Showing posts with label alien invasion. Show all posts
Showing posts with label alien invasion. Show all posts

Laserblast (1978) Review

Laserblast (1978)
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The funny thing about B-Movies is that they become campy classics only when they were made with somewhat serious intentions. We crack up over "Plan 9 From Outer Space," but when they crank out contrived spoofs like "Attack of the Killer Tomatoes," we grow bored.
Laserblast is one of those classics in the spirit of Ed Wood Jr. Released in 1978, it stars the late Kim Milford (best known for popularizing the role of Rocky Horror in the Roxy version of "The Rocky Horror Show") as Billy, a handsome but shy and dysfunctional young man who comes across this groovy space gun that blows people & things to smithereens. There is a catch to this magical zapping-machine: with each blast, poor Billy gradually turns from the sweet & shy guy to a physically grotesque and murderous creature who begins taking out his enemies (not to mention a few innocent bystanders). Being that the film takes place the year after "Star Wars" was released, Billy even takes his aggression out on a small billboard advertising the film!
All this time these Claymation Space Creatures are cruising about in a spaceship, monitoring the earthly activity of their potent zapping machine, speaking in a way-out tongue that is never revealed.
As one who enjoys spotting familiar celeb faces in B-Movies, I had a field day with this film as the cast includes Roddy Mc Dowell (it always interested me how he appeared in as many campy films as he did quality films), Keenan Wynn, Gianni Russo (best known as Carlo in "The Godfather"), Eddie Deezen (character actor known for his ultra-nerd roles in movies like "Wargames," and most recently in "Polar Express"), and the late Cheryl "Rainbeaux" Smith, who appeared in scores of B-Movies throughout the 1970s. The movie was directed by Michael Rae, who went on to direct.....uh, nothing else ever again.
On a "bad movie scale" of 1 through 10 (1 being SO bad that it doesn't even pass as a fun B-Movie experience, 10 being a wonderful viewing experience because it's so bad!) I give Laserblast a 10+!!! You can pick up this DVD for a very reasonable price, so check out these Clay Creatures and their Monster-Making Laser Gun!


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Mars Attacks (1996) Review

Mars Attacks (1996)
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Hollywood has made movies from books, TV shows, even other movies. However, "Mars Attacks" may be the first time a movie was made from a trading card.
Back in the late 1960s, Topps Cards created a line of Mars Attacks trading cards. However, these cards were pulled off the shelves after only a few months because the aliens depicted on them were considered to be too gruesome. My, how times have changed.
Director Tim Burton has taken those old trading cards and recreated them into this Sci-Fi B-movie throwback. In the process, he has created a movie that is pure, guiltless fun.
"Mars Attacks" also benefits from an all-star cast, including Jack Nicholson (in a dual-role), Michael J. Fox, Sarah Jessica Parker, Pierce Brosnan, Martin Short, Danny Devito, Glenn Close, Natalie Portman, Tom Jones, Annette Bening, Lukas Haas, Jim Brown, and many others. The fact that you get to watch the aliens disentegrate (and otherwise kill) many of these stars only adds to the fun. Unfortunately, Tom Jones wasn't one of those unlucky stars. Maybe someday a sequel will be made that will rectify that. :)
Oh yeah........ did I happen to mention that Congress gets vaporized? This proves that the Martians aren't all bad!
The DVD comes with many extras, including quite a few production notes that helps you to understand how the movie came to be. This is one movie that you will want to see over and over again (especially anytime that Congress is getting on your nerves).

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IN THIS SCI FI EPIC MARTIAN SPACESHIPS ARE APPROACHING EARTH. SHOULD THE PRESIDENT BOMB THEM OR EMBRACE THEM? FROM THE OPENINGSCENE IN A TOWN CALLED LOCKJAW, WHERE A BLAZING FIRE SPRINTS THEROAD, TO THE APOCALYPTIC FINALE YOULL NEVER KNOW WHAT TO EXPECT SOPHOMORIC FUNNINESS, BLACK HUMOR, OR A GENUINE FRIGHT.

