Showing posts with label kevin bacon. Show all posts
Showing posts with label kevin bacon. Show all posts

Death Sentence (Unrated Edition) (2007) Review

Death Sentence (Unrated Edition) (2007)
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DEATH SENTENCE is a tough movie to watch, not because it is a poorly made film, but because of the degree of violence that, once started, is mayhem on a roller coaster ride. Though based on a novel by Brian Garfield, the script by Ian Jeffers is a patchwork quilt - the holes show whenever the police arrive on the scene. James Wan, of the 'Saw' movies fame, directs with a keen eye for breathless action sequences and almost intolerable suspense timing that makes the film fly through the 111 minutes of the Unrated version.
During the opening credits we are introduced to the perfect family via home movies and domestic scenes: Nick Hume (Kevin Bacon) is the devoted father, Helen (Kelly Preston) his bright and loving wife, Brendan (Stuart Lafferty) is the golden boy son with all the hockey laurels, and Lucas (Jordan Garrett) the younger 'also ran' son. The glitch in this family's happiness happens one night when, out of gas while driving home from a hockey game, Nick stops at a gas station and while Brendan is in the convenience store a gang comes in and murders the store owner and Brendan: the reason for the killing is not robbery but an initiation rite into a gang accomplished by young Joe Darley (Matt O'Leary) and the demand of his older brother Billy (Garrett Hedlund, in a very out of character role from his usual 'Troy', 'Friday Night Lights', 'Eragon', 'Georgia Rule' persona). Nick witnesses the killing and when the lawyers and police work with him in the aftermath to 'arrange a deal' instead of a murder trial, Nick decides to take matters in hi s own hands.
The Darley brothers are part of a ruthless gang sponsored by their own father Bones Darley (John Goodman, in a very dark and well-realized role). Nick stalks Joe Darley and murders him, and once the deed (that happens to begin a gang war against Nick) is done the terror begins. The gang is out to kill not only Nick but Nick's family also. How this pursued and pursuers game works out furnishes the remainder of the film. It is the old eye for an eye story that ends in tragedy for everyone concerned.
When the film is dealing with the 'family' and the 'gang' the dialog sparkles, but when the police, headed by Detective Wallis (Aisha Tyler), become involved the aid from the police becomes as ludicrous as the dialog placed in their mouths. Kevin Bacon gives a bravura performance as the gentle father driven to murderous madness and Garrett Hedlund matches him as the ruthless and terrifying gang leader Billy. There are enough sidebars about father/son relationships on both sides of the plot line to make the movie have a message. But in the end it is the wildly frantic camera action and directorial decisions by Wan that make this a horrifying and arresting film. Not for the queasy viewer. Grady Harp, January 08

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A Few Good Men (Special Edition) (1992) Review

