Showing posts with label fascism. Show all posts
Showing posts with label fascism. Show all posts

Triumph of the Will (Special Edition) (1935) Review

Triumph of the Will (Special Edition) (1935)
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TRIUMPH OF THE WILL has long been viewed through a dual perspective: It is both reviled by many for its glorification of Hitler, and at the same time praised for the masterful work of its director, the legendary Leni Riefenstahl (who at the time of this writing is still alive...I think she's over 100 by now). The truth is, it is all of that and more - a highly memorable, fascinating experience on several levels:
1. Despite the subject matter, it must be acknowledged that this film does what it was made to do marvelously well: It is a masterpiece of the art of propaganda...somethng that is practiced every day by all governments, in advertising, and in all political campaigns - but never better than this. The film does an amazing job of tapping deep into the German psyche, with scenes of Nuremburg, youth, etc., and allusions to great Germans of the past, all designed to tug at the "volkish" national sentiment, then deftly superimposed with images of Hitler. Very crafty, but no different than what we see every day in our media-saturated world.
2. As a study of the early the Nazi era, it is invaluable. Regardless of what happened in the years that followed, TRIUMPH needs to be viewed as a statement of its own era, when none of the horrors had yet happened and many around the world still referred to the Nazi regime (which was then consolidating power and trying to reach the hearts and minds of the people) as "the German renaissance". The commentary track adds a fascinating "what happened to that Nazi?" perspective.
3. This film has become unbelievably influential (possibly because it is still required viewing in film schools); it is perhaps second only to THE BATTLESHIP POTEMKIN as the most visually quoted film in hstory. Just a few examples: The closing scene in STAR WARS, "Be Prepared" from THE LION KING, and especially the entrance of Commodus into Rome from GLADIATOR are all lifted directly from visuals in TRIUMPH. Even more common is the visual "homage" that directors sometimes subtly insert, such as the woman being tossed in the air from THE BIG LEBOWSKI (remember the kid at the beginning of TRIUMPH)? The list goes on and on.
One certainly does not need to sympathize with the Nazis to appreciate this film. In fact, it is precisely because of what became of them that makes this early look so fascinating. Still, I would not call this "entertainment"; rather, this is a piece to study and analyze. Recommended for any student of history, sociology, mass media, or film.

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Hitler in Colour (2005) Review

Hitler in Colour (2005)
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Adolf Hitler and the people of the Third Reich are seen here as we've never seen them before -- not only in color, but laughing, clowning, having a good time.
Well, the German people were, anyway. Hitler always seemed to be too aware of his position as the stern, implacable warlord to loosen up whenever he even suspected a camera was focused on him. To see Der Fuehrer smile, laugh or appear even moderately light-hearted, you have to watch for the moment when he happens to be looking partially away from the camera, to have momentarily forgotten its presence. There is one scene where he chats briefly with a group of German children, giving one pretty little blonde girl a hug. But it's shot from a short distance and his face is partially hidden. I've seen still photos, candid ones, of Adolf Hitler interacting with children, who seem to be relaxed and happy in his presence. Look at those photos, and read reminiscences of people who were close to Hitler, and you'll find out, probably to your amazement, that yes, the "most evil man in history" was fond of children.
"Hitler In Colour" does give us a much more "human" look at the German people of the Third Reich era, showing them at work and play (although footage of smiling children giving the Nazi salute are admittedly unsettling.) Normal human interactions and the underlying evil of the Nazi era often were overlaid, one on the other.
This DVD is very illuminating for those who have until now only seen fading black and white movies of the Hitler era. It is an experience not to be missed.

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The producers of the internationally acclaimed and award-winning In Colour DVD series now bring Hitler in Colour, a telling story of the rise and fall of a man who devastated the lives of countless numbers of people around the world. For 12 years, Hitler's overpowering personality dominated the German nation. He led his people from economic ruin in European conquest and to the brink of creating a New World Order. In his wake, he brought a reign of terror that caused death to millions. Drawing from recently discovered German film collections that comprise hours of previously unseen color footage, and woven with eyewitness testimony, Hitler in Colour tells the astonishing and disturbing story as never before. Narrated by Emmy Award winning British actor Brian Cox.

