Showing posts with label jewish heritage. Show all posts
Showing posts with label jewish heritage. Show all posts

Schindler's List (1993) Review

Schindler's List  (1993)
Average Reviews:

(More customer reviews)
Meet Oskar Schindler. A German living in occupied Poland during World War II. A member in good standing of the Nazi party. A womanizer, a war profiteer...and ultimately a man of conscience. A man who became one of the great unsung heroes and humanitarians of the war.
"Schindler's List" chronicles Oskar Schindler's spiritual odyssey from war profiteer to humanitarian and hero. Winner of seven Academy Awards® in 1993, including Best Picture, this harrowing and heart-rending film is Steven Spielberg's masterpiece, and perhaps one of the finest and most important movies ever made. It depicts Schindler's ultimately successful attempt to rescue 1,100 Jews from Hitler's "Final Solution" by getting them to safety outside Poland.
Dynamic performances abound in this beautiful movie, Especially noteworthy are Liam Neeson as the suave Schindler, Ralph Fiennes as the monstrously depraved Nazi colonel, Amon Goeth, and Ben Kingsley as the dignified, principled Jewish prisoner Itzhak Stern.
"Schindler's List" is definitely not light entertainment! This beautiful movie allows viewers to feel like they're actually a part of one of the darkest, most horrific periods in history. (I'm sure this is the reason the film was shot in black-and-white, with only minor "colorized" bits included.) The story of the Holocaust needs to be told over and over again, in hopes that future generations can understand the horrors perpetrated on an entire race of people and prevent future occurrences. "Schindler's List" is perhaps one of the best and most effective vehicles for telling that story I've ever experienced.

Click Here to see more reviews about: Schindler's List (1993)



Buy NowGet 65% OFF

Click here for more information about Schindler's List (1993)

Read More...

Anne Frank - The Whole Story (2001) Review

Anne Frank - The Whole Story (2001)
Average Reviews:

(More customer reviews)
As i write this review, this film is just finishing up, and I must say, this is one of the most moving accounts of Anne Frank that I've seen to date. We all know the story of Anne Frank, how it started, and what a complete tragic end of her life; and more importantly, what hope she brought to the world that killed her. This film is a remarkable, incredible retelling of the life of Anne Frank.
The reasons why this film soars, aboslutely soars, are numerous. First, the film tells the complete story, from before the Franks hid in the Annex, until her final days in the concentration camp. Whereas some films tend to linger solely on Anne's days in the Annex, this wider focus gives us the larger picture. Anne's time in captivity is heart wrenching; we have fallen in love with the tempestuous, darling girl and to see her solely fade away is devastating. It serves as a testament both to the millions lost, and the one girl that would write a book to change the world.
Secondly, the performances in this movie are amazing. Ben Kingsley and Brenda Blethyn lend their star-stature names to this project, and turn in performances that are real and dignified. Favorite Lili Taylor, who is one of America's most talented actressses, gives a quiet, powerful performance as Miep Gies. It's Hannah Taylor Gorden, as Anne, brings Anne to life with complexity and grace. Gordon honors Anne in every scene, never deifying the girl, but making her real, human. She even writes the way Anne did, holding the pen as Anne would have held it. That attention to detail does not go unnoticed by those of us who love Anne. It was a perfect match of actress and role.
Third, this film is visually beautiful. Often, you expect a "lower" standard of technical excellence in a television film. Rightfully so, ABC and the director, Robert Dornhelm, give this film a professional style. There are several scenes where you are just in awe, apart from the incredible story.
It was sad for me to learn that this film was not endorsed by the Anne Frank Foundation, because the film was based on a biography not approved by the foundation. Whereas I think its important to have the Foundation so Anne's life can be told in a honest way, they should have seen the film before making a judgment. This movie is a beautiful testament to a beautiful life, and it should be free from any political wranglings like this.
By the final scene, when Miep gives Otto Frank his daughter's diary, and he travels back into the Annex to look at it, my heart was breaking. Anne didn't live to see the effect she'd have on the world, but I think for all of us, we have adopted Anne as our own daughter or sister. She belongs to the world now, and we are responsible to take care of her, to make sure her story is told generation after generation, to honor her life by ensuring nothing like this ever happens in history again.

