Showing posts with label george lucas. Show all posts
Showing posts with label george lucas. Show all posts

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971) Review

THX 1138 - The Director's Cut (Two-Disc Special Edition) (1971)
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The world seems to be divided between two kinds of people. The people who think George Lucas is a talented legitimate artist, and those who think he's a business man unbothered by aethetics. For those who feel Lucas has (or had) talent, THX-1138 is a testament to it that. The use of color (or lack thereof), sound and editing in this film is truly unique. Lucas is often accused of lacking in writing skills, but THX-1138 doesn't rely on complex character backstories, or inspiring dialogue. In fact, THX, SEN, and LUH are rather one-dimensional characters. (Just to settle a common argument about the film, I do not believe SEN is intended to be homosexual, as beings in this world aside from THX and LUH are asexual because of their sedations) While images and sounds typically supplement dialogue as the force that progresses a story, it seems to be backwards at times in THX-1138. The title "visual storyteller" has been applied to every director at one point or another it seems, but for this work Lucas truly earns it. The sound effects of Star Wars have been copied so many times we all are numb to how good they really were, but watching this movie gives us a fresh idea of how incredible sound can be. These days most movies just use digital catalogs for all of their sound effects - Lucas had people go out with tape recorders and find things. While the sound is crude by today's standards, it is richer and warmer.

If I had any complaints about the film, it would be that there are moments where its quite obvious that its being made by an amateur director fresh out of film school who is used to making short features. Although these aspects also supplement the film as a whole, it does detract from the watchability (and rewatchability) of this film for some people.

This was one of the first art films I ever watched as a young man, and this had a huge impact on me. To know what was happening, I had to pay attention to everything - not just words.
Without having seen this movie, I wouldn't have learned to appreciate so many other films in the way I do. Every so often we viewers have to have our artistic perspectives broadened, and this film continues to do that. I would recommend this film to anyone - Star Wars fans (be warned... it is different), young film students, anyone.

Personally, I consider it a real shame that he burned out after directing the first Star Wars (those familiar with Lucasology know that he only directed the first feature and the newer prequels), since he obviously was capable of so much. I'm not dumping on Star Wars here, but the while the world doesn't end with the Star Wars movies, unfortunately Lucas's directing career did.

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Two-Disc Special Edition: * Digitally remastered with THX certified sound * Commentary by George Lucas and co-writer/sound effects editor Walter Murch * Theatre of Noise sound-effects track with branching segments to 13 master sessions with Walter Murch * 2 New documentaries: "A Legacy of Filmmakers: The Early Years of American Zoetrope" and "Artifacts from the Future: The Making of THX 1138" * George Lucas's original student film "THX-11384EB" * "Bald": 1971 production featurette * Five new trailers from the 2004 theatrical release* Original theatrical trailer

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George Lucas in Love (1997) Review

George Lucas in Love (1997)
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Several reviewers around here really seem to want a lot from a 9 minute film.
'George Lucas In Love' was a very fun short. From Lucas' roommate Benji talking about an 'all powerful force' to his friends Hal & Chuck working on Hal's 'fastest thing on campus' to a professor whose speech patterns resembled a well known Jedi Master, this film has a heck of a lot crammed into it's 9 minutes. If anything, the filmmakers should have done a 15-20 minute film! The film was very clever and enjoyable. Maybe just a tad bit funnier than 'Hardware Wars'.
The music, cinematography, and acting are all very good, indeed. Anyone who didn't enjoy this at least a little really needs to get a sense of humor. Of course, it's a bit cheesy, but it's meant to be that way. It's presented in the slightly corny, overblown way that 'Hardware Wars' or the 'Naked Gun' films were. The same people who didn't understand those films probably won't understand 'George Lucas In Love'. It's not a 'great' film, but who cares? It's a fun little short by a guy who really loves 'Star Wars'. Some have condemned the filmmakers doing this just for the money. I seriously doubt that Mr. Nussbaum will make a huge fortune from this film and if he does, big deal. Nothing wrong with making money from doing what you love or making money at all. Surely, none of the people who reviewed this film would go and work at their jobs for free and live in a cardboard box under a bridge somewhere! Anyway, GLIL is great fun and a great to watch before your next screening of 'Phantom Menace' or the original trilogy.

