The Nasty Girl (1991) Review

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(More customer reviews)German playwright Bertolt Brecht felt that theatre should teach the audience certain moral lessons, and to this end he developed a mode of presentation frequently described as "theatre of alienation"--a type of production in which the audience is never allowed to fully indentify with the characters and their situations and is instead asked to critically observe the material and draw conclusions from it. For the most part, this is a style that works best on the stage--but director Michael Verhoeven uses it as a springboard for THE NASTY GIRL. And the result is one of the few instances in which these Brechtian concepts come successfully to the screen.
The story is wickedly funny. A bright young lass, the daughter of two teachers, wins an essay contest--and when the next contest is announced she again decides to compete, this time with an essay on "My Hometown During The Third Reich," in which she plans to show how her small Bavarian town resisted Nazism. But few, even those regarded by the townfolk as heroes of that era, are willing to discuss it--and those that do provide conflicting information. She eventually gives up the project, but it continues to fester in the back of her mind, and some years later when she resumes her research with the idea of writing a book she discovers that the anti-Nazi heroes were not, perhaps, either anti-Nazi or heroic.
The main thrust of the film centers upon Sonja's relentless battle against the powers that be to obtain access to documents from the Nazi era, and how civic leaders work to frustrate her--both by persistently dodging her demands for the material and by direct terrorism. But their resistance makes Sonja all the more determined, and she becomes willing to pay any personal price. Ultimately, she does arrive at some of the truth, only to discover that she has now been enshrined by civic leaders as a "hero" in an effort to silence her with praise.
Director Michael Verhoeven presents the story in an odd mix of documentary and theatrical and realistic styles that mesh extremely well to create that famous Brechtian effect without ever actually seeming preachy. And leading actress Lena Stolze, as "the nasty girl" who accidentally drifts into the role of advocate for the truth at any price, is equally remarkable: she gives a very likeable, bemused performance that draws the viewer in even while maintaining the necessary degree of detachment the style requires. Not all viewers will appreciate the film--some will find the subject too dark, others may not be able to buy into the style--but this is a brilliant film, and you owe it a chance. Strongly recommended.

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Schindler's List Collector's Gift Set (1993) Review

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(More customer reviews)Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.
"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.
Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.
"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

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The Diary of Anne Frank (1959) Review

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(More customer reviews)Holocaust survivor Elie Wiesel once wrote that dramatizing the Holocaust was a futile task, not because dramatization could not be done, but because any such attempt would trivialize the evil inherent in the Nazi persecution of the Jews. Wiesel had good reason for his belief, having directly experienced what circumstances were like at the Auschwitz death camp.
In one sense I agree with Wiesel; however, I also agree with those, such as director George Stevens, who believed that dramatization served the critical purpose of informing the public of what occurred during the Nazi era. Further, as Otto Frank maintained, it was important that audiences realized that what his family and other Jewish people endured was not something restricted to Jews, but was, rather, an object lesson for the persecution of all people forced to endure the tyranny of genocidal regimes.
In a sense, therefore, it's inevitable that Stevens' filming of 'The Diary of Anne Frank' both failed and succeeded. It failed in that it commercialized the Holocaust, as every dramatic production is forced to do. But it succeeded in its educational mission, especially considering that at the time of its release in 1959, few people were aware of Anne Frank's diary, or of the Holocaust generally.
Seeing the film today, it is still a powerful experience. Admittedly, as an aspect of its commercial treatment, certain elements were introduced that either were not in the original diary ---- such as the stealing of bread by Albert Dussell (pseudonym of Friedrich Pfeffer) ---- or were exaggerated for dramatic reasons (the love interest between Anne and Peter Van Dann). But the overall power of the basic situation ---- the intense atmosphere of tension and claustrophobia ---- and the story of Anne Frank's adolescent transformation and her growing awareness of the transformation of Dutch society through Nazi oppression ---- gives us a window on the Holocaust which is unique. The film, like the diary, holds up a mirror of conscience in what must have seemed at the time to be a world of sprawling insanity. Anne Frank triumphs, as the Nazis emphatically did not, in transcending the contradictions within herself, and as a consequence her idealism shines through at the end (even if this, too, was exaggerated for cinematic reasons).
Millie Perkins, who plays Anne in the film, has sometimes been slighted for her ostensibly awkward performance, but I believe this is a cynical and unjust criticism. For one thing, Perkins was not a trained actress, but rather a model who happened to have the right look and personality for the part. But as both the documentary and one of the other supplements on this DVD point out, this was precisely why George Stevens chose her for the role. He wanted an unknown actress, not a professional who would 'impose' her persona on the character. He believed ---- and I think correctly ----- that her look of innocence, and aura of adolescent idealism, were perfect for what he desired, and it's ultimately these qualities which impress us by their contrast with the horrific circumstances that surrounded her.
The other cast members are also superb. Though Shelley Winters won an Oscar as Best Supporting Actress, virtually all the actors, especially Joseph Schildkraut and Ed Wynn, are equally brilliant. In fact, Schildkraut not only physically resembled Otto Frank, but, according to Anne Frank's cousin (interviewed as part of the accompanying documentary, 'Echoes of the Past'), was also similar to him in terms of personality and demeanor. Wynn, for his part, turns in an amazingly convincing performance in a serious role, playing completely against type.
Whatever the liberties taken by the screenplay writers for 'Diary,' the film remains faithful to the core experiences related in Anne Frank's journal ---- both to her inner emotions and conflicts with her family, and to her widening awareness of her family's place in the overall scheme of Nazi terror. The fact that this DVD transfers the film in such superior video and audio quality, and adds several excellent supplements (including a first-rate 90-minute documentary), makes this disc a fine addition to anyone's video collection.

