Showing posts with label classic sci-fi. Show all posts
Showing posts with label classic sci-fi. Show all posts

Laserblast (1978) Review

Laserblast (1978)
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The funny thing about B-Movies is that they become campy classics only when they were made with somewhat serious intentions. We crack up over "Plan 9 From Outer Space," but when they crank out contrived spoofs like "Attack of the Killer Tomatoes," we grow bored.
Laserblast is one of those classics in the spirit of Ed Wood Jr. Released in 1978, it stars the late Kim Milford (best known for popularizing the role of Rocky Horror in the Roxy version of "The Rocky Horror Show") as Billy, a handsome but shy and dysfunctional young man who comes across this groovy space gun that blows people & things to smithereens. There is a catch to this magical zapping-machine: with each blast, poor Billy gradually turns from the sweet & shy guy to a physically grotesque and murderous creature who begins taking out his enemies (not to mention a few innocent bystanders). Being that the film takes place the year after "Star Wars" was released, Billy even takes his aggression out on a small billboard advertising the film!
All this time these Claymation Space Creatures are cruising about in a spaceship, monitoring the earthly activity of their potent zapping machine, speaking in a way-out tongue that is never revealed.
As one who enjoys spotting familiar celeb faces in B-Movies, I had a field day with this film as the cast includes Roddy Mc Dowell (it always interested me how he appeared in as many campy films as he did quality films), Keenan Wynn, Gianni Russo (best known as Carlo in "The Godfather"), Eddie Deezen (character actor known for his ultra-nerd roles in movies like "Wargames," and most recently in "Polar Express"), and the late Cheryl "Rainbeaux" Smith, who appeared in scores of B-Movies throughout the 1970s. The movie was directed by Michael Rae, who went on to direct.....uh, nothing else ever again.
On a "bad movie scale" of 1 through 10 (1 being SO bad that it doesn't even pass as a fun B-Movie experience, 10 being a wonderful viewing experience because it's so bad!) I give Laserblast a 10+!!! You can pick up this DVD for a very reasonable price, so check out these Clay Creatures and their Monster-Making Laser Gun!


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LASERBLAST - DVD Movie

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The Time Machine (1960) Review

The Time Machine (1960)
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This review refers to the Warner Bros. DVD edition of "The Time Machine"(1960)......
I am so impressed with how this 43 year old classic Sci-Fi film looks and sounds on the DVD, that I am going to start with that this time. I wasn't expecting it to look as great as it did because the editorial review here gives it 3 out of 5 stars on both the picture and the sound. If you are a big fan of this film, or thinking of buying it as a gift for someone who is, you will not be disappointed with this transfer. The picture is presented in the original widescreen format,so you won't miss a bit of the action. To watch it you would think you went back in the time machine to 1960 and were viewing it for the first time. It is clear and sharp with vibrant color.The soundtrack is remastered in Dolby Dig 5.1 and is a welcome enhancement.The DVD also includes a terrific Behind The Scenes documentary called "Time Machine...The Journey Back". The film's star Rod Taylor hosts and fans will love this informative feature. You'll get a good look at how the actual machine was made and the journey that it has taken in the last 40 years as well as other interesting tid bits. This feature has it's own scene selections to choose from or you can just watch it straight through. The film may be viewed in French and has subtitles in English and French.(my only teeny complaint would be that the black bar area is not used for these subtitles, they are at the bottom of the film).
The story based on the novel by H.G. Wells is as captivating today as it ever was. You know the tale.....
George(Rod Taylor)has all the time in the world. He tells his friends an incredible story of his adventures traveling through the ages in a time machine that he has built. As his story begins, he starts out slowly traveling through the 20th century. He doesn't like what he sees. War and destruction seem to be the fate of civilaztion.He pushes foward, quickly, and the years fly by. Finally stopping in the year 802701,he comes across what seems to be a paradise on earth. Clean air,fruit growing in abundance, and a society of young beautiful people, the Eloi, who don't seem to have a care in the world. But even in this Utopian like civilazation there's trouble amiss.The Morlocks are running things from underground and they are just as scary today as they ever were.So it's up to our guy George to save this future civilazation from the evil Morlocks,and try to get back home to the year 1900 for an 8pm dinner appointment..whew,what a great story!
Directed brillantly by George Pal("7 Faces of Dr. Lao"/"Atlantis the Lost Continent"), the film also boasts the great talents of Alan Young, Sebastian Cabot, and the lovely Yvette Mimieux, as "Weena", who adds a little romantic interest to the story. The film was awarded a well deserved Oscar for it's special effects(also discussed in the featurette) for Gene Warren and Tim Barr.The movie is rated G, although the scenes with the Morlocks might be a little scary for very young children.
A great story, fabulous film and an outstanding DVD. So go back in time, with your old friend "The Time Machine"..enjoy...Laurie