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R2-D2: Beneath the Dome (2001) Review

R2-D2: Beneath the Dome (2001)
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For starters, Amazon has got the title of this DVD wrong. It's actually entitled R2-D2 BENEATH THE DOME. R2-D2 BENEATH THE DOME is the mockumentary about the life of R2-D2 distributed by Fox with the complete blessings of George Lucas. The short originally was broadcast on Fox about two months before the release of ATTACK OF THE CLONES in 2002. The mockumentary follows R2's life as a droid on the fast lane, his pride and addictions, his downfall, and the eventually comeback because of the the 2nd Star Wars trilogy. There are a ton of "interviews" in this mockumentary including those with George Lucas, Samuel L. Jackson, Stephen Spielberg, Richard Dreyfuss, and Natalie Portman. I was amazed that they were able to get all the stars interviewed for this thing to work together and collaborate. The best part of the short in my opinion: Dreyfuss' anger, frustration, and angst with R2 and how it led to the break down of their friendship. This is a great item that most Star Wars fans will enjoy watching and adding to their collections.

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The Unauthorized 'Star Wars' Story (1999) Review

The Unauthorized 'Star Wars' Story  (1999)
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Unfortunately I bought a copy of this tape last November hoping for that for an un-authorised version something new and different,I am a SW fan but found the interview's repititious and overall, not of much interest as a hole,I also have the original 1977 The Making of Star Wars,far more entertaining though I understand most-likely un-obtainable now,in my opnion rent the Unauthorised version first before buying and decide for yourself. Just because your'e a fan does'nt mean you have to like everything put out there connected to the Star Wars franchise, it is boring and a disappointment,buyer's beware in future I will view/rent first before purchasing!

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The Star Wars Holiday Special (1978) Review