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When Worlds Collide (1951) Review

When Worlds Collide (1951)
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Based upon the 1933 novel by Edwin Balmer (1883-1959) and Philip Wylie (1902-1971), "When Worlds Collide" was adapted to film in 1951 under the direction of Rudolph Maté (1898-1964) and with a budget of approximately $936,000. (By comparison in the same year, this was only slightly less than the budget used for "The Day the Earth Stood Still", but a small fraction of the $7,000,000 budget spent for "Quo Vadis"). The story begins at a remote observatory where the eminent astronomer, Dr. Emery Bronson (Hayden Rorke, 1910-1987) discovers that a rogue star with its orbiting planet (that he names Bellus and Zyra respectively) may be on a collision course with Earth. In absolute secrecy, Dr. Bronson sends his horrific data to his colleague Dr. Cole Hendron (Larry Keating, 1896-1963) in New York via the leather-jacketed, ace pilot & courier Dave Randall (Richard Derr, 1918-1992). With the assistance of his daughter Joyce Hendron (Barbara Rush), Dr. Hendron analyzes Dr. Bronson's data on the "Differential Analyzer" (an old-fashioned analog computer) and confirms the trajectories of Bellus and Zyra. Dr. Hendron confers with other scientists and world leaders to ask them to build rockets to ferry as many people, animals and plants as possible away from the doomed Earth and to a new home on Zyra. (The similarity to the Judeo-Christian myth of Noah's ark is obvious.) However, the findings fall on deaf ears, except for the aging, wheelchair-bound millionaire Sydney Stanton (John Hoyt, 1905-1991), who agrees to fund the building of a single rocket that can take just over 40 passengers as long as he has a seat. The film follows the construction of the rocket, the devastating effects that the gravity of Zyra and Bellus have upon Earth as they approach, and the impact that the impending doom has upon the social structure.
For a film that was made long before computer-generated special effects existed, the special effects used in "When Worlds Collide" are effective and entertaining. It's especially fun to see how people in the early 1950's envisioned the types of technology that could be used to travel into space years before any nation had created an actual space program or trained any astronauts. Though the science used in the film was flawed and film's meager budget prevented a more realistic vision of a Zyran landscape, neither seriously adversely affects the film-watching experience. Overall, I rate the 1951 "When Worlds Collide" with 4 out of 5 stars and highly recommend it to any sci-fi aficionado.

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Earth is threatened by a collision with a runaway star. Private industry builds a space ship to take colonists to a new planet to start a new civilization.Genre: Science FictionRating: GRelease Date: 28-MAR-2006Media Type: DVD

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The Thing from Another World (1951) Review

