Showing posts with label cool. Show all posts
Showing posts with label cool. Show all posts

The Essential Steve McQueen Collection (Bullitt Two-Disc Special Edition / The Getaway Deluxe Edition / The Cincinnati Kid / Papillon / Tom Horn / Never So Few) (1965) Review

The Essential Steve McQueen Collection (Bullitt Two-Disc Special Edition / The Getaway Deluxe Edition / The Cincinnati Kid / Papillon / Tom Horn / Never So Few) (1965)
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You could call him the quiet one. McQueen had a talent for portraying quite a lot with minimal dialog and that's the way he liked it. He has maybe 75 lines off dialog in "The Magnificent Seven" yet his presence is equal to that of star Yul Brynner. You'd be forgiven for being confused about which Steve McQueen boxed set to purchase. MGM has recently released "The Steve McQueen Collection" which features four McQueen classics that have previously been available on DVD; "The Thomas Crown Affair", "The Magnificent Seven", "Junior Bonner" and "The Great Escape".
"The Essential Steve McQueen Collection" is a different beast entirely; it does feature 1 title that is no different than the previously issued version -"Papillon". All the rest have either never been issued or, in the case of "Bullitt", are now in two disc deluxe editions that make this set a worthwhile addition to any collection.
The crown jewel of this set is the new deluxe edition of "Bullitt". McQueen plays San Francisco detective Frank Bullitt. He's been assigned to protect a witness for a major trial. The witness, though, is murdered. Before the post-mortem has begun, Bullitt hunts for the killers and plans on nailing them. Featuring an amazing high speed chase through the streets of San Francisco and shot entirely on location, "Bullitt" was Peter Yates' first major US film and it crackles with energy.
"Papillon" tells the story of a thief nick-named Papillon for the large butterfly tattooed on his chest. (McQueen) framed for murder in France and sent to Devil's Island for life. From the moment he steps on the boat headed to the prison he's planning his escape. He agrees to protect a financial thief Louis Dega (Dustin Hoffman). Schaffner's film portrays Papillon's attempt to survive on Devil's Island until he can figure out an escape plan. Although this isn't Schaffner's best film, it has a number of powerful moments that equal his classic films "Patton", "Planet of the Apes" and "The War Lord". McQueen more than holds his own with method actor Hoffman.
"The Cincinnati Kid" features McQueen as Eric Stoner a poke playing ace who challenges the best gambler around "the Man" Lancey Howard (Edward G. Robinson). A terrific performance by Edward G. Robinson allows Robinson to almost steal the picture under McQueen's nose. With a terrific supporting cast, "The Cincinnati Kid" would be one of the most memorable films about gambling until "Rounders" three decades later.
"Never So Few" features McQueen in the third billed role of Bill Ringa a member of the O.S.S. fighting the Japanese during World War II in Burma. Ringa and his Captain Tom Reynolds (Frank Sinatra) are in Burma to train the Kachin natives in how to fight the Japanese. Reynolds fights dirty when Chinese rebels cross over to Burma to kill and loot the American soldiers stationed there. Although it's not one of director John Sturges ("The Magnificent Seven". "Ice Station Zebra") best films, "Never So Few" provides McQueen with a role that continued his breakthrough as a actor. It also inspired Sturges to cast McQueen in "The Magnificent Seven".
"The Getaway" almost got away without being made. Originally Peter Bogdanovich was to direct with his girlfriend actress Cybil Shepherd in the lead. When she dropped out so did Bogdanovich. Luckily director Sam Peckinpah stepped in and the rewritten script by Walter Hill was tooled for McQueen. Scandal broke out on the set when McQueen became involved with his co-star Ali McGraw (who was then married to Paramount head Robert Evans). McQueen plays thief Doc McCoy who has been paroled. The only problem is that Sheriff Beynon (Ben Johnson) expects him to do a big robbery for him. He plans on killing McCoy afterward but things don't quite work out the way that Beynon intended.
"Tom Horn" (McQueen) a tracker and "enforcer" who dispensed justice in the old west takes a job to stop cattle thieves. When things get messy and Horn has to kill some of the rustlers, the ranchers who hired him want Horn stopped. He's put on trial for the murder of a 15 year old boy. The next to last film McQueen made before he died in 1980, is a surprisingly powerful and great western. The screenplay by novelist/screenwriter Thomas McGuane ("The Missouri Breaks", "92 in the Shade", "Rancho Deluxe") and Bub Shrake ("Nightwing", "J.W. Coop", "Songwriter") portrays a character out of time; Horn's style of dispensing justice faces the gray world of corruption and politics. McQueen gives one of his best nuanced performances in a film that didn't do all that well at the box office. It's a pity as it's a great movie that deserves a wider audience. Luckily, for those who buy the boxed set they'll finally get a chance to see this classic western.