The Star Wars Holiday Special (1978)
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Let my preface my review by saying that I actually do remember watching this as a wee lad back in 1978 and loving it. Specifically, I remember that Han was trying to get Chewie home for Xmas (well, Life Day - what ever the hell that is) and that Chewie's tree-house dwelling family were "captured" by storm troopers. I also remember all the major characters being in it (except of course Governor Tarkin and Ben Kenobi who bought the farm in the movie). Call it selective memory, but I LUCKILY didn't remember anything beyond this! Seeing that I have/had found childhood memories of this special, I was curious to see how it would play almost 30 years later. Boy, was I surprised...
It starts off OK. Our heroes, Han & Chewie are in the Falcon fleeing 2 imperial star destroyers (déjà vu?). The cockpit is the cheaped out TV version and actual movie footage of the space ships are used but no big deal. At this point, I'm just amazed that Harrison Ford agreed to this! Obviously, Stardom had not hit yet. And then Boo-yah! They jump to hyper space and all is well. Then the open credits role and announces the cast and "special guests": Bea Arthur (what?), Harvey Corman (are you serious?), Art Carney (Norton in a galaxy far far away?), Dianne Carroll (who?) and the Jefferson Starship (no!!!!!!!!). At this point, I'm thinking so far so good - maybe it won't be as bad as they say it is...............WRONG.
Back from commercial break, we go to the first scene at Chewie's tree house. We are introduced to Chewie's family, wife = Mala, his cute yet annoying as hell son Lumpy (very creative name!) and lumpy's perverted grandpa Itchy (OK, heads need to roll for this!). Now begins the 15 plus minutes of pure torture - grunting wookies playing house! Just when you think it can't get any worse Lumpy The Whiney goes for an electronic gadget. Now we have to suffer through 10 minutes of Circus Solei type non-sense with jesters, jugglers and dancers. BIZARRO WORLD times 100! Note: whenever one of Chewie's family members go for an electronic gadget or gizmo, prepare to suffer. Also note: have the remote ready to fast forward through the things that are so bad, you will get nightmares if you watch them. Worth noting is the fact that after viewing this part of the show I got up and made myself a nice bourbon on the rocks. Take that for what it's worth...............
After the viewer survives what just happened, I believe we are introduced the Art Carney the Space Trader. I think he sells a nail clipper or something to a grumpy Imperial Officer. It seems "Norton" is close to Chewie's family but more importantly, plays the comic relief role in the special. He pops up a few more times in the next hour plus and frankly, he annoyed me the least out of all the Special Guests. Call me crazy, but I kind of liked Art Carney in this role! He was given crap to work with and gave 110% effort. I loved the beer gut and the bi-focals too! CLASSIC.
Next we go back to more annoying Wookie shenanigans. This time Itchy, who obviously got hit with the ugly stick, heads for an electronic gadget. NOOOO!!!!!!!! This is where it gets really interesting. Itchy attaches himself to this dream machine where your imagination runs wild. In comes the sensual Diane Carroll as what I can only describe as a call girl in space. It's borderline pornographic here. Itchy is making noises that one should not hear on Network Television! Soft core wookie porn is not my thing. I actually got a kick out this part until she started to sing a never -ending song. Time to hit the fast forward button again........................
I think at this point Chewie's family gets a video call from Princess Leia and C3p0 looking for Han & Chewie. Relatively speaking, not a horrible scene really but Carrie Fisher has a mischievous look in here eyes (i.e coked off her gord no doubt).
Next, Luke Skywalker and R2-D2 check in via video to check on Han & Chewie's progress. SHOCKING MOMENT! Mark Hamill is almost unrecognizable! I'm guessing that this is one of his first appearances after that horrific car crash. His eyes look weird and small and his nose, well rumor had it that he actually lost his nose in that accident (although never really confirmed). Very disheartening actually. He appears to be on pain killers or something too. And the make-up - it's caked on big time covering huge scars I suppose. So sad but interesting to see none the less.
OK, let's talk about Harvey Corman, funny man from the Carol Burnett show. Not funny whatsoever. In fact, every second of time he got was annoying and pointless. He gets the award for "#1 Show Wrecker" along with whoever wrote the crappy story! Save yourself and fast forward thru every scene he is in! Trust me............
I think at this point in the show, two imperial storm troopers and an imperial general come a knocking looking for rebels and what not. They start harassing the wookies and trashing the place. They even trash poor little Lumpy's room to bits (even his new toy!). For some reason the scene where the stormtrooper trashed lumpy's room and toys sticks with me to this day. This is probably where my feelings for the Empire went from dislike to hate. Kudos to the guy that played the imperial general, he did a good job portraying a bad guy. I was hoping he would order the storm troopers to shoot either Lumpy or Itchy (or both).
Finally, we get something cool. The cartoon that features our heroes and BOBA FETT. You think that Boba may be a nice guy after all but in the end, we find out what side he is really on. Pretty cool. Probably the best part of the special next to seeing Luke, Leia and Han act like idiots.
Next we go to Tatooine and the bar in Mos Eisley! SO COOL. All of the original characters are there: wolf-man dude , hammer head, the white bear thingee with one tooth, the dude that didn't like Luke, the band, the vampire guy etc etc. In comes Bea Arthur as the bartender. Real corny and stuff but when her ex-boyfriend, Harvey Corman the space alien, comes in you get the worst bit of television in the history of television. FAST FORWARD NOW! Corman leaves and you think the worst is over. Wrong again! Bea Arthur has to sing and dnace around with the alines. WHY GOD, WHY? Cut 10-15 minutes out of this scene and just have Bea offering a free last round of drinks and we are good to go.
To make a long review short, Han & Chewie show up and save the day. Han throws a storm trooper out of the tree house and all is well. Han and Chewie embrace (real big hug - very curious???) and we get on with the queer Life Day celebration. Anyway, we now have out heroes (han, leia, luke, R2, 3PO and Chewie back together again and here is when the show really shines. The whole Life Day celebration is friggin ridiculous but the best part is when Princess Leia sings the Life Day song to the theme of Star Wars. HILARIOUS & CLASSIC TV MOMENT!
In conclusion, there' so much wrong with this special that I really could go on for hours about it. It easily could have been cut down to 30 minutes (by cutting an hour plus of needless crap) and been a good little show for kids. Really, the writers should be tarred and feathered for this pathetic effort. Also, Lucas needs to take some blame here. It's his franchise - He let them use his stars, his characters, clips from his movie, theme music from his movie, sound effects from his movie etc. Without a doubt, Lucas learned his lesson after this fiasco. Oh, I forgot to mention Jefferson Starship because they suck and I fast forwarded thru that part..............
Was it worth seeing? Hell ya. At least for nostalgia purposes. Now I know why Lucas wants to find and destroy every copy of this show!


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The Making of Star Wars as told by C-3PO and R2-D2 Review

The Making of Star Wars as told by C-3PO and R2-D2
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Originally released to the home video market in 1979 by the then-fledgling Magnetic Video corporation, this is the rarest of Star Wars material on video. It's also the first piece of Star Wars material, predating even the VHS release of Episode IV: A New Hope, by two years. (Lucasfilm and Fox would not officially
Originally aired on ABC in 1977, this special features behind-the-scenes footage from the sets, the visual effects, interviews with the cast and creators of the legendary film. Interviews with Mark Hamill, Carrie Fisher, George Lucas, and Gary Kurtz are featured on this video narrated by the late William Conrad. This special was only reissued once in the United States on video in its original format, as part of a double feature with a similar special on The Empire Strikes Back.
The video and audio quality is typical for late 1970's video releases, with the source print being a 16mm print. Also, attached to most of the Magnetic Video prints is a trailer for The Empire Strikes Back that is not present with the current trilogy DVD set.
The only other U.S. video release of this special is a 1995 reissue through a mail-in offer with Kellogg's Cereals, which replaces William Conrad's voiceover with another actor. The rest of the special is similar to its initial appearance.