The Thing from Another World (1951)
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THE THING FROM ANOTHER WORLD...the title conjures up lurid images from the countless 'B' SciFi flicks of the 50s, but as many SF, Howard Hawks, and Classic Cinema fans can attest, this is no sleazy schlockfest, but one of the most entertaining and exciting films ever made, by one of Hollywood's greatest directors.
Yes, the credits list Christian Nyby as director, but Howard Hawks was on the set nearly every day, each scene has elements of style unique to Hawks, alone, and even the cast members, when interviewed, have said Hawks ran the entire show. Perhaps, as Science Fiction films were not highly regarded in the early 50s, he felt his reputation might suffer if he acknowledged his contribution; perhaps he thought it might help Nyby's credentials if he were given credit for this masterfully crafted tale. Who knows? But rest assured...this IS a Howard Hawks film!
The story, based on John Campbell's short story, 'Who Goes There?', is a nifty, claustrophobic tale of a group of soldiers and scientists in the Arctic, discovering a giant 'flying saucer' under the ice. When the ship blows up during the excavation, the 'pilot', a huge green chlorophyll-based humanoid (played by a young James Arness), is recovered, frozen in a block of ice. Bringing the ice-encased figure back to the base, it is then accidentally thawed out...and all Hell brakes loose!
While the cast lacks big-name stars, each actor is wonderful, delivering wryly funny Hawks' dialogue at a breakneck pace. The military commander, Capt. Hendry (Kenneth Tobey), is a no-nonsense boss, respected and lovingly chided by his men, led by Dewey Martin, who constantly try to 'set him up' with a pretty scientist he had 'struck out' with, on a recent 'leave' (Margaret Sheridan). She is now at the base, assisting brilliant yet blissfully naive Dr. Arthur Carrington (Robert Cornthwaite), who, naturally, assumes 'the Thing' is only homicidal because he is misunderstood! As the truly frightening potential of the creature reveals itself, it becomes a race against time to destroy it, before it kills everyone, leaves the base, and reproduces countless seedlings of itself to conquer the world!
The FX are low-budget, but very effective, as is the extensive use of light and shadow, sound effects, and an eerie Dimitri Tiomkin score. Unlike the benevolent 'visitors' of THE DAY THE EARTH STOOD STILL, this alien doesn't warn of total annihilation as the final option, should we carry our nuclear weapons into space; it's ONLY agenda is to KILL!
This is a truly amazing film, one that has aged little, and is every bit as enjoyable today as when it was released.
As the tag line to the film warns us, "Look to the sky..."

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Members of an Antarctic research team are killed off by a frozen alien they uncover.

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Invasion Earth : Complete Uncut Version : Mini Series Review

Invasion Earth : Complete Uncut Version : Mini Series
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This is a good, thoughtful and intelligent miniseries. What blunts it's effect is two things in my mind. One, Fred Ward is a horrible actor. He is SO wooden and cliched in this that it is pathetic. His poor performance could be blamed on the writers and director if it wasn't for the fact that the other actors give reasonable performances with the material. Ward is just plain bad. Second, I felt that the development of the relationship between the male and female leads was pretty sketchy and contrived. There was absolutely no chemistry between the two and the idea that they were attracted to each other sexually just does not come across. I also thought that the writers took the Echoes out of the storyline too quickly. The series does have it's moments though and they keep the actual physical form of the evil ND's ambiguous all the wat through.

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This ambitious miniseries, a coproduction between the BBC and the American cable entity the Sci-Fi Channel, is an unusually intelligent and demanding example of the genre. The story begins when a cocky pilot shoots down a UFO inside British air space, but the following revelations only hint at the scope of the predicament. A few soldiers and civilians, led by an American general with the NATO forces (Fred Ward), find themselves in the middle of an intergalactic war and discover they are the next target of a mysterious civilization that has already conquered most of the galaxy. Working with a limited budget, the filmmakers concentrate on creating a palpable sense of fear of the unknown while punctuating the story with sparse but startling effects: dimensional portals that open out of nowhere, a hellish otherworldly land where prisoners appear to be digested in a monstrous stomach, our first and only glimpse of the demonic-looking enemy as it lays waste to an Earth laboratory. These eerie moments only intensify the moody dread that permeates the series. Though an unconvincing romantic subplot occasionally slows the pace, the consistently smart writing and dense, delirious plotting makes this unusual epic compelling viewing right through to its jaw-dropping conclusion.

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Roughnecks - The Starship Troopers Chronicles - Trackers (1999) Review

Roughnecks - The Starship Troopers Chronicles - Trackers (1999)
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People keep emailing my Roughnecks site about the proper DVD order, so here it is:
This is the order the Roughnecks DVD's should be watched in:
(but skip the clip-shows on the "Trackers" disk and save them till last)
1. The Pluto Campaign (episodes 1-2-4-3-5)
[episodes 3 and 4 deliberately switched around, disk plays in "correct" order]
2. The Hydora Campaign (episodes 6-7-8-9-10)
3. The Tophet Campaign (episodes 11-12-13-14-15)
4. The Tesca Campaign (episodes 16-17-18-19-20)
[also known as the Tesca Nemerosa campaign]
5. The Zephyr Campaign (episodes 21-22-23-24-25)
[also known as the Ice Asteroid campaign]
6. The Klendathu Campaign (episodes 26-27-28-29-30)
7. Trackers (episode 31; clip-shows 1 thru 4)
8. The Homefront Campaign (episodes 32-34-35-36-37)
[there IS NO EPISODE 33! 37 is the "final" episode even though it's a cliffhanger]

