Showing posts with label broadway. Show all posts
Showing posts with label broadway. Show all posts

Stage Door Canteen (1943) Review

Stage Door Canteen (1943)
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i first saw this movie in 1979, when i was bedridden due to a back injury. i was in constant pain until i watched it. the back pain went away. the pain in my soul yet lingers. having once been a soldier, i well understand the loneliness of a posting away from loved ones, and the fear of dying in war. this movie is simply the most eloquent statement of that loneliness and fear, and it expresses the common hope of all soldiers- that there is a place like the Stage Door Canteen in every port, to make service to one's country a little easier.

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Forty-eight of America's greatest entertainers star in Sol Lesser's patriotic homage to the soldiers of World War II and the Stage Door Canteen, the famous serviceman's club in New York City. Essentially a two-hour concert held together by a moving storyline involving three girls working as club hostesses and the soldiers on their way to Europe for D-Day with whom they fell in love. A great snapshot of America restored from the original camera negative.

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South Pacific (1958) Review

South Pacific (1958)
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I first saw South Pacific when it was released in 1958 at the age of 10, and remember being totally overwhelmed by the orchestrations, performances and photography. Over the years I have regularly heard the film trashed by critics and many members of the public, so I was curious to see how I would respond to it now when I recently bought the video. Well, maybe it's just me, but I found the film as thrilling and beautiful as I did forty years ago. I agree with everyone else that it was a mistake to use those colored filters in many of the sequences, but the film still packs a heck of an emotional whallop, and I think along with The King and I stands out as the most successful of the Rogers and Hammerstein shows put on film. The weakest of the cast is John Kerr, who is somewhat wooden; however, Juanita Hall is magnificent as Bloody Mary (she will never be surpassed in the role she createwd on Braodway), Rossano Brazzi is thoroghly convincing as Emille DeBeque (even if he was dubbed by Giorgio Tozzi), and Mitzi Gaynor gives an unforgettable performance as Nelly Forbrush. Of all of the criticism one hears of South Pacific, to me the most puzzling is the bashing of Mitzi Gaynor, who to me is not only excellent but perfection in the role. I realize a lot of this probably stems from anger that Mary Martin didn't get the role and is basically sour grapes, but the fact is Ms. Martin was too old to be convincing in 1958. The scenes in which Ms. Gaynor struggles with her small-town prejudices are moving and very real, and when Bloody Mary brings Liat to her to find Lieutenant Cable, who has been killed, it breaks one's heart. Anyway, the movie still knocks me out, even if that makes me, as Nelly Forbrush calls herself, a "knucklehead." The incredible photography, gorgeous music, and theme of the need to triumph over bigotry which is still so relevant even today, makes this film a 5-star winner in my book. As trite as it sounds, "They don't make 'em like that anymore!"

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Broadway Danny Rose (1984) Review

Broadway Danny Rose (1984)
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After my first viewing of Broadway Danny Rose, I was extremely dissapointed. I just didn't "get" it. I did not think it was about anything, and that it contained none of the humor, wit, and philosophical musings about life that Woody had so perfectly achieved before and since (see Annie Hall or Hannah and Her Sisters). I couldn't have been more wrong.
I decided to watch the film again, to determine exactly what about it that so many people loved so much . I was truly mystified. But during that second viewing, I really began to soak in the message about the lovable "loser" Woody plays, not to mention the fact that I couldn't stop laughing! How could I have missed this stuff before? This is Woody at his most subtle best, in a masterpiece comparable and perhaps even surpassing Manhattan (another one that took me a few times to appreciate).
Bottom line: if you are looking for pure slapstick, watch Bananas or Sleeper. If you are looking for a deep, thought-provoking drama, watch Crimes and Misdeameanors. But if you are looking for a subtle charmer that deals with the little problems of life in an original, compelling way, watch Broadway Danny Rose (and Manhattan).