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A time travel inventor travels to the future where the passive Eloi are in danger of becoming prey to subterranean mutants called Morlocks.Genre: Feature Film-DramaRating: GRelease Date: 13-MAR-2001Media Type: DVD

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Alien (The Director's Cut) (1979) Review

Alien (The Director's Cut) (1979)
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Amazon's reviewer calls this movie overrated and drawn out, while the Leonard Maltin movie guide review seems a bit baffled that some people like this kind of entertainment. Don't listen to either of them. Alien is, quite simply, one of the best movies ever made in both the sci-fi and horror genres. Those who complain that the film takes too long to get going suffer from some kind of cinematic attention span disorder; Ridley Scott draws his scenes out because he wants to build tension and establish a sense of realism before introducing H.R. Giger's terrifying creation. Unfortunately we can all see that the monster is just a guy in a suit during the closing sequences when Scott finally lets us see what the big slimy nemesis really looks like, but otherwise the film hasn't aged a bit since it came out two decades ago. The DVD is great too, with excellent picture quality and a really great commentary track, despite some disastrously inappropriate menu screens (the interfaces are all CG-rendered glitz, which really doesn't go with a movie known for its slow, elegant, quiet suspense). Anyone with any interest in horror or science fiction films in general should pick up this classic immediately.

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The terror begins when the crew of a spaceship investigates a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

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1984 (1984) Review

1984 (1984)
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Attention: For those who did not read George Orwell's classic dystopian novel "1984" in high school, college, or through personal initiative, please take the time to do so before diving into the soul shattering experience of the film version of this book, aptly titled "1984." I imagine that many viewers could experience lapses of extreme boredom if they do not have a sufficient understanding of newspeak, thoughtcrime, and the political dynamics of Oceania/Eastasia/Eurasia before experiencing this soul shattering film. You might even want to read a few items about communism and fascism before watching the movie. In any event, the book and film are chilling in their presentation of a world in the grip of pure totalitarianism.
Originally released in 1984, "1984" tells the story of Winston Smith. Smith lives and works in what used to be the city of London, before an atomic war swept away the world as we know it and ushered in the dark gloom of Big Brother. Smith spends his days working away in a booth at the Ministry of Information, constantly updating and rewriting the party organs in order to make history fit with present realities. In the course of a day's work, Winston routinely changes rationing promises, removes people labeled as "non-persons" from articles, and burns records. During his off hours, he sits in his ratty apartment under the constant surveillance of the state, which keeps an eye on him through a giant monitor in his living room and with hovering helicopters outside his window. Occasionally, Winston gets to attend giant party rallies where he and other members of INGSOC watch televised propaganda tapes about the endless war with Eastasia (or is it Eurasia?). Each day is bleak, filled with consumer shortages, the endless nattering of propaganda in the background ("War is Peace, Ignorance is Strength, Freedom is Slavery"), and dreams about his life as a child or a place in the countryside.
Unfortunately for Winston, he just cannot make himself accept the prevailing view, namely that one need only give oneself up to the party and never question anything INGSOC pronounces as truth. His job reconstructing history makes him acutely aware that the party lies incessantly, and in Winston's world losing faith in the party means losing one's life after visiting Room 101 in the Ministry of Love. To make matters worse, Winston catches the eye of the lovely Julia and quickly becomes embroiled in seditious activities that Big Brother more than frowns upon. After Winston falls in with a high party official named O'Brien, the downward spiral begins in earnest, leading to an interrogation that is definitely an upsetting viewing experience.
This film is by necessity an intensely character driven vehicle. Thankfully, director Michael Radford obtained the services of John Hurt and Richard Burton to play Winston and O'Brien. Hurt shines as the tortured Winston, looking as though he's on death's door while he trudges through another bland day in Oceania. Burton is properly menacing as the enigmatic O'Brien, playing his role of party thug with equal parts compassion (oddly enough) and threat. I know less about Suzanna Hamilton, the actress who plays Julia, although she does an admirable job working between two great film stars. Incidentally, this was Burton's last film role.
I loved the atmosphere of this film. Radford creates a dank, dingy London I wouldn't even think about strolling through without a full body protection suit. The ubiquitous audio and visual propaganda is a nice touch as well, creating a sense of total immersion in Winston's world. As Winston slogs through the bombed out backdrop of London on his way to work, the viewer becomes aware of the party's total grip on the people through the canard of total war. The omnipresent image of Big Brother should certainly bring a smirk to anyone familiar with Russian history, since the guy looks a lot like Lenin.
I noticed that the Eurythmics soundtrack, while advertised on the case and in the credits, is missing from the film. This did not bother me much since I first saw the film years ago and do not remember much about the soundtrack other than the excellent score by Dominic Muldowney... I feel sorry for those who looked forward to having that part of the soundtrack included in their purchase. Despite this omission, the film is very much worth the money.
Great imagery, great acting, and a great message about the evils of 20th century fascism and communism make "1984" a must have for any film lover. I'll watch John Hurt in nearly anything, but he really turns in a powerful performance here. Pick up this movie and watch for the warning signs!