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A diary discovered in the attic of an Amsterdam factory reveals the plight of a jewish refugee family that lived there in hiding for two years during the Nazi occupation.

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Triumph of the Will (Special Edition) (1935) Review

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(More customer reviews)TRIUMPH OF THE WILL has long been viewed through a dual perspective: It is both reviled by many for its glorification of Hitler, and at the same time praised for the masterful work of its director, the legendary Leni Riefenstahl (who at the time of this writing is still alive...I think she's over 100 by now). The truth is, it is all of that and more - a highly memorable, fascinating experience on several levels:
1. Despite the subject matter, it must be acknowledged that this film does what it was made to do marvelously well: It is a masterpiece of the art of propaganda...somethng that is practiced every day by all governments, in advertising, and in all political campaigns - but never better than this. The film does an amazing job of tapping deep into the German psyche, with scenes of Nuremburg, youth, etc., and allusions to great Germans of the past, all designed to tug at the "volkish" national sentiment, then deftly superimposed with images of Hitler. Very crafty, but no different than what we see every day in our media-saturated world.
2. As a study of the early the Nazi era, it is invaluable. Regardless of what happened in the years that followed, TRIUMPH needs to be viewed as a statement of its own era, when none of the horrors had yet happened and many around the world still referred to the Nazi regime (which was then consolidating power and trying to reach the hearts and minds of the people) as "the German renaissance". The commentary track adds a fascinating "what happened to that Nazi?" perspective.
3. This film has become unbelievably influential (possibly because it is still required viewing in film schools); it is perhaps second only to THE BATTLESHIP POTEMKIN as the most visually quoted film in hstory. Just a few examples: The closing scene in STAR WARS, "Be Prepared" from THE LION KING, and especially the entrance of Commodus into Rome from GLADIATOR are all lifted directly from visuals in TRIUMPH. Even more common is the visual "homage" that directors sometimes subtly insert, such as the woman being tossed in the air from THE BIG LEBOWSKI (remember the kid at the beginning of TRIUMPH)? The list goes on and on.
One certainly does not need to sympathize with the Nazis to appreciate this film. In fact, it is precisely because of what became of them that makes this early look so fascinating. Still, I would not call this "entertainment"; rather, this is a piece to study and analyze. Recommended for any student of history, sociology, mass media, or film.

