Showing posts with label alec guinness. Show all posts
Showing posts with label alec guinness. Show all posts

Lawrence of Arabia (Collector's Edition, 2 discs) - DVD (1962) Review

Lawrence of Arabia (Collector's Edition, 2 discs) - DVD (1962)
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Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.
The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.
The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

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Newly restored - pristine audio & picture quality! Exclusive making of documentary, a conversation with Steven Spielberg, four original featurettes, New York Premiere, advertising campaigns.

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The Bridge on the River Kwai (Limited Edition) (1957) Review

The Bridge on the River Kwai (Limited Edition) (1957)
Average Reviews:

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I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

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Studio: Sony Pictures Home EntRelease Date: 09/20/2005Run time: 162 minutesRating: Pg

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The Bridge on the River Kwai (Two-Disc Collector's Edition) (1957) Review

The Bridge on the River Kwai (Two-Disc Collector's Edition) (1957)
Average Reviews:

(More customer reviews)
I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

Click Here to see more reviews about: The Bridge on the River Kwai (Two-Disc Collector's Edition) (1957)

Isolated Music Score, An Appreciation by John Milius, Rise & Fall of Jungle Giant Documentary, Making of The Bridge on the River Kwai.

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Star Wars IV: A New Hope (1977) Review

Star Wars IV: A New Hope  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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Star Wars Trilogy (1977) Review

Star Wars Trilogy  (1977)
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This is just an alert since there seems to be some confusion about a trilogy release with the original unaltered versions along with the special editions vs a trilogy set that only contains the special editions and no copies of the original unaltered versions.
The reviews for both sets are merged together... that is why you are seeing people claim that it has the original unaltered versions, and people complaining they do not. THIS set that I specifically clicked on to make this comment on is on the 2004 release which DOES NOT CONTAIN THE ORIGINAL UNALTERED VERSIONS. The box image is silver and has Darth Vader's mask on the box. This set ONLY contains the SE along with a 4th bonus disc of making of features and trailers and a sneak peak at episode III. If you want the trilogy set that contains both the SE and the unaltered versions but no bonus features, make sure when purchasing from Amazon, that the picture is a picture of Darth Vader and Luke clashing with light sabers and the box has a lot of blue coloring. It also says IV V VI along the bottom. Scroll down to DVD info and it should say release date: 2008. THAT is the version you are looking for.
If you place an order on the Trilogy with the Silver box with Darth Vaders mask on it, you are going to get the 2004 release of the trilogy and that's probably not the one you want... This review is going to appear on both sets though... So make sure before you buy, that you are on the correct trilogy page. Check the picture. Check the release date.
There are plenty of reviews of the actual product so I'm not going to go into that. Just wanted to clear up some confusion.

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The Making of Star Wars as told by C-3PO and R2-D2 Review

The Making of Star Wars as told by C-3PO and R2-D2
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Originally released to the home video market in 1979 by the then-fledgling Magnetic Video corporation, this is the rarest of Star Wars material on video. It's also the first piece of Star Wars material, predating even the VHS release of Episode IV: A New Hope, by two years. (Lucasfilm and Fox would not officially
Originally aired on ABC in 1977, this special features behind-the-scenes footage from the sets, the visual effects, interviews with the cast and creators of the legendary film. Interviews with Mark Hamill, Carrie Fisher, George Lucas, and Gary Kurtz are featured on this video narrated by the late William Conrad. This special was only reissued once in the United States on video in its original format, as part of a double feature with a similar special on The Empire Strikes Back.
The video and audio quality is typical for late 1970's video releases, with the source print being a 16mm print. Also, attached to most of the Magnetic Video prints is a trailer for The Empire Strikes Back that is not present with the current trilogy DVD set.
The only other U.S. video release of this special is a 1995 reissue through a mail-in offer with Kellogg's Cereals, which replaces William Conrad's voiceover with another actor. The rest of the special is similar to its initial appearance.

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The Bridge on the River Kwai (Collector's Edition) (1957) Review

The Bridge on the River Kwai (Collector's Edition)  (1957)
Average Reviews:

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I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

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Spectacularly produced, and the winner of seven Academy Awards(1957), including Best Picture, Best Director, and Best Actor (Alec Guinness), The Bridge on the River Kwai continues to be one of the most memorable cinematic experiences of all time. Now, for the first time on Blu-ray, following an extensive all-new 4K digital restoration from the original negative, with newly restored 5.1 audio, experience director David Lean's masterpiece as you never have before.