The previous DVD edition of "Bullitt" looked quite good but can't compare to the newly digitally remastered transfer here. Image clarity, color and detail for "Bullitt" is superb. The sound is surprisingly spry with a nice 5.1 remix that doesn't quite use the format to its best advantage but that's not a surprise given that the film is nearly 40 years old. "Papillon" comes with the same transfer as it received in 2000. Image quality is good but the negative could use restoration and/or digital filtering to clean up the print/improve it. It does feature a recent 5.1 remix (which wasn't advertised on the box of the previous release and I don't recall if it had it or not on the 1999 release but I suspect not).The colors aren't bright and vibrant but they fit the general atmosphere of the film and are fairly true to the original theatrical exhibition if a bit faded. "The Getaway" looks terrific again considering the age of the movie. The blacks are rock solid and the colors as vivid and bright as they've ever been. There's the occasionally soft image but, on the whole, "The Getaway" looks marvelous. "Never So Few" also looks quite good particularly when you consider the age of the negative. It receives a solid transfer with bright colors and nice image clarity. "The Cincinnati Kid" also looks exceptionally good with nice color reproduction and image quality. It's clear that some digital restoration was done to the most recent releases here and "Kid" does benefit from it. "Tom Horn" looks extremely good with sharp images, bright and vivid colors. Although a tad grainy (like most of the films here) that has more to do with the stock used to shoot the films and the condition of the negative than the transfer. In most cases, the graininess adds to the character of the films. All six films feature 2.0 Dolby Digital Surround soundtracks (in addition to the 5.1 remasters for "Papillon"). All sound crisp with nice clarity to the dialog and music.
"Bullitt" gets the most attention here. Featuring two fine documentaries on the film and McQueen, we also get the original vintage featurette on the film. "The Cutting Edge" examines the the art of movie editing with a glimpse into other films during the editing process as well. "Steve McQueen: The Essence of Cool" is a terrific biography on McQueen that provides a lot of information previously unknown about the actor. There's also the original theatrical trailer included as well. "The Getaway" features the original theatrical trailer only. "Papillon" has the original promotional featurette produced for the film as part of the extras as well as the trailer. "The Cincinnati Kid", "Never So Few" and "Tom Horn" all have only the original theatrical trailer for the respective films. It's a pity that Warner chose not to do a documentary or at the very least a featurette on "Tom Horn". Since it's about a real historical figure and making the film was a passion for McQueen, it would have been appropriate and provided much needed information on the historical figure and the production of this fine overlooked film.
"Bullitt" comes with an excellent commentary by director Peter Yates. "The Getaway" features a "virtual" commentary culled from interviews of McQueen, Peckinpah and McGraw as well as a commentary by Peckinpah biographers/documentarians Nick Redman, Paul Seydor, Garner Simmons and David Weddle. "The Cincinnati Kid" has a marvelous trivia filled commentary track by director Norman Jewison.
Between this release and "The Steve McQueen Collection", McQueen fans will have most of his essential films. Although there are a few gems missing from these collections (due to contractual issues no doubt), most of the films here are among the best McQueen made. "The Getaway" and "Bullitt" receive most of the attention here with terrific commentary tracks and extras. "Papillon" probably could have used a face lift with a new digital transfer and a commentary track by a film historian (or Dustin Hoffman) but it looks like we'll have to wait for this minor classic to get its due another time. The other missed opportunity in this superb set is the lack of extras for "Tom Horn" One of McQueen's finest later films and a terrific western that presaged films like "The Unforgiven", "Open Range" and "Wyatt Earp", it's a perfect period piece about the transition of the old west into civilization and those who were lost along the way.