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Anne Frank - The Whole Story (2001) Review

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(More customer reviews)As i write this review, this film is just finishing up, and I must say, this is one of the most moving accounts of Anne Frank that I've seen to date. We all know the story of Anne Frank, how it started, and what a complete tragic end of her life; and more importantly, what hope she brought to the world that killed her. This film is a remarkable, incredible retelling of the life of Anne Frank.
The reasons why this film soars, aboslutely soars, are numerous. First, the film tells the complete story, from before the Franks hid in the Annex, until her final days in the concentration camp. Whereas some films tend to linger solely on Anne's days in the Annex, this wider focus gives us the larger picture. Anne's time in captivity is heart wrenching; we have fallen in love with the tempestuous, darling girl and to see her solely fade away is devastating. It serves as a testament both to the millions lost, and the one girl that would write a book to change the world.
Secondly, the performances in this movie are amazing. Ben Kingsley and Brenda Blethyn lend their star-stature names to this project, and turn in performances that are real and dignified. Favorite Lili Taylor, who is one of America's most talented actressses, gives a quiet, powerful performance as Miep Gies. It's Hannah Taylor Gorden, as Anne, brings Anne to life with complexity and grace. Gordon honors Anne in every scene, never deifying the girl, but making her real, human. She even writes the way Anne did, holding the pen as Anne would have held it. That attention to detail does not go unnoticed by those of us who love Anne. It was a perfect match of actress and role.
Third, this film is visually beautiful. Often, you expect a "lower" standard of technical excellence in a television film. Rightfully so, ABC and the director, Robert Dornhelm, give this film a professional style. There are several scenes where you are just in awe, apart from the incredible story.
It was sad for me to learn that this film was not endorsed by the Anne Frank Foundation, because the film was based on a biography not approved by the foundation. Whereas I think its important to have the Foundation so Anne's life can be told in a honest way, they should have seen the film before making a judgment. This movie is a beautiful testament to a beautiful life, and it should be free from any political wranglings like this.
By the final scene, when Miep gives Otto Frank his daughter's diary, and he travels back into the Annex to look at it, my heart was breaking. Anne didn't live to see the effect she'd have on the world, but I think for all of us, we have adopted Anne as our own daughter or sister. She belongs to the world now, and we are responsible to take care of her, to make sure her story is told generation after generation, to honor her life by ensuring nothing like this ever happens in history again.

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Ben Kingsley, Brenda Blethyn, and Hannah Taylor Gordon star in the stirring tale of one of the most influential young women of the 20th century. Based on Melissa Muller's critically acclaimed book, ANNE FRANK goes beyond the story you already know and paints the true portrait of Anne both before and after she went into hiding. Get to know the high-spirited and popular girl before the war, and experience the challenges of the brave people who risked their lives trying to keep her safe. ANNE FRANK also explores the enduring mystery of who betrayed the Frank family and reveals what happened next.