Click Here to see more reviews about: Anne Frank - The Whole Story (2001)

Ben Kingsley, Brenda Blethyn, and Hannah Taylor Gordon star in the stirring tale of one of the most influential young women of the 20th century. Based on Melissa Muller's critically acclaimed book, ANNE FRANK goes beyond the story you already know and paints the true portrait of Anne both before and after she went into hiding. Get to know the high-spirited and popular girl before the war, and experience the challenges of the brave people who risked their lives trying to keep her safe. ANNE FRANK also explores the enduring mystery of who betrayed the Frank family and reveals what happened next.

Buy NowGet 17% OFF

Click here for more information about Anne Frank - The Whole Story (2001)

Read More...

Uprising (2001) Review

Uprising (2001)
Average Reviews:

(More customer reviews)
"Uprising" is a story of the Holocaust that really could not be told until NBC showed this two-part made-for-television movie in 2001. The story of the Warsaw ghetto uprising has been told before. In the 1978 mini-series "Holocaust," a major subplot had to do with Moses Weiss (Sam Wanamker), who becomes active in the uprising before being caught and shot by the Nazis at the end. Other movies dealing with the Holocaust have touched on this heroic but futile act of resistance against Hitler's army. This time, however, the point is to cast the uprising in terms that count for more than a moral victory.
When Poland fell to Nazi Germany the city's Jewish population was put into a walled in section of the city, thereby creating the ghetto. In the summer of 1942, after 300,000 Jews were deported from Warsaw to Treblinka the first reports of mass murder were heard in the Warsaw ghetto. Mordecai Anielewicz, then 23-years-old, and other young Jews formed the Zydowska Organizacja Bojowa (Jewish Fighting Organization), issuing proclamations calling for the Jewish people to resist being sent away in railroad cars to the death caps, and firing upon German troops trying to round by Jews for deportation.
The "Uprising" began on April 19, 1943, when German troops and police entered the ghetto and were repulsed by the fighters. It is believed that less than a thousand such fighters held off the heavily armed and better trained Germans for almost a month, using mostly pistols and Molotov cocktails, but on May 16 the revolt was finally crushed. Seven thousand of the 56,000 Jews captured were shot, and the rest were deported to either killing centers or concentration camps to be exterminated by the Nazis. At one point the Warsaw ghetto consisted of 450,000 human beings.
The point of "Uprising" is not only that for the first time somebody stood up against German occupation, but that some of the fighters did indeed survive. Mordechai Anielewicz (Hank Azaria), Yitzhak Zuckerman (David Schwimmer), Tosia Altman (Leelee Sobieski), and many others depicted in "Uprising" are historic figures. Azaria and Schwimmer obviously stand out, not because of the roles they play in the narrative but also because the actors are going to great pains to remind fans they are not just comic actors. Also standing out are Sadie Frost as Zuckerman's wife, Zivia, and Stephen Moyer as freedom fighter Kazik Rodem, who wrestle with the hard questions of not only knowing what to do, but how to do it. Director and executive producer Jon Avnet has recreated the ghetto in great detail and makes full use of cinematographer Denis Lenoir and composer Maurice Jarre to make sure this television movie looks and sounds like a theatrical film.
"Uprising" repeatedly asks the question of how a moral person can sustain a moral code in an immoral world, and the uprising serves as the obvious answer. Where "Uprising" is different from its predecessors is how Avnet recasts history to emphasize a sense of how the Jews "win" here. Even though the Nazis will kill 99% of the Jews in the Warsaw ghetto, they did not get them all and they did not get them fast enough to please Himmler and Hitler. Nazi General Jurgen Stroop has to endure being out thought and out fought by a bunch of rabble, all the way having his failure filmed by documentarian Fritz Hippler, who is working on "The Eternal Jew" because for some reason the Nazis do not find the German people to be anti-Semitic enough. The Nazis continue to commit atrocities throughout this movie, but the emphasis is clearly on what the other side is doing.
"The Grey Zone," which also came out in 2001, is of a similar mind in terms of presenting Jews fighting back, and depicts the October 7, 1944 uprising when members of the 12th sonder-kommando succeeded in blowing up two of the four crematoria at Auschwitz II-Birkenau. The sonder-kommandos were the ones who escorted their fellow Jews to die in the gas chambers, then took the bodies to the crematoriums, and disposed of the ashes. For four months the sonder-kommandos carried out their duties, and enjoyed certain privileges (compared to the other inmates), and then were executed. This group of Jews also decided to fight back and like those who resisted the Nazis in the Warsaw ghetto, deserve to be remembered. But only once we have accepted the total horror and scope of the Holocaust can we tell stories such as these, ever mindful that they represent a minority report. How many of you were stunned with a train full of Jews left Auschwitz in "Schindler's List"? The incident was true, but it becomes difficult for us to accept that other side of the story given the overwhelming death count of the Final Solution.
The two commentary tracks are a mixed bag. Avnet spends too much time commenting on the historical accuracy of the action and not enough talking about his decisions as a director, particularly with regards to what changes he had to make when his planned theatrical film was downgraded to a television movie. Azaria, Schwimmer, and Voight recorded their commentary two weeks about September 11th, and engage each other to talk about the production and their performances. Sobieski's comments were recorded separately and edited in, and like Avent, she has a hard time going it alone. There are two documentaries accompanying "Uprising." "Resistance" is a too brief look at the history of the resistance movement in the Warsaw ghetto, although it does provide background on the characters and interviews with some of the surviving fighters. "Breaking Down the Walls: The Road to Recreating the Warsaw Ghetto Uprising," is a behind the scenes featurette with clips and interviews. However, anyone inspired to find out more about the history of the events dramatized here will find plenty of resources easily accessible on the Internet.