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V: The Complete Series (1984) Review

V: The Complete Series (1984)
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In 1985, I didn't have a VCR. I loved "V" in 1983 and enjoyed "V The Final Battle" in 1984. I was really happy to hear that the struggles of Mike Donovan and the rest of the resistance were coming back as a series. At the time I worked at a local grocery store and, as fate would have it, I was usually scheduled when V the series was on. As a result I only caught a few episodes here and there when I had a day off. It was not as good as the two mini series but I thought it was entertaining. After a mere 19 episodes the show was cancelled and V was gone forever.
Since that time, I ran across friends who didn't like the series. Whenever I found articles about "V", the series follow up was always dismissed as crass exploitation of the franchise. Last week, WB released the series (possibly to test the wind for a new mini series) on DVD for the first time. Finally, after nearly two decades (can it be that long?) I have been able to finally discover what the series was all about. Here are my impressions:
There will be many SPOILERS so please do not read further if you want to be surprised.
1. This series isn't bad. It is not as good as the two mini-series but it is entertaing in its own right. I also think that this show was innovative in the field of TV Science Fiction. Prior to "V", Science Fiction was very episodic. Star Trek, Space: 1999, Logan's Run, Planet of the Apes, Buck Rogers and to a certain extent, Battlestar Galactica all told self contained stories. The plot was resolved by the end of the hour. "V" The series was different in this respect. It had story arcs and continuing plot threads. Every episode ended in a cliff-hanger and it left you wanting more. In this aspect, it has a modern flavor. Like Babylon 5, StarGate SG 1 and Season 3 Enterprise, it tells a big story over a run of several episodes.
2. People could die on "V". For most TV shows, you know that the heroes will make it in the end. Not on "V". Over the 19 episodes, long-standing characters like Dr. Maxwell and Elias Taylor buy the farm surprisingly abruptly. This raised the stakes dramatically and kept the viewer involved in the narrative.
3. The cast was great. Marc Singer was perfectly cast as heroic Mike Donovan. Micheal Ironside ruled as perfect tough guy Ham. Jane Badler was very memorable as Uber-B**ch, Diana. June Chadwick was suitably catty as Diana'a rival Lydia. Duncan Rehgar was fantastic as Charles, the leader's envoy. His fight with Donovan in "The Hero" is classic. He was a great villain and it is a great shock when he is killed after a mere 4 episodes.
4. There is a sense that this is merely a peek at a global war with the Visitors. For the first 12 episodes or so, The Freedom Network newscaster, Howard K. Smith ( A real journalist by the way) reads the headlines on the state of the war. We learn that the Visitors are sweeping through Spain and so forth. This makes us understand that The resistance in LA is only one story in this global conflict. It really gives the story a certain gravitas.
5. The stories are often action adventure tales that are on par with anything that was on the air in the mid 1980s. Unfortunately, the sociological aspects that made the first mini series so memorable are ignored completely. The show, evan though it is watered down, is entertaining in its own right.
There are some things that are unfortunatle about this show:
1. All the SFX are recycled from the two mini series. (I think one new shot was filmed for "The Dreadknot.") Even entire sequences are lifted from the minis. Remember when Donovan is on horseback and is being chased by a skyfighter? Well, the entire sequesce appears again in "The Champion." After a while, it becomes really grating to see the same shots over and over. I know that SFX on TV was really expensive back then but WB should have spent some money on new shots.
2. As the series goes on, it is clear that there was less and less money bugeted for each episode. The first episode, "Liberation Day" has an outdoor crowd scene with hundreds of extras. By the last episode, we only have the main characters walking around on the standing sets. By the end, the production valules of the show looked rather thread bare.
3. The producers decided to exploit the alien lizards by showing them without their Human masks. This was a mistake. The people who created the lizard makeups were not as artful as John Chambers. As a result the lizard appliances were very stiff and immoble. By showing the Lizards in their natural state too often, it undermined their credibility as a frightening threat. The full face lizards were about as scary and convincing as a halloween slip on mask. It became a bit silly.
4. I hate cliffhangers that are unresolved. I can't understand why they would create a cliffhanger for a show that was doing poorly in the ratings. It is really unfair to viewers who watched every episode.
5. The Star Child. One of the big weaknesses of "The Final Battle" was the ending where Elizabeth gets all glowy like Decker in Star Trek the Motion Picture. Elizabeth uses some kind of super powers that come out of nowhere and saves the day. In the series, the Star Child goes through some type of metamorphosis and comes out of a cacoon as a 17 year old love interest. Elizabeth's powers become a crutch that the writers could use to solve any problems that face the main characters. This undermines the drama of the series and cheapens the series. The powers were kind of kooky. The Star Child could levitate objects and people, mimic voices, had a photographic memory, raise the dead etc. She could do whatever the plot required. It was strange that they spent so much time on her character. I guess, as a writer with a deadline, she was really handy to have around.
Well, thats my take on the series. I reccomend that if you like V, chances are you will like the series. It is a more cartoony version of Kenneth Johnson's creation but is worthy as entertainment and a nostalgic trip back to the 80s.


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They came for water. And for food. And as it turned out, we were the food. But humanity bravely resisted- a struggle seen in the hit miniseries V and V: The Final Battle. Yet the war continues.The heroic conflict comes to a surprising outcome in V: The Series, presented complete and uncut in this 3-disc, 19-episode set. Once again, Earth is the main battleground. But now the aliens whose human guise hides their true reptilian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human, half-spaceling Starchild. They intend to capture her. But that's something the world's Resistance Fighters cannot allow.

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