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A Broadway agent/comic gets into trouble with the Mafia while he is trying to get his client's career back on track.Genre: Feature Film-ComedyRating: PGRelease Date: 7-SEP-2004Media Type: DVD

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Rodgers & Hammerstein's South Pacific (2001) Review

Rodgers and Hammerstein's South Pacific (2001)
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Though the stage show was one of Rodgers and Hammerstein's biggest hits, the script has not aged well. It is overlong and lacking in subtleness. The 1958 film, despite the beautiful scenery, is played woodenly. Even Rodgers and Hammerstein expressed disappointment with the finished film.
So, in 2000, ABC TV and Glen Close produced a new TB film with a new script that weaves in most of the songs and situations of the original play while at the same time fleshing out the characters and making them more realistic.
Is the film a complete success? Well, no. For starters Glen Close is too old for the role of Nellie. She does act it well, however, and she sings with a characterful chest voice though I do detect some of her high notes might be dubbed. I have just re-watched the movie and don't find her all that objectionable. She sounds like she is having fun cutting loose in "I'm Gonna Wash That Man Right Outa My Hair" and "A Wonderful guy." Remember too that Mary Marin and Mitzi Gaynor were both too old for the role originally. What Glen Close does play very effectively is Nellie's warring emotions. Aided by the camera work, we see her confusion and unhappiness when confronted with her own prejudices.
Rade Sherbedgia certainly looks the part of DeBecque but since we are so used to hearing robust Bass singers in the role, his softly sung arias take a good deal of getting used to. Instead of an outpouring of emotion in "this Nearly Was Mine" he offers a more introspective take on the role. It's actually a good idea and might work better with a stronger singer. His acting is quite good but the script does tend to shortchange Emile in favour of Nellie.
Harry Connick Jr acts the part of Cable quite well and shades the characters different emotions. True he is more of New Orleans than Philadelphia, and like the others he tends to pull the big musical moments inward. It is most effective in the scene after he first makes love to Liat and croons a tender "Younger Than Springtime." This is everything that the sung ought to be... passionate, sexy and filled with wonder. This is a young man caught off guard by true love for the first time and Connick communicates that brilliantly. His "crooning" is not wildly out-of-place and certainly in keeping with the types of singers he would have heard at home. Some scenes later he performs a remarkably understated "Carefully Taught" having played the intense anger in the dialogue scene that precedes the song. The result is more a case of Cable realizing what he is saying than just spitting out an angry indictment. It may not be the way it was originally done, but you can't argue with its effectiveness.
Lori Tan Chin as Bloody Mary is much closer to the description provided by James Michener in his original novel than Juanita Hall. Hall indeed made the part her own, but that is not to say that hers was definitive.

In re-writing the screenplay, the scenes and songs were re-arranged from their traditional order. In this new version we see the first meeting of Nellie and Emile at an officers club dance, and the song "A Cockeyed Optimist" is used in this sequence to establish Nellie's outlook. It's part of her charm and clearly attracts DeBecque. The structure also allows the first two scenes of the musical to unfold simultaneously.
Anyone considering a Broadway revival of SOUTH PACIFIC might do well to examine the TV film for its style and construction. There might indeed be a way to make the story work for modern audiences, clearing away some of the hoary old jokes and developing character instead.

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Three-time Tony Award-winner Glenn Close and two-time Grammy Award-winner Harry Connick Jr. lead a sensational cast in an all-new version of Rodgers & Hammerstein's beloved musical SOUTH PACIFIC. Based on the Pulitzer Prize-winning book by James Michener, and featuring some of the finest music ever written for the stage ("Some Enchanted Evening," "I'm Gonna Wash That Man Right Outa My Hair," and "Younger Than Springtime"), SOUTH PACIFIC spins a romantic tale of love and loss on a tropical island naval base during the Second World War. Enjoy the fun and adventure of this breathtaking new production with a star-studded cast, timeless songs, and a story that has enchanted audiences for years.

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