Click Here to see more reviews about: Uprising (2001)

After Germany invades Poland in 1939, the Nazis decree that 350,000 Warsaw Jews be forcibly moved into a cordoned area known as the Warsaw Ghetto. Idealistic teacher Mordechai Anielewicz (Hank Azaria) decides the Jews must rise up against the Nazis and creates the Jewish Fighting Organization (JFO).He tries to secure the support of Adam Czerniakow (Donald Sutherland), the morally conflicted head of the Warsaw Ghetto's Jewish Council, but Adam declines because he knows that any act of resistance will provoke the Germans to retaliate by killing innocent Jews.Determined to mobilize a resistance alone if he has to, Mordechai recruits his friends and covert couriers whose ability to pass as Aryan helps them smuggle in arms and explosives from the Aryan side of the city, building up an arsenal to fight the Nazis. When the Germans begin deporting 300,000 Jews to the Treblinka death camp, the JFO begins acts of resistance that culminate with ghetto fighters firing their first gunshots against the Nazis.When it becomes clear that the JFO is a force to be reckoned with, the German High Command sends in General Stroop (Jon Voight), who is determined to end the uprising in two or three days. Capturing the horror that unfolds is Fritz Hippler (Cary Elwes), a filmmaker assigned by Hitler's chief propagandist to promote anti-Semitism with a film about Jewish life in the ghetto. When the Nazis continue to suffer more casualties in their battle with the ghetto fighters, General Stroop decides to raze the ghetto.But even that can't stop the JFO.Forced to go underground into bunkers but energized by their success, the resisters fight on, ultimately holding off the Nazi army longer than the entire country of Poland.They're determined to live with honor--and if need be, die with honor--while lighting the torch for resistance in the occupied territories.

Buy NowGet 25% OFF

Click here for more information about Uprising (2001)

Read More...

