Showing posts with label john ford. Show all posts
Showing posts with label john ford. Show all posts

John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006) Review

John Wayne-John Ford Film Collection (The Searchers Ultimate Edition / Stagecoach Two-Disc Special Edition / Fort Apache / She Wore a Yellow Ribbon / The Long Voyage Home / They Were Expendable / 3 Godfathers / The Wings of Eagles) (2006)
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First...the films
Stagecoach and The Searchers...two of the all time greatest movies ever made....Fort Apache and She Wore a Yellow Ribbon...perhaps only a notch below and the other films while not on that level...wonderfully enjoyable. The transfers are typically excellent as WB tends to do...the cover art is the original 1sheet...very fun stuff. The Searchers edition included is the ULTIMATE edition with tons of extra paper goodies!
Second..the extras!
Stagecoach...the American Masters documentary airing this month on the tube on Ford/Wayne is a nice bonus...the NEW 30 minute documentary on the actual making of Stagecoach is REALLY GREAT....and i noticed its done by SPARKHILL , who did Wizard of Oz and some of the other great WB re-issues... THeir bonus featurettes on Fort Apache (Monument Valley) and the Searchers are also wonderful....truly there are hours of extras included in this package that will let the viewer learn much about both John Wayne...who people think they know but perhaps don't and John Ford...who just might be the greatest director of all time.
CHEERS to WB for releasing these films in lovingly done transfers and packing them with new and vintage featurettes to make them truly worth owning instead of waiting to catch on TCM some day.....and the overall package and price...well..terrific!
A collection of movies from arguably the greatest film director and starring arguably the greatest film star in history....stop reading and BUY!

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John Ford was easily one of the greatest, most prolific and versatile directors Hollywood ever produced. Combined with a star of the caliber and magnetism of John Wayne, what emerges is pure cinematic magic. WHV now introduces a ten-disc set featuring eight of the team's finest collaborations: The Searchers: Ultimate Collector's Edition (1956) Stagecoach: Special Edition (1939) Fort Apache (1948) The Long Voyage Home (1940) Wings of Eagles (1957) She Wore a Yellow Ribbon (1948) They Were Expendable (1945) 3 Godfathers (1948)

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The John Ford Film Collection (The Informer / Mary of Scotland / The Lost Patrol / Cheyenne Autumn / Sergeant Rutledge) (1936) Review

