Showing posts with label gangs. Show all posts
Showing posts with label gangs. Show all posts

Bad Boys (1983) Review

Bad Boys (1983)
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The film is great, but those of you who already own the original Anchor Bay dvd which as been available for years dvd should be weary, since this is just a repackaging. As many of you know, Starz bought out Anchor Bay awhile back, so the re-release and new packaging reflects that. No new features or upgraded transfer--just the commentary and original trailer like on the AB disc.

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The Warriors (1979) Review

The Warriors (1979)
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I'm David Shaber's daughter, Sam, (Samantha.) My father wrote the screenplay for The Warriors, and I'm hoping this "review" gets printed because he just passed away on Thursday morning, November 4th, of a sudden burst anneurism. With so many "Warriors" fans out there, I thought you would want to know. I'm incredibly warmed by these wonderful comments about this film and I know that if he read them (although he had barely learned how to search the internet before he died) he would chuckle in his lighthearted way and say something like "Oh, well isn't that nice," all-the-while refusing to take credit for any of it. But I know he deserved that credit, having taken a dark, psychological study of gang warfare and infusing it with a classic but clever and topical, good vs. evil story. (And maybe I shouldn't admit it, but my dad didn't really like the baseball face-paint idea which I believe was one of Walter Hill's additions - he thought that was too unrealistic and "Hollywood"...) Anyway, I do hope the movie is re-issued with the extra scenes at some point, and for those real "followers" I just discovered that you can find a complete list of his produced titles on the Internet Movie Database (IMDb.com) if you want to check it out. The Warriors is indeed an AFFECTING picture, whether you love it or hate it. So thanks for your comments and take care, -Sam.

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Death Sentence (Unrated Edition) (2007) Review

Death Sentence (Unrated Edition) (2007)
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DEATH SENTENCE is a tough movie to watch, not because it is a poorly made film, but because of the degree of violence that, once started, is mayhem on a roller coaster ride. Though based on a novel by Brian Garfield, the script by Ian Jeffers is a patchwork quilt - the holes show whenever the police arrive on the scene. James Wan, of the 'Saw' movies fame, directs with a keen eye for breathless action sequences and almost intolerable suspense timing that makes the film fly through the 111 minutes of the Unrated version.
During the opening credits we are introduced to the perfect family via home movies and domestic scenes: Nick Hume (Kevin Bacon) is the devoted father, Helen (Kelly Preston) his bright and loving wife, Brendan (Stuart Lafferty) is the golden boy son with all the hockey laurels, and Lucas (Jordan Garrett) the younger 'also ran' son. The glitch in this family's happiness happens one night when, out of gas while driving home from a hockey game, Nick stops at a gas station and while Brendan is in the convenience store a gang comes in and murders the store owner and Brendan: the reason for the killing is not robbery but an initiation rite into a gang accomplished by young Joe Darley (Matt O'Leary) and the demand of his older brother Billy (Garrett Hedlund, in a very out of character role from his usual 'Troy', 'Friday Night Lights', 'Eragon', 'Georgia Rule' persona). Nick witnesses the killing and when the lawyers and police work with him in the aftermath to 'arrange a deal' instead of a murder trial, Nick decides to take matters in hi s own hands.
The Darley brothers are part of a ruthless gang sponsored by their own father Bones Darley (John Goodman, in a very dark and well-realized role). Nick stalks Joe Darley and murders him, and once the deed (that happens to begin a gang war against Nick) is done the terror begins. The gang is out to kill not only Nick but Nick's family also. How this pursued and pursuers game works out furnishes the remainder of the film. It is the old eye for an eye story that ends in tragedy for everyone concerned.
When the film is dealing with the 'family' and the 'gang' the dialog sparkles, but when the police, headed by Detective Wallis (Aisha Tyler), become involved the aid from the police becomes as ludicrous as the dialog placed in their mouths. Kevin Bacon gives a bravura performance as the gentle father driven to murderous madness and Garrett Hedlund matches him as the ruthless and terrifying gang leader Billy. There are enough sidebars about father/son relationships on both sides of the plot line to make the movie have a message. But in the end it is the wildly frantic camera action and directorial decisions by Wan that make this a horrifying and arresting film. Not for the queasy viewer. Grady Harp, January 08

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Gran Torino (Widescreen Edition) Review

