The Birth of a Nation (1915) Review

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(More customer reviews)While it seems that many reviews posted on the DVD site aren't actually for this DVD, this review is specifically a review of Kino's Griffith Masterworks edition. The DVD contains the most complete version of The Birth of a Nation known and available. The film is 187 min. long on this disk. It is a beautiful print, well restored and re-tinted. A beautiful print. The musical score is clever and very entertaining too. I think of any bad thing to say about the disk. I think most know of the story line and its hints of racism. It's there and it can't be argued away. D.W. Griffith was a son of a Civil War soldier and grew up in the South. He used the book The Clansman by Thomas Dixon Jr. as it jibed with his own viewpoints and many of the day. The hero worship of the Klan actually encouraged its resurgence in late 1910s and 1920s into the 30s. The racism brought Griffith so much grief, he spent his life trying to justify his views and created Intolerance to offset the criticism. What brings The Birth of a Nation is its reliance on story and use of the film camera never tried before in the USA before. It is a cinema powerhouse and actually a pretty moving film. Never before had Americans seen the cinema come to life before. Some French, Italian and German filmmakers created feature films that are quite good and successful, but World War I basically destroyed their film industries and the US reigned supreme. DW Griffith took American film to the next level permanently. No longer were films relegated to the poorer urban areas and Nickelodeons. It was now a popular art form and respectable to attend the cinema. The DVD also includes a making of, and introduction by DW himself made in 1930, and several early versions of his Civil War films. It seems to me that because of the closeness to the time period, the films might indicate a closer idea of how former Confederates actually thought and how they remember the war.

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Based on a play called "The Clansmen," D.W. Griffith's three-hour Civil War epic traces the development of the Civil War itself, the assassination of Abraham Lincoln and the rise of the Ku Klux Klan through the lives of two families.

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Anne Frank - The Whole Story (2001) Review

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(More customer reviews)As i write this review, this film is just finishing up, and I must say, this is one of the most moving accounts of Anne Frank that I've seen to date. We all know the story of Anne Frank, how it started, and what a complete tragic end of her life; and more importantly, what hope she brought to the world that killed her. This film is a remarkable, incredible retelling of the life of Anne Frank.
The reasons why this film soars, aboslutely soars, are numerous. First, the film tells the complete story, from before the Franks hid in the Annex, until her final days in the concentration camp. Whereas some films tend to linger solely on Anne's days in the Annex, this wider focus gives us the larger picture. Anne's time in captivity is heart wrenching; we have fallen in love with the tempestuous, darling girl and to see her solely fade away is devastating. It serves as a testament both to the millions lost, and the one girl that would write a book to change the world.
Secondly, the performances in this movie are amazing. Ben Kingsley and Brenda Blethyn lend their star-stature names to this project, and turn in performances that are real and dignified. Favorite Lili Taylor, who is one of America's most talented actressses, gives a quiet, powerful performance as Miep Gies. It's Hannah Taylor Gorden, as Anne, brings Anne to life with complexity and grace. Gordon honors Anne in every scene, never deifying the girl, but making her real, human. She even writes the way Anne did, holding the pen as Anne would have held it. That attention to detail does not go unnoticed by those of us who love Anne. It was a perfect match of actress and role.
Third, this film is visually beautiful. Often, you expect a "lower" standard of technical excellence in a television film. Rightfully so, ABC and the director, Robert Dornhelm, give this film a professional style. There are several scenes where you are just in awe, apart from the incredible story.
It was sad for me to learn that this film was not endorsed by the Anne Frank Foundation, because the film was based on a biography not approved by the foundation. Whereas I think its important to have the Foundation so Anne's life can be told in a honest way, they should have seen the film before making a judgment. This movie is a beautiful testament to a beautiful life, and it should be free from any political wranglings like this.
By the final scene, when Miep gives Otto Frank his daughter's diary, and he travels back into the Annex to look at it, my heart was breaking. Anne didn't live to see the effect she'd have on the world, but I think for all of us, we have adopted Anne as our own daughter or sister. She belongs to the world now, and we are responsible to take care of her, to make sure her story is told generation after generation, to honor her life by ensuring nothing like this ever happens in history again.