The John Ford Film Collection (The Informer / Mary of Scotland / The Lost Patrol / Cheyenne Autumn / Sergeant Rutledge) (1936)
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The John Ford collection is a set of vintage Ford films,without John Wayne while and I would NOT have included Mary of Scotland,and would have preferred either The Plough and the Stars,or The Fugitive (Henry Fonda)or the underrated Two Rode Together,this is still a very good film set.There is a separate Ford-Wayne collection,which I will review latter.The five films,in this collection are: The Lost Patrol;The Informer;Cheyenne Autumn:Mary of Scotland:Sergeant Rutledge: The following are my reviews of each individul film.
1.THE LOST PATROL-TENSE ANTI-WAR CLASSIC!*****
A British army Patrol,during the time of WW1, in the Mesopotamian desert gets lost,after their commander is killed,and he has left no notes or orders,in regard to their mission or exact location.With
their leader dead the small group's command falls to Sergeant Victor McLaglen.After a journey of unknown length,the patrol finds an oasis,and it is here where most of the action takes place as they are pinned down by (mostly unseen) Arab fighters.It is here where we really get to meet the men and get to know their hopes and fears.The other men include J.M.Kerrigan(as Quincannn-probably the most frequently used name in a Ford film!),Reginald Denny (Brown),Wallace Ford( excellent as Moretti),Boris Karloff,(,outstanding as Sanders-a religious fanatic),and Douglas Walton,as callow youth,who when he leaves for the service he relates that that was the ONLY time he saw his mother cry.This is (to me) one of the dramtic highlight so the film,when we see 19 year old Walton(about 25,in real life) pours his heart out to McLaglen.This scene,even more so than others shows the futility of war. Great direction,a great screenplay(Dudley Nichols,Ford's favorote writer,at the time-THE INFORMER-STAGECOACH),a fine Max Steiner score,and an excellent DVD transfer. A GREAT ANTI-WAR AND(mildly) ANTI-IMPERIALIST FILM,AND A MUST SEE!
MARY OF SCOTLAND:KATHERINE HEPBURN-FREDRIC MARCH **1/2
Katherine Hepburn,in her only Ford film,is Mary, Queens of Scots.This motion picture is derived from a Maxwell Anderson Play,and a screenplay by Dudley Nichols.To me of what I've seen of Ford's thirties films,"Mary of Scotland" it is Ford's least-good films of the period.Watchable,but forgettable.Two and one half stars.
THE INFORMER:VICTOR MCLAGLEN'S FINEST HOUR *****
The story of "the troubles",in Ireland, in told in a very somber way in the John Ford classic "The Informer",with Victor McLaglen(a Ford regular)giving an AA winning performance in the title role.McLaglen plays Gypo Nolan,a down and out Dubliner,who is without money,and because of this and having been recently "dismissed" from the IRA(Irish Republican Army'freedom fighters,hoping to obtain a united and totally free Ireland,with no British ties whatsoever) and because he is also in jeopardy of losing his girlfried Margot Grahame,(outstanding)as he is in a greatly strained emotional state,and when wondering the streets comes upon a reward poster for "IRA murderer"Frankie McPhillip(Wallace Ford-no relation to the director).The reward is worth enough so that both Gypo and his girl can get passage to America.A short while latter Gypo accidentally runs into Frankie,an old friend,and they have a short conversion about Frankie being on the run,how Frankes's mother is,and the reasons why Gypo was "sacked" from the(in this coversion a "Quincannon" is mentioned) IRA,after the conversion ends the wheels start to turn in Gypo's head and he wonders over to the "Black and Tans"station(the Black and Tans,so-called becuse of their uniforms,are special British militiary(police)men assigned to Ireland when "the troubles" are at their height,""Up the Irish" or in this film,"Up the Rebels" types may look at the B&T's as THE REAL TERRORISTS,but that's for another discussion)and reluctanly tells the "Brits" that Frankie will be at his mother's.After Frankie is killed in a shoot-out,Gypo is given disdainfully(even the B&T's don"t like Informers) his money and goes.Drinking,fighting,and partying are on the night's program for Gypo,but his drining is only a mask,to hide his emotional breakdown from his wicked deed.The IRA figures out what went on,in regard to Frankie's death, and Gypo is a doomed man!
Other supporting members of the cast are very good to excellent,J.M.Kerrigan,Preston Foster,Donald Meek,Joseph (then Sauers)Sawyer,and Una'Connor as Frankie's mother who is a bite "over the top" early in the film,but comes through poignanly at the coclusion.From a LiamO'Flaherty story,an excellent Dudley Nichols screenplay,with a haunting Max Steiner musical score,and a very crisp and clear DVD transfer.The ONLY MINUS NO DVD COMMETARY-A MUST SEE!! CHEYENNE AUTUMN-DESPITE FLAWS ALMOST A CLASSIC ****
Ignoring "Fort Apache",and the anti-racism of "The Searchers",many critics (falsely) claim that John Ford set an anti-Native American(Indian) tone in films that increased racism in America.Well, whatever truth there is to either side of the argument is,in this film John Ford,in his last Western,is FIRMLY on the Indians side.But is was still (somewhat justified)critised fom casting,in VERY IMPORTANT roles none-Idians,especially The Victor Jory,Gilbert Roland,Richardo Montalban,Dolores Del Reo,and Sal Mineo(!)roles.
This motion picture tells the true story of the Cheyenne's plight at the hand of "THE GREAT FATHER" and their trek,and persuit(by U.S.troops) back to their Yellowstone homeland.
On the minus side is the appearrance of Carroll Baker(miscast) as a Quaker school marm) and Karl Malden,with an"over the top performance" as a muderous,racist American(German born) General.The screenplay by James Webb(Pork Chop Hill,The Big Country,Cape Fear) is lacklustre,and the comic interlude of Jimmy Stewart(as Wyatt Earp) with Arthur KennedyI"Doc" Holliday) and John Carradine(a dishonest gambler) and a bunch of hooligian ,led by Ken Curtis is out of place,and NOT VERY FUNNYI did lke Elizebeth Allen,was a damsel of ill-repute.This is a heart-felt film by John Ford with good performances by Richard Widmark as a "liberal" U.S. "horse soldier",and LaBaker's love interest,and in a cameo Edward G.Robinson.The musical score by Alex North is OK,but I would have preferred Elmer Bernstein.An An excellent DVD transfer.Despite my misgivings,4 stars.
SERGEANT RUTLEDGE-ANTI RACIST CLASSIC WESTERN *****