A Few Good Men (Special Edition) (1992)
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How much critical thought can the military allow its rank and file? Certainly most orders must be followed unquestioningly; otherwise ultimately the entire Armed Services would collapse. But where do you draw the line? Does it matter how well soldiers know not only their military but also their civic duties? Does it matter whether trials against members of the military are handled by way of court-martials, or before a country's ordinary courts?
I first saw "A Few Good Men" as an in-flight movie, and after the first couple of scenes I thought that for once they'd really picked the right kind of flick: A bit cliched (yet another idle, unengaged lawyer being dragged into vigorously pursuing a case against his will), but good actors, a good director and a promising storyline.
Then the movie cut from the introductory scenes in Washington, D.C. to Guantanamo Bay, Cuba, and Jack Nicholson (Colonel Nathan Jessup) inquired: "Who the f**k is PFC William T. Santiago?"
And suddenly I was all eyes and ears.
Director Rob Reiner and Nicholson's costars describe on the movie's DVD how from the first time Nicholson spoke this (his very first) line in rehearsal he had everybody's attention; and the overall bar for a good performance immediately rose to new heights. Based on my own reaction, I believe them sight unseen. Or actually, not really "unseen," as the result of Nicholson's influence is there for everybody to watch: Never mind that he doesn't actually have all that much screen time, his intensity as an actor and the personality of his character, Colonel Jessup, dominate this movie more than anything else; far beyond the now-famous final showdown with Tom Cruise's Lieutenant Kaffee. Nobody could have brought more power to the role of Jessup than Nicholson, no other actor made him a more complex figure, and nobody delivered his final monologue so as to force you to think about the issues he (and this film) addresses; and that despite all the movie's cliches: The reluctant lawyer turning out a courtroom genius (as lead counsel in a murder trial, barely a year out of law school and without *any* prior trial experience, no less), the son fighting to rid himself of a deceased superstar-father's overbearing shadow, and the "redneck" background of the victim's superior officer Lieutenant Kendrick (Kiefer Sutherland, who nevertheless milks the role for all it's worth).
Screenwriter Aaron Sorkin, who adapted his own play, reportedly based the story's premise - the attempted cover-up of a death resulting from an illegal pseudo-disciplinary action - on a real-life case that his sister, a lawyer, had come across in the JAG Corps. (Although even if I take his assertion at face value that assigning the matter to a junior lawyer without trial experience was part of the cover-up, I still don't believe the real case continued the way it does here. But be that as it may.) Worse, the victim is a marine serving at "Gitmo," the U.S. Naval Base at Guantanamo Bay, where *any* kind of tension assumes an entirely different dimension than in virtually any other location. In come Lt. Daniel Kaffee (Tom Cruise) and co-counsels Lt. Sam Weinberg (Kevin Pollack) and Lt.Cmdr. JoAnne Galloway (Demi Moore), assigned to defend the two marines held responsible for Santiago's death; L.Cpl. Harold Dawson (Wolfgang Bodison) and PFC Louden Downey (James Marshall), who claim to have acted on Kendrick's orders to subject Santiago to a "code red," an act of humiliating peer-punishment, after Santiago had gone outside the chain of command to rat on a fellow marine (none other than Dawson), attempting to obtain a transfer out of "Gitmo." But while Kendrick sternly denies having given any such order and prosecuting attorney Captain Ross (Kevin Bacon) is ready to have the defendants' entire company swear that Kendrick actually ordered them to leave Santiago alone, Kaffee and Co. believe their clients' story - which ultimately leads them to Jessup himself, as it is unthinkable that the event should have occurred without his knowledge or even specific direction.
By the time of this movie's production, Tom Cruise had made the part of the shallow youngster suddenly propelled into manhood one of his trademark characters (see, e.g., "The Color of Money," "Top Gun" and "Rain Man"); nevertheless, his considerable skill (mostly) elevates Kaffee's part above cardboard level. Demi Moore gives one of her strongest-ever performances as Commander Galloway, who would love to be lead counsel herself in accordance with her rank's entitlements, but overcomes her disappointment to push Kaffee to a top-notch performance instead. Kevin Pollack's, Kevin Bacon's and J.T. Walsh's (Jessup's deputy Lt.Col. Markinson's) performances are straight-laced enough to easily be overlooked, but they're fine throughout and absolutely crucial foils for Kaffee, Galloway and Jessup; and so, vis-a-vis Dawson, is James Marshall's shy, scared Downey, who is clearly in way over his head. The movie's greatest surprise, however, is Wolfgang Bodison, who, although otherwise involved with the production, had never acted before being drafted by Rob Reiner solely on the basis of his physical appearance, which matched Dawson's better than any established actor's; and who gives a stunning performance as the young Lance Corporal who will rather be convicted of murder than take an unhonorable plea bargain, yet comes to understand his actions' full complexity upon hearing the jury's verdict.
"Unit - corps - God - country" is the code of honor according to which, Dawson tells Kaffee, the marines at "Gitmo" live their lives; and Colonel Jessup declares that under his command orders are followed "or people die," and words like "honor," "code" and "loyalty" to him are the backbone of a life spent defending freedom. Proud words for sure: But for the "code red," but for the trespass over that invisible line between a legal and an immoral, illegal order they might well be justified. That line, however, exists, and is drawn even in a non-public court-martial. I'd like to believe that insofar at least, this movie gets it completely right.
Also recommended:
Basic
Rules of Engagement
The Firm
The Border
Guantanamo: 'Honor Bound to Defend Freedom'
The Caine Mutiny (Collector's Edition)