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Ewok Adventure (1984) Review

Ewok Adventure  (1984)
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I have both of these movies on VHS but would love to get them on DVD. I remember when I was a little girl just loving the Ewoks, it was the only Star Wars I like since they were in it. I wanted to be Cindal and I had a stuffed Wicket. This movie is great for children, I just watched it 2 nights ago with my 4 year old niece, she is as hooked as I was at her age. Timeless Classic!

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Star Wars: Episode VI - Return of the Jedi(laserdisc)(Widescreen) (1983) Review

Star Wars: Episode VI - Return of the Jedi(laserdisc)(Widescreen) (1983)
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Don't really understand this release. Seems like the picture is out of focus most of the time. As with all Laserdisc with digital sound, the audio is incredible. Much better than DVD's but the video leaves something to be desired. Odd for a THX release but the video seems foggy and out of focus for the most part. Also the color is a little dry. I would think that such a recent printing would look better. Still, if you want an original release of this film, go for the Laserdisc version and trash the new dvd's. Much better audio than the DVD (Special Lucas preferred edition). Still questioning the video quality though.

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The third and final chapter of the most popular trilogy ever created.

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Star Wars Special Wide Screen Edition LaserDisc (1977) Review

Star Wars Special Wide Screen Edition LaserDisc (1977)
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This is the only way to see this movie in it's original form. The widescreen edition on Laserdisc is the last to exist before Lucas ripped it up and pretty much made it a joke. The original discs showed R2 getting captured in daylight, Solo shooting first and a handful of other editing mistakes. The widescreen special edition was released in '92 or '93 and for a very limited time. But is still the original version. Buy it while there are still very few copies available. The audio trumps anything on DVD and the video while a little pink at times is the best you can get. Also, the widescreen edition is the only way to get a disc with the very dynamic digital tracks. Anything earlier is analog.

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A long time ago in a galaxy far, far away,... A Twentieth Century Fox Presentation a Lucasfilm Ltd. Production. Special Wide Screen Edition.

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The Mythology of Star Wars with George Lucas and Bill Moyers (2000) Review

The Mythology of Star Wars with George Lucas and Bill Moyers (2000)
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After his epic series of interviews with Joseph Campbell, Bill Moyers returns to Skywalker Ranch to interview the property owner. Most of what is thought about Star Wars is based on analysis by fans and professional critics. This program is precious because it is an in-depth look into the pantheon by the actual creator. In "The Mythology of Star Wars," George Lucas talks candidly about his craft and inspirations. A fantastic discussion happens as Lucas talks about his use of color imagery. As with other topics, the discussion relates to psychology and anthropology. Valuable insights are shared when Lucas discusses how he came up with the appearance of Darth Maul. He explains how it was the result of a multicultural search into what people consider to be the physical appearance of evil. Themes like the struggle of good versus evil are discussed in how they relate to the Star Wars universe. Lucas shares personal disclosures when he talks about the disagreements and reconciliation with his father. He also talks about his belief in god and how Star Wars relates to religion. "The Mythology of Star Wars" is a deeply philosophical journey into the sources and cultural outcomes of Lucas' films. For such an intellectually demanding topic, Bill Moyers seems perfect. His poignant questions and insights aren't just well-researched and equally intelligent; his interaction is half the fun. The interview is thoughtfully punctuated with just the right snippets from the original trilogy and episode one. This visual element seems to make the interview a complete experience. This piece originally aired around the time that the Phantom Menace was released. Simultaneously, Lucas put together the Magic of Myth road show which can be thought of as a physical extension of this interview. Complimentary books include "The Magic of Myth " and "The Power of Myth," an abbreviated version for younger readers. "The Mythology of Star Wars" is essential for anyone looking into the deeper elements of the Star Wars universe.
A word about the format. It's wonderful that "The Mythology of Star Wars" is actually available in DVD. While I clearly adore this product, I can't imagine anybody paying the outrageous amounts of money being charged by the marketplace sellers. At the time of this review, it was going for a whopping hundred bucks, which is actually fifty bucks less than what it was being offered for a couple of weeks ago. If there was ever a reason to take the VCR out of the attic, this is it. Not that the VHS version isn't also pricey (currently starting at $60.00) but I was able to find mine on e-bay for $10.00. Shop around!