Gran Torino (Widescreen Edition)
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Throughout his illustrious acting career, Clint Eastwood has delivered a series of iconic characters, such as The Man with no name, Dirty Harry, Josie Wales, and Will Munny in Unforgiven.
Throughout his illustrious directing career he has delivered outstanding movies such as Unforgiven, Mystic River, and Million Dollar Baby, for which he has won five Academy Awards, for best Picture, Best Director, and including the Irving Thalberg Life Achievement Award.
The actors who have worked with him have been blessed with Oscar: Gene Hackman for Unforgiven, Tim Robbins and Sean Penn for Mystic River, Morgan Freeman and Hilary Swank for Million Dollar Baby.
In Gran Torino he both directs and acts, and delivers an acting performance that will be remembered long after the final credits roll, in its unique way, as memorable as any other character he has created.
Gran Torino is the second best movie I have seen this year. Not just for the acting, not just for the directing, but for the storytelling, and the emotional journey on which it takes you, the laughter, the feeling of being gripped, and its more surprising moments.
In the opening scenes, we have the exposition of the character. We get to know Walt Kowalski, by how people act around him, and his seemingly hateful attitude towards people. More is conveyed through a scowl, and a snarl than with words. When the mischievous grandchildren go through his stuff in the basement, we see the Silver Star he won in Korea. There are three other important symbols in the movie, the lighter, the gun, and the car.
We see a hero with a warrior past, a patriot who fought for a cause greater than himself. Clearly, his bigotry stems from those experiences.
He's not just mean, he's 'get of my lawn' mean. He's Dirty Harry 'Go ahead punk, make my day!,' mean.
His dead wife's priest bugs him to hear his confession, at her request. The priest in a way is his wife's conscience.
When he snarls down the barrel of his rifle, at the neighborhood punk: 'I could blow your head off, and sleep like a baby,' you get the sense that he means it.
So, with all that happens, we see the change in his decision making, from someone reluctant to be involved in his neighbor's affairs, and a story can turn on something as random as looking at an empty beer cooler.
For all his faults, Walt has mature masculine character. Even though he is a difficult father, he has taught his children character. So, when he sees the boy next door lacks character, and a strong male role model, he takes him under his wing, and teaches him how to be a man.
The scenes where the boy practises Walt's high octane ball busting banter, are the funniest in the movie. Through knowing Walt, he makes decisions he never would have made by himself. In so doing, Walt finds meaning and purpose, and a chance for redemption, and the boy becomes a man.
The Academy's actor awards tend to go to actors in two types of role:
1.Psychopath- No Country for Old Men, The Usual Suspects, There Will Be Blood, Training Day, Silence of the Lambs.
2.Mentally Disabled, Social or Physical Handicap, overcomes great adversity or discrimination- Shine, As Good as It Gets, A Beautiful Mind, Ray, Scent of a Woman, Capote, Philadelphia, The Pianist, A Beautiful Life.
Every rule has an exception. Russell Crowe in Gladiator played a character with thematic similarities to Walt.
For a 78 year old man to direct and be lead actor in a movie of this caliber is an achievement worthy at the very least of being nominated for the highest award for Acting, Directing or both.
I hope you find this review helpful.

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A disgruntled Korean War vet, Walt Kowalski (Eastwood), sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.

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The Postman (1997) Review

The Postman (1997)
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It is difficult to review a film that you like, when every professional critic has slammed it. On the other hand, I have to believe I am not alone in my tastes, so, here is some praise for "The Postman", Kevin Costner's cinematic version of the great book of the same name, written by David Brin.

After the success of "Dances With Wolves", it's pretty clear that Costner has been trying to recapture that epic feeling. But where "Water World" was silly to the point of being a caricature of a sweeping drama, "The Postman" avoids the trap. The nemesis, General Bethlehem is played seriously by Will Patton and the situation in general is believable if not completely explained.

I admit there were a few moments that were too heavy handed, the most memorable when the Postman gallops back to snatch a letter from a boy's hand. Even so, I can forgive a little over enthusiasm when it is mixed with a stirring tale. I know that during times of war, rhetoric is grist for the mill and so, the character's obsession with the American way, is understandable, given that it no longer exists.

You see, civilisation has fallen. It's implied that nuclear weapons were used, perhaps even biological weapons. Whatever the cause, people survive precariously, huddled together in fortified towns dreading the next visit of the Holenist army. A band of thugs created during the last days of the war and now led by General Bethlehem towards some nebulous vision, who's only constant is that Bethlehem will be the one in power.

Enter stage left, an unlikely hero. Kevin Costner's character may have a name but it is not revealed during the film. At first he is known as Shakespeare because he is a wandering loner who is sometimes driven to produce one man, one mule, productions of the Bard in the hopes of winning a meal from his audience. His aimless existence is abruptly ended when he is roughly drafted into the Holenist army.

From the first he stands out from the crowd of beaten hopeless recruits and so is singled out for special torments and duties. The army life is brutal enough without having earned the enmity of your squad leader. One thing leads to another and escape presents itself for Shakespeare. Without food or any other protection he stumbles on the remains of an old mail van and spends a night huddled in its dubious warmth, kept company by the body of a US Postal worker.

Whether by chance, destiny or foresight, he dons the guise of a postman and scams his way into a local town. "The mailman's here. Lock up your dogs." So long starved of civilisation, the bedraggled townsmen clamour for news of the world, the government, the future. He has little choice but to answer their questions, with creative and plausible fictions. It is here that the wheels of fate start turning.

The idea he has created, of a new America, is too big for one man to control. The film takes us on a steamroller ride headed straight towards the Holenist army. People with hope demand action. The desire for action creates leaders. Leaders are often forced to carry out the will of the people despite a lack of talent, desire or knowledge.

In this case, a young man, self named Ford Lincoln Mercury, forces the Postman to become a symbol of civilisation and eventually the symbol of resistance. Ford's passion and his actions are resisted for a long time but eventually the Postman comes to share the myth. One man can stand up to tyranny, especially with the help of a few courageous friends and the trust of one strong willed woman.