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Taking Chance (2009) Review

Taking Chance (2009)
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I viewed this film at a pre-screening, and I left the theater deeply moved. It's a simple story made into a heartfelt film -- Marine Lieutenant Colonel Michael Strobl (perfectly played by Kevin Bacon) accompanies the remains of Private First Class Chance Phelps from the mortuary at Dover AFB in Delaware to his home in Wyoming.
The Marine's death in Iraq occurs in the tense first minute of the film, with viewers only hearing the radio chatter and the explosion on a black screen. The screen comes to light with PFC Phelps' remains being sent to the U.S. The care of the remains and the personal effects makes visible and gives dignity to the anonymous work at Dover AFB.
The story takes the viewer into some seldom-seen corners of America -- from airport cargo facilities to the mountain highways of Wyoming -- and shows everywhere the reverence for the fallen. When the escort gives Phelps' watch, dog tags, and wooden cross to his parents, eight days after his death, even men will feel the tears coming. Finally, as LtCol Strobl (who had not yet been to Operation Iraqi Freedom when he accompanied Phelps' remains home) thinks over the experience, there's a meditation on where duty lies for a Marine Corps officer.
Director Ross Katz, Kevin Bacon, and HBO have given us a profound film that grants us a rare look not at America's prosperity, or freedoms, or politics -- but rather America's soul.
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Based on the true experiences of Lt. Colonel Michael Strobl, who wrote eloquently of them in a widely circulated 2004 article, Taking Chance is a profoundly emotional look at the military rituals taken to honor its war dead, as represented by a fallen Marine killed in Iraq, Lance Corporal Chance Phelps. Working as a strategic analyst at Marine Corps Base Quantico in VA, Lt. Col. Strobl (Kevin Bacon) learns that Phelps had once lived in his hometown, and volunteers to escort the body to its final resting place in Wyoming. As Strobl journeys across America, he discovers the great diligence and dignity in how the military, and all those involved with preparing and transporting the body, handle their duties. Equally important, he encounters hundreds of people affected by Chances death, a vast majority of whom never knew him. This collective grieving eventually causes Lt. Col. Strobl, a veteran of Desert Storm now assigned to office duty, to probe his own guilt about not re-deploying to Iraq for the current conflict. Arriving in Wyoming, Lt. Col. Strobl completes his catharsis when he encounters Chances gracious family and friends, and discovers an extraordinary outpouring of community support.

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Dragon Wars - D-War (2007) Review

Dragon Wars - D-War  (2007)
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I am a 56-year-old movie buff and right off let me confess, I love this movie.
In my opinion this movie was never intended to be taken seriously at all. Consider that in the first exposition scenes you have not one, but 2 entirely different characters in different scenes say directly to the narrator in the middle of his attempted explanation of this nonsensical tale "what are you talking about?" I don't believe this was accidental folks, this is called comedy.
One thing to be aware of when you're watching this movie is that the director is the most popular comedian in the entire country of Korea. He gained his fame and fortune as comedic actor. In other words his entire professional career has been based on making people laugh.
I think most people who are reviewing this movie are completely missing the comedy. Frankly I found the movie to be hilarious.
How anyone could possibly take this movie seriously after seeing the Darth Vader character stupidly get run over by a car 2 times in a row is beyond me. That was obviously comedy (and very funny).
Yes it is entirely overblown. Layers of complete absurdity are piled with additional layers of even more absurdity. Which makes it a perfect satire of the Star Wars, Lord of the rings, Harry Potter and all of the rest of the overly pompous mega-movies. If there is a big overblown scene in one of those movies you're going to see a similar scene in this one.
A few examples. The Gungan Army scene from Star Wars episode 4 -- only this time the Army with the cute, smiling dinosaur critters with the weapons on their backs are the bad guys. And these smiling dinosaurs are wreaking total havoc on Los Angeles fighting the LAPD. The incongruity of the destruction and the cute smiley dinosaurs is absolutely hilarious.
Remember the giant explosion scene in Independence Day with the flames and flying cars rushing up the street? It's here, but with a very funny twist. In this movie the same thing is done by a giant snake rushing up the street. The exorcism scene in the Exorcist? Yep, it's here too, tossed in like the kitchen sink, completely unconnected to any plot points.
Giant marching Imperial Army and Ninjas? Sure enough. Darth Vader character with a ridiculously laughable sinister voice? Of course. Rampaging Jurassic Park dinosaurs? You got it. Dogfights straight out of Independence Day? It's here too.
Savor the site of Ray Harryhausen look-alike creatures doing massive destruction that Ray most certainly dreamed of, but couldn't accomplish with the technology of his day. I can tell you that he is smiling in his grave cause this movie delivers a wonderful tribute to his work.
Let me name a few more of the movies that have tributes here. Pitch Black, King Kong, Seventh Voyage of Sinbad, Men in Black, Dragonheart, Ghostbusters, Godzilla, Ninja Mutant Turtles, the Host, The Thing, Rodan and even Monty Python and the holy Grail. It doesn't stop there, look carefully and you'll see many many more.
Does the acting suck? Absolutely. Is the story completely incomprehensible? It most certainly is. Is it even more ridiculous than Star Wars, Lord of the rings or dozens of others. Yes it is, and I believe that was exactly the point.
I predict this movie will be watched at midnight showings at colleges 10 years from now with folks rolling in the aisles.
I have seen lots of Hollywood studio comedies recently and have not laughed nearly as hard as I did watching Dragon wars. I literally had tears streaming from my eyes many times because I couldn't stop laughing.
So give yourself a break from any pretensions of seriousness, have a glass of wine and have a fun time watching and laughing at the funniest, most ridiculous spectacular eye candy CGI movie ever.

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Meet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle, a war you'll only believe when you see it for yourself.

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