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The struggle between heroes and villains and the influence of a higher force are the essence of mythology and resonate within all cultures, providing storytellers with a natural framework for spinning tales. In this program, using extensive film clips from the Star Wars saga, George Lucas discusses his efforts to tell old myths in new ways, the role of faith in his own life, and the influence of his mentor, Joseph Campbell.

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Mythology of Star Wars with George Lucas and Bill Moyers Review

Mythology of Star Wars with George Lucas and Bill Moyers
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After his epic series of interviews with Joseph Campbell, Bill Moyers returns to Skywalker Ranch to interview the property owner. Most of what is thought about Star Wars is based on analysis by fans and professional critics. This program is precious because it is an in-depth look into the pantheon by the actual creator. In "The Mythology of Star Wars," George Lucas talks candidly about his craft and inspirations. A fantastic discussion happens as Lucas talks about his use of color imagery. As with other topics, the discussion relates to psychology and anthropology. Valuable insights are shared when Lucas discusses how he came up with the appearance of Darth Maul. He explains how it was the result of a multicultural search into what people consider to be the physical appearance of evil. Themes like the struggle of good versus evil are discussed in how they relate to the Star Wars universe. Lucas shares personal disclosures when he talks about the disagreements and reconciliation with his father. He also talks about his belief in god and how Star Wars relates to religion. "The Mythology of Star Wars" is a deeply philosophical journey into the sources and cultural outcomes of Lucas' films. For such an intellectually demanding topic, Bill Moyers seems perfect. His poignant questions and insights aren't just well-researched and equally intelligent; his interaction is half the fun. The interview is thoughtfully punctuated with just the right snippets from the original trilogy and episode one. This visual element seems to make the interview a complete experience. This piece originally aired around the time that the Phantom Menace was released. Simultaneously, Lucas put together the Magic of Myth road show which can be thought of as a physical extension of this interview. Complimentary books include "The Magic of Myth " and "The Power of Myth," an abbreviated version for younger readers. "The Mythology of Star Wars" is essential for anyone looking into the deeper elements of the Star Wars universe.

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The struggle between heroes and villains and the influence of a higher force are the essence of mythology and resonate within all cultures, providing storytellers with a natural framework for spinning tales. In this program, George Lucas discusses his efforts to tell old myths in new ways, the role of faith in his own life, and the influence of his mentor, Joseph Campbell. Using extensive film clips fro the Star Wars saga, the discussion explores how the continuing battle between the forces of light and darkness is best waged when we believe in a force greater than ourselves. Lucas says that Star Wars is ultimately about a quest for personal transformation and that key to this journey is a deep faith and an appreciation for friendship, honor and trust.

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Unauthorized Star Wars Story Review

Unauthorized Star Wars Story
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Unfortunately I bought a copy of this tape last November hoping for that for an un-authorised version something new and different,I am a SW fan but found the interview's repititious and overall, not of much interest as a hole,I also have the original 1977 The Making of Star Wars,far more entertaining though I understand most-likely un-obtainable now,in my opnion rent the Unauthorised version first before buying and decide for yourself. Just because your'e a fan does'nt mean you have to like everything put out there connected to the Star Wars franchise, it is boring and a disappointment,buyer's beware in future I will view/rent first before purchasing!

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The Stars of Star Wars: Interviews from the Cast Review

The Stars of Star Wars: Interviews from the Cast
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This DVD is a hodge-podge of footage of people waiting in line, brief interviews with the stars of the films, short cuts of sci-fi films and television shows, longer interviews with the series' fans, and a few other eccentricies. The narration of the DVD is really well done and covers up for some of the poor editing. However, other than the narration, that's about it. The "interviews" with the stars are really short and most were done waiting in line for movie premiers. The DVD also contrasts Star Wars to Star Trek and towards the end of the disc an attempt at comparing Ed Wood to George Lucas is made. Can you believe it, comparing PLAN 9 FROM OUTER SPACE to STAR WARS! Unbelievable.
The only DVD extras are a series of short interviews with some of the stars of Star Wars. Most are with cast members from THE PHANTOM MENACE. However, there are a couple other interviews that took place over twenty years ago with THE EMPIRE STRIKES BACK. The best interview in the whole set is with Harrison Ford and Anthony Daniels; it is by far the most entertaining and interesting part of the DVD.
This is a DVD that only Star Wars fans can appreciate it. It's not too bad for a hodge-podge collection of film. However, some of the editing is poor and there isn't anything new or thought-provoking. Besides that, the DVD compares Ed Wood's films to STAR WARS. If it weren't for the good narration and the Harrison Ford/Anthony Daniels interview, the DVD would have received one star just for the Ed Wood comparison.