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Rocketship X-M (1950) Review

Rocketship X-M (1950)
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Rocketship X-M was really one of the first good science fiction films of the 1950s, and its influence can be seen in the slew of space movies released throughout that decade. In some ways, it is the quintessential science fiction film of the era; it sends a crew of four men and one woman into space for the first time, and these characters actually get a chance to express their own personalities during the journey. While the science of the film misses the mark in a number of ways, the filmmakers did not rely on alien "monsters" to help the story along. The movie has a message, and its plausibility and rather unhappy conclusion bring that message home to viewers. The film also reflects to some degree the culture of the time in terms of gender, sporting a number of chauvinistic lines sure to rankle many modern viewers.
Our intrepid crew for this secret first manned spaceship launch consists of ship designer Dr. Exum (John Emery), navigator Floyd Graham (Lloyd Bridges), engineer Major William Corrigan (Noah "Rockford's Dad" Beery, Jr.), some less important guy played by Hugh O'Brian, and brilliant female chemist Dr. Lisa Van Horn (Osa Massen). When Floyd isn't navigating, he's putting the moves on the cold and aloof Lisa. Things go swimmingly at first (with the ship, not with Lloyd's advances), but then a problem with the fuel mixture (sure - blame the woman) causes the engines to die. When Dr. Van Horn defends her computations, she is treated to a few chauvinistic remarks about acting like a woman; the great and mighty men figure things out on their own, and before you know it everyone is knocked unconscious and the Rocketship X-M (which was supposed to land on the moon) finds itself flung out into deep space. As luck would have it, though, they wake up to find themselves within reach of Mars and take advantage of the opportunity to land there. This is a Lippert film, so you knew there would have to be many scenes of people climbing hills and mountains somewhere in it. Well, the crew members make a few discoveries about the state of past and current life on the red planet and try to make it back home to spread the word to the people of earth - it's your basic nuclear was is bad kind of advice. The ending is not a happy one by any means, but it does serve to further man's (or at least science fiction script writers') determination to explore outer space.
There's nothing fancy at all about this movie, yet it really does deliver the type of message a science fiction film should carry. Along with the science, weak as it turned out to be in places, and a "scientific moral" to the story, we actually get to see characterization come to life before our very eyes (especially in terms of Floyd and Lisa). I think this 1950 film deserves to be called a classic in its field, and it still has much to offer all fans of science fiction.