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The Bridge on the River Kwai (1957) Review

The Bridge on the River Kwai (1957)
Average Reviews:

(More customer reviews)
I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

Click Here to see more reviews about: The Bridge on the River Kwai (1957)

ALLIED COMMANDOS ARE DISPATCHED DEEP INSIDE THE BURMESE JUNGLETO BLOW UP A STATEGIC BRIDGE BUILT BY BRITISH POWS. SPECIAL FEATURES: SUBTITLES IN ENGLISH, FRENCH, SPANISH, PORTUGUESE,CHINESE, KOREAN, AND THAI: LANGUAGES IN ENGLISH, FRENCH,SPANISH AND PORTUGUES: THEATRICAL TRAILERS AND MUCH MORE.

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Star Wars V: The Empire Strikes Back (Special Edition) (1980) Review

Star Wars V: The Empire Strikes Back (Special Edition)  (1980)
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Lucasfilm is marketing this trilogy release on the inclusion of the unaltered versions of the films when in fact this is a shoddy laserdisc transfer on a bonus disc and the buyer is forced to purchase, yet again, the 2004 versions also. This is essentially retail fraud given that Lucasfilm holds itself as a bastion of home video quality and film preservation - these transfers are 13 years old, non-anamorphic and substandard. YOU WILL BE PAYING $[...] FOR OLD LASERDISCS TRANSFERRED TO DVD. YOU HAVE BEEN WARNED. You will not be able to watch them on a widescreen TV with adequate quality - this is shameful and shameless marketing taking advantage of buyers. DO NOT BUY!

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Star Wars IV: A New Hope (1977) Review

Star Wars IV: A New Hope  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

Click Here to see more reviews about: Star Wars IV: A New Hope (1977)



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Star Wars IV: A New Hope (Special Edition) (1977) Review

Star Wars IV: A New Hope (Special Edition)  (1977)
Average Reviews:

(More customer reviews)
I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

Click Here to see more reviews about: Star Wars IV: A New Hope (Special Edition) (1977)



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Star Wars, Episode V: The Empire Strikes Back (Special Edition) (1980) Review

Star Wars, Episode V: The Empire Strikes Back (Special Edition)  (1980)
Average Reviews:

(More customer reviews)
Lucasfilm is marketing this trilogy release on the inclusion of the unaltered versions of the films when in fact this is a shoddy laserdisc transfer on a bonus disc and the buyer is forced to purchase, yet again, the 2004 versions also. This is essentially retail fraud given that Lucasfilm holds itself as a bastion of home video quality and film preservation - these transfers are 13 years old, non-anamorphic and substandard. YOU WILL BE PAYING $[...] FOR OLD LASERDISCS TRANSFERRED TO DVD. YOU HAVE BEEN WARNED. You will not be able to watch them on a widescreen TV with adequate quality - this is shameful and shameless marketing taking advantage of buyers. DO NOT BUY!

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Star Wars Episode IV - A New Hope (Full Screen) (1977) Review

Star Wars Episode IV - A New Hope (Full Screen) (1977)
Average Reviews:

(More customer reviews)
I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

Click Here to see more reviews about: Star Wars Episode IV - A New Hope (Full Screen) (1977)

Part IV in a George Lucas epic, Star Wars: A New Hope opens with a rebel ship being boarded by the tyrannical Darth Vader. The plot then follows the life of a simple farmboy, Luke Skywalker, as he and his newly met allies (Han Solo, Chewbacca, Ben Kenobi, C-3PO, R2-D2) attempt to rescue a rebel leader, Princess Leia, from the clutches of the Empire. The conclusion is culminated as the Rebels, including Skywalker and flying ace Wedge Antilles make an attack on the Empires most powerful and ominous weapon, the Death Star.

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Star Wars, Episode VI: Return of the Jedi (Special Edition) (1983) Review

Star Wars, Episode VI: Return of the Jedi (Special Edition)  (1983)
Average Reviews:

(More customer reviews)
This could very easily be an ecstatic 5-star review. The original, unaltered Star Wars trilogy, finally on DVD with no droid & alien cartoon antics, no Hayden Christensen's face on Sebastian Shaw's body, no videogame-quality Jabba the Hutt, the original Academy Award-winning special effects, the music we remember... This should be a red-letter DVD release for Star Wars fans. Sadly, it is not.
Here's why you should boycott this release:
1. The picture & sound are intentionally presented in mediocre quality. These DVD's are transferred from the exact same videotape used to create the laserdisc release in 1993. That means a non-anamorphic, muddy, letterboxed picture that will have to be zoomed in to fill widescreen TVs or computer monitors. Lucasfilm refuses to fulfill the basic minimum standards of a current DVD release and make a new transfer. The quality of this DVD presentation will not live up to that of such timeless classics as Caddyshack II & Ishtar.
2. It's overpriced. If Lucasfilm is only willing to toss out these beloved films in this shoddy version, and they are unwilling to spend any time or money at all on their release, that is their right. They should charge accordingly. As bootleg-quality laserdisc transfers, these DVD's should sell for $5-$10, tops. Incredibly, Lucasfilm is charging $90 retail for these three movies! That's almost twice the cost of the (still available) box set with the exact same Special Edition discs!
They're trying to justify the cost by bundling the unaltered movies (the only reason to buy this version) with the Special Edition movies, but they must know it's a sham. Anybody who is willing to pay $90 ($60 @ Amazon) for the Special Edition DVD's has already bought the existing box sets. The Special Edition discs in this set are a complete waste of plastic, and they do not justify the outrageous cost.
If, for some reason, you have not yet purchased Star Wars on DVD, this set may be an adequate value. For anyone else, this set plus the existing box set you already have will run you a total of $160 retail ($110 @ Amazon). Is that a fair price to pay for an intentionally mediocre release of the movie that made Lucas' empire possible? Is it right to release this classic piece of cinematic history with picture and sound quality far below the latest releases of Buckaroo Banzai or Barbarella? I'll leave that for you to decide.