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Uprising (2001) Review

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(More customer reviews)"Uprising" is a story of the Holocaust that really could not be told until NBC showed this two-part made-for-television movie in 2001. The story of the Warsaw ghetto uprising has been told before. In the 1978 mini-series "Holocaust," a major subplot had to do with Moses Weiss (Sam Wanamker), who becomes active in the uprising before being caught and shot by the Nazis at the end. Other movies dealing with the Holocaust have touched on this heroic but futile act of resistance against Hitler's army. This time, however, the point is to cast the uprising in terms that count for more than a moral victory.
When Poland fell to Nazi Germany the city's Jewish population was put into a walled in section of the city, thereby creating the ghetto. In the summer of 1942, after 300,000 Jews were deported from Warsaw to Treblinka the first reports of mass murder were heard in the Warsaw ghetto. Mordecai Anielewicz, then 23-years-old, and other young Jews formed the Zydowska Organizacja Bojowa (Jewish Fighting Organization), issuing proclamations calling for the Jewish people to resist being sent away in railroad cars to the death caps, and firing upon German troops trying to round by Jews for deportation.
The "Uprising" began on April 19, 1943, when German troops and police entered the ghetto and were repulsed by the fighters. It is believed that less than a thousand such fighters held off the heavily armed and better trained Germans for almost a month, using mostly pistols and Molotov cocktails, but on May 16 the revolt was finally crushed. Seven thousand of the 56,000 Jews captured were shot, and the rest were deported to either killing centers or concentration camps to be exterminated by the Nazis. At one point the Warsaw ghetto consisted of 450,000 human beings.
The point of "Uprising" is not only that for the first time somebody stood up against German occupation, but that some of the fighters did indeed survive. Mordechai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer), Tosia Altman (Leelee Sobieski), and many others depicted in "Uprising" are historic figures. Azaria and Schwimmer obviously stand out, not because of the roles they play in the narrative but also because the actors are going to great pains to remind fans they are not just comic actors. Also standing out are Sadie Frost as Zuckerman's wife, Zivia, and Stephen Moyer as freedom fighter Kazik Rodem, who wrestle with the hard questions of not only knowing what to do, but how to do it. Director and executive producer Jon Avnet has recreated the ghetto in great detail and makes full use of cinematographer Denis Lenoir and composer Maurice Jarre to make sure this television movie looks and sounds like a theatrical film.
"Uprising" repeatedly asks the question of how a moral person can sustain a moral code in an immoral world, and the uprising serves as the obvious answer. Where "Uprising" is different from its predecessors is how Avnet recasts history to emphasize a sense of how the Jews "win" here. Even though the Nazis will kill 99% of the Jews in the Warsaw ghetto, they did not get them all and they did not get them fast enough to please Himmler and Hitler. Nazi General Jurgen Stroop has to endure being out thought and out fought by a bunch of rabble, all the way having his failure filmed by documentarian Fritz Hippler, who is working on "The Eternal Jew" because for some reason the Nazis do not find the German people to be anti-Semitic enough. The Nazis continue to commit atrocities throughout this movie, but the emphasis is clearly on what the other side is doing.
"The Grey Zone," which also came out in 2001, is of a similar mind in terms of presenting Jews fighting back, and depicts the October 7, 1944 uprising when members of the 12th sonder-kommando succeeded in blowing up two of the four crematoria at Auschwitz II-Birkenau. The sonder-kommandos were the ones who escorted their fellow Jews to die in the gas chambers, then took the bodies to the crematoriums, and disposed of the ashes. For four months the sonder-kommandos carried out their duties, and enjoyed certain privileges (compared to the other inmates), and then were executed. This group of Jews also decided to fight back and like those who resisted the Nazis in the Warsaw ghetto, deserve to be remembered. But only once we have accepted the total horror and scope of the Holocaust can we tell stories such as these, ever mindful that they represent a minority report. How many of you were stunned with a train full of Jews left Auschwitz in "Schindler's List"? The incident was true, but it becomes difficult for us to accept that other side of the story given the overwhelming death count of the Final Solution.
The two commentary tracks are a mixed bag. Avnet spends too much time commenting on the historical accuracy of the action and not enough talking about his decisions as a director, particularly with regards to what changes he had to make when his planned theatrical film was downgraded to a television movie. Azaria, Schwimmer, and Voight recorded their commentary two weeks about September 11th, and engage each other to talk about the production and their performances. Sobieski's comments were recorded separately and edited in, and like Avent, she has a hard time going it alone. There are two documentaries accompanying "Uprising." "Resistance" is a too brief look at the history of the resistance movement in the Warsaw ghetto, although it does provide background on the characters and interviews with some of the surviving fighters. "Breaking Down the Walls: The Road to Recreating the Warsaw Ghetto Uprising," is a behind the scenes featurette with clips and interviews. However, anyone inspired to find out more about the history of the events dramatized here will find plenty of resources easily accessible on the Internet.

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After Germany invades Poland in 1939, the Nazis decree that 350,000 Warsaw Jews be forcibly moved into a cordoned area known as the Warsaw Ghetto. Idealistic teacher Mordechai Anielewicz (Hank Azaria) decides the Jews must rise up against the Nazis and creates the Jewish Fighting Organization (JFO).He tries to secure the support of Adam Czerniakow (Donald Sutherland), the morally conflicted head of the Warsaw Ghetto's Jewish Council, but Adam declines because he knows that any act of resistance will provoke the Germans to retaliate by killing innocent Jews.Determined to mobilize a resistance alone if he has to, Mordechai recruits his friends and covert couriers whose ability to pass as Aryan helps them smuggle in arms and explosives from the Aryan side of the city, building up an arsenal to fight the Nazis. When the Germans begin deporting 300,000 Jews to the Treblinka death camp, the JFO begins acts of resistance that culminate with ghetto fighters firing their first gunshots against the Nazis.When it becomes clear that the JFO is a force to be reckoned with, the German High Command sends in General Stroop (Jon Voight), who is determined to end the uprising in two or three days. Capturing the horror that unfolds is Fritz Hippler (Cary Elwes), a filmmaker assigned by Hitler's chief propagandist to promote anti-Semitism with a film about Jewish life in the ghetto. When the Nazis continue to suffer more casualties in their battle with the ghetto fighters, General Stroop decides to raze the ghetto.But even that can't stop the JFO.Forced to go underground into bunkers but energized by their success, the resisters fight on, ultimately holding off the Nazi army longer than the entire country of Poland.They're determined to live with honor--and if need be, die with honor--while lighting the torch for resistance in the occupied territories.