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The 50th Anniversary Edition of Kurt Neumann's science fiction classic. Four men and a girl blast into space on mankind's first expedition to the Moon. But due to a cataclysmic event in space, their ship is sent hurling out of control towards the planet Mars. Suspenseful terror as the crew fights for their life on a war-ravaged world with radiation-riddled nightmare creatures! The climax makes this one of the most powerful and unforgettable science fiction movies ever made. "Rocketship X-M" was deftly brought to the screen by famed writer/director Kurt Neumann. Long considered the definitive space exploration film of the 50's, a genuine classic with a power that has spanned the decades.Includes Trailer.

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When Worlds Collide (1951) Review

When Worlds Collide (1951)
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Based upon the 1933 novel by Edwin Balmer (1883-1959) and Philip Wylie (1902-1971), "When Worlds Collide" was adapted to film in 1951 under the direction of Rudolph Maté (1898-1964) and with a budget of approximately $936,000. (By comparison in the same year, this was only slightly less than the budget used for "The Day the Earth Stood Still", but a small fraction of the $7,000,000 budget spent for "Quo Vadis"). The story begins at a remote observatory where the eminent astronomer, Dr. Emery Bronson (Hayden Rorke, 1910-1987) discovers that a rogue star with its orbiting planet (that he names Bellus and Zyra respectively) may be on a collision course with Earth. In absolute secrecy, Dr. Bronson sends his horrific data to his colleague Dr. Cole Hendron (Larry Keating, 1896-1963) in New York via the leather-jacketed, ace pilot & courier Dave Randall (Richard Derr, 1918-1992). With the assistance of his daughter Joyce Hendron (Barbara Rush), Dr. Hendron analyzes Dr. Bronson's data on the "Differential Analyzer" (an old-fashioned analog computer) and confirms the trajectories of Bellus and Zyra. Dr. Hendron confers with other scientists and world leaders to ask them to build rockets to ferry as many people, animals and plants as possible away from the doomed Earth and to a new home on Zyra. (The similarity to the Judeo-Christian myth of Noah's ark is obvious.) However, the findings fall on deaf ears, except for the aging, wheelchair-bound millionaire Sydney Stanton (John Hoyt, 1905-1991), who agrees to fund the building of a single rocket that can take just over 40 passengers as long as he has a seat. The film follows the construction of the rocket, the devastating effects that the gravity of Zyra and Bellus have upon Earth as they approach, and the impact that the impending doom has upon the social structure.
For a film that was made long before computer-generated special effects existed, the special effects used in "When Worlds Collide" are effective and entertaining. It's especially fun to see how people in the early 1950's envisioned the types of technology that could be used to travel into space years before any nation had created an actual space program or trained any astronauts. Though the science used in the film was flawed and film's meager budget prevented a more realistic vision of a Zyran landscape, neither seriously adversely affects the film-watching experience. Overall, I rate the 1951 "When Worlds Collide" with 4 out of 5 stars and highly recommend it to any sci-fi aficionado.

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Earth is threatened by a collision with a runaway star. Private industry builds a space ship to take colonists to a new planet to start a new civilization.Genre: Science FictionRating: GRelease Date: 28-MAR-2006Media Type: DVD

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The Thing from Another World (1951) Review