In this unheralded John Ford anti-racist Western, set in 1881,Sergeant Braxton Rutledge(Woody Stode) is accussed of rape and murder,and mostly in flashbacks the events of his accusation,his fleeing,and trial are told.The pace is perfect and acting and direction excellent.In his third Ford film Jeffery Hunter proves again that he was a very underrated actor.His performance is excellent,also good are Constance Towers,as Hunter's love interest and Braxton sympathizer,Willis Bouchey(a Ford grouchy regular),Juano Hernandez,Routledge's fellow "Buffalo Soldier",and sort of "father figure".for the rest of the black soldier's,and Charleton Young(another Ford regular) as the intentially racist prosecutor.But it is Strode(a Ford regular,in support roles) who carries the film.His pride and dignity are evident, in every scene in which he appears.There re two ways to look at this film,or more properly to look at Hollywood,either this film was way ahead of its time or Hollywood took to long to look at U.S. race relations,in any meaning manner.The anti-racists films,of Hollywood, did not really start to make an appearance until the late 1940's,with films such as "PINKY" and the 1950 film debut of Sidney Poitier in "NO WAY OUT"(see my review)My opinion is "so-called liberal Hollywood"(remember the blacklist) was and is always interested IN PROFITS,and NOT PREACHING!.
A GREAT FILM by "AMERICA'S GREATEST DIRECTOR!!
Excellent DVD transfer,but no commetary.5-stars!!


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WHV celebrates on of the true masters of American cinema with the release of The John Ford Collection. Four-time Academy Award?-Winning director John Ford is perhaps best known for his Westerns and collaborations with John Wayne, however, this Ford collection runs the gamut of genres and shows the diversity and genius of John Ford at his most impressive. Featured here will be the DVD debuts of five classic titles - all will be exclusive to the five-disc boxed set.

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The Long Gray Line (1955) Review

The Long Gray Line (1955)
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I first saw this movie at our local in the late 50`s here in the U.K. The Memory of Marty Maher never left.. Looking through Amazon one evening i noticed it was available. Well done it arrived in 6 days. Some things you order locally take longer than that.After all these years since i last saw it it`s still a great movie and still brings a tear to the eye. Tyrone Power was perfect, sadly nearing the end of his life as Marty Maher. Nothing against John Wayne who i understand was the first choice but this was`nt his part. Maureen o Hara is wonderful. Ward Bond as "That blackhearted master of the sword" as Marty calls him and Donald Crisp as Marty snr. Its a long movie covering 50 years but never you loose interest. Its perfect. John Ford wanted to be remembered as the man who made westerns. Well he made other great movie`s as well. In my opinion this is an equal to The Quiet Man....The Long Gray Line. The best Ford without John Wayne.