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Never Forget (1991) Review

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(More customer reviews)An outstanding movie of gripping determination and bulldog tenacity!
Leonard Nimoy and Blythe Danner play Mr. & Mrs. Mel Mermelstein, a true-life California couple, thrown into the spotlight of judicial history in the 1980's. He is a Hungarian-born Jew, sole-survivor of his family's extermination at Auchwitz, and she is a Southern Baptist from Tennessee. Their four children are good kids, typical Americans, with just enough spunk and orneriness to irritate each other, but enough love and class to pull together when it counts.
When challenged by a hate group to prove that Jews were actually gassed at Auchwitz, Mel Mermelstein rises to the occasion with the support of his wife and children, in spite of the dangers to himself, his business, and his family.
Dabney Coleman provides Mel's legal help (pro bono) as a lawyer, originally a Roman Catholic from Texas, and brilliantly and believably fits out a role that is my personal favorite among any role he has ever played.
Leonard Nimoy is brilliant as always, and aside from playing Golda Meir's husband opposite Ingrid Bergman, if there was ever a role that shattered his Spock image, this would be it. (Not that I dislike Spock. On the contrary!) Nimoy plays a man who is empassioned, vulnerable to an extent, but tenaciously determined to prove the hate groups to be liars.
Why so committed to such a course? Because before Mermelstein's father died in Auchwitz, he commissioned Mel and his brother (who died shortly thereafter) to "Never Forget" what happened, and to bear witness to the facts of history. Mel Mermelstein did just that, and the United States finally took Judicial Notice of the truth of the Holocaust, some 40 years after WWII.
A great movie! (I taped mine off of TNT a few years ago, when it aired this movie in timed connection with the network premeir of Schindler's List, and this airing was hosted by Leonard Nimoy. I have since worn out my tape. I plan to buy a professional copy when the price drops.)

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Sophie's Choice (1982) Review

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(More customer reviews)Alan Pakula brings the Styron novel to the screen with period-perfection, and he has in his court a trio of superb performances, lead, of course, by Meryl Streep, who finally won me over with her transformation into Sophie. The character is layered and rich with emotional baggage, and Meryl's performances is nothing short of transcendental. When I saw this movie in the theatre upon its release, there was an older woman in the audience, towards the front, who ran screaming from the theatre, her hands on her ears, during the gut-twisting "choice" sequence. Kevin Kline and Peter MacNicol, who do battle over Sophie, and within their own hearts, are exceptional foils for Sophie, and each brings a resonance to the evocative Brooklyn locations. The European sequences, swathed in a sepia tone, are mesmerizing and horrific. Sophie's journey is also a mystery, and it unravels with devastating results. Marvin Hamlish designed the lush musical score, which continues to rip my heart open every time I play it. While Schindler's List is a more gigantic vision of the experience of the Holocaust, this movie is intensely personal, but does perhaps more to drive a stake through your heart. You will continue to wonder, long after the haunting images of Sophie's face fade from view, what might you have done in her shoes?

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SOPHIE'S CHOICE - DVD Movie

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Out of the Ashes (2003) Review