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ROUGHNECKS:STARSHIP TROOPERS CHRONIC - DVD Movie

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V: The Complete Series (1984) Review

V: The Complete Series (1984)
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In 1985, I didn't have a VCR. I loved "V" in 1983 and enjoyed "V The Final Battle" in 1984. I was really happy to hear that the struggles of Mike Donovan and the rest of the resistance were coming back as a series. At the time I worked at a local grocery store and, as fate would have it, I was usually scheduled when V the series was on. As a result I only caught a few episodes here and there when I had a day off. It was not as good as the two mini series but I thought it was entertaining. After a mere 19 episodes the show was cancelled and V was gone forever.
Since that time, I ran across friends who didn't like the series. Whenever I found articles about "V", the series follow up was always dismissed as crass exploitation of the franchise. Last week, WB released the series (possibly to test the wind for a new mini series) on DVD for the first time. Finally, after nearly two decades (can it be that long?) I have been able to finally discover what the series was all about. Here are my impressions:
There will be many SPOILERS so please do not read further if you want to be surprised.
1. This series isn't bad. It is not as good as the two mini-series but it is entertaing in its own right. I also think that this show was innovative in the field of TV Science Fiction. Prior to "V", Science Fiction was very episodic. Star Trek, Space: 1999, Logan's Run, Planet of the Apes, Buck Rogers and to a certain extent, Battlestar Galactica all told self contained stories. The plot was resolved by the end of the hour. "V" The series was different in this respect. It had story arcs and continuing plot threads. Every episode ended in a cliff-hanger and it left you wanting more. In this aspect, it has a modern flavor. Like Babylon 5, StarGate SG 1 and Season 3 Enterprise, it tells a big story over a run of several episodes.
2. People could die on "V". For most TV shows, you know that the heroes will make it in the end. Not on "V". Over the 19 episodes, long-standing characters like Dr. Maxwell and Elias Taylor buy the farm surprisingly abruptly. This raised the stakes dramatically and kept the viewer involved in the narrative.
3. The cast was great. Marc Singer was perfectly cast as heroic Mike Donovan. Micheal Ironside ruled as perfect tough guy Ham. Jane Badler was very memorable as Uber-B**ch, Diana. June Chadwick was suitably catty as Diana'a rival Lydia. Duncan Rehgar was fantastic as Charles, the leader's envoy. His fight with Donovan in "The Hero" is classic. He was a great villain and it is a great shock when he is killed after a mere 4 episodes.
4. There is a sense that this is merely a peek at a global war with the Visitors. For the first 12 episodes or so, The Freedom Network newscaster, Howard K. Smith ( A real journalist by the way) reads the headlines on the state of the war. We learn that the Visitors are sweeping through Spain and so forth. This makes us understand that The resistance in LA is only one story in this global conflict. It really gives the story a certain gravitas.
5. The stories are often action adventure tales that are on par with anything that was on the air in the mid 1980s. Unfortunately, the sociological aspects that made the first mini series so memorable are ignored completely. The show, evan though it is watered down, is entertaining in its own right.
There are some things that are unfortunatle about this show:
1. All the SFX are recycled from the two mini series. (I think one new shot was filmed for "The Dreadknot.") Even entire sequences are lifted from the minis. Remember when Donovan is on horseback and is being chased by a skyfighter? Well, the entire sequesce appears again in "The Champion." After a while, it becomes really grating to see the same shots over and over. I know that SFX on TV was really expensive back then but WB should have spent some money on new shots.
2. As the series goes on, it is clear that there was less and less money bugeted for each episode. The first episode, "Liberation Day" has an outdoor crowd scene with hundreds of extras. By the last episode, we only have the main characters walking around on the standing sets. By the end, the production valules of the show looked rather thread bare.
3. The producers decided to exploit the alien lizards by showing them without their Human masks. This was a mistake. The people who created the lizard makeups were not as artful as John Chambers. As a result the lizard appliances were very stiff and immoble. By showing the Lizards in their natural state too often, it undermined their credibility as a frightening threat. The full face lizards were about as scary and convincing as a halloween slip on mask. It became a bit silly.
4. I hate cliffhangers that are unresolved. I can't understand why they would create a cliffhanger for a show that was doing poorly in the ratings. It is really unfair to viewers who watched every episode.
5. The Star Child. One of the big weaknesses of "The Final Battle" was the ending where Elizabeth gets all glowy like Decker in Star Trek the Motion Picture. Elizabeth uses some kind of super powers that come out of nowhere and saves the day. In the series, the Star Child goes through some type of metamorphosis and comes out of a cacoon as a 17 year old love interest. Elizabeth's powers become a crutch that the writers could use to solve any problems that face the main characters. This undermines the drama of the series and cheapens the series. The powers were kind of kooky. The Star Child could levitate objects and people, mimic voices, had a photographic memory, raise the dead etc. She could do whatever the plot required. It was strange that they spent so much time on her character. I guess, as a writer with a deadline, she was really handy to have around.
Well, thats my take on the series. I reccomend that if you like V, chances are you will like the series. It is a more cartoony version of Kenneth Johnson's creation but is worthy as entertainment and a nostalgic trip back to the 80s.