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LONG GRAY LINE - DVD Movie

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The Searchers (1956) Review

The Searchers  (1956)
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Even if you've never seen John Ford's THE SEARCHERS, you will have, undoubtedly, seen a film that owes it's 'style' to the film. DANCES WITH WOLVES, THE OUTLAW JOSIE WALES, UNFORGIVEN, JEREMIAH JOHNSON, and OPEN RANGE are just a few westerns that have 'borrowed' from it, but THE SEARCHERS' impact transcends the genre, itself; STAR WARS, THE ENGLISH PATIENT, THE LAST SAMURAI, even THE LORD OF THE RINGS have elements that can be traced back to Ford's 1956 'intimate' epic. When you add the fact that THE SEARCHERS also contains John Wayne's greatest performance to the film's merits, it becomes easy to see why it is on the short list of the greatest motion pictures ever made.
The plot is deceptively simple; after a Comanche raiding party massacres a family, taking the youngest daughter prisoner, her uncle, Ethan Edwards (Wayne), and adopted brother, Martin Pawley (Jeffrey Hunter), begin a long quest to try and rescue her. Over the course of years, a rich tapestry of characters and events unfold, as the nature of the pair's motives are revealed, and bigoted, bitter Edwards emerges as a twisted man bent on killing the 'tainted' white girl. Only Pawley's love of his 'sister' and determination to protect her stands in his way, making the film's climax, and Wayne's portrayal of Edwards, an unforgettable experience.
With all of Ford's unique 'touches' clearly in evidence (the doorways 'framing' the film's opening and conclusion, with a cave opening serving the same function at the film's climax; the extensive use of Monument Valley; and the nearly lurid palette of color highlighting key moments) and his reliance on his 'stock' company of players (Wayne, Ward Bond, John Qualen, Olive Carey, Harry Carey, Jr, Hank Worden, and Ken Curtis), the film marks the emergence of the 'mature' Ford, no longer deifying the innocence of the era, but dealing with it in human terms, where 'white men' were as capable of savagery as Indians, frequently with less justification.
Featuring 18-year old Natalie Wood in one of her first 'adult' roles, the sparkling Vera Miles as Pawley's love interest, Wayne's son Patrick in comic relief, and the harmonies of the Sons of the Pioneers accenting Max Steiner's rich score, THE SEARCHERS is a timeless movie experience that becomes richer with each viewing.
It is truly a masterpiece!

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Working together for the 12th time, John Wayne and director John Ford forged The Searchers into an indelible image of the frontier and the men and women who challenged it. Wayne plays ex-Confederate soldier Ethan Edwards, a believer more in bullets than in words. He's seeking his niece, captured by Comanches who massacred his family. He won't surrender to hunger, thirst, the elements or loneliness. And in his obsessive, five-year quest, Ethan encounters something he didn't expect to find: his own humanity.

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The Wings of Eagles (1957) Review