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Star Wars IV: A New Hope (1977) Review

Star Wars IV: A New Hope  (1977)
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I am one of those geeks who was ten years old when Star Wars came out (note: it was not originally called "Episode IV.") I watched it in the theater perhaps a dozen times. It was the most amazing thing I had ever seen.
This release contains two DVDs: the version that Lucas has been tinkering with, and on a bonus disc, the original movie in 4:3 letterbox, taken from the best-available videodisc masters.
About that "tinkering." The 2004 version of Episode 4 looks, for the most part, quite gorgeous. The _restoration_ that Lucasfilm did is impressive: the blacks are blacker, the whites whiter, the color richer, the contrast improved all around, and the soundtrack is great. The dirt and scratches are gone, the shaky color very solid.
However, at some point Lucas crossed over from "restoration" into making a new movie. That's fine; he has the right to do so. But for him to say that the original Star Wars is not really what he had in mind, when it was one of the most famous and popular movies in history and became entrenched in the culture -- well, I find that weirdly arrogant. And when he says, in effect, that his altered version _is_ "Star Wars" and the original _isn't_ -- well, hmmm. A movie is a historical artifact. There's a difference between preservation and tinkering. Mainly, that tinkering mostly is there to gratify the artist, while preservation serves the art -- and the fans of the art. Artistic creation is a fragile and uncertain process. For Lucas to assume that he knew exactly what made Star Wars great and presume to make it better misstates the amount of control that artists actually have over how their creations are received by the public.
Where you draw this line is slightly unclear. I think the cleanup of the backgrounds is fine. The improvement of the soundtrack to use the latest technology available is wonderful. I'm not sure why Kenobi's weird cry that drives away the sandpeople was replaced with a slightly different weird cry. He's redone some of the explosions twice now. I'm not sure why they all became pink in 2004. Why did he feel that Alderaan and the Death Star needed to explode in giant rings? Why do the lightsabers now give off blinding green flashes when they collide? Most of these changes are not improvements; they are just distractions. They tend to stick out like a sore thumb to fans who have seen the movie many times.
But there are more than just the small arbitrary changes, I'm not really happy with the addition of dinosaur-like creatures in Mos Eisley, and I'm really not happy with giving these little bits and pieces cartoonish _sound_ that sounds like it came from Episode 1. Star Wars, the original, had a different tone, a different mood, than Empire and Jedi and the whole prequel trilogy. It's a little darker. It's a world where rebels and stormtroopers are violently killed and Han Solo shoots first. Lucas is free to make that world happier and more cartoonish in his later films, but altering, and in some cases censoring violence from the original, is a very strange thing to do.
So, although I really admire the improvements to the image and sound in the 2004 edition, I generally prefer watching the original 1977 cut. For that, I'm sorry to report that the digital transfer, from the videodisc master, is only adequate. Many fans are griping that it is 4:3 instead of anamorphic 19:9. This means it isn't full-width on a widescreen TV. That doesn't particularly bother me, but I'm viewing it on an old TV, not a widescreen TV. It looks like a very good analog videotape, but we've recently -- and rather abruptly, in terms of years -- gotten used to DVDs of films that were transferred to the digital realm and mastered there. It's actually taken from the master for the analog videodisc. The audio is good, but again we now tend to compare it to all-digital productions. Negative comments on Amazon about the black level are on the mark; some of the space scenes make black outer space look brown, or gray. This is particularly evident when we see Vader's helmet in his tie fighter; his helmet is blacker than the black background of space. But that is true in the original film; it was noticeable in the theater on opening day. A number of the desert scenes have poor contrast and faded color; some of this is film deterioration, and some is because the contrast and color in some of the outdoor Tatooine scenes were never that good to begin with. There are noticeable scratches. The color is shaky in some scenes, particularly outdoor scenes, and flickers a bit. It looks like a film that is considerably older than it is. I've seen restored films from considerably earlier that look a lot better than this one does.
Here's the thing: it didn't have to be this way. We would have considered it to be a fairly good video rendering at one point in time. But our expectations have been raised considerably -- and, in fact, Lucas himself is largely responsible for raising those expectations, because of his constant embrace of new technology for delivering films to audiences. The 2004 DVD release has all those black level problems fixed. There aren't any visible scratches. The contrast is excellent. The colors are vivid. The missing dialog is restored.
So which version do I want to watch? Well, the answer is neither. I want to watch a version that doesn't exist: call it "Star Wars: the Nostalgia Edition." That version would be fully _restored_, but not _altered_. And it would have things like Han Solo's scene with Jabba available as a "deleted scene" special feature, along with all the other so-called lost footage such as the scene at Anchorhead, which introduces (and makes sense of) Luke's relationship with Biggs. It would have been presented with respect for the original work, not as a bonus disc given no special treatment. Instead, Lucas has disowned that picture.
And here's the thing: I'd be shocked if Lucas didn't have every scene, unaltered, from the first film in beautifully restored digital form. After all, wouldn't a restored original film have been the starting point for this whole process of remastering that led to the 1997 and 2004 versions?
So, I'm not actually advocating that we give up the advances in restoration that are evident in the 2004 release. But don't bother with the tinkering. The fans don't care about it. Keep the original death star cell block footage. Sure, the tunnel behind the actors is obviously a matte painting, and the perspective is off kilter when the camera angle changes. But you know what? I saw Star Wars at least ten times in the theater and I never noticed the problem -- because it isn't a "problem," it's an artifact of the budget and technology that existed in 1977. You notice it if you are looking at the frame cynically, not when you are immersed in the story. It might be an irritant to Lucas now, but it is the effect we grew up with. For the "Nostalgia Edition," let Star Wars be Star Wars.
Then Lucas can go on with his director's cuts, turning Star Wars into a 3-D cartoon until the sun explodes, for all I care. Just don't make me watch Greedo shoot first!