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They came for water. And for food. And as it turned out, we were the food. But humanity bravely resisted- a struggle seen in the hit miniseries V and V: The Final Battle. Yet the war continues.The heroic conflict comes to a surprising outcome in V: The Series, presented complete and uncut in this 3-disc, 19-episode set. Once again, Earth is the main battleground. But now the aliens whose human guise hides their true reptilian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human, half-spaceling Starchild. They intend to capture her. But that's something the world's Resistance Fighters cannot allow.

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War of the Planets/War of the Robots Review

War of the Planets/War of the Robots
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Every week, my son and I have "bad movie" night, and this particular night was spent watching, "War Of The Planets." It is unknown to me what the other reviewers were expecting when they bought and viewed this Italian "epic" but with the general tone of disappointment, I'd say they expected waaaay too much.
We sat there for the 90 minutes enjoying one of the worst movies ever made. Furthermore, we EXPECTED it to be bad and not the second coming of 2001: A Space Odyssey! Probably the funniest thing about this so-called movie is the fact that the makers of this film probably thought they had a hit on their hands, since it came out around the same time as Star Wars. Well, obviously this flick is terrible to the point of being rediculous and, not surprisingly ended up being a dud.
My adviced to you is simple: for one night, go ahead and pretend you're dumb, put in this dvd, and enjoy some of the best bad film making ever to hit no one's screen!

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The War of the Worlds (1953) Review

The War of the Worlds (1953)
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War of the Worlds has been on DVD before, but it's much better in this special edition, restored and presented, thankfully, in full frame, as it was shot. The print quality is just beautiful, and the movie looks as good as it's ever looked. Special features are also of a high standard: especially welcome are the commentaries by stars Ann Robinson and Gene Barry. Barry seems a little less in command than Robinson, but she graciously compensates, by eloquently describing her experiences, her affection for Barry and producer George Pal, and the film itself, with which she seems wonderfully familiar. Her insight is detailed, sometimes funny, exhaustive, and genuinely revealing--even down to the revelation of a cameo by Woody Woodpecker. Images are so crisp that the wires supporting the ships are sometimes sadly visible, but fans will be so caught up in the frightening story that this won't matter much at all. For those who love this film, I'd say get out there and pick this up: someone got it right, and went to the trouble to present this admired film in an edition that can really be called "special". What a pleasure to see old Technicolor the way it was meant to be seen! A great movie, and a great DVD.