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(More customer reviews)This biographical film relates the story of Auschwitz survivor, Dr. Gisella Perl, providing an important chapter into the lives of those poor souls tortured into unthinkable acts in order to survive during the Holocaust of WWII.
Dr. Gisella Perl (Christine Lahti) arrives in New York with tear filled eyes begging for a new life after WWII. Perl wanted to be a doctor from childhood; she studied hard and managed to open a very successful private practice in Hungary. Her only downfall ended up being her bloodlines and this very strong woman soon found herself carted off to Auschwitz. In a series of flashbacks Perl is examined by a committee of American INS men who are judging her character as a step towards her citizenship. Perl is seen as a survivor who at times may have saved her own life at the sake of others and she is accused of collaborating with the Nazi doctor like the retched Josef Mengele. In actuality Perl saved many women by sacrificing the unborn lives of their fetuses after being tricked by Mengele into submission and having to see what went on behind the walls of Auschwitz. Despite the horrors she witnessed Perl survived to flourish once again and her true story is one of an undying spirit.
Christina Lahti is phenomenal in her role as Gisella Perl. She manages to capture both the brokenness and the strength of this woman with equal determination. Many scenes in this film are absolutely gut-wrenching but entirely important. As stated in the film Auschwitz became its own country and the "rules of humanity" no longer applied. Under these circumstances many atrocities were committed by Nazi's and the Jewish prisoners alike...who is to say what depths a human being can reach under the horror of the Holocaust? In order to thrive in the conditions faced by the prisoners they were forced to either submit and then be burned alive or to calculate another way of living. Gisella Perl did just that. Despite how you feel about abortions this woman had to perform the procedures bare handed and under intolerable conditions in order to save the lives of women prisoners. She was forced under threat to assist in "experiments" beside Mengele and even went as far as saving a female Nazi guard from her own "predicament" without question. Placed in the same circumstances few of us would have ever survived so leave your moral judgments behind on this one. Instead allow this one woman's story to matter so that the ashes of Auschwitz and all of the other concentration camps never establish a foothold in our world again.


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In Out of the Ashes, one woman is forced to choose between two horrifying acts of evil, and ultimately finds the courage to make the right choice.Based on actual events that occurred during World War II that chronicles the life of Dr. Gisella Perl, a woman who lost her entire family and was forced to start life over in America.

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Hitler in Colour (2005) Review

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(More customer reviews)Adolf Hitler and the people of the Third Reich are seen here as we've never seen them before -- not only in color, but laughing, clowning, having a good time.
Well, the German people were, anyway. Hitler always seemed to be too aware of his position as the stern, implacable warlord to loosen up whenever he even suspected a camera was focused on him. To see Der Fuehrer smile, laugh or appear even moderately light-hearted, you have to watch for the moment when he happens to be looking partially away from the camera, to have momentarily forgotten its presence. There is one scene where he chats briefly with a group of German children, giving one pretty little blonde girl a hug. But it's shot from a short distance and his face is partially hidden. I've seen still photos, candid ones, of Adolf Hitler interacting with children, who seem to be relaxed and happy in his presence. Look at those photos, and read reminiscences of people who were close to Hitler, and you'll find out, probably to your amazement, that yes, the "most evil man in history" was fond of children.
"Hitler In Colour" does give us a much more "human" look at the German people of the Third Reich era, showing them at work and play (although footage of smiling children giving the Nazi salute are admittedly unsettling.) Normal human interactions and the underlying evil of the Nazi era often were overlaid, one on the other.
This DVD is very illuminating for those who have until now only seen fading black and white movies of the Hitler era. It is an experience not to be missed.

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The producers of the internationally acclaimed and award-winning In Colour DVD series now bring Hitler in Colour, a telling story of the rise and fall of a man who devastated the lives of countless numbers of people around the world. For 12 years, Hitler's overpowering personality dominated the German nation. He led his people from economic ruin in European conquest and to the brink of creating a New World Order. In his wake, he brought a reign of terror that caused death to millions. Drawing from recently discovered German film collections that comprise hours of previously unseen color footage, and woven with eyewitness testimony, Hitler in Colour tells the astonishing and disturbing story as never before. Narrated by Emmy Award winning British actor Brian Cox.

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Eva Braun Her Home Movies Complete and Uncut Vol. 1 Review

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(More customer reviews)Yes, there are some scenes that are washed out or too dark & there are plenty of wateraction scenes, but keep in mind that this young lady was filming with her camera for her own entertainment and certainly had no ideas of her home movies being captured by the US Army or published for the world's critique some three quarters of a century later. These movies are just that, the good, the bad and always the interesting. Simply put, these movies reflect what was important and enjoyable to Eva Hitler nee Braun. She was a young lady thrust into the political vortex of great power and somehow still maintained her balance, sense of humor and happiness. There are scenes of children, flowers, lakes, snow capped mountains, the Berghof, the Fuhrer, top National Socialist leaders, her friends, her sister's wedding, etc. Take them for what they are and learn from them. The format of no commentary and using classical music as a background is probably the best way to present them since any comments would only be negative and take away from her original intent. Afterall we have heard enough anti-Hitler propaganda to last ten generations since 1933 and for once it is a pleasure to be able to study her films without distraction. This set of films on three cd's is an outstanding historical assest for research and gives one, if they should allow, a peek into the mind of one Bavarian girl who enjoyed life as much as her circumstances would allow and who also had a touch of being an modest film artist.