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60 Minutes - The Last Star Wars (March 13, 2005) Review

60 Minutes - The Last Star Wars (March 13, 2005)
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In 1999, when George Lucas was preparing to release The Phantom Menace, 60 Minutes aired an hour-long episode devoted entirely to Lucas and his new movie. In 2005, as Lucas prepared to release Revenge of the Sith, 60 Minutes followed up on their 1999 piece with a fifteen minute segment on the new film, with a few updates about Lucas' life. This disc listed here is that follow-up, fifteen minute segment.
It's nice to watch and to have on DVD, but the first hour-long episode from 1999 was much more enjoyable. If someone has that on DVD let me know! The disc in this listing contains ONLY the Star Wars segment from 2005. A few new, short interview pieces and scenes from Revenge of the Sith. If you taped it when it first aired, you should be fine. But if you must have everything, well, it IS an exclusively Star Wars disc.
Also, caveat emptor! The artwork on the DVD box is NOT what is pictured on this listing. You will receive a GENERIC 60 Minutes box with the stop watch and the title laser-printed on. The blue graphic picturing Lucas and the Droids and the SW logo is only seen behind Leslie Stahl when she introduces the segment. So don't think you'll be getting a nifty new Star Wars DVD box to display.
So again, it's not an hour-long, it's only about 15 minutes. It's the follow-up to the original hour-long 1999 Star Wars 60 Minutes episode. And you just get a generic box. Enjoy...

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There has never been a more successful filmmaker than George Lucas, and few movies have had more impact on popular culture than his six "Star Wars" films. In the final film in that saga, "Revenge of the Sith," Lucas reached his goal of making an all-digital movie in which even Yoda, once a rubber puppet, is now a wholly computerized creature. Lucas shows Lesley Stahl some of the magic of computer animation.This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

