japanese atrocities during the Rape of Nanking."We took turns raping them. We always stabbed and killed them. When we were raping her, we looked at her as a woman. But when we killed her, we just thought of her as something like a pig." --Azuma Shiro, Japanese soldier.****The Tiananmen Massacre documents the rise and fall of the 1989 Student Democracy Movement when tens of millions of Chinese peacefully demonstrated for freedom, economic reform, and democracy. The film details how a few men controlling the government of China declared war against the Chinese people, and used tanks and machine guns to murder and maim thousands of innocent men and women whose only crime was a hunger for freedom and democracy. Includes rare footage of the fate of the "Tank Man" and answers the question about his fate: He was arrested, beaten, and never seen again.****"Atrocities" (Disc 2 Side B) includes 8 short films: The Ainu; Atrocities of the Japanese Army; Sex Slaves and comfort women; Japan and Asia's Stolen Treasures; Qing Dynasty Atrocities, Hiroshima and the Atomic Bomb; Hitler Nazi Atrocities; and what has been described as the most frightening, most horrifying film of all time, "Unit 731" which details Japanese war time medical experiments on human prisoners. ***The Rape of Nanking (Disc 1) was rated among the "Top 10 Most Discussed Films of All Time."

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Schindler's List (Widescreen Edition) (1993) Review

Schindler's List (Widescreen Edition) (1993)
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Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.
"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.
Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.
"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

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Schindler's List, a Steven Spielberg film, is a cinematic masterpiece that has become one of the most honored films of all time. Winner of seven Academy Awards, including Best Picture and Best Director, it also won every major Best Picture award and an exceptional number of additional honors. Among them were seven British Academy Awards; the Best Picture Awards from the New York Film Critics Circle, the National Society of Film Critics, the National Board of Review, the Producers Guild, the Los Angeles Film Critics, the Chicago, Boston and Dallas Film Critics; a Christopher Award; and the Hollywood Foreign Press Association Golden Globe Awards. Steven Spielberg was further honored with the Directors Guild of America Award. The film presents the indelible true story of the enigmatic Oskar Schindler, a member of the Nazi party, womanizer, and war profiteer who saved the lives of more than 1,100 Jews during the Holocaust. It is the triumph of one man who made a difference, and the drama of those who survived one of the darkest chapters in human history because of what he did. Directed by Steven Spielberg, the film, which also won Academy Awards for Screenplay, Cinematography, Music, Editing and Art Direction, stars an acclaimed cast headed by Liam Neeson, Ben Kingsley, Ralph Fiennes, Caroline Goodall, Jonathan Sagalle and Embeth Davidtz.

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East-West (2000) Review

East-West (2000)
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I saw this movie at a cinema in Southern California, surrounded by elderly Russian immigrants. It had such an emotional impact that at least one lady was overwhelmed and required physical assistance leaving the theatre when it ended. "East-West" is a stunningly open Russian/French-produced film about life in post-war USSR. Although the characters are composites, the story is based on cruel historical events. When Stalin "welcomes back" all expatriated Russians, Alexei is overjoyed to leave his long self-exile in France and sail to his beloved homeland. Aboard ship, he and his fellow passengers celebrate their imagined homecoming to the glorious "Workers' Paradise". None of them has any idea of the brutal changes which have occurred under "Uncle Joe's" regime. Only betrayal awaits them. Upon the instant of their arrival, they are thrust into a nightmare of totalitarianism from which there is seemingly no escape. Many of the returning countrymen are arrested or executed as "traitors of the state". Alexei, as a physician, is considered valuable and spared, although his French wife comes under immediate suspicion and surveillance. How their sudden culture shock, loss of human rights, miserable living conditions, persecution, and bleak future inexoribly erode their marriage is heart-breaking. The film would be overwhelmingly depressing, but love, hope, heroism, and sacrifice can prevail even under the iron hand of Stalin. I highly recommend this video. Although unflinchingly honest about the Soviet system, it treats the long-suffering Russian people with sensitivity and compassion.

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The Killing Fields (1984) Review

The Killing Fields (1984)
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I saw this 1984 film when it first came out, but after reading
"River of Time" by the British journalist, Jon Swain, I knew
I had to see it again. This time, it had an even stronger impact on
me. The screenplay is based on the true story written by Sydney
Schanberg, a New York Times reporter in Cambodia who had to leave his
Cambodian friend and colleague Dith Pran behind when the Khmur Rogue
took over the country in 1975. Dith Pran is forced into a worker's
camp, where he endures unspeakable agonies until he finally
escapes.
The movie won three well-deserved academy awards. One was
best for cinematography. I can understand why. Even though the movie
was shot in Thailand, the feeling of Indo-China and the area along the
Mekong display its great beauty as well as the countryside. Jon Swain
describes this in his book, but there is nothing like seeing it on the
screen. And then there are the killing fields themselves, with bones
and rotting corpses that Dith Pran discovers. Anyone who has ever
seen this film will never forget this scene.
The second award was
for film editing. That was a job of real artistry. It is always a
choice of what tiny segments of a scene to emphasize and the editors
got it exactly right. There was the terrified child holding her hands
over her ears to shut out the bombing sounds. There was the tiny
vegetable that Dith Pran plucks off a plant with relish when he is in
the prison camp. There is the wash of blood on the floor in the
hospital where people were dying.
Dr. Hang S. Ngor won an Oscar for
his role of Dith Pran, one of the few non-professional actors to ever
win an Oscar. He was especially suited to the part because he,
himself, had endured 4 years of torture and imprisonment in a
Cambodian work camp. He had to hide his identity of physician and
watch his young wife die in childbirth while there. No wonder he was
able to play the part so well. I understand he was murdered in his
garage in his home in Los Angeles in 1996 during a robbery in which he
tried to protect a memento from his wife.
The entire cast was
wonderful, each acting performance outstanding. Sam Waterson played
Sydney Schanberg with passion and realism. John Malkovich played his
photographer sidekick. And Julian Sands had a small role as
journalist Jon Swain who was one of the three westerners saved from
execution by the intervention of Dith Pran and whose tried
unsuccessfully to forge a passport to help Dith Pran escape.
Even
though the movie was 141 minutes long, I was totally absorbed with the
same kind of horrific fascination I felt while reading Jon Swain's
book. It's hard to believe that such horrors go on in the world while
we sit here in our comfortable lives. This movie shocks us into
reality. And makes us appreciate our blessings. It also reminded me
of the role of the journalist to go out on the front lines and risk
their lives for their stories. They are to be applauded as being the
witnesses to their times.
Highly recommended. But don't expect a
good night's sleep afterwards.


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Waterston stars as New York Times reporter Schanberg, a journalist who covered the war in Cambodia. Ngor stars asDith, the translator and aide, who is exiled to Cambodian labor camps where millions of others have died.Genre: Feature Film-DramaRating: RRelease Date: 13-MAR-2001Media Type: DVD

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