The Wings of Eagles (1957)
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This is a factual naval aviation story, intermixed with Army Air Corps rivalry and combat scenes. It provides a chronological view of one naval family- their love and adversity, including Navy and Army aviators supported by their loyal maintenance personnel who helped in the advancement of U.S. military aviation during 1920s to 1940s. Add, of course, a mixture of competition provided by the navy wives and their only rival- the United States Navy. Released 22 February 1957, The Wings of Eagles was considered an adult story, wrought with the thrills, laughter, and family hardships all to well experienced by the real heroes of this story- the pioneer naval aviation wives (there is still no "Hall of Fame" dedicated to these gallant ladies at the National Museum of Naval Aviation, NAS Pensacola, FL).
Ms. Maureen O'Hara who acted the gallant part of Mrs. Minnie (Bryant) Wead was well received by the "naval aviation wives of gold", and was nominated at a Naval Aviation Cadet Recruiting Officers Convention, Long Beach, CA, as "Ms. Naval Aviation- 1957." Other familiar actors included: John Wayne (CDR Frank "Spig" Wead), Kenneth Curtis (RADM John "Johnny" Dale Price), Dan Dailey (Chief "Jughead" Carson- loyal Chief Aviation Machinist's Mate), Kenneth Tobey (characterization of Lieutenant Jimmy H. Doolittle), Ward Bond (representing Hollywood director John Ford), Edmund Lowe (RADM William Adger Moffett, USN- Chief, Bureau of Aeronautics), and Charles Trowbridge (representing ADM Ernest J. King) whose one line was: "I like it...write it up". The railroad boxcar scene, the hangar fly-through, the various odd aircraft shown, the newsreel aviation reports of winning the Schneider Cup of 1923, the loyal efforts and contributions by the aviation maintenance personnel keeping the aircraft flying were all real events. Today's aspiring military aviators may find this aviation story of much interest.
This story may bring tears and some fond memories back to those pioneer naval aviation wives who are still around and had experienced it all. Their stories can relate back to the days of sugar white sands at Santa Rosa Island and of Coronado Beach; the babies they lost from the 1919 flu influenza; the open-air jalopy rides down old Warrington Road and Coronado Avenue; the screened front-porch bungalows of Bay Front, Pensacola, and Coronado Island; the seaplanes skimming across Pensacola and San Diego bays; meeting their husbands as they landed in their squadron fighters and torpedo planes following short at-sea flight operations aboard USS LANGLEY (CV-1); followed by the many naval aviator and bridge parties given at Mustin Beach and North Island officers' clubs- all this on just a naval Lieutenant's salary (with flight pay) to make ends meet during the Great Depression.
This is an MGM/ John Ford contribution to those "naval aviators in leather skull caps"- he did this well, focusing on the triumphs and tragedies often found within the War and Navy departments during the development of our country's military aviation. This was also Ford's tribute to Army-Navy aviation camaraderie- America's early combat teams. Seen here are episodes of Army-Navy departmental budget rivalries; around-the-world "beat the Navy" Army Air Corps celebrations; CDR Wead at the Office of Strategic Services (OSS) during 1942 - 1943; combat films compiled by CDR Ford, USNR (Chief, Field Photographic Branch, OSS- worked for William "Wild Bill" Donovan, Director of OSS); and, the story of how CDR Wead got production approval of new "jeep" aircraft carriers on converted cruiser hulls- with the approval of ADM King and President Franklin D. Roosevelt in 1941. There is combat footage aboard carriers- a reenactment of CDR Wead aboard USS YORKTOWN (CV-10) as Chief of Staff/ Operations for RADM Charles A. "Baldy" Pownall, CTF-50, during the Gilbert and Marshall islands operations.
Interests in making this film concerning CDR Wead began with correspondence between Vice Admirals John Dale Price, Calvin Thornton Durgin, and John Ford. Ford received first priority from the Department of Defense (DoD) to film a story about CDR Wead, months ahead of an attempt by Warner Brothers Pictures Distributing Corporation. Priority permission to Ford was granted by Donald E. Baruch (Chief, Motion Picture Section, Pictorial Branch, DoD). The film was to be based upon historical material from DoD, tales from Price and Durgin, earlier correspondence received from CDR Wead, and a book by "Red" Futhven & Jerry Stagg titled "Staircase". The public has seen this magnificent Ford tribute to CDR Wead since 1957. A newcomer to this film might ask- who was this naval aviator called Spig Wead?
CDR Frank Wilbur Wead, USN, acquired the nickname "Spig" during his Naval Academy days (1912 - 1916). He accumulated 9 years & 7 months total sea service prior to his accident. Together, Lieutenants Wead, Price and Durgin received their aviation wings 22 May 1920, NAS Pensacola, FL. Later, LT Wead led the U.S. Navy Schneider Cup Team to England and brought this famous cup to America aboard S.S. LEVIATHAN, October 1923. With LT Price they broke five seaplane records, 11 - 12 July 1924. Along with fleet exercises aboard USS LANGLEY with VT-2, there were staff duty assignments under Admirals Moffett and Joseph M. Reeves, and with 11th Naval District Commander. Wead wrote for leading magazines (The Saturday Evening Post and The American Magazine) and Hollywood during 1930s to 1940s. His final assignment was as commanding officer of VF-2. During WWII, he acquired combat duty aboard USS YORKTOWN, receiving the Legion of Merit (Combat). CDR Wead was relieved from active duty 21 July 1944, at Fleet Air, Alameda, California, where his last naval boss was RADM Pownall (Commander Air Force, Pacific Fleet).
The accident: Tragedy struck Wednesday morning, 14 April 1926, during heavy electrical storm over San Diego and Coronado. Combination of power outage and hurrying in the darkness, LT Wead accidentally tripped, falling down dark stairway, fracturing his neck. This occurred in a two-story home he and Minnie recently rented: 600 9th Avenue, Coronado, CA Today, one can still see this home corner of 9th and H avenues.