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Liberation Review

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(More customer reviews)This documentary, although put out by Koch Lorber Films in association with the Simon Wiesenthal Center and billed as a film about the Shoah, is actually about WWII and how it was won. Naturally the Shoah is also covered, but as part of the whole story about WWII, not the only or primary subject. There are firsthand accounts, film footage of battles, soldiers, and civilians, excerpts from letters, journals, and communications, footage from movies about WWII, pictures, songs, footage from celebrities entertaining and helping out the troops at canteen shows, and much, much more. Along the way we get insight into different facets and aspects of those years, like from soldiers, people on the homefront, victims of Nazi tyranny, and people in the underground. We also get a lot of anecdotes and vignettes to illustrate what's currently being talked about. Two such anecdotes were the story about the British woman who wanted to do her part for the war effort by hosting 6 American GIs for Sunday lunch before they shipped out for the invasion, but wrote "No Jews, please" on her memo, and in response got 6 African-American soldiers who showed up at her door, telling her that there was no mistake, since Colonel Cohen never makes mistakes, and the moving story about the man who was hiding during an Aktion in one of the ghettoes in Poland and found himself in a room with a woman and her 3 young children. The woman was hiding in a different corner from her children, and her children were caught. One of the boys screamed for her, but his older brother told him in Yiddish, "Zog nicht Mameh," "Don't say Mama," since then that Nazis might capture her too.
Running throughout the film is the Morse Code signal for Victory, dot-dot-dot-dash, which was used all over Europe as a sign that someone was working against the Nazis and was one of the good guys, and a signal that was played on the radio to let people know that things were going well. The symbols making up this word in Morse Code are also played at the bottom of the screen each time we get to a new historical event, with the date it took place or began being inside of the dash. As a final emphasis on this theme, we see that some of the liberated Europeans featured in the film footage near the end have those very symbols, three dots and a dash, sewn onto the backs of their jackets so that when they stand in a row, they're giving the Victory signal.
I kind of wish this documentary had been a little bit longer, given how much happened during those years and how much material there is out there, but one film can't and shouldn't be expected to cover everything on such a monumental subject. As it stands, it's a great introduction to an important historical event.

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Miracle at Midnight (1998) Review

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(More customer reviews)I watched this outstanding Disney made-for-tv movie many, many times, and I LOVE it!!
I first saw when it premiered on TV on the "Wonderful World of Disney" show in the spring of 1998. At that time I taped it on a VHS tape off of TV, and I loved it so much that I watched it over and over many, many times.
I should have broken the security tab on the tape, but because there were still several hours of free space left on the tape (it was taped in EP/SLP mode) I thought I would wait until the tape was filled before breaking it.
Unfortunately a couple of years later, I ended up accidentally taping over this great movie with something else, thereby erasing it. I was so upset, and so I am VERY glad to FINALLY have this movie on DVD!!