Click Here to see more reviews about: Star Wars, Episode VI: Return of the Jedi (Special Edition) (1983)



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Star Wars - Episode IV, A New Hope (Special Edition) (1977) Review

Star Wars - Episode IV, A New Hope (Special Edition)  (1977)
Average Reviews:

(More customer reviews)
I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

Click Here to see more reviews about: Star Wars - Episode IV, A New Hope (Special Edition) (1977)



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Star Wars, Episode VI- Return of the Jedi (Widescreen Edition) (1983) Review

Star Wars, Episode VI- Return of the Jedi (Widescreen Edition) (1983)
Average Reviews:

(More customer reviews)
This could very easily be an ecstatic 5-star review. The original, unaltered Star Wars trilogy, finally on DVD with no droid & alien cartoon antics, no Hayden Christensen's face on Sebastian Shaw's body, no videogame-quality Jabba the Hutt, the original Academy Award-winning special effects, the music we remember... This should be a red-letter DVD release for Star Wars fans. Sadly, it is not.
Here's why you should boycott this release:
1. The picture & sound are intentionally presented in mediocre quality. These DVD's are transferred from the exact same videotape used to create the laserdisc release in 1993. That means a non-anamorphic, muddy, letterboxed picture that will have to be zoomed in to fill widescreen TVs or computer monitors. Lucasfilm refuses to fulfill the basic minimum standards of a current DVD release and make a new transfer. The quality of this DVD presentation will not live up to that of such timeless classics as Caddyshack II & Ishtar.
2. It's overpriced. If Lucasfilm is only willing to toss out these beloved films in this shoddy version, and they are unwilling to spend any time or money at all on their release, that is their right. They should charge accordingly. As bootleg-quality laserdisc transfers, these DVD's should sell for $5-$10, tops. Incredibly, Lucasfilm is charging $90 retail for these three movies! That's almost twice the cost of the (still available) box set with the exact same Special Edition discs!
They're trying to justify the cost by bundling the unaltered movies (the only reason to buy this version) with the Special Edition movies, but they must know it's a sham. Anybody who is willing to pay $90 ($60 @ Amazon) for the Special Edition DVD's has already bought the existing box sets. The Special Edition discs in this set are a complete waste of plastic, and they do not justify the outrageous cost.
If, for some reason, you have not yet purchased Star Wars on DVD, this set may be an adequate value. For anyone else, this set plus the existing box set you already have will run you a total of $160 retail ($110 @ Amazon). Is that a fair price to pay for an intentionally mediocre release of the movie that made Lucas' empire possible? Is it right to release this classic piece of cinematic history with picture and sound quality far below the latest releases of Buckaroo Banzai or Barbarella? I'll leave that for you to decide.

Click Here to see more reviews about: Star Wars, Episode VI- Return of the Jedi (Widescreen Edition) (1983)

Single-Disc, Widescreen Edition from the Box Set released in 2004

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Star Wars, Episode V- The Empire Strikes Back (Widescreen Edition) (1980) Review

Star Wars, Episode V- The Empire Strikes Back (Widescreen Edition) (1980)
Average Reviews:

(More customer reviews)
Lucasfilm is marketing this trilogy release on the inclusion of the unaltered versions of the films when in fact this is a shoddy laserdisc transfer on a bonus disc and the buyer is forced to purchase, yet again, the 2004 versions also. This is essentially retail fraud given that Lucasfilm holds itself as a bastion of home video quality and film preservation - these transfers are 13 years old, non-anamorphic and substandard. YOU WILL BE PAYING $[...] FOR OLD LASERDISCS TRANSFERRED TO DVD. YOU HAVE BEEN WARNED. You will not be able to watch them on a widescreen TV with adequate quality - this is shameful and shameless marketing taking advantage of buyers. DO NOT BUY!

Click Here to see more reviews about: Star Wars, Episode V- The Empire Strikes Back (Widescreen Edition) (1980)

Single Disc From Star Wars Trilogy, 2004 release

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