Sunshine (2000) Review

Sunshine (2000)
Average Reviews:

(More customer reviews)
It is too bad that so few people saw this film -- one of the best films of 2000. It focuses upon several generations of an ambitious Jewish family in Austria-Hungary. Its message is sad: in 20th century Eastern Europe, the Jews had no hope integrating -- not with the Emperor, not with the Nazis, and not with the Communists. This Jewish family certainly tried. They fought in World War I, the family gave up its Jewish name, one of them married a Catholic and converted to Catholicism, etc. But nothing was ever enough, and anti-Semitism led to tragedy after tragedy. The film ends while the Communists control Hungary. The youngest member of the family naively had worked for the Communists but became disillusioned. He reclaims the family's Jewish name and walks away from politics and the public realm altogether. We know that he sees the socio-political situation much more clearly than did his father, grandfather, and great-grandfather. He knows that he has a choice: endorse official anti-Semitism (and even then risk being accused of conspiring with Zionists) or be a Jew and take the diminished stature in Hungarian society that comes with it. There is no middle way -- the family's multigenerational drive to accomodate Judaism with financial and political success has failed.
This film has a sweep like few others today. It spans generations, tackles big historical events, and wrestles with serious themes. It is well worth seeing if you like serious cinema. Highly recommended.

Click Here to see more reviews about: Sunshine (2000)



Buy Now

Click here for more information about Sunshine (2000)

Read More...

The Garden of the Finzi Continis (1971) Review

The Garden of the Finzi Continis (1971)
Average Reviews:

(More customer reviews)
In "The Garden of the Finzi-Continis" (1970)--based on the autobiographical novel by Giorgio Bassani--legendary Neorealist filmmaker, Vittorio de Sica, dramatizes the human cost of the "racial laws" gradually implemented against the Jews in Fascist Italy during the years 1938-43. The more Bassani's young middle-class Jewish protagonist feels the brunt of Mussolini's anti-Semitic edicts encroaching upon him, the more he feels drawn to the aristocratic Jewish Finzi-Continis' estate--their Edenic "garden"--and to Micòl, the family's beautiful young daughter. Psychologically, this compulsion seems to stem from a deep emotional attachment to a perpetually innocent, untroubled state of childhood, which both Micòl and her garden seem to represent. Throughout the film, there is a marked conflict between childhood and adulthood, between the distant past and the immediate present, between the act of retreating into a world of comfortable illusions and confronting a world of harsh and bitter realities.
I found this particular aspect of the story very fascinating, although too tantalizingly obscure and open-ended--and thus, not quite as illuminating or fulfilling as it might have been were it more clearly explained. (This could the reason why some people find the film--and its heavily symbolic, impressionistic style--a little confusing and underwhelming.)
For Giorgio--both the naive hero and wisened author of the story--Micòl embodies the mystery and allure of the Finzi-Continis, as well as their insularity and their apparent passivity in the face of the escalating Fascist crackdown. She always appears distant and unattainable, with no obvious reasons for her actions, and never really provides a direct, comprehensible explanation for her insistent rejection of Giorgio or for what appears to be a subtle streak of cruelty towards him. Her conversation with him always seems deliberately vague, and her refusal to make any further connection with him has a curious, almost perverse kind of fatalism about it.
Again, this is another feature of the film that is certainly intriguing--and strangely seductive-- but, alas, never quite pays off enough to become fully understandable to either the protagonist or the audience.
When the Fascists finally do arrest the Finzi-Continis and confiscate their estate it comes as something of a surprise. The muted and deliberately spare representation of these characters and their feelings, as evidenced in their unusually restrained behavior, is meant to isolate and heighten the impact of a few devastating strokes of sudden realization and lucidity--pointed indications that the protective spell of the Finzi-Continis has been finally broken.
All in all, well-acted and gorgeously, languidly poetic in its imagery...yet, narrative-wise, the picture seems overly elliptical and ultimately opaque--and leaves just a few too many rough fragments and loose ends lingering at the end of the story (not quite Proustian irony, maybe?). In spite of this peculiar drawback, the film finishes very effectively, and by the final desolate shots, you are left with an unexpectedly intense feeling of loss and anguish.
"The Garden of the Finzi-Continis" is a very unusual and interesting (and thankfully, non-sentimental and non-self-important) addition to the ever-expanding canon of dramatic films about life in the shadow of the Holocaust.
Good show. I give this one four out of five stars.

Click Here to see more reviews about: The Garden of the Finzi Continis (1971)



Buy Now

Click here for more information about The Garden of the Finzi Continis (1971)

Read More...