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6 Steve McQueen classic movies are now available in one giftset -- THE ESSENTIAL STEVE McQUEEN COLLECTION! BULLITT TWO DISC-SPECIAL EDITION: Buckle up for gritty police procedure and a wild, trend-setting chase over Frisco's hills with THE GETAWAY DELUXE EDITION A heist gone wrong is dead-right in the hands of McQueen and director Sam Peckinpah. THE CINCINNATI KID McQueen and Edward G. Robinson ante up. Norman Jewison guides the big-time poker flick. NEVER SO FEW Commando action in World War II Burma! McQueen's first big-budget film. Frank Sinatra stars. PAPILLON Can McQueen and Dustin Hoffman escape Devil's Island? From the director of Patton. TOM HORN True to the cowboy way! McQueen rides tall in a star-packed elegy to a changing West. Titles also available separately.

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Bring it On: Fight to the Finish (2009) Review

Bring it On: Fight to the Finish (2009)
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I know what a lot of people are thinking, OMG, another freakin' bring it on movie. First of all: The franchise is really a trilogy (1,3,5), 2nd: Give this one a chance, you will be surprised. There were new lines that are repeatable, mostly spoken by the Character Gloria. These movies do present an element of cheese, but let's face it, that is what makes them fun. You aren't watching these with the intent in finding a new oscar contender. As soon as it was over, I wanted to watch again, something that I would never say about any of the others, except for the original. The movie finally brought it!!!! The music was good as well. I never heard a Christina Milian song in my life, and now I am looking to buy the soundtrack. It was a mixture of the 1st and 3rd movies brought together with a Step Up feel. I loved it an now i will watch it again!

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Christina Milian stars as sassy cheer captain Lina Cruz, whose world is turned upside-down when her family moves from the urban streets of East Los Angeles to the sunny beach town of Malibu. At her new school, Lina clashes with Avery, the ultra-competitive all-star cheer captain, while also falling for Avery\'s super-cute brother, Evan. Lina\'s always been able to rise to a challenge, but can she create a new all-star squad, beat Avery at the Spirit Championships, and still keep her romance with Evan? Hot music, fierce competition and high-flyin\' fun continue in this all-new movie!

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The Bad Seed (1956) Review

The Bad Seed (1956)
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This movie is simply a masterpiece. There are no better words to describe it. The chilling morbidity of Rhoda Penmark, and the emotional ringer Christine goes through...it is wonderful! I am a fourteen year old girl who doesn't like the Varsity Blues and Scream movies of my generation, I love the Bad Seed. Most of my friends, however, have never heard of it and don't want to see it. I try to explain to them what a wonderful movie it is, but most of them just don't care. All my generation has grown up seeing slasher films. None of them can truly appreciate The Shining, Psycho, or the elusive simplicity of the Bad Seed. I have seen it many times and know it word for word. It's not a stupid slasher film, or even just a simple murder mystery. It is a solid psycological thriller. I adore it. I love LeRoy and his wonderful ability to be droll, I love Monica and her "I know everything" frame of mind, I love everything about the movie! My dream is to be in the play. Who knows? It could happen... :c)

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BAD SEED - DVD Movie

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The Wings of Eagles (1957) Review