The Thing from Another World (1951)
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THE THING FROM ANOTHER WORLD...the title conjures up lurid images from the countless 'B' SciFi flicks of the 50s, but as many SF, Howard Hawks, and Classic Cinema fans can attest, this is no sleazy schlockfest, but one of the most entertaining and exciting films ever made, by one of Hollywood's greatest directors.
Yes, the credits list Christian Nyby as director, but Howard Hawks was on the set nearly every day, each scene has elements of style unique to Hawks, alone, and even the cast members, when interviewed, have said Hawks ran the entire show. Perhaps, as Science Fiction films were not highly regarded in the early 50s, he felt his reputation might suffer if he acknowledged his contribution; perhaps he thought it might help Nyby's credentials if he were given credit for this masterfully crafted tale. Who knows? But rest assured...this IS a Howard Hawks film!
The story, based on John Campbell's short story, 'Who Goes There?', is a nifty, claustrophobic tale of a group of soldiers and scientists in the Arctic, discovering a giant 'flying saucer' under the ice. When the ship blows up during the excavation, the 'pilot', a huge green chlorophyll-based humanoid (played by a young James Arness), is recovered, frozen in a block of ice. Bringing the ice-encased figure back to the base, it is then accidentally thawed out...and all Hell brakes loose!
While the cast lacks big-name stars, each actor is wonderful, delivering wryly funny Hawks' dialogue at a breakneck pace. The military commander, Capt. Hendry (Kenneth Tobey), is a no-nonsense boss, respected and lovingly chided by his men, led by Dewey Martin, who constantly try to 'set him up' with a pretty scientist he had 'struck out' with, on a recent 'leave' (Margaret Sheridan). She is now at the base, assisting brilliant yet blissfully naive Dr. Arthur Carrington (Robert Cornthwaite), who, naturally, assumes 'the Thing' is only homicidal because he is misunderstood! As the truly frightening potential of the creature reveals itself, it becomes a race against time to destroy it, before it kills everyone, leaves the base, and reproduces countless seedlings of itself to conquer the world!
The FX are low-budget, but very effective, as is the extensive use of light and shadow, sound effects, and an eerie Dimitri Tiomkin score. Unlike the benevolent 'visitors' of THE DAY THE EARTH STOOD STILL, this alien doesn't warn of total annihilation as the final option, should we carry our nuclear weapons into space; it's ONLY agenda is to KILL!
This is a truly amazing film, one that has aged little, and is every bit as enjoyable today as when it was released.
As the tag line to the film warns us, "Look to the sky..."

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Members of an Antarctic research team are killed off by a frozen alien they uncover.

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War of the Planets/War of the Robots Review

War of the Planets/War of the Robots
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Every week, my son and I have "bad movie" night, and this particular night was spent watching, "War Of The Planets." It is unknown to me what the other reviewers were expecting when they bought and viewed this Italian "epic" but with the general tone of disappointment, I'd say they expected waaaay too much.
We sat there for the 90 minutes enjoying one of the worst movies ever made. Furthermore, we EXPECTED it to be bad and not the second coming of 2001: A Space Odyssey! Probably the funniest thing about this so-called movie is the fact that the makers of this film probably thought they had a hit on their hands, since it came out around the same time as Star Wars. Well, obviously this flick is terrible to the point of being rediculous and, not surprisingly ended up being a dud.
My adviced to you is simple: for one night, go ahead and pretend you're dumb, put in this dvd, and enjoy some of the best bad film making ever to hit no one's screen!

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Dark Star (1974) Review

Dark Star (1974)
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A lot of people i know who are not aware that this film was originally released in 1975 fault it for being derivative, when, actually, if anything, the shoe is on the other foot.
Dan O'Bannon's special effects sequences are incredible, especially since the entire budget for the whole film wouldn't buy coffee for an effects house working on teevee commercials today; i am especially taken with the utterly convincing planet-buster bombs made from an HO-scale piggyback trailer turned upside down with engine parts from a 1/25th scale model car attached (if you look closely on a good copy you can still read the logo of the car manufacturer on the valve cover used as part of the bomb's drive mechanism).
So many great lines and sequences in this film -- Pinback and the beachball and the elevator may exceed the Maximum Allowable Funny Quotient for a minor film, and Doolittle's conversation with the bomb (capable of destroying an entire planet) that plans to detonate right alongside the ship, as he leads it into beginning philosophy and convinces it that maybe it *didn't* really hear the "go" code...
The theme song, "Benson Arizona", one of the more warped contry songs one will ever hear, is a hoot; the original is by Carpenter and a lyricist whose name i have lost, and SF fans have been adding verses to it for years.
Watch for the "THX-1138" gag -- for many years (if not still) the only time the *whole* title has been used in a film reference.
O'Bannon worked on special effects on the first "Star Wars" film, and basically borrowed his own "computer search of the blueprints" sequence from "Dark Star" for that film.
The basic design of the "Dark Star" itself is by Ron Cobb, background astronomical paintings by Jim Danforth, and the design of the crew's spacesuits is determined by the fact that they used a commercially-available toy spaceman for effects shots.
As an example of the sort of audience this film appeals to -- it was briefly released theatrrically in the latter Seventies; a frind here in Atlanta went to see a matinee, and realised that the only other people in the dark with him were Joey Ramone and his girlfriend.