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Cmdr. Frank "Spig" Wead was a pioneer aviator, renowned screenwriter (whose works included John Ford's They Were Expendable) and a man of war. The skies beckoned Spig to action; a crippling injury ultimately left him powerless to act, propelling him to discover the power of his pen. He was talented, driven, flawed, a friend of Ford and the subject of this compassionate biography. John Wayne plays Spig and Ford directs The Wings of Eagles, which also offers a fascinating glimpse into the ways and world of Ford: Ward Bond plays moviemaker John Dodge, a role modelled on Ford. Maureen O'Hara, Wayne's five-time co-star (including Ford's The Quiet Man), and Dan Dailey (of Ford's 1952 What Price Glory?) play Spig's indomitable wife Min and cigar-chomping sidekick "Jughead" Carson.

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Drums Along the Mohawk (1939) Review

Drums Along the Mohawk (1939)
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There are relatively few movies about the American Revolution. I think this is due to the fact that the American side lost most of the battles of that war. The battle at Saratoga, the surprise attack at Trenton, and the siege of Yorktown are part of the short list of American victories, and except for the occasion television movie or mini-series, they are rarely touched upon. Consequently, "Drums Along the Mohawk" remains the best of American movie about the revolution even though it was made before World War I and even though the redcoats are not really involved in the fight.
"Drums Along the Mohawk" does not start off as a movie about the American Revolution. Instead it begins as a movie about settling the frontier, which, at that point, was upstate New York. The focus is on a pioneer couple, newlyweds, Gilbert (Henry Fonda) and Magdalena (Claudette Colbert), called Lana. Martin is a farmer who brings his bride to the Mohawk Valley where their home is burned out by Indians allied with the British. The couple are taken in by neighbors after that happens and Martin joins the militia, but the settlers are going to need more men than that to fight the Indians and save the fort from attack.
Based on a novel by Walter D. Edmonds the screenplay for "Drums Along the Mohawk" is by Sonya Levien and Lamar Trotti, although William Faulkner worked on it without receiving credit as well. Edmonds' history novels were all set in upstate New York and "Drums Along the Mohawk" is about the warfare between the settlers and the Six Nations of the Iroquois allied with the British. The Battle of Oriskany in 1777, fought in a forest, was a American victory although their commander General Nicholas Herkimer (Ralph Imhof) died of his wounds in one of the moving scenes of the film.
This was the third film that John Ford made in 1939, following "Stagecoach" with John Wayne and "Young Mr. Lincoln" with Fonda; his next film would be "The Grapes of Wrath." Colbert and Fonda are the stars, but they are upstaged by several members of the supporting case, such as Edna May Oliver as Mrs. McKlennar and Arthur Shields as the Reverend Rosenkrantz. The old lady has such an iron will that she can make Indians take her bed out, with her in it, while they are burning down her home, and the reverend has a memorable scene in which he eases the suffering of a tortured settler. Fonda is young and earnest, while Colbert comes to terms with what it means to be living on the American frontier in troubled times.
More than anything else "Drums Along the Mohwawk" is about people coming to the realization that they are Americans, an interpretation more than amply justified by the film's final scene. These are not the Sons of Liberty living in Boston and dealing with the King's troops and all those burdensome taxes. These are small families living out on the frontier for whom the idea of the United States of America was as odd as a flag with thirteen red and white stripes with a circle of white stars on a blue field. Perhaps it is because it takes place off the main stage that "Drums Along the Mohawk" manages to hit the right notes.