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Set in the near future after a catastrophic war which has destroyed the government, a traveler finds an old mail bag and starts delivering it.Genre: Feature Film-Action/AdventureRating: RRelease Date: 8-FEB-2005Media Type: DVD

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Crips and Bloods: Made in America (2008) Review

Crips and Bloods: Made in America (2008)
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I was skeptical. What does a blonde (now grey) former professional skateboarder (now film maker) from the other side of town know about gang wars in LA? And then there's me: a white guy from the suburbs in Ohio who was raised by a gun collector who is still pretty open about his use of the"N" word. When I hear about gang violence: I just shrug: "It's probably a fight over something stupid." Still, this film remained in my queue and wasn't working its way up very quickly.
I elevated this movie to #1 when Michael Vick was signed by the Eagles. In one week: I heard two accounts from completely different lifestyles: Prissy ESPN sports talk show host Mike Greenberg declared that he had never heard of the subculture known as dog fighting until the Vick case made the news. Vick stated that dog fighting in his childhood neighborhood was so common that police would stop to see a fight and then drive away. Dog fighting was the norm. It was then when I knew I had to check out Peralta's newest movie as I'd loved the Dog Town and Z Boys documentary.
The first 25-30 minutes of the movie covers pre-1970 race riots in LA and other cities. How invisible lines created "hoods" by police who would commonly question straying pedestrians about "why don't you go back to your neighborhood?" Then abruptly, the movie takes a sharp turn when vocal black leaders like MLK, Malcom X and others are thrown in jail or murdered. Suddenly, all the icons were gone. Think of the Living Colour song: Cult of Personality - "When that leader speaks, that leader dies."
For the rest of the movie I was hooked. I couldn't grasp what was happening. The Crips and Bloods seemed to come out of nowhere. Peralta seemed to have skipped something important. But he didn't. I didn't understand how there were suddenly two gangs. I didn't understand why they were divided and bent on killing each other based on territories, red or blue bandanas, or other reasons.
Before the movie ended, I got it. Young black men without fathers, mentors or real leadership took a downward turn. Image, status and bravado became a common theme in neighborhoods where there is no hope. I will admit that I'm a Republican with strong beliefs that everybody should pull their weight and not rely on handouts. In a world where police often respond by use of strong force, there's little reason to NOT question authority. I have no solutions. The oppressed respond to violence, with violence.
Jim Brown has a couple of short appearances (he's not in the film enough in my opinion) and he is quoted by someone in the extras: "If the police have not resolved the problem in 40 years, they never will resolve the problem." It's about oppression, not the gangs themselves. Stacey says the an outtake that he wanted to make this movie because he didn't understand why there is no gang violence in suburban or upscale neighborhoods. Why are people arming themselves and having gun battles with former childhood friends in impoverished communities?
This movie is a must see for anyone even mildly afraid to drive thru certain neighborhoods or better yet, the generation of kids from the suburbs who were raised on hip hop, MTV and anything that glorified the gangsta lifestyle. In the extras, Snoop Dog and Lil Wayne each give a heartfelt, unscripted point of view that really was impressive.

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Blood In, Blood Out (1993) Review

Blood In, Blood Out (1993)
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We live in an entertainment society where the face of a minority tends to represent the face of a drug dealer or a gang member. Although that is a partial truth to a sad reality that many in our families face, this movie finally serves as a proper representation to people from other cultures and from other communities of life in the streets of East L.A. as a Chicano.
Paco Aguilar (Benjamin Bratt) shows the turn-arounds that many in our community have made for many years now, being able to change from a life of gangs and crime to becoming a figure of authority and respect. Cruz Candelaria (Jesse Borrego) shows how the gifts that are within our fellow brothers and sisters can be tarnished by the devils that are within the drugs that reside in our streets. And last but not least, Miklo Velka (Damian Chapa) shoes the struggles that many in people face from being of mestizo blood, which is true to members of mixed race from any background or ethnicity. His fight to belong leads him towards the world that exist in the confines of San Quentin.
Very few movies have given light to the true reality that exists in our beautful culture, and Blood In Blood Out is at the top of that list. I am somebody who has a little of Paco, Cruz, and Miklo within me. I don't care who you are, after watching this movie, you will know that you have a little bit of all three of them in you too. This is a great movie whether you are Chicano/Latino, Anglo, Asian, African-American, or any other race. This belongs in all movie collections of any culturally-concious movie goer, in any format.

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Now, from the director of AN OFFICER AND A GENTLEMAN and the producer of LA BAMBA comes BLOOD IN ... BLOOD OUT, a critically acclaimed modern-day epic. Within the rich and colorful Chicano culture of East Los Angeles, three cousins raised as brothers fiercely live by a generations-old tradition of family -- a power stronger than law, a force deeper than friendship. In one life-shattering moment, the trio is torn apart, forcing them to follow three separate paths: one searching for truth in the law, one expressing his passion through art, and one finding power in prison. Yet through it all, family and honor keep their lives intertwined as each strives for survival and power!

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