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DARK STAR was originally intended to be a 68 minute film. JackHarris, the Hollywood producer, convinced the filmmakers to shoot 15minutes of extra footage and he released the expanded version theatricallyin 1975 through Bryanston Pictures. In 1983, DARK STAR was re- issued tohome video as a "Special Edition," created under the supervision andauthorization of the filmmakers. This special version, featuring a newtechnically superior video transfer, had been edited by the filmmakersthough, virtually removing all the extra footage. Now, once again for allDARK STAR purest, here is the full length theatrical release version,painstakingly restored, and sporting a new Dolby Digital Hi-Fi stereo soundtrack. Enjoy! In the mid twenty-first century, mankind has reached a pointin its technological advances to enable colonization of the far reaches ofthe universe. DARK STAR is a futuristic scout ship traveling far in advanceof colony ships. Armed with Exponential Thermosteller Bombs, it prowls theunstable planets. But there is one obstacle that its crew members did notcount on -- one of the ship's thinking and talking bombs is lodged in thebay, threatening to destroy the entire ship and crew! Bonus Features: Contains 2 Versions: Longer Theatrical & Original Shorter Version|Trailer| Scene Selection| Actor Bios| Remixed 5.1 Track. Specs: DVD5; Dolby Digital 5.1; 83 minutes; Color; 1.85:1 Aspect Ratio; MPAA - G;Year - 1974; SRP - $9.99.

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Star Trek Fan Collective - Klingon (2001) Review

Star Trek Fan Collective - Klingon (2001)
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This is an excellent collection covering Trek lore about the Klingons from "Enterprise" through to "Voyager". It is missing some key episodes for example the episode from "Enterprise" where we find out how the Klingons lost the bumps on their heads for a long period of time (during the original "Star Trek")and since this is a four disc set it could have been filled out with a few more episodes from "Deep Space Nine". While I'm not disappointed in this set it could have included quite a few more episodes including "Day of the Dove" a classic third season episode of The Original Series.
The episodes for this set are as follows:
Enterprise: Broken Bow. Captain Archer and the new crew of Enterprise are charged with returning a Klingon with information that could avert a war. The Sooliban an alien speices involved with a temporal war has been charged with stopping Archer and killing the Klingon.
Star Trek The Original Series: Errand of Mercy.
Captain Kirk and Mr. Spock are trapped on an alien world of pacificist by invading Klingons where they were trying to convince the aliens to join the Federation. Kirk and Spock use terrorist tactics to try and create a revolt among the aliens not knowing that they have their own agenda.
The Trouble with Tribbles: Klingons show up at a space station where the Enterprise is protecting a grain shipment. The Klingons and the Enterprise crew come into conflict on the station while Kirk has to figure out how to best protect the important grain shipment.
ST: THe Next Generation: A Matter of Honor, Sins of the Father, Redemption Part 1 & 2
These four important Next Gen episode provide us with a unique glimpse into the Klingon mind and universe. Commander Riker serves on a Klingon ship as part of an officer exchange program. When the captain of the Pagh suspects that the Enterprise deliberately infected his ship with a corrosive bacteria he decides to attack Enterprise.
"Sins of the Father": Enterprise receives a Klingon exchange officer who claims to be Worf's brother. He tells Worf that their name is about to shamed and that their deceased father is to be labeled a traitor for the massacre at Khitomer. Worf must turn to Captain Picard to be his advocate with the Klingon High Counsel to save his honor.
"Redemption Parts 1 & 2": Two the best Next Gen episodes featuring the Klingons, this two part episode serves as sequels to "Sins of the Father". Worf's family was discommendated by the Klingon High Counsel. When the new emperor Gowron insists on Federation involvement Picard turns him down he refuses to help restore Worf's family name. Civil War breaks out among the Klingons and Worf elects to serve with Gowron and battle the faction trying to take down Gowron.
Deep Space Nine: "The Way of the Warrior","The Sword of Kahless", "Trials and Tribble-ations". Three strong episodes from DS9 the last one is a whimsical visit to "Star Trek: The Original Series" where the crew of the Defiant must travel back in time to stop a Klingon saboteur from changing history in the episode "The Trouble with Tribbles".Star Trek Voyager: "Barge of the Dead". When Torres is injured in a shuttle accident she finds herself on the Barge of the Dead traveling to Gre'thor or Klingon Hell where the dishonored souls go.
I suspect we'll have the usual assortment of text commentary from Michael and Denise Okuda. I wouldn't expect any audio commentaries on this set however. The package design featuring a prominet picture of Worf is similar to the other fan collectives that have been released. The "Enterprise" episodes are in widescreen, the others are all full screen releases. The image quality will reflect the individual sets these are drawn from as Paramount is using the same transfers as the boxed sets.