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Star Wars (1977) Review

Star Wars (1977)
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I was a freshman in college when I took my new girlfriend, (now married for over 30 yrs.) to see George Lucas' 1977 film "Star Wars: Episode IV - A New Hope." This movie literally blew our minds!!! Audiences were not used to the great special effects this film introduced to the world! Even more compelling for me was the story. The movie had a visceral magnetism that took hold of me. It was only years later when I found out why that was, and the answer that I found is going to be the basis for my review. Let me first say that I love finding out about the "back story" of the great works of artists, the answer I found to this work of art filled me with joy and a sense of satisfaction beyond my dreams!!!
I saw a several part series on PBS moderated by Bill Moyers talking to George Lucas about the inspiration for his "Star Wars" story. Lucas gave most of the inspirational credit to a book he read by one of the world's preeminent scholars on religion and myth, Joseph Campbell; his book is "A Hero With A Thousand Faces." I gained a whole new perspective on religion after reading this book and understood why it was so compelling to Lucas. What Campbell was able to ascertain by studying religion and myth is that in every culture there is a foundational "monomyth" describing a "hero's" journey that is at the center of every culture's belief system. I am going to describe the "monomyth" cycle within the "Star Wars" movie to make the point.
Campbell discovered through extensive research that humankind shares a universal monomyth in its various religions and legends especially pertaining to the creation of the world and humankind. Campbell borrowed the term monomyth from James Joyce's book Finnegan's Wake. Campbell's intuitive insight in human myth proves that for thousands of years these myths display a certain standard structure, which he summarizes beautifully in his book.
A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back
from this mysterious adventure with the power to bestow boons on his fellow man (Campbell 30).
There are at least four major stages that a monomyth has however, in his book, Campbell goes on to describe seventeen stages that some monomyth's posses. The four stages making up the cycle of a monomyth are "passage: separation-initiation-return:" In the first stage, known as the passage stage, the hero is summoned to journey or embark on an adventure by some kind of event that takes place or from a message, he receives. The hero may embark on this passage willingly or reluctantly. For instance, in the movie, the young Lukeskywalker returning to his farm from performing some errands finds his aunt and uncle killed by shock troops of the Empire. He had been itching to leave the farm to go to the flight academy, so faced with this tragedy he finally has a reason to leave the farm, to start his "journey."
Campbell says that during the second stage, the separation stage, the hero meets with a mentor or wise man who gives the hero either an amulet or some words of wisdom to be of help to the hero on the adventure. In the movie this is where Luke meets with former Jedi Knight Obi-Wan Kenobi who gives him a light saber and starts to teach him the ways of the "force."
During the third stage, the initiation stage, the hero goes through several trials or tests. The hero will go through his first transformation, also known as "crossing the first threshold," as he crosses over to another world or dimension leaving behind the old world. The hero often receives help in these ordeals along the way by allies or from a supernatural force. In this case Luke is helped by Han Solo and Princess Leia on his quest to fight against the Empire's dark force Darth Vader.
As the hero completes these ordeals successfully, he proves himself more worthy to continue the adventure. Most importantly, during this stage the hero must pass through a major ordeal that will expand his consciousness, and thereby change his character forever. Often, this ordeal entails the death of an ally or enemy.
This is where Luke's mentor Obi-Wan Kenobi meets his death at the hand of Darth Vader, which enrages Luke and will eventually cause him to fight Vader in a duel with light sabers.
In the fourth stage, once the hero successful accomplishes his ordeal he is rewarded with a gift, it could be intrinsic like the "holy grail, or it can be new found knowledge to better the world with.
This last stage the hero travels is that of the return whence he came. Often the hero will undergo further trials on his return before he is permitted to cross the threshold back to the world he left. During his return journey, the hero will use his newfound wisdom or gift to make a safe return home. Once home the gift is used to cure some ill in the hero's home or to impart new wisdom to his neighbors.
In the case of Luke he will continue with the help of other mentors like Yoda, to become a Jedi master, completing his last stage wherein he receives "enlightenment" the gift that he can bestow on his world.
Campbell points to the significance of the monomyth in the fact that it describes the cycle that Moses, Jesus, Buddha, and the Mahavira had gone through according to their religious adherents. This is not to mention the hundreds of other monomyths told throughout human history. The monomyth proves that humankind shares a common creation DNA in a sense. No wonder Campbell's monomyth was the perfect vehicle for Lucas' "Star Wars" story!!!
I hope you enjoyed the journey!!!


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Star Wars, Episode V: The Empire Strikes Back (Special Edition) (1980) Review

Star Wars, Episode V: The Empire Strikes Back (Special Edition)  (1980)
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Lucasfilm is marketing this trilogy release on the inclusion of the unaltered versions of the films when in fact this is a shoddy laserdisc transfer on a bonus disc and the buyer is forced to purchase, yet again, the 2004 versions also. This is essentially retail fraud given that Lucasfilm holds itself as a bastion of home video quality and film preservation - these transfers are 13 years old, non-anamorphic and substandard. YOU WILL BE PAYING $[...] FOR OLD LASERDISCS TRANSFERRED TO DVD. YOU HAVE BEEN WARNED. You will not be able to watch them on a widescreen TV with adequate quality - this is shameful and shameless marketing taking advantage of buyers. DO NOT BUY!

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