Showing posts with label anti-semitism. Show all posts
Showing posts with label anti-semitism. Show all posts

The Diary of Anne Frank (1959) Review

The Diary of Anne Frank (1959)
Average Reviews:

(More customer reviews)
Holocaust survivor Elie Wiesel once wrote that dramatizing the Holocaust was a futile task, not because dramatization could not be done, but because any such attempt would trivialize the evil inherent in the Nazi persecution of the Jews. Wiesel had good reason for his belief, having directly experienced what circumstances were like at the Auschwitz death camp.
In one sense I agree with Wiesel; however, I also agree with those, such as director George Stevens, who believed that dramatization served the critical purpose of informing the public of what occurred during the Nazi era. Further, as Otto Frank maintained, it was important that audiences realized that what his family and other Jewish people endured was not something restricted to Jews, but was, rather, an object lesson for the persecution of all people forced to endure the tyranny of genocidal regimes.
In a sense, therefore, it's inevitable that Stevens' filming of 'The Diary of Anne Frank' both failed and succeeded. It failed in that it commercialized the Holocaust, as every dramatic production is forced to do. But it succeeded in its educational mission, especially considering that at the time of its release in 1959, few people were aware of Anne Frank's diary, or of the Holocaust generally.
Seeing the film today, it is still a powerful experience. Admittedly, as an aspect of its commercial treatment, certain elements were introduced that either were not in the original diary ---- such as the stealing of bread by Albert Dussell (pseudonym of Friedrich Pfeffer) ---- or were exaggerated for dramatic reasons (the love interest between Anne and Peter Van Dann). But the overall power of the basic situation ---- the intense atmosphere of tension and claustrophobia ---- and the story of Anne Frank's adolescent transformation and her growing awareness of the transformation of Dutch society through Nazi oppression ---- gives us a window on the Holocaust which is unique. The film, like the diary, holds up a mirror of conscience in what must have seemed at the time to be a world of sprawling insanity. Anne Frank triumphs, as the Nazis emphatically did not, in transcending the contradictions within herself, and as a consequence her idealism shines through at the end (even if this, too, was exaggerated for cinematic reasons).
Millie Perkins, who plays Anne in the film, has sometimes been slighted for her ostensibly awkward performance, but I believe this is a cynical and unjust criticism. For one thing, Perkins was not a trained actress, but rather a model who happened to have the right look and personality for the part. But as both the documentary and one of the other supplements on this DVD point out, this was precisely why George Stevens chose her for the role. He wanted an unknown actress, not a professional who would 'impose' her persona on the character. He believed ---- and I think correctly ----- that her look of innocence, and aura of adolescent idealism, were perfect for what he desired, and it's ultimately these qualities which impress us by their contrast with the horrific circumstances that surrounded her.
The other cast members are also superb. Though Shelley Winters won an Oscar as Best Supporting Actress, virtually all the actors, especially Joseph Schildkraut and Ed Wynn, are equally brilliant. In fact, Schildkraut not only physically resembled Otto Frank, but, according to Anne Frank's cousin (interviewed as part of the accompanying documentary, 'Echoes of the Past'), was also similar to him in terms of personality and demeanor. Wynn, for his part, turns in an amazingly convincing performance in a serious role, playing completely against type.
Whatever the liberties taken by the screenplay writers for 'Diary,' the film remains faithful to the core experiences related in Anne Frank's journal ---- both to her inner emotions and conflicts with her family, and to her widening awareness of her family's place in the overall scheme of Nazi terror. The fact that this DVD transfers the film in such superior video and audio quality, and adds several excellent supplements (including a first-rate 90-minute documentary), makes this disc a fine addition to anyone's video collection.

Click Here to see more reviews about: The Diary of Anne Frank (1959)

A diary discovered in the attic of an Amsterdam factory reveals the plight of a jewish refugee family that lived there in hiding for two years during the Nazi occupation.

Buy Now

Click here for more information about The Diary of Anne Frank (1959)

Read More...

Anne Frank - The Whole Story (2001) Review

Anne Frank - The Whole Story (2001)
Average Reviews:

(More customer reviews)
As i write this review, this film is just finishing up, and I must say, this is one of the most moving accounts of Anne Frank that I've seen to date. We all know the story of Anne Frank, how it started, and what a complete tragic end of her life; and more importantly, what hope she brought to the world that killed her. This film is a remarkable, incredible retelling of the life of Anne Frank.
The reasons why this film soars, aboslutely soars, are numerous. First, the film tells the complete story, from before the Franks hid in the Annex, until her final days in the concentration camp. Whereas some films tend to linger solely on Anne's days in the Annex, this wider focus gives us the larger picture. Anne's time in captivity is heart wrenching; we have fallen in love with the tempestuous, darling girl and to see her solely fade away is devastating. It serves as a testament both to the millions lost, and the one girl that would write a book to change the world.
Secondly, the performances in this movie are amazing. Ben Kingsley and Brenda Blethyn lend their star-stature names to this project, and turn in performances that are real and dignified. Favorite Lili Taylor, who is one of America's most talented actressses, gives a quiet, powerful performance as Miep Gies. It's Hannah Taylor Gorden, as Anne, brings Anne to life with complexity and grace. Gordon honors Anne in every scene, never deifying the girl, but making her real, human. She even writes the way Anne did, holding the pen as Anne would have held it. That attention to detail does not go unnoticed by those of us who love Anne. It was a perfect match of actress and role.
Third, this film is visually beautiful. Often, you expect a "lower" standard of technical excellence in a television film. Rightfully so, ABC and the director, Robert Dornhelm, give this film a professional style. There are several scenes where you are just in awe, apart from the incredible story.
It was sad for me to learn that this film was not endorsed by the Anne Frank Foundation, because the film was based on a biography not approved by the foundation. Whereas I think its important to have the Foundation so Anne's life can be told in a honest way, they should have seen the film before making a judgment. This movie is a beautiful testament to a beautiful life, and it should be free from any political wranglings like this.
By the final scene, when Miep gives Otto Frank his daughter's diary, and he travels back into the Annex to look at it, my heart was breaking. Anne didn't live to see the effect she'd have on the world, but I think for all of us, we have adopted Anne as our own daughter or sister. She belongs to the world now, and we are responsible to take care of her, to make sure her story is told generation after generation, to honor her life by ensuring nothing like this ever happens in history again.

Click Here to see more reviews about: Anne Frank - The Whole Story (2001)

Ben Kingsley, Brenda Blethyn, and Hannah Taylor Gordon star in the stirring tale of one of the most influential young women of the 20th century. Based on Melissa Muller's critically acclaimed book, ANNE FRANK goes beyond the story you already know and paints the true portrait of Anne both before and after she went into hiding. Get to know the high-spirited and popular girl before the war, and experience the challenges of the brave people who risked their lives trying to keep her safe. ANNE FRANK also explores the enduring mystery of who betrayed the Frank family and reveals what happened next.

Buy NowGet 17% OFF

Click here for more information about Anne Frank - The Whole Story (2001)

Read More...

The Garden of the Finzi Continis (1971) Review

The Garden of the Finzi Continis (1971)
Average Reviews:

(More customer reviews)
In "The Garden of the Finzi-Continis" (1970)--based on the autobiographical novel by Giorgio Bassani--legendary Neorealist filmmaker, Vittorio de Sica, dramatizes the human cost of the "racial laws" gradually implemented against the Jews in Fascist Italy during the years 1938-43. The more Bassani's young middle-class Jewish protagonist feels the brunt of Mussolini's anti-Semitic edicts encroaching upon him, the more he feels drawn to the aristocratic Jewish Finzi-Continis' estate--their Edenic "garden"--and to Micòl, the family's beautiful young daughter. Psychologically, this compulsion seems to stem from a deep emotional attachment to a perpetually innocent, untroubled state of childhood, which both Micòl and her garden seem to represent. Throughout the film, there is a marked conflict between childhood and adulthood, between the distant past and the immediate present, between the act of retreating into a world of comfortable illusions and confronting a world of harsh and bitter realities.
I found this particular aspect of the story very fascinating, although too tantalizingly obscure and open-ended--and thus, not quite as illuminating or fulfilling as it might have been were it more clearly explained. (This could the reason why some people find the film--and its heavily symbolic, impressionistic style--a little confusing and underwhelming.)
For Giorgio--both the naive hero and wisened author of the story--Micòl embodies the mystery and allure of the Finzi-Continis, as well as their insularity and their apparent passivity in the face of the escalating Fascist crackdown. She always appears distant and unattainable, with no obvious reasons for her actions, and never really provides a direct, comprehensible explanation for her insistent rejection of Giorgio or for what appears to be a subtle streak of cruelty towards him. Her conversation with him always seems deliberately vague, and her refusal to make any further connection with him has a curious, almost perverse kind of fatalism about it.
Again, this is another feature of the film that is certainly intriguing--and strangely seductive-- but, alas, never quite pays off enough to become fully understandable to either the protagonist or the audience.
When the Fascists finally do arrest the Finzi-Continis and confiscate their estate it comes as something of a surprise. The muted and deliberately spare representation of these characters and their feelings, as evidenced in their unusually restrained behavior, is meant to isolate and heighten the impact of a few devastating strokes of sudden realization and lucidity--pointed indications that the protective spell of the Finzi-Continis has been finally broken.
All in all, well-acted and gorgeously, languidly poetic in its imagery...yet, narrative-wise, the picture seems overly elliptical and ultimately opaque--and leaves just a few too many rough fragments and loose ends lingering at the end of the story (not quite Proustian irony, maybe?). In spite of this peculiar drawback, the film finishes very effectively, and by the final desolate shots, you are left with an unexpectedly intense feeling of loss and anguish.
"The Garden of the Finzi-Continis" is a very unusual and interesting (and thankfully, non-sentimental and non-self-important) addition to the ever-expanding canon of dramatic films about life in the shadow of the Holocaust.
Good show. I give this one four out of five stars.

Click Here to see more reviews about: The Garden of the Finzi Continis (1971)



Buy Now

Click here for more information about The Garden of the Finzi Continis (1971)

Read More...