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Ben Kingsley, Brenda Blethyn, and Hannah Taylor Gordon star in the stirring tale of one of the most influential young women of the 20th century. Based on Melissa Muller's critically acclaimed book, ANNE FRANK goes beyond the story you already know and paints the true portrait of Anne both before and after she went into hiding. Get to know the high-spirited and popular girl before the war, and experience the challenges of the brave people who risked their lives trying to keep her safe. ANNE FRANK also explores the enduring mystery of who betrayed the Frank family and reveals what happened next.

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Gran Torino (Widescreen Edition) Review

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(More customer reviews)Throughout his illustrious acting career, Clint Eastwood has delivered a series of iconic characters, such as The Man with no name, Dirty Harry, Josie Wales, and Will Munny in Unforgiven.
Throughout his illustrious directing career he has delivered outstanding movies such as Unforgiven, Mystic River, and Million Dollar Baby, for which he has won five Academy Awards, for best Picture, Best Director, and including the Irving Thalberg Life Achievement Award.
The actors who have worked with him have been blessed with Oscar: Gene Hackman for Unforgiven, Tim Robbins and Sean Penn for Mystic River, Morgan Freeman and Hilary Swank for Million Dollar Baby.
In Gran Torino he both directs and acts, and delivers an acting performance that will be remembered long after the final credits roll, in its unique way, as memorable as any other character he has created.
Gran Torino is the second best movie I have seen this year. Not just for the acting, not just for the directing, but for the storytelling, and the emotional journey on which it takes you, the laughter, the feeling of being gripped, and its more surprising moments.
In the opening scenes, we have the exposition of the character. We get to know Walt Kowalski, by how people act around him, and his seemingly hateful attitude towards people. More is conveyed through a scowl, and a snarl than with words. When the mischievous grandchildren go through his stuff in the basement, we see the Silver Star he won in Korea. There are three other important symbols in the movie, the lighter, the gun, and the car.
We see a hero with a warrior past, a patriot who fought for a cause greater than himself. Clearly, his bigotry stems from those experiences.
He's not just mean, he's 'get of my lawn' mean. He's Dirty Harry 'Go ahead punk, make my day!,' mean.
His dead wife's priest bugs him to hear his confession, at her request. The priest in a way is his wife's conscience.
When he snarls down the barrel of his rifle, at the neighborhood punk: 'I could blow your head off, and sleep like a baby,' you get the sense that he means it.
So, with all that happens, we see the change in his decision making, from someone reluctant to be involved in his neighbor's affairs, and a story can turn on something as random as looking at an empty beer cooler.
For all his faults, Walt has mature masculine character. Even though he is a difficult father, he has taught his children character. So, when he sees the boy next door lacks character, and a strong male role model, he takes him under his wing, and teaches him how to be a man.
The scenes where the boy practises Walt's high octane ball busting banter, are the funniest in the movie. Through knowing Walt, he makes decisions he never would have made by himself. In so doing, Walt finds meaning and purpose, and a chance for redemption, and the boy becomes a man.
The Academy's actor awards tend to go to actors in two types of role:
1.Psychopath- No Country for Old Men, The Usual Suspects, There Will Be Blood, Training Day, Silence of the Lambs.
2.Mentally Disabled, Social or Physical Handicap, overcomes great adversity or discrimination- Shine, As Good as It Gets, A Beautiful Mind, Ray, Scent of a Woman, Capote, Philadelphia, The Pianist, A Beautiful Life.
Every rule has an exception. Russell Crowe in Gladiator played a character with thematic similarities to Walt.
For a 78 year old man to direct and be lead actor in a movie of this caliber is an achievement worthy at the very least of being nominated for the highest award for Acting, Directing or both.
I hope you find this review helpful.

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A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.

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