Since getting this terrific movie on DVD I have watched it so many times I have lost count!! I am also going to buy the soundtrack for it too, because the music is so moving and poignant.
Miracle at Midnight is the touching made-for-TV movie based on true events during World War II. It is set in Denmark during September 1943,(the information in the Amazon.com Editorial Reviews is either a typo or other error)and stars Sam Waterston and Mia Farrow as Dr. Karl (Waterston) and Doris(Farrow) Koster, a Christian couple living in Copenhagen with their two children, 18 year old Hendrik (Justin Whalin) and preteen Elsa (Nicola Mycroft) during the Nazi occupation of Denmark.
When Dr. Koster learns that after three years of occupation, the Nazis are going to start deporting the Jewish people in Denmark, he and his family realize that they can no longer sit by and watch their friends, neighbors and countrymen, be taken, and dragged away to Nazi concentration camps and death camps. They decide to do whatever they can to help those in danger.
While Dr. Koster uses his position of Chief Surgeon to protect a young Resistance fighter who was shot by the Nazis, his 18 year old son Hendrik risks his life working for the same Resistance group, commandeering and seizing shipments of weapons that were sent to the Nazis.
But it all comes to a head on Wednesday, September 29, 1943, when Dr. Koster gets word that the Nazis have planned a mass arrest and deportation of all Jewish people, at Midnight on that Friday, which is the start of the Jewish holiday Rosh Hashanah.
Dr. Koster, his family, and his entire hospital staff, band together with the Resistance, and the Danish people,
realizing that they are going to have to work really fast if they want to save the thousands and thousands of innocent Jewish people in Denmark from being dragged off to Theresienstadt Concentration Camp by the Nazis.
They set up plans to find hiding places for the Jewish people, and get them safely through the initial raids, while they try to convince the Swedish government, to accept them, and find ways to transport them up the Danish coast to Sweden. As a majority of the Danes hate the Nazis, they are all willing to help, opening their homes, providing money and transportation.
While Hendrik works with the Resistance, securing trucks and other means to take Jewish people up the coast of Denmark to Sweden, his father, Dr. Karl Koster uses his position as Chief Surgeon at Christiana Hospital to hide Jews in the hospital, and his mother, Doris, and sister, Elsa, help out by letting their Jewish friends, Rabbi Ben Abrams, his wife, his daughter Hannah, and her fiance Michael hide in their attic.
Eventually the Nazis catch up to them, and the Kosters themselves are forced to flee for their lives. But before escaping, they are, in a matter of a couple of days, able to help save over 7,000 Danish Jews, in a miraculous rescue!
Miracle at Midnight is a TERRIFIC movie! It is just WONDERFUL having it on DVD! Now I can enjoy it for years to come!!

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Here's the uplifting, true-life story of how one Danish family risked their lives in the remarkable effort to save thousands of their Jewish countrymen. To protect Denmark's Jews from the horror of Nazi concentration camps, the Christian Koster family attempts to save their neighbors. Hendrik (Justin Whalin -- SERIAL MOM, TV's LOIS & CLARK: THE NEW ADVENTURES OF SUPERMAN) and his doctor father (Sam Waterston -- TV's LAW & ORDER, THE KILLING FIELDS) begin the dangerous task of deceiving the Nazis and hiding Jewish families. When the Koster men must themselves go into hiding, Justin's sister and his mother (Mia Farrow -- MIAMI RHAPSODY, HUSBANDS AND WIVES) are left to face capture by the suspicious Gestapo. This gripping historical drama combines with a triumphant celebration of the human spirit for a family adventure you'll never forget.

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The Devil's Arithmetic (1999) Review

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(More customer reviews)I recently showed this film to my 7th graders as a part of our study of the Jewish people. I wasn't sure what to expect. To be certain, Kirsten Dunst (Hannah) is popular with teens today, yet I could not guess how a film dealing with Passover Seders, Hebrew traditions, and a war so far away from the life of modern teens would go over in my classroom.
To my surprise, the film proved to be the most riveting and attention-holding movie I can ever recall showing. In it are contained superb acting, eerie (and effective) musical interludes, and a suspense of time-travel that will hold teenagers absolutely spellbound!
Dustin Hoffman's poignant introduction reveals his passion that young people today never forget the holocaust. As long as this film is available to be watched, they won't.
At times, the suffering of the Jews (made personal by Dunst's wonderful performance) pushes the emotional limit of what I felt my students could take. Yet, with craft and artistry, we are spared in "The Devils' Arithmetic" the emotional overload of "Schindler's List". This is as it should be. "The Devil's Arithmetic" is geared to teenagers.
If ever a theme of love, sacrifice, and the horror of hatred needed portrayal outside the realm of religion, one could not do much better than to show this film. What Hannah does for her best friend at the movie's conclusion is as gut-wrenching as it is predictable, and Nazi treatment of the Jews is brutally captured with appropriate reserve--no easy task! In the end, a young Jewish girl who began only with an interest in tattoos learns the lessons of history, tradition, and above all--life's priorities. In a nutshell, how lives and a culture can change in an instant is the strength of "The Devil's Arithmetic".
Be very sure--this film will make a powerful impact on young teens! The dropping of the gas pellets at the conclusion of the dream sequence is intense...very intense. Yet how can the Holocaust be portrayed without such reality? With younger teenagers, take care that background preparation, as well as a reflective time for discussion is provided. This movie packs an emotional punch, and will leave young minds impressed forever.

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Based on the popular novel by Jane Yolen, a typical American teenager gets transported back in time and experiences firsthand the horrors of the Holocaust and discovers the meaning of her family’s heritage.

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