The Wings of Eagles (1957)
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This is a factual naval aviation story, intermixed with Army Air Corps rivalry and combat scenes. It provides a chronological view of one naval family- their love and adversity, including Navy and Army aviators supported by their loyal maintenance personnel who helped in the advancement of U.S. military aviation during 1920s to 1940s. Add, of course, a mixture of competition provided by the navy wives and their only rival- the United States Navy. Released 22 February 1957, The Wings of Eagles was considered an adult story, wrought with the thrills, laughter, and family hardships all to well experienced by the real heroes of this story- the pioneer naval aviation wives (there is still no "Hall of Fame" dedicated to these gallant ladies at the National Museum of Naval Aviation, NAS Pensacola, FL).
Ms. Maureen O'Hara who acted the gallant part of Mrs. Minnie (Bryant) Wead was well received by the "naval aviation wives of gold", and was nominated at a Naval Aviation Cadet Recruiting Officers Convention, Long Beach, CA, as "Ms. Naval Aviation- 1957." Other familiar actors included: John Wayne (CDR Frank "Spig" Wead), Kenneth Curtis (RADM John "Johnny" Dale Price), Dan Dailey (Chief "Jughead" Carson- loyal Chief Aviation Machinist's Mate), Kenneth Tobey (characterization of Lieutenant Jimmy H. Doolittle), Ward Bond (representing Hollywood director John Ford), Edmund Lowe (RADM William Adger Moffett, USN- Chief, Bureau of Aeronautics), and Charles Trowbridge (representing ADM Ernest J. King) whose one line was: "I like it...write it up". The railroad boxcar scene, the hangar fly-through, the various odd aircraft shown, the newsreel aviation reports of winning the Schneider Cup of 1923, the loyal efforts and contributions by the aviation maintenance personnel keeping the aircraft flying were all real events. Today's aspiring military aviators may find this aviation story of much interest.
This story may bring tears and some fond memories back to those pioneer naval aviation wives who are still around and had experienced it all. Their stories can relate back to the days of sugar white sands at Santa Rosa Island and of Coronado Beach; the babies they lost from the 1919 flu influenza; the open-air jalopy rides down old Warrington Road and Coronado Avenue; the screened front-porch bungalows of Bay Front, Pensacola, and Coronado Island; the seaplanes skimming across Pensacola and San Diego bays; meeting their husbands as they landed in their squadron fighters and torpedo planes following short at-sea flight operations aboard USS LANGLEY (CV-1); followed by the many naval aviator and bridge parties given at Mustin Beach and North Island officers' clubs- all this on just a naval Lieutenant's salary (with flight pay) to make ends meet during the Great Depression.
This is an MGM/ John Ford contribution to those "naval aviators in leather skull caps"- he did this well, focusing on the triumphs and tragedies often found within the War and Navy departments during the development of our country's military aviation. This was also Ford's tribute to Army-Navy aviation camaraderie- America's early combat teams. Seen here are episodes of Army-Navy departmental budget rivalries; around-the-world "beat the Navy" Army Air Corps celebrations; CDR Wead at the Office of Strategic Services (OSS) during 1942 - 1943; combat films compiled by CDR Ford, USNR (Chief, Field Photographic Branch, OSS- worked for William "Wild Bill" Donovan, Director of OSS); and, the story of how CDR Wead got production approval of new "jeep" aircraft carriers on converted cruiser hulls- with the approval of ADM King and President Franklin D. Roosevelt in 1941. There is combat footage aboard carriers- a reenactment of CDR Wead aboard USS YORKTOWN (CV-10) as Chief of Staff/ Operations for RADM Charles A. "Baldy" Pownall, CTF-50, during the Gilbert and Marshall islands operations.
Interests in making this film concerning CDR Wead began with correspondence between Vice Admirals John Dale Price, Calvin Thornton Durgin, and John Ford. Ford received first priority from the Department of Defense (DoD) to film a story about CDR Wead, months ahead of an attempt by Warner Brothers Pictures Distributing Corporation. Priority permission to Ford was granted by Donald E. Baruch (Chief, Motion Picture Section, Pictorial Branch, DoD). The film was to be based upon historical material from DoD, tales from Price and Durgin, earlier correspondence received from CDR Wead, and a book by "Red" Futhven & Jerry Stagg titled "Staircase". The public has seen this magnificent Ford tribute to CDR Wead since 1957. A newcomer to this film might ask- who was this naval aviator called Spig Wead?
CDR Frank Wilbur Wead, USN, acquired the nickname "Spig" during his Naval Academy days (1912 - 1916). He accumulated 9 years & 7 months total sea service prior to his accident. Together, Lieutenants Wead, Price and Durgin received their aviation wings 22 May 1920, NAS Pensacola, FL. Later, LT Wead led the U.S. Navy Schneider Cup Team to England and brought this famous cup to America aboard S.S. LEVIATHAN, October 1923. With LT Price they broke five seaplane records, 11 - 12 July 1924. Along with fleet exercises aboard USS LANGLEY with VT-2, there were staff duty assignments under Admirals Moffett and Joseph M. Reeves, and with 11th Naval District Commander. Wead wrote for leading magazines (The Saturday Evening Post and The American Magazine) and Hollywood during 1930s to 1940s. His final assignment was as commanding officer of VF-2. During WWII, he acquired combat duty aboard USS YORKTOWN, receiving the Legion of Merit (Combat). CDR Wead was relieved from active duty 21 July 1944, at Fleet Air, Alameda, California, where his last naval boss was RADM Pownall (Commander Air Force, Pacific Fleet).
The accident: Tragedy struck Wednesday morning, 14 April 1926, during heavy electrical storm over San Diego and Coronado. Combination of power outage and hurrying in the darkness, LT Wead accidentally tripped, falling down dark stairway, fracturing his neck. This occurred in a two-story home he and Minnie recently rented: 600 9th Avenue, Coronado, CA Today, one can still see this home corner of 9th and H avenues.