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Star Trek Fans voted online for their favorite Klingon episodes form the Star Trek television series, which resulted in Star Trek: Fan Collective - Klingon. Get ready for brilliant battles, thrilling adventure and pulse-pounding action when the federation encounters its arch nemesis - the Klingon.

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The War of the Worlds (1953) Review

The War of the Worlds (1953)
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War of the Worlds has been on DVD before, but it's much better in this special edition, restored and presented, thankfully, in full frame, as it was shot. The print quality is just beautiful, and the movie looks as good as it's ever looked. Special features are also of a high standard: especially welcome are the commentaries by stars Ann Robinson and Gene Barry. Barry seems a little less in command than Robinson, but she graciously compensates, by eloquently describing her experiences, her affection for Barry and producer George Pal, and the film itself, with which she seems wonderfully familiar. Her insight is detailed, sometimes funny, exhaustive, and genuinely revealing--even down to the revelation of a cameo by Woody Woodpecker. Images are so crisp that the wires supporting the ships are sometimes sadly visible, but fans will be so caught up in the frightening story that this won't matter much at all. For those who love this film, I'd say get out there and pick this up: someone got it right, and went to the trouble to present this admired film in an edition that can really be called "special". What a pleasure to see old Technicolor the way it was meant to be seen! A great movie, and a great DVD.

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Star Wars, Episode VI: Return of the Jedi (Special Edition) (1983) Review

Star Wars, Episode VI: Return of the Jedi (Special Edition)  (1983)
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This could very easily be an ecstatic 5-star review. The original, unaltered Star Wars trilogy, finally on DVD with no droid & alien cartoon antics, no Hayden Christensen's face on Sebastian Shaw's body, no videogame-quality Jabba the Hutt, the original Academy Award-winning special effects, the music we remember... This should be a red-letter DVD release for Star Wars fans. Sadly, it is not.
Here's why you should boycott this release:
1. The picture & sound are intentionally presented in mediocre quality. These DVD's are transferred from the exact same videotape used to create the laserdisc release in 1993. That means a non-anamorphic, muddy, letterboxed picture that will have to be zoomed in to fill widescreen TVs or computer monitors. Lucasfilm refuses to fulfill the basic minimum standards of a current DVD release and make a new transfer. The quality of this DVD presentation will not live up to that of such timeless classics as Caddyshack II & Ishtar.
2. It's overpriced. If Lucasfilm is only willing to toss out these beloved films in this shoddy version, and they are unwilling to spend any time or money at all on their release, that is their right. They should charge accordingly. As bootleg-quality laserdisc transfers, these DVD's should sell for $5-$10, tops. Incredibly, Lucasfilm is charging $90 retail for these three movies! That's almost twice the cost of the (still available) box set with the exact same Special Edition discs!
They're trying to justify the cost by bundling the unaltered movies (the only reason to buy this version) with the Special Edition movies, but they must know it's a sham. Anybody who is willing to pay $90 ($60 @ Amazon) for the Special Edition DVD's has already bought the existing box sets. The Special Edition discs in this set are a complete waste of plastic, and they do not justify the outrageous cost.
If, for some reason, you have not yet purchased Star Wars on DVD, this set may be an adequate value. For anyone else, this set plus the existing box set you already have will run you a total of $160 retail ($110 @ Amazon). Is that a fair price to pay for an intentionally mediocre release of the movie that made Lucas' empire possible? Is it right to release this classic piece of cinematic history with picture and sound quality far below the latest releases of Buckaroo Banzai or Barbarella? I'll leave that for you to decide.

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