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Lawless frontier.Indian attacks.Settlers protecting themselves the only way they know how-with guns and courage.In the years before the Revolutionary War, the East was as wild as the West would be one hundred years later.Henry Fonda delivers one of his most memorable performances ever as a young frontier leader protecting his family in the backwoods of New York state.Claudette Colbert so-stars as his spirited wife.With a fine supporting cast that also includes Edna May Oliver and John Carradine, this is one of John Ford's most exciting historical dramas.

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The Horse Soldiers (1959) Review

The Horse Soldiers (1959)
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A wonderful picture of the war between the states, "Horse Soldiers" follows the story of Wayne leading his troopers in an attack deep into enemy territory. Loosely based on a factual event, the Union must cut off the supply lines to Vicksburg. DUKE leads the raid.
This is a fantastic transfer, as others have mentioned. I spotted literally one damaged frame, with a "V" shaped crease in it. The colors blaze off the screeen, and although there are no booklets, inserts, or extras (other than the original trailer), the disc is a real keeper.
Although many see this picture as "Ford-lite," there are several classic Ford touches throughout the film. The opening shot of the calvary marching in a sundown silhouette is stirring. The charge of the child soldiers is a great moment (you see Wayne tip his hat to them as he rides off).
For me, I like the subtle, "hidden" Ford touches in all of his films, which reveal telling information about characters without the overbearing, in-your-face, and just plain heavy-handed direction in today's movies.
In "Horse Soldiers", the dyed-in-the-wool Southern patriot Hannah Hunter has spent several days as prisoner of the Union soldiers. At one point, in order to make her feel better, a soldier gives her a candle for light. Another offers her a fragment of a looking glass. The soldier holds up the broken mirror, and when she looks at her reflection she can see the soldier's Yankee cap over the top of it, as if she wore it herself. That's Ford telling us she's been converted, without slapping us in the face or dumbing it down for us.
You'll see familiar Ford faces pop up here and there, too. Jack Pennick is in just about all of John Ford's westerns. Hank Worden and Ken Curtis will be instantly familiar to fans of "The Searchers". Ken Curtis was also in "Rio Grande" and "The Quiet Man", and is probably best known as Festus on "Gunsmoke".
O.Z. Whitehead was in "The Grapes of Wrath" and "The Man Who Shot Liberty Valance". Walter Reed was in "Sergeant Rutledge" and "Cheyenne Autumn".
Bing Russell, who plays Dunker, is the man gunned down in the saloon in another DUKE movie, "Rio Bravo".
Of couse, other familiar faces include Storther Martin and Denver Pyle as a pair of Confederate deserters.
This is a really solid cavalry film, with The DUKE in the thick of the action. William Holden is a good match as a foil for DUKE.
For those who say DUKE couldn't act, DUKE has a great scene in the Newton Station bar when he reveals why he doesn't like doctors.
"Horse Soldiers" is an overlooked gem from Ford, only because his more famous films shine that much more.

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John Wayne teams with William Holden and eminent western director John Ford for this frontier actioner "packed with laughter, romance and thrills" (The Hollywood Reporter)! Written by John LeeMahin and Martin Rackin, this faithful representation of one of the most daring cavalry exploits inhistory is both a moving tribute to the men who fought and died in that bloody war and a powerful, action-packed drama.Based on an actual Civil War incident, The Horse Soldiers tells the rousing tale of a troop of Union soldiers who force their way deep into Southern territory to destroy a rebel stronghold at Newton Station. In command is hardbitten Colonel Marlowe (Wayne), a man who is strikingly contrasted by the company's gentle surgeon (Holden) and the beautiful but crafty Southern belle (Constance Towers) who's forced to accompany the Union raiders on perhaps the most harrowing mission in the war.

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