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War of the Worlds (Widescreen Edition) (2005) Review

War of the Worlds (Widescreen Edition) (2005)
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The War of the Worlds is a great novel and Spielberg is a director of exceptional talent and accomplishment, so I had been hoping for a lot from this film. In the event, I have got part of what I was hoping for. Very occasionally, a novel can be 'walked' straight on to the screen (The Big Sleep, with a script by Faulkner, is a striking case), and I found myself wondering whether this novel might not have benefited from the same treatment. Some of Spielberg's changes are perfectly reasonable, others less so in my own opinion. It makes perfectly good sense to bring the action forward by a century into the present day, for instance. I suppose there's no harm either in changing the main actors from Wells's scientist with a wife and a brother to a dysfunctional American family, as this may provide enhanced 'human interest' or some such benefit for all I would know. Again, I have no real problem with the way the film combines the roles of the curate and the artilleryman in the book into the single persona of the former ambulance-driver, and I can well understand that Spielberg would have thought it prudent to tone down the socialistic elements in this aspect of the story in order to avoid setting off the wrong types of reaction in American audiences. What I do have a major problem with is the appearance of the Martians themselves. I'm sorry to report that these have far too much in common with a certain wretched TV series. The author's own description is one that stays in the memory, to say the very least, and Wells's Martians look the way they do for very clear reasons that he provides. What was gained by going downmarket in the way Spielberg chooses to do? Nothing that I can think of except perhaps better audience figures from harking back to that ghastly broadcast series.
In fact the best things in the film come directly from Wells. Even one of the best lines, where the statement that the invaders come from somewhere else is met with the question 'Where - Europe?' is a very clever adaptation of a good joke in the book comparing the attitudes of Mrs Elphinstone to the Martians on the one hand and the French on the other. The Martian tripods are simply terrific, their appearance lifted more or less exactly from the book. However The War of the Worlds is a work of political and social philosophy and speculation, not just some science-fiction yarn. I really would have liked Spielberg to be a bit more ambitious and reflect this more than he seems to have felt like doing. For one thing, the Martians are invading the earth because their own smaller planet is cooling and dying around them. Wells explicitly says that there is no reason to suppose them 'pitiless'. They have come for pressing practical reasons connected with their own very survival. We know now, as Wells did not, that all they were going to find on Venus is a searing hell under the rolling white clouds, so it would be more than likely, as Wells says again, that they would learn from the failure of their first expedition and come back to the earth better prepared the next time rather than stake everything on one throw, which is what the film seems to be suggesting. The last gesture of the Martians in the film is an expression indicative of hatred, which doesn't even make sense considering they saw us as their food source. What consumer of beef makes hostile faces at beef-herds? The Martians' purpose can't have been 'extermination' as someone is made to say in the film, only subjugation, another matter perfectly clear from the novel.
More survives of the view Wells takes of the behaviour of humanity itself, and Spielberg handles the mob-scenes rather well. However what he tones down more than I would have wished is the reflections, in the novel expressed via the persona of the artilleryman, on the likely behaviour of human beings towards one another once the Martian dominion was hypothetically established. The artilleryman's predictions are class-based like the vision of the Eloi and Morlocks in the Time-Machine, but they are far from endorsing Marxism and there is no reason to see them as any firm viewpoint held by the author himself.
Perhaps the very best things in the entire film are to be found in the voiceovers right at the start and right at the end. The words are lifted almost verbatim from the novel itself at these points, and they are simply awesome, the first page in particular of The War of the Worlds being surely one of the greatest in all English fiction with the last page not far behind it in that respect. The exquisite irony of the fact that the Martians, who might have viewed us as we view micro-organisms in a laboratory were in their turn thwarted and destroyed by just such organisms when nothing humanity could do availed in the least is obviously not lost on the director. I just wish he had raised his game more consistently to something like the level of the theme he was taking on.

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WAR OF THE WORLDS - DVD Movie

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