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Cmdr. Frank "Spig" Wead was a pioneer aviator, renowned screenwriter (whose works included John Ford's They Were Expendable) and a man of war. The skies beckoned Spig to action; a crippling injury ultimately left him powerless to act, propelling him to discover the power of his pen. He was talented, driven, flawed, a friend of Ford and the subject of this compassionate biography. John Wayne plays Spig and Ford directs The Wings of Eagles, which also offers a fascinating glimpse into the ways and world of Ford: Ward Bond plays moviemaker John Dodge, a role modelled on Ford. Maureen O'Hara, Wayne's five-time co-star (including Ford's The Quiet Man), and Dan Dailey (of Ford's 1952 What Price Glory?) play Spig's indomitable wife Min and cigar-chomping sidekick "Jughead" Carson.

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The Bridge on the River Kwai (Collector's Edition) (1957) Review

The Bridge on the River Kwai (Collector's Edition)  (1957)
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I'm still not entirely sure why Amazon lumps the reviews for all versions of a given release in the same category. It makes it especially hard to locate reviews on the blu ray version. Anyway, this is a review of the blu ray version recently released, in a collector's format. It is composed of basically a digibook within a hard external case, which is quite flashy as it has raised illustrations and looks quite nice. Upon removing the digibook (which is quite a bit thicker than others), you will find a blu ray version of the film, a dvd version, and a few other things.
First up is the small production book. Actually in comparison with the material you get from other digibooks (which are usually scant on information), these few pages are full of notes and events during filming, almost a quick documentary in itself. It's nice to see a version of this book-within-case that is heavy on words and light on pictures, which are still nice on a few pages.
Second are the replica lobby cards, located after the incorporated book. Not much to say about these, a nice addition for collectors but not much else.
Finally the movie itself. As far as picture goes, its unbeatable for a film from 1957. Much like the other big releases around this time period, care was indeed taken to release a near perfect picture. Obviously in full 1080p, the lighting and scenery really shine here. I'm no expert on filmography and never really looked into the film types and ratios, but what I can judge is a quality blu ray transfer. The picture is sheer excellence down to the last scene, and is quite reminscent of the older James Bond transfers which were fantastic. All in all, as good picture as you'll see anywhere else in blu ray. The audio is great as well, with a fantastic 5.1 transfer. I have 5.1 sound, and it I can tell you it was transferred with the utmost of care. There is no mono soundtrack included in this version.
Extras include a wealth of features, including the previous releases' documentaries and new unreleased features such as Alec and William on the Steve Aleen show. Also included is a narration of the premiere by Holding. The main thing here is the "beyond the bridge" section, in which the full film plays and when applicable scenes come up, the screen size is reduced and graphics will appear on the screen with the movie, along with factoids about the scene. It is a great feature for those who won't mind the screen reducing every now and then.
All in all, this is the definitive version of the film. Chock full with features that you'd expect from a collector's release as well as the film itself (ranking among my all time favorite films), you can't go wrong with this. If you own a previous version, strongly consider this. If you've never owned it or seen it, buy it TODAY.

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Spectacularly produced, and the winner of seven Academy Awards(1957), including Best Picture, Best Director, and Best Actor (Alec Guinness), The Bridge on the River Kwai continues to be one of the most memorable cinematic experiences of all time. Now, for the first time on Blu-ray, following an extensive all-new 4K digital restoration from the original negative, with newly restored 5.1 audio, experience director David Lean's masterpiece as you never have before.

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Yu-Gi-Oh Duelists of the Roses Review

Yu-Gi-Oh Duelists of the Roses
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INCREADABLE! There really isn't anything more to say, I mean the first time I saw this game I was blown away by how detailed and animated it was! The graphic are amazing and the game-play is just as good as Forbidden Memories. After all Duelist of Roses is the sequal to Forbidden Memories. Travel through the entire duel monsters world, while battling opponents and winning cards. You as Yami Yugi are once again called to save your kingdom from the evil mage, Seto. Explore many places and theres even a new feature, if you press buttones in certain places you can find secret cards. This is a exquisite game and it is very well made. It is worth buying and i highly recommend that all Yu-Gi-Oh! lovers should get it!

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Yu-Gi-Oh! Duelists of the Roses lets the duelists clash yet again, with all-new more powerful decks!

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